tumblereux

Casio AZ-1 Remote Keyboard brochure from approximately 1986.

Sanyo ad for portable audio systems, 1984. Scanned from DOMUS, edited to one poster format.

Harold Weston (American, 1894-1972), Night Splendor, 1968. Oil on canvas.

Adirondacks, March, 1942

Silvia Giordani (Italian, 1992) - Another Green Planet (2024)

Julio Le Parc Cercles fractionnés (tapis), 2019 New Zealand Wool, hand-knotted in Nepal, 150 knots per inch 118 x 118 inches edition of 30 + 3 APs

🌳 On the vegetation of the Carboniferous period, as compared with that of the present day / . c.1850. Original source Image description: Historical illustration titled “On the vegetation of the Carboniferous period, as compared with that of the present day,” featuring detailed black-and-white scientific drawings of Lepidostrobus plant fossils. The image includes cross-sections, magnified cellular structures, scales, and various fossilized fragments arranged systematically. Labeled parts show the internal anatomy of these prehistoric plants, highlighting the structure of stems, seeds, and reproductive organs. The illustration is from the Geological Survey of the United Kingdom, circa 1850, providing a comparative study of ancient Carboniferous vegetation with present-day plant anatomy.

Extra Extra sharp photo of our moon 🌑

M74, Phantom Galaxy

🦗 Natuurlijke en naar het leven nauwkeurige gekleurde afbeeldingen en beschrijvingen der spoken, wandelende bladen, zabelspringhanen, krekels, trekspringhanen en kakkerlakken: Amsterdam: J.C. Sepp, 1813. Original source Image description: Illustration from 1813 depicting three detailed, colored crickets. The top cricket is shown from above with wings fully extended, displaying translucent lower wings with fine vein patterns and brown shading, and upper wings patterned in reddish-brown. The middle and lower crickets are depicted in resting positions, highlighting segmented bodies with brown and yellow markings, long antennae, and spiny hind legs adapted for jumping. The image includes handwritten numeric labels near each cricket, set against a plain beige background. This naturalistic drawing emphasizes anatomical features and coloration typical of crickets in a scientific context.

Joan Wyatt - The Fellowship Enters Moria

Baynard House. London, September 2015.

by Nikolett Emmert

mãmãi

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