just got my braces removed and having free teeth is the weirdest feeling ever
Sweet Seals For You, Always
NASA

will byers stan first human second
Today's Document
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gracie abrams
art blog(derogatory)
Xuebing Du
$LAYYYTER
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Noah Kahan
Fai_Ryy
todays bird

Product Placement
Sade Olutola
"I'm Dorothy Gale from Kansas"


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@twig137
just got my braces removed and having free teeth is the weirdest feeling ever

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What makes a story a story?
I have been mulling something over for a while and have decided to share. As part of my job, I read a lot of fiction that's still in development. After a while, you start to see the same errors, misunderstandings and shortcuts crop up repeatedly with different creators and it gets me thinking what is the most elegant way possible I could explain the issues to someone wanting to improve? The one that comes up the most often and is the hardest to explain is: "Why don't people care about my characters and/or story". It's always a thorny problem and I think I have a workable answer that applies in most cases: A story is a series of revelations regarding compounding, unintentional consequences to character decisions. The further you stray from this, the less people care. It translates to: 1) characters have to make decisions otherwise there is no drama 2) Those decisions have to matter otherwise there are no stakes 2) The consequences have to interact with one another. A affects or causes B affects or causes C etc. otherwise there is no progression 3) There must be some unintended consequences otherwise there is no conflict 4) The consequences have to be revealed (even at least implied) otherwise there is no conclusion This works at the micro scale in terms of dialogue: The specific word/tone/movement a character uses affects how another character reacts in an unexpected or interesting way which in turn causes another reaction and these layer onto one another until a decision is reached and a consequence implied thereby completing the scene. It also works at the macro scale in terms of plot: The decisions characters made in a scene prompts/affects the characters and context of the scene that follows (even if we don't know it at first) and by the end those layered interactions have been revealed to us and we see the unexpected or interesting result.
In my anecdotal experience, most times people don't care about a work of fiction is not because of a technical issue with the execution but because the writer has subtly misunderstood what makes a story a story. Their main character doesn't make any decisions, the decisions don't seem to matter, it feels disjointed because consequences aren't layering, there's no conflict because there are no misunderstandings etc. There countless technical aspects which affect the quality of a piece of fiction but most times when someone asks me to help them make people care about their story they first need to realise they have misunderstood what actually makes a story at a fundamental level and they need to recognise that before things can improve. I dunno if this helps anyone. I hope it does. Sorry if it doesn't. If anyone wants to use this to assess their own work let me know what you discover, I'm genuinely curious.
jon if they let him have anything at all (au/postcanon design)
Tump dies tonight while giving his speech in the hot hot sun. Like to charge, reblog to cast
ok I made it better
tumblr might shit on the quality tho u might have to click on it
Also i should've said MAIN difference rather than differences bc i only list 1 whoops

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Steve and Cecil’s relationship is so interesting to me because Steve knew more about Cecil and how he reacts to his trauma more than he knew himself. Steve’s primary defense of Cecil is that Cecil is traumatized, and he KNEW Cecil’s hatred of him was rooted in trauma and his fear of being abandoned by his only family. Cecil didn’t know that, Cecil didn’t know why he hated Steve, he didn’t know the root of the cause, he just knew he thought Steve was trying to steal Abby and Janice from him. Steve watched Cecil suffer but was kind enough to not bring it up because he KNEW Cecil had to figure it out for himself.
Carnivorous plants doin this is so funny to me
They don't wanna eat their pollinators :(
Ranboo tweeted!
the hand that feeds you
For the Fanart contest

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just reached chapter 208 of gsgw and ?????
(spoilers below btw)
i want to cry what what just happened hes a good friend??? i feel sick to the stomach and that might be because i didn’t take my anxiety meds or because of this story i can’t tell but my mind is panicking right now. that plot twist was insane the author wrote it so so well damn it aaaaaaa
i know this is really random but the website where i usually boost my mutual aid posts—for those unaware, i've been struggling with my housing situation for some time now—is down right now and i have a little less than $10 in my account at the moment.
i haven't been able to eat much of anything today so if anyone could possibly donate, i'd appreciate it.
paypal
cashapp
donate if you can, boost if you see. i literally just need enough to afford lunch and dinner.
Closing this month with two drawings of the Laplace beloved ferrofluid! the first image is my recent Ulrich fanart (and artwork) while the second one is my first time drawing him :D
go my yuri
@jared-the-fool this is the image for anyone who wants it

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Keep Running,
bitch moment: obviously this is subjective but a lot of modern queer lit (especially YA) has this specific tone that i find really grating. i want to call it "smug" but that's not exactly it. it's more like, that sense that the author is utterly convinced of the correctness of their own worldview and expects everyone else to agree with them on principle
two poles on this one btw
author is scared of me = terrified of ambiguity, uses excruciatingly precise language to avoid being misinterpreted, treats diversity as a box-ticking exercise, bends over backwards to explain itself when Literally No One Asked, all morally grey actions have to be immediately justified and resolved
author wants me dead = protagonist is unfailingly righteous and good, antagonist is irredeemably evil strawman, narrative refuses to make space for opinions/experiences that don't perfectly match up with the author's perspective, lots of Teachable Moments where an ignorant character is kindly shown the error of their ways by a wiser, more enlightened character
#these things are not opposites on a spectrum#I see these mindsets packaged together more often than not#the author wants you dead because they are scared of you