cai guo-qiang, sky ladder, 2015
Monterey Bay Aquarium
Cosmic Funnies
Cosimo Galluzzi
TVSTRANGERTHINGS

Love Begins
untitled
Xuebing Du
$LAYYYTER
cherry valley forever
RMH
KIROKAZE

PR's Tumblrdome
The Stonewall Inn

trying on a metaphor

pixel skylines
tumblr dot com
ojovivo
Lint Roller? I Barely Know Her
One Nice Bug Per Day
seen from Singapore

seen from Romania

seen from United States
seen from Zimbabwe
seen from Saudi Arabia
seen from Thailand

seen from United Kingdom
seen from Kenya

seen from Panama
seen from Jordan

seen from Brazil
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seen from Vietnam

seen from Bangladesh

seen from United States
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@untitledblogproject
cai guo-qiang, sky ladder, 2015

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Skirt (spring-summer 2004) by Helmut Lang.
Jackson Pollock standing in front of a blank canvas (1950s)
Graffiti white painted leather jacket (specially made for the presentation) T-shirt ‘Prism’ Trousers ‘Be’
She is punk!
Class of 2002–2003 Jurgi Persoons, Fall–Winter 2002–2003 Photography by Ronald Stoops | Graphic Design by Chika Ujihara

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Mark Rothko, No. 6 (Violet, Green and Red), 1951
Venice: Sarah Lucas at The British Pavilion
Philippe Salaün
Paris, 1972
[three shrouded figures tied by necks to pole] [x]
Oscar Tuazon/Elias Hansen - Untitled (Kodiak Staircase) - 2008

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Maison Martin Margiela spring—summer 1999.
HANDCRAFTED PIECES. Raw finished vintage denim waist-coat and customized jeans with random patches. T-shirts and shirts printed with their own photographic image.Â
Presentation: 6 rue Fèrou, a large abandoned private house at Place St Suplice in the 6th arrondissement of Paris. The official ‘calendar’ of shows, sent to journalists by the French Chambre Syndical of Haute Couture and Prêt a Porter is stamped and used an invitation. The invited public fill the first two floors of the house. All shutters on the windows and curtains are shut to the outside world. Only the existing light bulbs, hanging on a wire from each ceiling, light each room. The sound and conversations of the public on the first floor are broadcast to the public on the ground floor and vice versa. While the public waits for the show to begin, men in white coats, wearing ‘sandwich boards’, walk in procession through the rooms. Poster size photographs of garments from ‘6’ are printed on each sandwich board. Fifteen men wearing garments from ‘10’ follow them. When all twenty-five men leave the space, the lights go out, and the invited public stands in darkness. Forty women wearing the collection begin their procession, one at a time, through each room. As each woman enters a room they are lit by small lights hand-held by a team of fifty-four men spread throughout the house. As they move through the room their light follows them and goes out as they leave the room. Each woman smells of patchouli oil. A soundtrack of heavy rock music plays over the sound system. For the finale all of the forty women and twenty-five men, pass through the crowd. Collection: The collection is now made up of groups: 0: Reworked garments for women; 0/10: Reworked garments for men; 1: A collection for women; 6: Garments for girls & women, 10: A wardrobe for men, 13: Publications – objects and 22: Shoes for women. All groups other than ‘1’ carries a label on which the numbers 0 to 23 are printed. In each case the relevant number for that piece is encircled on its label.
Rosemarie Trockel
louise bourgeois photographed by alex van gelder
Robert Rauschenberg
Luc Tuymans Reparation

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Gerhard Richter, Waltersdorf (1932)
The Chair  (1965)
photorealistic paintingÂ
Ana Maria Micu: sublime weight in our lives, 2013, oil on canvas, 100 x 120Â cm.