Danielle Mckinney aka Danielle Joy Mckinney aka Danielle J. Mckinney (African-American, b. 1981, Montgomery, AL, USA, based Jersey City, NJ, USA) - Face Mask with Prayer, 2021, Paintings: Acrylic on Canvas
trying on a metaphor
I'd rather be in outer space đ¸
Three Goblin Art

Discoholic đŞŠ
2025 on Tumblr: Trends That Defined the Year
Cosimo Galluzzi
RMH

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NASA
cherry valley forever
Claire Keane
Cosmic Funnies

ellievsbear
tumblr dot com
Sade Olutola
Xuebing Du
i don't do bad sauce passes
Sweet Seals For You, Always
styofa doing anything
let's talk about Bridgerton tea, my ask is open
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@twominustwo
Danielle Mckinney aka Danielle Joy Mckinney aka Danielle J. Mckinney (African-American, b. 1981, Montgomery, AL, USA, based Jersey City, NJ, USA) - Face Mask with Prayer, 2021, Paintings: Acrylic on Canvas

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Sandman
Art by MatĂas Bergara

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The Calling of Samuel (1877) - Gustave DorĂŠ

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Lake House
âTake me to an art museum. Kiss me between the paintings.â
Musee de l'Orangerie by Claude Monet
âUntitledâ (Portrait of Ross in L.A.) is a 1991 piece by Felix Gonzalez-Torres in the collection of the Art Institute of Chicago. Itâs a spilled pile of candy.Â
The pile of candy consists of commercially available, shiny wrapped confections. The physical form of the work changes depending on the way it is installed. The work ideally weighs 175 pounds (161 kg) at installation, which is the average body weight of an adult male. âUntitledâ (Portrait of Ross in L.A.) represents a specific body, that of Ross Laycock, Gonzalez-Torresâ partner who died of AIDS in 1991. This piece of art serves as an âallegorical portrait,â of Laycockâs life.
Visitors are invited to take a piece of candy from the work. Gonzalez-Torres grew up Roman Catholic and taking candy is a symbolic act of communion, but instead of taking a piece of Christ, the participant partakes of the âsweetnessâ of Ross. As the patrons take candy, they are participants in the art. Each piece of candy consumed is like the illness that ate away at Rossâs body. Â
Multiple art museums around the world have installed this piece.
Per Gonzalez-Torresâ parameters, it is up to the museum how often the pile is restocked, or whether it is restocked at all. Whether, instead, it is permitted to deplete to nothing. If the pile is replenished, it is metaphorically granting perpetual life to Ross.
In 1991, public funding of the arts and public funding for AIDS research were both hot issues. HIV-positive male artists were being targeted for censorship. Part of the logic of âUntitledâ (Portrait of Ross in L.A.) is you canât censor free candy without looking ridiculous, and the ease of replicability of the piece in other museums makes it virtually indestructible.
Sometimes I look at modern or performance art and think âthatâs just stupidâ
Then you learn about its intent and its making and sometimes I think âthat is definitely stupidâ
But sometimes itâs just so profound and moving on so many levels that you know that no one could possibly argue it isnât art
Buddha of Leshan | ( by Marcel )

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The Little Sea Maid (Detail modified), 1916. By Harry Clarke
Diego and I, 1949, Frida Kahlo
Medium: oil,canvas,masonite