Ornella Muti in "Stregati" (dir. Francesco Nuti - 1986).

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@unflinchingly
Ornella Muti in "Stregati" (dir. Francesco Nuti - 1986).

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Yeah, because I'm extremely romantic here. You know what is my fear? This postmodern, permissive, pragmatic etiquette towards sex. It's horrible. They claim sex is healthy; it's good for the heart, for blood circulation, it relaxes you. They even go into how kissing is also good because it develops the muscles here β this is horrible, my God! It's no longer that absolute passion. I like this idea of sex as part of love, you know: 'I'm ready to sell my mother into slavery just to fuck you for ever.' There is something nice, transcendent, about it. I remain incurably romantic.
Slavoj Ε½iΕΎek
same Zizek, same.
Fairy Bike Club, Kansas City, 1983
2023 has been quite trying, but I'm happy that I discovered a love of making these horse animations this year.
Jill Ireland in βSomeone Behind the Doorβ (dir. Nicolas Gessner - 1971).

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Me and my demons
Artists is nho eskape
"The Spirit Leaves the Body" (1968) by Duane Michals
The Gift (2000) | dir. Sam Raimi
Pink Flamingos (1972) // dir. John Waters
Birthday remembrance - Bill Paxton #botd

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β Edith Sitwell, from "Fire of the Mind: The Complete Anthology of E. S.,"
The nerves connected to the human jaw
donβt invite me unless these are the plans
by june bates
θΏθθε°θ Mycena Subcyanocephala fungi translates to the "blue-head" and measures at only a single millimeter.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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the craziest thing about being alive is that you have to live with other peopleβs interpretations of you
Nobody has the time β¦ to be vulnerable to each other. So β¦ we just go on.
John Cassavetes, from the screenplay Faces (Continental. 1968)