Mark Immortell
âI didnât expect seeing you here, of all people. You know how it works, right? You are Andrey Stamatin. What kind of beast is required to take down a man like you?â
â
âNot your fault? How could you? How could you assume that? Death is repulsive, how dare you kiss her cold lips. You sought her touch, didnât you? Grasped her cold hands.â
â
âNow, now, I donât want to hear your pitiful excuses. Thereâs someone close to you looking for a sustainable way to⌠step over it. Not even run from death - as you clearly know, that would fail. By the way, this is going to be your second attempt, isnât it? Not too bad, but your brother managed to stay alive until now. Shouldnât it be the other way around? Isnât he the one who needs protection?â
âÂ
âYou act like Iâm the one burdening you with these shackles. When in reality, it was you who put them on. Blame your own stupidity for dragging you down. You didnât save your strength, instead running to find a dead body. What did you think would happen? That she would still be alive by the time you reach her? She left that letter to you the day before. It was well over night when you found it. Doves tend to fall from the sky more at night than day. Or did you ever catch one during your walks?â
âÂ
âThis wonât be a learning experience. Death teaches nothing. It only waits. Itâs an abyss, without will. Similar to the one your other half is planning. Itâs the plague that teaches. The Town. Conflict is educational. Seek that instead of wandering about.â
âÂ
âI may have already told you too much. The play itself isnât mine, havenât I mentioned? They wrote the script. Iâm just an interpreter. A prompter. Youâre Andrey Stamatin, did you forget? So follow your artistic path. Thatâs your way for now. Your bridge lies over the abyss. Build it, and itâll all come together. Unless the chains drag you down again in which case, you will have to pay me another visit.â
âÂ
âTo overcome death, you must come in close contact with it. But you wonât defeat it by climbing into its maw, nor by running. Itâs different. I think it is your courage that drives you mad. The very thing that brought you here. So how about we make a deal? Your life for the price of your cursed bravery. Sounds like a fair deal, doesnât it?â
POV: Andrey Stamatin
He couldnât recall when he arrived in the theater, and yet here he was. The sight of Mark Immortell was an unpleasant one, but at least not unexpected. Both he and his brother were at times theatrical and dramatic, but this man was another thing altogether.
âApparently the sand pest.â
His response was dry. This all seemed like a repetition now that he thought of it. He knew the theater well enough, but this was something more than just the building in the center of the town. Hadnât he been here before? Kneeling by his brotherâs side?
âIsnât it in the script?â
The wound was still fresh in his chest. It hurt to think of the last time he saw Eva, but he would never give Immortell the satisfaction of seeing such side of him. At least not here.
âLeave him out of this.â
The apathy he portrayed before the director instantly vanished at the mention of his little brother. He would do it a thousand times over, withstand the plague every day if it meant that his brother remained unharmed. It was how it was meant to be. His brother would live, Andrey would fall if he had to.
His nerves were already on edge at the mention of his brother when then came the mention of Eva, yet again. Who did this guy think he was? Director or not, to mock her death...
There was no thought given as he clenched his fist and threw it at Immortellâs features. Director or not, nobody would disrespect Eva without getting some in return. And yet...
And yet... He remained unharmed. Andrey was sure he threw a punch towards the man, just as he had many others before him, and yet this man remained untouched. His words still rang as normal. The script carried on. Andrey wasnât meant to react, he wasnât meant to be this sensitive, especially then.
âHow about I seek that âconflictâ with you, bastard? You ought to learn a thing or two about how you speak of others.â
Andrey still felt the urge to make that director pay for what he uttered and yet he felt his anger dissipate. The way he spoke was as a guide, it wasnât necessarily personal. They were in the theater, and in a way, this was an act. He had to follow through the script, to fulfill his role. But it was wrong. His emotions intertwined one another with what he should do and what he ought to feel. Actors and plays. Death and repetition. What was he in all of this?
âWhat would you know about building anything...â
His words sounded distant now. A play it was. And he was meant to build bridges now? A bridge over an abyss... It wasnât a concept he couldnât grasp yet he lacked a reason to go through with it. It was a play, with a script and a purpose, and yet he spoke as though Evaâs death was planned and he wasnât meant to care for it. How could he not chase after his woman? How could he not wrap his arms around her to shelter her from her own thoughts? He did what he could. He did what he had to. His chest still ached whenever he thought of her and how they last met, and yet heâd do it all over. He had no regrets. Peter was safe, Filin was safe and Eva wasnât coming back.
The deal itself lost all of itâs meaning as Andrey pondered through what he had done and what he could do. He had done everything he ever wanted to. The rest of the play could run itâs course without him, especially if the trade-off was to lose his courage. What would he be able to do without that? Nothing.
Solemnly, Andrey shook his head.
âIâve done my share of dancing. Let the curtain fall.â










