Hello and welcome to this corner of contradictions! I am a proud Greek archeologist and singer who loves mythology and worldbuilding! This page will be dealing with various themes but mostly fanart related to the TV series, comic and manga such as W.I.T.C.H and OCs to them.
Some of my work includes creating music such as:
Ballard's Sad Flute
or singing:
Dilla's Songchord (Avatar AU)
Some of the fanfictions that I do write on this fandom do include the below works, mostly one-shots and analysis on the worldbuilding
Hidden Truth Prequel: The Peak of Madness -complete-
(Diego -OC- slowly loses his mind and agony while waiting for his brother Caleb to show signs of life. Believing he truly is abandoned by everything and everyone, Diego uses his magic to do the unforgivable; take Caleb's form and hold his brother prisoner!)
Uneasy Lies The Head -complete-
(Diego is tormented by his guilt for what he did. And so he dreams and his dreams are nightmarish; mix of memory and dream)
~~~
Aditionally this page is also on occasion dealing with Greek mythos and poetry, particularly the homeric epics (Iliad and Odyssey) and the characters involved at them (with some special emphasis on Odysseus and the people who got related with him)
Some of the stories:
Guilt:
(Odysseus is being guilt-stroke and horrified by the success of his plan to take Troy and by the Greek rage upon it and sinks to a series of thoughts and flashbacks) -complete-
Part 1
Part 2
Part 3
Survivor's Guilt and Survivor's Duty:
(Odysseus loses his last ship and last comrades at the sea, roams about for 9 days helpless and beaches at Ogygia where even more trauma awaits him) -complete-
Part 1
Part 2
Part 3
Gone with the Wind:
(Odysseus remains awake for 9 days guarding the sack given to them by Aeolus in order to reach his home faster. However soon he finds out that sleepless nights take a toll on him and the consequences are severe...) -complete-
Part 1
Part 2
The Death of Odysseus:
(The final moments of the king of Ithaca, based on the prophecy of Tiresias in the Odyssey. Odysseus has lived a long life and meets his end while finally meeting with an old friend...and his journey to the Underworld begins...) -complete-
Part 1
Part 2
Part 3
(Extra): The Funeral
Ismarus! Ismarus!:
(Odysseus and his men leave from Troy but are devided from the rest of the fleets by a storm. They find themselves in Thrace to the city of Ismarus where Odysseus decides they should raid the land of Cicones) -complete-
Part 1
Part 2
Part 3
The Witch's Lair:
(Odysseus's adventure in Aeaea and his bargain with the goddess-sorceress Circe)
Part 1
Part 2
Part 3
Part 4
Part 5
Sweet Dreams:
(Neoptolemus has built his empire, he is expanding his name and yet his guilty conscious won't let him rest. Plundered by horrific nightmares he desperately seeks help from the gods to release him from his torments)
Part 1
The Roar of a Dying Lion:
(Agamemnon returns home after 10 years of war having Cassandra with him. However his most desired homecoming is drenched in blood. At the other edge of the world his brother Menelaus receives the news)
Part 1
Great Sorrow:
(Menelaus is left lost and devastated after Helen left and practically an emotional wreck. He finally picks up his places and goes to his brother, the only person he can rely on) -complete-
Part 1
Part 2
Part 3
Part 4
Part 5
Part 6
Part 7
The Curse of Beauty:
(Helen travels to Cythera to pay her respects to Dione and Aphrodite where she fatally meets with the Trojan Prince Paris and everything in her life is about to change)
Part 1
~~~
Short Stories
If I never knew you
Odysseus Leaving Ithaca (random Pocahontas inspo)
Odysseus and Helen
Argos (analysis and tiny scene A Tribute to Argos)
Screams and Shadows in the Night (Odysseus and Nausicaa one-shot)
Philoctetes Inspiration (Odysseus and Diomedes one-shot)
Philoctetes Inspiration 2 (Odysseus, Diomedes Philoctetes and Neoptolemus one-shot)
Ruthless Justice (Odysseus and Telemachus one-shot)
The Will to Die The Need to Survive (Odysseus and Calypso one-shot)
Escape from Cyclops Island: Hubris
I Take that Back (Odysseus Menelaus and Diomedes one-shot)
The Why never asked and the Because that never mattered (Helen and Menelaus one-shot)
The Lament for a Life (Achilles and Antilochus short songfic)
It's you; always has been you! (Neoptolemous songfic)
What makes the Heart Beat (Achilles and Antilochus one-shot)
Pomegranate Spell (Patrochilles and Achillochus story)
Guard Dog (a Patroclus and his dogs one-shot)
Kynaeon Asma (Achilles and Antilochus one-shot)
Heart to Heart (Post-Aulis Odysseus Achilles and Menelaus one-shot)
Flower Stained with Blood (Neoptolemus one-shot)
Trauma of the Mind (Odysseus and Diomedes short story)
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Fanfic writers, reblog if you’re okay with people sharing the links to your fics to their friends and/or for fic rec posts without having to ask for your permission first
(I saw a debate about whether or not it was okay for people to share fic links around without asking the authors first, since some authors may not be comfortable with the links to their fics being shared around on twitter or tumblr. so I thought this post could be a blanket permission for authors who were okay with the links to their fics being shared around!)
Everyone: Odysseus cares for no one but himself, Penelope and Telemachus. Anyone else doesn't matter to him or matters very little
Actual Odysseus: Treats his subjects like a father. He was allowing other noble kids close to him (Eurymachus was eating on his knees at his table), gave mercy to Antinous's father even if he straight out betrayed him to the Taphian pirates, always fought to the front line at war and didn't let anyone from his people get hurt on his expense, he stopped a riot to the army and defended Agamemnon against the slander of Thersites, saved Diomedes at risk of his own life by giving him his chariot to escape, he cleansed people from sins himself even if there was a priest available, he felt pity about Ajax's condition and he was the one to insist give him a funeral, he handed Neoptolemus his father's armor as a heirloom even if he could have kept it, he defended his men against all odds with every way possible including but not limited to selling himself to a goddess that had them hostage and arming himself to fight Skylla, he gently refuses Nausicaa being respectful of her, he honors his hosts, he tries to test the suitors and makes sure that they truly are beyond saving, he tries to warn Amphinomus so that he will not perish unsuccessfully, he embraces his slaves like equals and treats them like proper friends, he openly defends people like Menelaus or Agamemnon, he respects Diomedes and doesn't look down upon him, he respects his opponents...
Me: ... Yeah that’s an amoral sociopath alright...he doesn't care for anyone...
Everyone: Odysseus cares for no one but himself, Penelope and Telemachus. Anyone else doesn't matter to him or matters very little
Actual Odysseus: Treats his subjects like a father. He was allowing other noble kids close to him (Eurymachus was eating on his knees at his table), gave mercy to Antinous's father even if he straight out betrayed him to the Taphian pirates, always fought to the front line at war and didn't let anyone from his people get hurt on his expense, he stopped a riot to the army and defended Agamemnon against the slander of Thersites, saved Diomedes at risk of his own life by giving him his chariot to escape, he cleansed people from sins himself even if there was a priest available, he felt pity about Ajax's condition and he was the one to insist give him a funeral, he handed Neoptolemus his father's armor as a heirloom even if he could have kept it, he defended his men against all odds with every way possible including but not limited to selling himself to a goddess that had them hostage and arming himself to fight Skylla, he gently refuses Nausicaa being respectful of her, he honors his hosts, he tries to test the suitors and makes sure that they truly are beyond saving, he tries to warn Amphinomus so that he will not perish unsuccessfully, he embraces his slaves like equals and treats them like proper friends, he openly defends people like Menelaus or Agamemnon, he respects Diomedes and doesn't look down upon him, he respects his opponents...
Me: ... Yeah that’s an amoral sociopath alright...he doesn't care for anyone...
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Is that bad? Sorry i am not well versed in myth cuz the person in the video didn't mean it that way.
I am not sure what you mean dear Anon for you didn't provide me any more evidence or video but if you tell me that the person in the video indeed about Athena being "men ain't shit" prototype then it is not just bad. It is ridiculous
Athena was not against men nor did she preach how "women do it better". Athena is associated both with men and women and in fact she supports each gender's traditional roles through her guidance; men about war and strategy women about weaving and marriage and ruling their household
Hire two Greek actors (one of which being a legendary beauty who already played Penelope to perfection and the other being a fantastic theatrical actor, basically a copy of Odysseus who also played Odysseus to perfection even if it was a tiny role)? To play these said roles at full force together?
Given that "Iphigenia 1977" is arguably the best movie about Greek mythology I have ever seen (Greek production exclusively, faithful to the text, shot in situ and with amazing dialog and music) and that "L'Odissea 1968" is arguably the most faithful adaptation in live action of the Odyssey with fantastic artistic cinematography, shot in Ionian sea, with Balkan and Italian actors and being daithful to the text
Allow me to disagree with every portion of my soul.
do you watch movies for the plot and filmmaking? or do you watch movies for how many boxes they check off of your Authenticity list? i don't care where it was filmed or what nationality the actors are. why would i? it's a movie. i care about whether it's good or not
Why don't you? Do you watch a movie for based on how many explosions or special effects it has? People watch films for the filmmaking, the beauty of its art as well as at how well it transfers what it wants to transfer.
Imo any legend looks better when presented as the storytellers intended it to look like. This is why when it comes to myths I prefer to watch stuff that are aesthetically connected to these areas. If I watch a west Africa related legend I prefer to watch it with west African actors or designs. If a movie is set in a part of the Mediterranean I prefer to watch it with actors and designs from the Mediterranean. If a legend is set in Japan I prefer to watch it with Japanese actors etc. Why? Because to me it looks more authentic, more proper and more respectful to the legend's intentions.
And as I said filmmaking, acting and environment is what makes a movie good and not just another movie that looks like the others and has no soul. Which is my idea for a good movie. If someone has as idea a good movie a generic Hollywood story that they just go in the cinema and enjoy some explosions and such to pass the time and numb the brain for escapism I am sure they wouldn't like this. But this is not my idea for a good movie. And people have different opinions on what a good movie is.
The Odyssey famously doesnt really have special effects. almost everything in the entire movie is done practically, even the men turning into pigs.
also you are a racist. that second paragraph is just straight up racist. legends dont have intentions. you just are upset that the movie has black people in it.
have you even seen Nolan's Odyssey? there's no explosions in it, lol. are you getting it confused with Transformers movies that came out 15 years ago?
also i think you misunderstood me. plot and filmmaking are what matter in a movie, not how many boxes they check off of your Authenticity Checklist. i think you thought i said i dont care about cinematography? which is a crazy thing to say, especially when we're talking about The Odyssey. all my problems with that movie are script-based. the cinematography is stunning. you wouldnt know that though, because you havent seen it haha
Aaaand here we go. The usual talk is here. For once never mentioned any movie of any intentions and never mentioned I do not like movies with black people in it (in fact my comment said that I wanna see a movie with black people in it entirely in their own fantastic and rich culture) but of course you are always obsessed with that are you?
Have you ever seen Iphigenia? There are no explosions in it and beautiful dialogs. I am sure you haven't and that is fine but don't pretend you can judge it. And if you think that legends do not have intentions and they are just there then I am sorry your teachers didn't teach you well at school.
Oh my gosh 😍 that first image is perfection for that innocence that Neoptolemus once had and then we have the differences between his original innocence and these final moments or the moments after the war!
Oh my for sure when he appeared at the battlefield and they said that his skill was unparalleled and the Trojans thought that Achilles had come back to life in sources like Quintus Smyrnaeus! And yeah with all these daddy issues he probably was extra violent lol
Hahahaha oh gosh I died 🤣 😂 like they are at that point "where is that motherfucker finding these?! Out if which magical hat is he pulling them out?! Does he have an inventory?!"
Also "Blondie Lite" lord I died 🤣🤣🤣🤣
Gosh I love your style! You draw in such a great way! And yeah Light Yagami can definitely fit both father and son up to a certain point but certainly Neoptolemus
Hi, I'm the anon who wrote that stuff about Athena. Thank you for the clarification. I said those things because I was always told that Poseidon raped Medusa and Athena turned her into a monster because she thought that Medusa was bringing men into her temple, blaming her instead of her rapist. I didn't mean to ragebait. Unfortunately it's full of women who throw other women under the bus, so when I heard that story I believed it. Misogyny is everywhere and unfortunately it can also "infect" mythologies. I apologize.
Hello again then
Thank you for clarifying and I am sorry for assuming that. Maybe it was the phrasing that got me to think it was another one of these rage-baits. I am sorry to have assumed that.
Pardon me though dear Anon so is misandry. I am not seeing much spoken about the misandristic opinions on myths. Hell I have seen people saying that Perseus is a misogynistic pig for killing Medusa (an "innocent victim") and many more.
But I agree that women are like that with each other. I have had way more problems with women colleagues than men colleagues. But no the myth has nothing to do with that.
Gosh such opinions and "interpretations" give me headache sometimes. I wonder how people get to those. Do they have some source they quote or whatever? Or do they completely make these up? Anyways I have made many posts about Medusa (because apparently the world doesn't even bother with the other fantastic stories that Ovid has quoted and were actually repeated by sources before or after him) and you can see some here:
💬 0 🔁 0 ❤️ 3 · Post by @katerinaaqu · Hi!! Sorry if this has been asked before, but I recently got back into some Medusa discussions, and
Or here about other texts of Ovid including Medusa:
💬 0 🔁 0 ❤️ 7 · What wise man doesn't mingle tears with kisses?
She might not give, but take what is not given
She might as well struggle a
Also some images of the OG Medusa as apotropaic symbol.
💬 13 🔁 46 ❤️ 150 · Post by @katerinaaqu · 9 images · For my OG Medusa lovers out there I present to you Medusa from the temple of Artemis
Because as I said in Hesiod she was always a monster and she even had two sisters. The tragedy of hers was that she was the only mortal among her sisters and the other two were immortal. This is also an image of one of her sisters trying to stop Poseidon from getting to her headless body;
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Are we really sure that Athena is really the goddess of wisdom? She literally saw Medusa getting raped by Poseidon and instead of helping her she blamed her. A wise person would never do that. I'm sorry to say that, but Athena is a misogynistic loser and a pick me.
Sure I'd pick you dear Anon (I know it is a rage-bait because come on! But I am at fighting mode so why not)
Number one Minerva not Athena. Yes there is synchretism in Roman and Greek mythology (maybe even stronger than others) but still we speak on different cultures history moments interpretations etd
Number two; Ovid not Greek mythology; people always bring the unique version of Ovid as if that is the Epitome of truth but guys Google exists and sources are free online. Just do some research beyond that series of feministic tik toks. Greek myth mentions none of that. The most ancient version we have is Hesiod and in there she and Poseidon have sex consensually. Art even depicts the moment where one of the sisters of Medusa tries to prevent Poseidon from seeing his dead monstrous lover.
Number three even Ovid is creating a story to pass sociopolitical messaging aka the possible absolutism of power. It is not purely a myth that was quoted for the past (because so far we have no other story prior to that to show us that Ovid was quoting an older source.
So yes dear Anon Athena that taught humanity most craft and guided a bunch of heroes truly is the goddess of wisdom and maybe we should follow the example more often. Like researching for instance or learning
WHAT?! Okay seriously I have had enough at this point with this bullshit and the misinformation out there just because some people twist away the Odyssey and become famous to the point of people not being able to tell reality from fanfiction and of people who just won't do research or read the most crappy "translations" in the world! So because I have had enough here's ALL the lines Antinous speaks in the Odyssey to clear this up once and for all!
(Be warned this will be long but please share this as much as you can guys! Forgive me in advance if some of my translations are a bit sloppy or not as accurate I am willing to redo some passages if you guys want in comments or reblogs in the future.)
Please spread this because honestly I have had enough and this EXACTLY why I cannot take anymore of these "retellings" and whatever the hell the names are and the changes they make for no reason to characters for "creative liberties" because honestly people cannot even read the sources properly and they just make claims taking advantage of popularity of media!
ANTINOUS'S LINES IN THE ODYSSEY:
And then Antinous the son of Eupeithes answered him:
"Telemachus, no doubt the gods themselves are teaching you well since you became such a boaster and speak with so much insolence! May son of Cronus make sure that you shall never reign Ithaca of the two seas, which is your ancestral right!"
(Translation by me)
Rhapsody 1 (383-387): Antinous to Telemachus in irony when Telemachus has seen Athena in disguise off.
~
Telemachus, you high-and-mighty, uncontrollable in your insolence, what kind have you said is my shame: you wish to shift the blame! But I tell ya it is not the fault of the Achaean suitors but of your beloved mother's, who knows very well how to gain from others. For this is the third year, nearly entering the fourth, that she plays with the feelings within the chests of the Achaeans. For she has given promises to each and every one of us all and sends us messages but in her head and she has made a big ploy; and after she set a large loom in the palace and began to weave in a thin and complicated way and then she said to us:
"Young men, my suitors, since divine Odysseus is dead, please be patient since you are in a hurry for my marriage, but allow me fulfill this one pledge, for I do not want this weaving of mine be for nothing, let me make a shroud for the heroic Laertes for when his fate strikes and is taken by the death who brings so many woes, so that I will not gain resent from the Achaean women, oh, if the man who gained so much were to lie without a shroud"
So she spoke to us and our heroic hearts were persuaded and so in there by day she was looming at her great web and by night she was destroying it under the light of the torches she had beside her. And so she gained herself 3 years with her deceit that persuaded the Achaeans, now entering the forth and time has passed and we were informed on this by one of the women who clearly saw what had happened and so we caught her red-handed unraveling the great web. And so she was forced out of necessity to finish it. And so to you the suitors are replying to you so you shall know it deep in your heart and for all the other Achaeans to know; send back your mother to her father and command her to choose which one of us she pleases to marry. For, truly, Athena has blessed her with knowledge and craftsmanship and understanding heart; such wiles Penelope knows above other beautifully-haired Achaean women, even than the ones known by the old ones; and Tyro and Alcmene and beautifully-wreathed Mycene but her last wile was not right and so we shall continue to eat here from your inheritance, for despite the fact that the gods placed such mind more than many inside her and she brings great name upon herself, but you shall regret your insolence. We shall not move back to our homes or to any other place until she marries which of us Achaeans she desires!
(Translation by me)
Rhapsody 2 (86-128): Antinous to Telemachus about Penelope's scheme when Telemachus accused the suitors for their staying at his palace. Penelope is being accused for her game upon them and simoultaneously praised for her mind and craftsmanship but also Telemachus being pressured to send her back to her father to start preparing for her upcoming marriage.
~
And Antinous immediately laughed and rushed to Telemachus and grabbing one of his arms he mocked him:
"Telemachus, you high-and-mighty, uncontrollable in your insolence do not have other evil word or action you in your mind for us, but I say come and eat and drink with me like before, I am sure all these you want the Achaeans shall provide and ships and outstanding oarsmen so that quickly you shall reach holy Pylos and hear news of your noble father!"
(Translation by me)
Rhapsody 2 (301-308): Antinous to Telemachus mockingly after the end of the gathering. Basically Antinous mocks Telemachus and tells him to forget the meeting ever happened and then mocks him with the notion he had to reach Pylos for news of his father.
~
And then Antinous, the son of Eupeithes replied:
"Tell me the truth! Where did he go and who were the men that followed him? Were they chosen Ithacan youth or heirlooms and slaves that belonged to him? Definitely I think he is capable even for that! And tell me this as well and answer truthfully for I shall know, whether by force and without your will he acquired the black ship or whether you gave it to him willingly, agreeing with his words!"
(Translation by me)
Rhapsody 4 (641-647): Antinous to Noemon son of Phronius. The man possessed the ship which Telemachus got and now Antinous is interrogating the man on whether he did so with his free will or by force. The man of course replies that he had no reason to refuse Telemachus thus gaining the reaction by Antinous:
Furiously, then replied to him Antinous the son of Eupeithes; with great anger filling his black heart, both his eyes shining like fires:
"Damn! What a bold insolence Telemachus has put in action, this journey, even if we were saying he would never see it through! The way he has managed to launch a ship and even pick the best youth of the people and take them with him! He shall be our doom soon the way it goes! But hopefully Zeus's strength shall destroy him before he reaches the maturity of youth but go on now and give me a fast ship and twenty men so I shall wait for him and set an ambush to the narrow path between Ithaca and rugged Same and so his voyage to find his father shall have a sad end!"
(Translation by me)
Rhapsody 4 (660-672): Antinous to himself and the other suitors. Basically here he speaks on the ambush he wants to set on Telemachus in his anger that Telemachus left for the trip after all plus how he fears that Telemachus will be their doom somehow.
~
Gentlemen, all of us, let us stop spewing arrogant words for someone might as well report your words in this house. But let us speak in low voice and make our words action, for this has pleased all our hearts.
(Translation by me)
Rhapsody 4 (774-777): Antinous to the other suitors. In plotting in silence how they would proceed with the murder of Telemachus while Penelope is up in her rooms praying to Athena for the saving of her son.
~
Damn! Look how the gods have saved this man from misfortune! Even if we had guards waiting at the windy tops day after day, one after the other. And when the sun fell down we didn't stay on shore but we sailed on the fast ships in the sea till the divine Eos (Dawn) waiting and lurking for Telemachus to take hold of him and destroy him: some god undoubtedly has brought him home! But let us here plan the sorrowful doom of Telemachus so that he won't escape us; for I know that as long as he lives our plans will not be fulfilled. He has persuaded the council and the people do not agree with us anymore. But let's go before he gathers the assembly of the Achaeans because I think he won't be wise to act slow but he would rush in full wrath and he would choose to rise everyone up by saying that we contrived against him murder but didn't catch him and they will not like it when they hear our evil deeds. Mark my words, he will drive us all out of our lands and we shall move to stranger lands! Come on! Let us seize him at the countryside, outside of the city or on the way and let us seize all his possessions and lands and divide them among ourselves equally but the house we shall give to his mother and to whomever marries her. But if you are displeased by these words and you believe he should live and keep his inheritance then let us stop devouring his goods and leave the house and each one of us from his own palace shall continue showering her with gifts till she will have as husband the one who offers the most.
(Translation by me)
Rhapsody 16 (364-392): Antinous to himself and the other suitors. His fury that Telemachus escaped their ambush and he repeats the plan on killing him or establishes even more options for the suitors. In here he also suggests to keep pressuring Penelope to marry.
~
And so spoke Antinous scolding the swineherd
"Notorious swineherd what did you bring him to the city for? Don't we have enough vagabonds and other annoying beggars to ruin our dinner? Aren't they enough people to eat the king's wealth here that you invited this one too?"
(Translation by me)
Rhapsody 17 (374-379): Antinous to Eumeus on Odysseus. Eumeus had brought Odysseus-Beggar to the palace and Melanthius, the goat-herder had pointed out that he saw Eumeus leading him there so Antinous once more barges in and complaints (that is the first time Antinous speaks in the presence of Odysseus)
~
Telemachus you high-and-mighty and uncontrollable in your insolence what did you say! If all the other suitors were to give him as much then he wouldn't need to come back for the next three months!
(Translation by me)
Rhapsody 17 (406-408): Antinous to Telemachus. Telemachus mocks Antinous on his mocking on Odysseus/Beggar and so had Eumeus before him so now Antinous just mocks them back
~
Which god has brought this creature to destroy our feast? He stood there in apart from our tables and claims he comes from bitter Egypt or Cyprus: He insolently and so rudely asks for food from all who are here: and they give it so recklessly for no one is more generous in giving than the one who gives something that belongs to someone else for they have much each!
(Translation by me)
Rhapsody 17 (446-452): Antinous to himself and Odysseus. Odysseus goes to Antinous in particular to beg for food and tells him once more his "sad story" on how he fell from grace. Antinous does not like the whining and he retaliates. Ironically he also says something correct here; that they are all generous to the food they give to Odysseus because that food is not theirs in the first place.
~
So he spoke and Antinous got even more furious and looking down upon him he replied with winged words:
"Now you shall no longer stay in this palace, back off since you speak words of accusation!"
(Tranlation by me)
Rhapsody 17 (458-461): Antinous to Odysseus. Odysseus insists upon Antinous give him some food and Antinous retaliates sending him away and in the next scene he throws the stool at him
~
And to him replied Antinous the son of Eupithes:
"Sit there and eat, stranger or go elsewhere or else you shall be thrown out being carried away by your arms and legs and be skinned whole!"
(Translation by me)
Rhapsody 17 (477-480): Antinous to Odysseus. Basically Odysseus complained to the entire assembly that Antinous has just striken him because he is hungry. Antinous doesn't like it and threatens that Odysseus will be carried out by force and be skinned alive if he goes on. He is heard by Penelope upstairs and she is filled in the details by Euryclaea.
~
Mighty Antinous heard them two talking and breaking in merry laughter he addressed the suitors:
"Friends how fortunate that such a thing happened, that the gods brought such entertainment to our doors! Irus and the stranger fighting and wishing to hit each other! Quickly! Let's set them up!"
So he spoke and everyone broke down laughing and gathered together the two beggars and again Antinous son of Eupithes addressed them:
"Listen, heroic suitors, what I am about to say. These goat stomachs here that is roasting on the fire and we had set them here to make dinner after we have filled them with fat and blood but now I say the one who wins and comes out on top let him choose which one he wants to have for himself and what's more he shall dine with us and we shall suffer no more a beggar begging among us!"
(Translation by me)
Rhapsody 18 (34-49): Antinous to the rest of the suitors. Irus has arrived to the palace and he picks up a fight with Odysseus/Beggar and Antinous loving the idea of watching them two fight and suggests the contest.
~
Now, don't whine, you bully and it might have been better if you never born if you are to be afraid and trembling of this fellow, a man old and beaten down by misery. I tell ya and it's done: he has won against you and is stronger, I shall throw you in a black ship and exile you to the mainland to the king Echetus, the baneful of men, and he shall have your nose and ears cut off with ruthless bronze and shall throw your privates to the dogs to devour!
(Translation by me)
Rhapsody 18 (79-87): Antinous to Irus. Basically he threatens and mocks Irus for being afraid of losing to "an old man". Irus was taken over by fear when Odysseus revealed his shoulders and legs realizing that he is not just a common old man. Antinous is "guilt tripping" and threatening Irus so that the two of them would fight.
~
And Antinous son of Eupeithes replied to her:
"Daughter of Icarius, wise Penelope, the gifts you want the Achaeans shall bring you here, for you to accept them, for it is no good not to accept them, but we shall not leave this place and go elsewhere till you choose to marry the best of us Achaeans!"
(Translation by me)
Rhapsody 18 (284-289): Antinous to Penelope. Penelope demands wedding gifts (as a manipulation for the suitors to bring items to pay back what they have eaten and possibly more than that). She probably hoped to manipulate the suitors out of her house. Antinous responds to her by accepting her request but also expresses the decision all the suitors made, not to leave the house till she has chosen a husband (in the next lyrics it is revealed that Antinous's gift was a beautiful embroidered robe with 12 golden brooches)
~
I verily think is hard, Achaeans, to accept the word of Telemachus who has so much spoken threateningly against us. Truly the son of Cronus Zeus wouldn't have tolerated this but he would already have silenced him in this palace, the way he clearly speaks!
(Translation by me)
Rhapsody 20 (271-274): Antinous to the rest of the suitors. Telemachus placed his father (dressed as beggar) sit among the suitors and has showingly given him good portion of food and golden cup and he told him boldly to sit and eat and drink with the rest of the people for it is not a public house here but the house of Odysseus that treats his guests! (I also find it a nice cheeky move by Telemachus here!) Antinous didn't like it and he speaks up
~
You foolish boors who only care for today! Cowards why are you crying now and you are troubling the heart of this woman? Now that she has learnt she has lost her dear husband! Be silent and sit down or if you have to weep go elsewhere and leave this bow behind so it will be a the contest of decision for the suitors. For I believe it will be no easy task to chord this bow. For there is no such a man among us like the one Odysseus was! And I myself have seen him and I remember him even if I was but an infant child then!
Rhapsody 21 (86-96): Antinous to Eumeus. Eumeus was ordered to bring up the bow from the armory. Eumeus held the bow in his hands and he actually cried in emotion as he held his master's favorite bow. Antinous retaliates and calls him names because as he says "he is troubling Penelope" with his cries and he speaks on how he remembers Odysseus when he was a child. And ironically or not so much he speaks very positively on Odysseus and the kind of man he remembers him to be, maybe because he thinks he is safe now and believes Odysseus to be dead.
~
And Antinous, the son of Eupeithes, said to them:
"Rise in your turn from the right, all my friends, we start with the order the wine is being poured"
(Translation by me)
Rhapsody 21 (140-142): Antinous to the rest of the suitors. He basically suggest the order with which everyone will try and string the bow (with the order that the jug holder has poured them wine) from right to left)
~
But Antinous reproved his words and he called out:
"Leodes! What words have escaped the barrier of your teeth?! This is both painful and dreadful words indeed that I feel resentment by just hearing you! If this is the bow that shall judge who is the best in heart and soul no wonder you cannot string it. Your noble mother hasn't birthed you to be a strong archer or shoot arrows. Let the other noble suitors string it!"
So he spoke and then he ordered Melanthius, the goat herder:
"Melanthius, go and light a fire in the hall and place a great chair by it covered in fleece and bring a large block of fat when you come back so that we shall smear the bow with it and soften it over the flames before we execute our contest"
(Translation by me)
Rhapsody 21 (167-180): Antinous to Leodes and immediately after Antinous to Melanthius. Leodes expressed the impossible of stringing the bow and then he claimed that he'd rather die than suffer the loss there for Penelope's hand and Antinous does not like the defeatist attitude. He takes over and orders to Melanthius to bring the tools to care for the bow and make sure it is usable after so long staying in storage. This passage also shows the knowledge Antinous has on weaponry in general and possibly hunting in particular.
~
Eurymachus, this won't work; you know it yourself, because now it is a public celebration for a god. Who then would string the bow?I say set it aside for now. Newvertheless we shall leave the axes here where they are, for I believe no one shall enter to the palace of Odysseus the son of Laertes, to take them! But let's go, let the cup bearer pour the liberations in our goblets as we make our offerings and let's set aside the curved bows! By the morning we shall order Melanthus the goat herder shall bring the best out of the goats he is tending and herding and so we shall sacrifice their thighs to Apollo of the beautiful bow and we shall try one more time to execute the challenge of this bow.
(Translation by me)
Rhapsody 21 (257-268): Antinous to Eurymachus when none of them could string the bow he suggests that it is because it is a public celebration that they should make their own offerings to the gods and call it a day and try another day because he assumed it is possible that the reason they couldn't string it could possibly be that it was because of the celebration. So he suggests to call it a day and offer a sacrifice to Apollo the next day before they try again.
~
Ah bloody stranger! You have absolutely no trace of wit! You are not satisfied enough that you arrogantly sit and dine with us and you are in no want of food but you also pry in our conversations and overhear our words! No other beggar or stranger ever overheard our words! Undoubtedly the sweet wine has gotten to your head and you know the wine is bad for others too, if greedily take gulps and drink without measure. The wine made even the centaurs and the noble Eurytion act foolishly when they were to the palace of great-hearted Pirithus, when he went to the Lapithes: and because his mind was consumed by wine, his frenzy caused great evil upon the house of Pirithus. And so great sorrow fell upon the heroes for he was dragged out of the doors and thrown out and his ears and nose were cut wit merciless bronze and so he bore the punishment for the madness of his mind. And so it commenced the fight between the Centaurs and the humans. They were the first to see the evil of heavy drinking. And you who speak big words I warn you if you manage to bend the bow you shall not be met with kindness and we shall throw you to a black ship and exile you to the mainland to the king Echeton, the baneful of men, there nothing will save you! Sit still and drink and don't aim to compete against much younger men than you!
(Translation by me)
Rhapsody 21 (288-310): Antinous to Odysseus. Odysseus/Beggar has just slowly approached Eurymachus and Antinous and he has asked for the right to try the bow himself. Antinous got furious that Odysseus overheard them and that he suggested to take part to the challenge and then he assumes that Odysseus is drunk and he even brings up the myth of the centaurs and the Lapithes to say how wine makes people say and do stupid things. Ironically he is most likely self-projecting since he does seem to be the intoxicated one (at least how I read his passages). And those were the last words spoken by Antinous and the last ones addressed to Odysseus.
In the next passages is the death of Antinous (he doesn't get the chance to even react given how Odysseus kills him when he is about to take a drink with an arrow through his throat) and his name is mentioned a few times by Eurymachus and some more mentions by name.
**
As you see there is absolutely no mention whatsoever not even to the murder of Telemachus to none of the scenes where Odysseus is present (mind you neither to the scenes where Penelope is either! Penelope was informed on their scheme by a servant that overheard them and she went down to confront Antinous!)
Also Antinous makes no mention whasoever in any rape! He mentions the myth of the centaurs and Lapithes and NOT EVEN THEN does he mention the attempt of rape of the women by the drunk centaurs yet alone to Penelope! The only things he speaks about is how to keep pressuring Penelope choose a husband and he mentions wedding gifts.
If anything it is ODYSSEUS the one that gets threatened all the time by Antinous and mistreated by him. Antinous even speaks positively about Penelope like 99% of the time with the exception when he calls her devious for her trick that had them all waiting.
Absolutely they want to increase pressure to Penelope and they want to kill her son but that rape thing should be enough at this point! Honestly THIS is where a certain someone SHOULD come out and say that these came out of his head and NOT the Odyssey! Like sure it is your imagination and do whatever with it but damn!
Sorry I am really upset with these smartasses on the internet at this point! Once again forgive me if any of my interpretations is sloppy or even if I have forgotten something. I have double checked but just in case.
Everyone: Odysseus cares for no one but himself, Penelope and Telemachus. Anyone else doesn't matter to him or matters very little
Actual Odysseus: Treats his subjects like a father. He was allowing other noble kids close to him (Eurymachus was eating on his knees at his table), gave mercy to Antinous's father even if he straight out betrayed him to the Taphian pirates, always fought to the front line at war and didn't let anyone from his people get hurt on his expense, he stopped a riot to the army and defended Agamemnon against the slander of Thersites, saved Diomedes at risk of his own life by giving him his chariot to escape, he cleansed people from sins himself even if there was a priest available, he felt pity about Ajax's condition and he was the one to insist give him a funeral, he handed Neoptolemus his father's armor as a heirloom even if he could have kept it, he defended his men against all odds with every way possible including but not limited to selling himself to a goddess that had them hostage and arming himself to fight Skylla, he gently refuses Nausicaa being respectful of her, he honors his hosts, he tries to test the suitors and makes sure that they truly are beyond saving, he tries to warn Amphinomus so that he will not perish unsuccessfully, he embraces his slaves like equals and treats them like proper friends, he openly defends people like Menelaus or Agamemnon, he respects Diomedes and doesn't look down upon him, he respects his opponents...
Me: ... Yeah that’s an amoral sociopath alright...he doesn't care for anyone...
Hanging around grad students is extremely dangerous because it has me thinking things like "I could start a PhD right after my masters" which is not something I need to be planning out during my undergrad
Yeah I was there…years later after my postgraduate degree still nothing on PhD…I am so sad…feeling almost like a failure and stagnant...and too tired from work (obviously totally irrelevant work to that long ago passion we started with)....
You find yourself in that stage of life where you feel the time you were dreaming of some bright academic career while studying was an entire life time ago...and technically it was...
Hoping? Absolutely. Disappointed as it can't be more. Hell yeah
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Sorry to say I don't have much to say about Book 15 my first time reading. Honestly, I found the buildup to Patroclus' death pretty overwhelming. It's just so much battle and so many deaths piled on top of each other. Which is fitting, but my main reaction was being stunned and having to go along for the ride.
In 16, my point of interest was that Patroclus only seems to be able to see Fate clearly at the moment of his death. Before, he ignores Achilles' warnings which of course leads to his death. The text states it's because Zeus' will is subverting his own, driving him towards his fate.
So what intrigues me is whethers it's Patroclus' proximity to death which grants him the clarity to see his own Fate and Hector's- or if humans can only see their fate once it's already played out- once the gods are no longer pulling the strings. Hindsight is 20/20 and all that.
You are right this is essentially a homeric thing. Basically a person might as well gain some sort of prophetic abilities at the time of their death. They appear to make some prediction on their killer's upcoming fate. Sometimes they predict someone's story etc. It actually happens on several spots of the poem and is always fascinating to think of.
Woah very cool! Excited to see this happen in future chapters.
I'm also wondering if this is a form of prophecy thats more common in Greek literature than say the few people who have prophetic abilities in their daily life like Cassandra. Haven't read too much Greek literature so I'm not sure.
I also find Hector very interesting in that regard because, in the earlier books, he seems to have some sense of Troy's and his impending doom. Not in a prophetic way but more in a general sense and it seems to impact his attitude of "I can't change fate, but I'm going to do the best I can anyway."
But in some of the later books he ignores a whole bunch of omens reaffirming this, including Patroclus' prediction.
I just wonder what caused his change in attitude- is he overconfident because Zeus has handed him victory so far? Or is Zeus himself blinding Hector to his fate, filling him with confidence so he'll play out the role Zeus wants??
It really seems to be exclusive to those that are about to die. Otherwise that said person must have the gift of prophecy. The one is not necessarily including the other. We also have people who get the gift of prophecy early in life like Cassandra and those who seem to get it a bit later like Tiresias. We have many stories in regards to prophecy.
Yeah it seems like Hector is not really speaking as a prophet but rather that he makes an estimation. The poet is also telling us indirectly of what is about to happen to him. Many things of what Hector "predicts" are unfortunately bound to not come true
Human beings are not always acting the same. Yes sometimes they get carried away or daresay they do not believe what they hear or yes they forget in arrogance. I think Hector is a combination of all the above. For once realistically speaking if you hear a dying man threatening you you wouldn't think much of it especially seeing gods helping you. Two he became overconfident and three is the mortal perception of fate that is not always perfect. One can imagine that even if a mortal hears his date then they might not see the full picture of it kinda like when you warn a patient that he has only 6 months to live. One can think "you never know"
Hire two Greek actors (one of which being a legendary beauty who already played Penelope to perfection and the other being a fantastic theatrical actor, basically a copy of Odysseus who also played Odysseus to perfection even if it was a tiny role)? To play these said roles at full force together?
Given that "Iphigenia 1977" is arguably the best movie about Greek mythology I have ever seen (Greek production exclusively, faithful to the text, shot in situ and with amazing dialog and music) and that "L'Odissea 1968" is arguably the most faithful adaptation in live action of the Odyssey with fantastic artistic cinematography, shot in Ionian sea, with Balkan and Italian actors and being daithful to the text
Allow me to disagree with every portion of my soul.
do you watch movies for the plot and filmmaking? or do you watch movies for how many boxes they check off of your Authenticity list? i don't care where it was filmed or what nationality the actors are. why would i? it's a movie. i care about whether it's good or not
Why don't you? Do you watch a movie for based on how many explosions or special effects it has? People watch films for the filmmaking, the beauty of its art as well as at how well it transfers what it wants to transfer.
Imo any legend looks better when presented as the storytellers intended it to look like. This is why when it comes to myths I prefer to watch stuff that are aesthetically connected to these areas. If I watch a west Africa related legend I prefer to watch it with west African actors or designs. If a movie is set in a part of the Mediterranean I prefer to watch it with actors and designs from the Mediterranean. If a legend is set in Japan I prefer to watch it with Japanese actors etc. Why? Because to me it looks more authentic, more proper and more respectful to the legend's intentions.
And as I said filmmaking, acting and environment is what makes a movie good and not just another movie that looks like the others and has no soul. Which is my idea for a good movie. If someone has as idea a good movie a generic Hollywood story that they just go in the cinema and enjoy some explosions and such to pass the time and numb the brain for escapism I am sure they wouldn't like this. But this is not my idea for a good movie. And people have different opinions on what a good movie is.
The Odyssey famously doesnt really have special effects. almost everything in the entire movie is done practically, even the men turning into pigs.
also you are a racist. that second paragraph is just straight up racist. legends dont have intentions. you just are upset that the movie has black people in it.
have you even seen Nolan's Odyssey? there's no explosions in it, lol. are you getting it confused with Transformers movies that came out 15 years ago?
also i think you misunderstood me. plot and filmmaking are what matter in a movie, not how many boxes they check off of your Authenticity Checklist. i think you thought i said i dont care about cinematography? which is a crazy thing to say, especially when we're talking about The Odyssey. all my problems with that movie are script-based. the cinematography is stunning. you wouldnt know that though, because you havent seen it haha
Aaaand here we go. The usual talk is here. For once never mentioned any movie of any intentions and never mentioned I do not like movies with black people in it (in fact my comment said that I wanna see a movie with black people in it entirely in their own fantastic and rich culture) but of course you are always obsessed with that are you?
Have you ever seen Iphigenia? There are no explosions in it and beautiful dialogs. I am sure you haven't and that is fine but don't pretend you can judge it. And if you think that legends do not have intentions and they are just there then I am sorry your teachers didn't teach you well at school.