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tanxxx-deactivated20221025

sans titre (couple) linogravure 3 couleurs sur papier wenzhou >>> http://tanx.free-h.fr/shop/GRAVURES/GRAVURES/20180325-couple1.jpg.php

denvolnov

klarozipton-deactivated20210417

An efficient successful person… If you want to be an icon you have to accept to be an object, just like a robot, but never forget the spiritual lyrics.

Rashomon (1950) -Akira Kurosawa-

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fotomomonga

weirdlandtv

“I can’t stand it! I want to see the world I knew again!”

sharontates

A young woman stands in front of a novelty mirror at Southend-on-Sea in England, C.1930’s

#Surgissement

chacoco

sinead-o-finn-deactivated201901

Quand parfois heureusement, les biscuits sont là.

#PasD'amoureuxMaisDesBiscuits #TendresseEtSexe #BeaucoupPlusSimple

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passidina

sinead-o-finn-deactivated201901

Quand c'est pas bien vu d'avoir plusieurs biscuits.

#EtantCélibataireJeFaisCeQueJeVeux #PlusDeBiscuitsPlusDePlaisir #AToutMomentDeLaJournée

pragmaticam

aintthatakick

moonlightsdreaming

by 有寺

decadentiacoprofaga-deactivated

De El Hombre sin talento por Yoshiharu Tsuge.

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snubpollard

Delighted to see that Lucile Hadžihalilović will have a new film out this year; she’s probably best known as a Gaspar Noé cohort (producer, I Stand Alone; co-writer, Enter the Void), but her 2004 feature Innocence is a truly unique allegory of adolescent reverie/dread. This is a panel from the official manga adaptation(!!!!!) of her first film, 1996′s La Bouche de Jean-Pierre, drawn by Robot Okuda, who pairs full-page images (such as this) on right-facing pages with text and photography on left-facing pages, leaving only crucial scenes to appear as ‘full’ comics… (Mimi - La Bouche de Jean-Pierre, Robot Okuda c. 1998)

pragmaticam

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