Thank you, Rue. Let her memory be a blessing. Amen.

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Aqua Utopia|海の底で記憶を紡ぐ
hello vonnie
dirt enthusiast
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NASA
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Jules of Nature
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Kaledo Art
will byers stan first human second
almost home
I'd rather be in outer space 🛸

pixel skylines

oozey mess
Lint Roller? I Barely Know Her
noise dept.
he wasn't even looking at me and he found me
Alisa U Zemlji Chuda
occasionally subtle

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@tumelothee
Thank you, Rue. Let her memory be a blessing. Amen.

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ever since i was a little girl i knew i was tired
MEGAN THEE STALLION at Miami Swim Week 2026
1.01 "Pilot", 3.08 "In God We Trust" Zendaya's first and final appearance as Ruby Bennett in Euphoria.
Fezco and Rue

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HAPPY PRIDE! 🌈
Interview with the Vampire (2022 —)
OK it actually freaks me out a lot that there are fans of Half Man who buy into the idea that Niall “betrayed” Ruben by not telling a blatantly homophobic lie in court to get him off for cracking a guy’s head open
HALF MAN | 1x06
"They're just words."
"No, they're not just words. They do damage."
"Only if you let them."
"Well I let them!"
Thinking about how Half Man opens the discussion of the weight of words vs violence. I am asking myself, do they hold the same heaviness? Do they cause the same amount of harm? In the case of Niall and Ruben, violence landed one in jail TWICE and one imprisoned themselves in a jail of their own making.
Ruben is someone who we now know was sexually assaulted and the mark that that assault left caused Ruben to become a very physically responsive person. And with Niall, he was always trapped by what people said or would say. He feared Ruben's violence but what he feared the most was what Ruben would think of him in regards to his queerness.
Ruben's greatest strength is his physical strength and Niall's is his way with words. They have both hurt and protected each other with their strengths but they have also let their strengths cause so much damage to themselves and others. So I still ask, do words vs violence hold the same weight? Honestly.................it depends man.

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and them still never. really. addressing. this thing between them. not really not even at the end. because acknowledging it meant acknowledging that they could have been happy. all those wasted years. for nothing. they could have been happy and together. instead of this wasteland they made of each other...... maybe in the next life...... maybe they can do better there......... is there anything more devastating than the tragedy of almost. of could have been. of SHOULD HAVE BEEN.
can i just say the niall and alby scene after niall asked him out was sooo insanely buzzyyy the slap?!?!?! and then immediately followed by “how about friday” ???? ohhhhh they knew EXACTLY what they were doing… i was digging it!!!!
and how effortlessly they slipped back into that chemistry. like genuinely it felt like no time had passed at all. they recreated that younger version of them so naturally.
pleaaaseeeee they really could’ve been everything to each other in another world too... something so bittersweet about them… the potential alone is making me sick.
telling the truth? the thing that killed niall kennedy??
it's been said a thousand times but "male loneliness epidemic" is just our entire generation's loneliness PANdemic. it's just the crisis of capitalism. almost all young people these days are lonely and depressed because of the crisis and decay of the system we live under and tbh the centering of "male loneliness" in this discussion is embarrassing but also a really understandable consequence of sexism & this current stage of culture war . "Oh won't someone think of the young men" oh won't someone think about class consciousness lol
the gutter is something you and your mum can only aspire to. the court case was convenient 'cause she could draw an imaginary line between past and present and assuage her own responsibility in raising a fucking monster. "oh it's an illness," she would say, time and time again, "oh it's just an illness, he can't help it," but when on the forth, or fifth, or even sixteenth time you stamp someone's head into the floor, does it stop being an illness and become some sick, sinister, fucking gleeful act of perverse violence? i've never seen you show an ounce of remorse for what you did to that poor alby boy, whose face, i hear, is still mangled by the way. the callousness you possess is born straight out of your mother's heart so yeah i hate her. i hate everything about her. i hate how she let you get away with near murder but if i did anything minor, she was on me like a rash, turning my mother against me, squeezing the life out of me because i was her second-chance child, seeing as how she so royally fucked up the first. but i mean i don't expect her to be anything less than blinded by you. i mean, you hit her enough times to forget didn't you? and the worst part about all of this you are totally right. i would face forty years in prison to walk in your shoes for a day. an hour even. to feel like it must be like to be you. to look the way you look. to fuck the way you fuck. to talk the way you talk. hell, they can lock the door and throw away the key for all i care. because i would be happy to lie back on the bed and feel what it must feel like to be at the center of the universe for a change rather than some cunt standing in the queue outside. i hate everything about you and the giant shadow you cast which seems to turn with the sun whichever way i'm walking but that doesn't stop me wanting every bit of it. so yeah i'm bitter. i'm bitter that i'm alone. i'm bitter that i have no money. bitter than no matter how hard i try, how hard i work, sweat, and toil, i just can't find the click that's gonna make me happy. and i'm bitter that you went around apologizing to people and you didn't think about apologizing to me. and i'm bitter that i'm being blackmailed by some cunt. i'm bitter that i can't pay him off 'cause i'm broke or threaten him because i'm too pussy. and i'm bitter that i had the whole world at my fingertips. scholarship, oxford education, all of it. and i squandered it all thinking about you. i couldn't breathe. i couldn't do fuckall 'cause my mind was still reeling from that bastard court case. i couldn't get it out of my mind, your words, your screaming as you left, that you would make me ugly. i've seen you make people ugly, ruben, i know what it means! i lived in fear of you from that point on, just imagining al the things that you would do to me, that you might tell one of your prison mates about me and they would come looking for me when they got out. i woke up in the night once convinced that you'd bugged the flat, that you were monitoring my every move. i started to sleep in the garden. i wandered the streets pulling up phone wires. i went through about thirty pen lids, swallowing them down whole because i would chew on them when i wrote and throwing them away wasn't safe enough because you might fint them and use my dna to pin a murder on me. i ended up in a madhouse. i had to have an operation on my gut. why? because i was telling the truth! and then you appear out of nowhere with a six-figure salary, and a house, and a girl and a car. how dare you appear out of nowhere with a six-figure salary, and a house, and a girl and a car.

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Albert Besnard - Love Consecrated (Elle consacre l'amour), 1900 // Jamie Bell and Richard Gadd in Half Man
ALEXA DEMIE as MADDY PEREZ EUPHORIA S0307 “Rain or Shine”