Belated, but really great. Good work Fold 7Â
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Belated, but really great. Good work Fold 7Â

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Where's all the magic gone?
I've just read a really interesting article on Northern Planner (In a world where everything is available, is accessibility a sensible strategy?) which is far more balanced and coherent than the ramblings below.Â
Really valid insight - buying things used to be a difficult process, and thus when you found what you wanted - record, gig tickets, films, clothing etc - it was a magical experience.Â
You had to save. You had to travel to town or city. You had to rummage. Que up if there was going to be demand. Go to the cinema because if you didn't, you'd missed it anywhere else. Hope they had your size, and that it fit. Hope that you look great and hope that a record. It wasn't just about owning something at the end; the whole process of difficulty, hope, fear, the sense of achievement, made what you got in the end more special. And the experience of getting it right all the more magical.Â
We all know that everything is now throw away - everything is accessible and you can get everything you want, whenever you want. Music no longer seems as special. Vintage fashion isn't a new phenomena, but does the initial drive in a love of Vintage hark back to the desire to find something magical and unique - by a difficult means - if it's gone it's gone.Â
We're bombarded with messages about the ease of everything Nothing stands for anything anymore. There's no sense of endeavour. No taking a punt. You can't take a band and love all they represent, and be willing to stand in the rain for a day waiting for tickets. Somehow that has become the purveyor of the computer game geek - they are the hardy boys outside a shop waiting for the release of their favourite product.Â
I'm not saying it should be difficult to purchase things and we should go back to a three day week bleakness. What we need are magical experiences, which enhance the end product so it means more, and is worth valuing.Â
Christmas 2011 with John Lewis.Â
Charming, understandable, relevant and with a delightful twist.Â
Great article here too.Â

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London Advertising Monopoly - I love that Sir Martin is in the middle, presumably running off after more shares, a bigger bonus and higher basic.Â
hedgewytch:
ilovecharts:
Image by EpicGraphic
Oooh! Cake!!
helloyoucreatives:
Vogue x Disney

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DEC campaign parodying Media Lunches.Â
Perhaps I find this more amusing as I know one of the guys in it who certainly was/is an expert at Media Table Top Trumps. Either way it shows how much ridiculous money is spent on spoilt media brats who are spending clients budget.Â
helloyoucreatives:
What will your mouth go through today?
helloyoucreatives:
Its over now cry.

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As O2 storms ahead in our minds, contracts and sponsorships now a days you do forget what an innovative brand Orange was back when they launched in 1998.
This fantastic case study, The FTSE’s bright, the FTSE Orange, showcases how the launch campaign built and additional £2.9 billion of share holder value and lead to Orange being sold for £29 billion, back when they were making merely a million a year in profit.
The case study is fascinating and shows how Orange and WCRS, back in their prime, captured the zeitgeist, created a phenomenal copy writing slogan and helped build a business largely from advertising and media.
Brilliant.Â
"In the mid-Seventies, 30 million people watched the Morecambe and Wise Christmas Special on BBC television, and that's what television used to be about: participating in a massive shared experience that helped bind the fragmented country together. Why not watch Stewart Lee's Comedy Vehicles alone, on BBC iPlayer, on your own time and be a part on nothing."
Stewart LeeÂ