Ornella Muti in "Stregati" (dir. Francesco Nuti - 1986).
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@unflinchingly
Ornella Muti in "Stregati" (dir. Francesco Nuti - 1986).

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Yeah, because I'm extremely romantic here. You know what is my fear? This postmodern, permissive, pragmatic etiquette towards sex. It's horrible. They claim sex is healthy; it's good for the heart, for blood circulation, it relaxes you. They even go into how kissing is also good because it develops the muscles here – this is horrible, my God! It's no longer that absolute passion. I like this idea of sex as part of love, you know: 'I'm ready to sell my mother into slavery just to fuck you for ever.' There is something nice, transcendent, about it. I remain incurably romantic.
Slavoj Žižek
same Zizek, same.
Fairy Bike Club, Kansas City, 1983
2023 has been quite trying, but I'm happy that I discovered a love of making these horse animations this year.
Jill Ireland in “Someone Behind the Door” (dir. Nicolas Gessner - 1971).

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Me and my demons
Artists is nho eskape
"The Spirit Leaves the Body" (1968) by Duane Michals
The Gift (2000) | dir. Sam Raimi
Pink Flamingos (1972) // dir. John Waters
Birthday remembrance - Bill Paxton #botd

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— Edith Sitwell, from "Fire of the Mind: The Complete Anthology of E. S.,"
The nerves connected to the human jaw
don’t invite me unless these are the plans
by june bates
近藍蓋小菇 Mycena Subcyanocephala fungi translates to the "blue-head" and measures at only a single millimeter.

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the craziest thing about being alive is that you have to live with other people’s interpretations of you
Nobody has the time … to be vulnerable to each other. So … we just go on.
John Cassavetes, from the screenplay Faces (Continental. 1968)