jungwoof

Let me establish these characters before everything else.

Jacaerys Velaryon. His deal in the books is ambiguous but it's pretty clear in the show — he knows his claim to the throne is built on a lie, so he overcompensates for this by trying to be the perfect prince. He is dutiful to a fault, severely self-conscious and self-critical, and protective of his mother and brothers. He knows his uncles, his rivals to the throne, with their bigger dragons and silver hair have more claim to Valyrian heritage than he ever will. This all manifests in him striving to become this idealized image of the perfect Targaryen prince that he knows he can never achieve.

Cregan Stark. If Jace is supposed to be the perfect Targaryen prince, Cregan is talked about like the second coming of the old Kings of Winter. He is formidable swordsman and a stern ruler who doesn't hesitate meting harsh punishment. He is the idealized image of a Stark lord — stoic yet fierce in battle, someone who keeps to his oaths and the law.

However, what most characters in the books (and people in the fandom) seem to forget is that Cregan, at least in the dance, is very young — that's why I personally love the fact that HBO made him clean-shaven on the show. He's still a gruff northener, but it emphasizes his youth. He's 21-23 during the time of the dance, and he is ruling over Winterfell as someone who had to depose his uncle when he was a teen.

Mind you, northerners have tighter-knit families compared to most everyone else in Westeros. To quote the books: When the snows fall and the white winds blow, the lone wolf dies but the pack survives. Cregan had to make himself a lone wolf in order to assert his lordship over Winterfell — which to a northern lad who already lost his father and younger brother must have been a difficult choice to make. Add to that his childhood friend/wife dying in childbirth and leaving him a single father, Cregan must be a very lonely wolf indeed.

But despite his loneliness, he does not let anyone in — or rather, he believes that he can't afford to because he knows there are people who will take advantage of his youth and his affections. It's shown in the Hour of Wolf that he is unforgiving, guarded, and does not trust anyone. This is understandable given that his uncle who raised him as a boy committed treason against him. But he seems to have a soft spot for children (he advised Aegon III and him arranging the boy's marriage to Jaehaera made sure that both children would be safe when he left to go back North) and people who appeal to his sense of duty (Jace & Black Aly) — these give him "acceptable" avenues to put down the northern masculine mask and be less rigid. Both tie back to a yearning for family.

Okay, so you got these two fellows: Prince Perfect Not-so-Valyrian Heir and Lord Stoic Northman Who Is Actually Deeply Lonely. Both of them have molded themselves to fit this mask of ideal masculinity because they believe it is their duty to their families and the only way to protect themselves in the arena of feudal politics.

Now put them together and what do you get? Chemistry. They see themselves in each other which leads to identification which leads to empathy which leads to curiousity which leads to dissection which leads to vulnerability which leads to intimacy. Jace sees the authority and respect Cregan commands and Cregan sees Jace's attachment and support from his immediate family, and they both desire something the other has, not fully realizing that they are forced into situations where they could not have both. It's juicy, it's rife with tension, it's the pact of ice and fire, baby.

Anyway, this is all to say...Sara Snow is a metaphor for the feminine vulnerability and yearning these two shared. That she is both a bastard and beloved sister is a combined manifestation of the two men's most deeply held desire — for Cregan, his yearning for close family who has no political claims that will get between their relationship, and for Jace, his need to be acknowledged and accepted as a baseborn child.

They trained and hunted and drank together — things regular young men do, but that the crown prince or Lord of Winterfell wouldn't have much opportunity to when one is studying Valyrian/dragonriding while the latter is making sure his paramountcy doesn't go into famine come winter. It's easy to imagine them bonding over the honor and burdens of their stations, their lost childhoods, their grief over losing loved ones, how their uncles who they grew up with betrayed them — just finding so much in common that it allows them to finally lower that meticulously crafted persona they use as their strength and shield.

And you wonder then, have they found someone who sees not as a fearsome wolf or powerful dragon, but just as...a handsome dude who they love to hang out with? Cause that would be sweet, bro, no homo. (But maybe some homo if you're okay with it.)

And the actors just really play into all of that with how they look at each other. Ugh, beautiful.

Let me establish these characters before everything else.

Jacaerys Velaryon. His deal in the books is ambiguous but it's pretty clear in the show — he knows his claim to the throne is built on a lie, so he overcompensates for this by trying to be the perfect prince. He is dutiful to a fault, severely self-conscious and self-critical, and protective of his mother and brothers. He knows his uncles, his rivals to the throne, with their bigger dragons and silver hair have more claim to Valyrian heritage than he ever will. This all manifests in him striving to become this idealized image of the perfect Targaryen prince that he knows he can never achieve.

Cregan Stark. If Jace is supposed to be the perfect Targaryen prince, Cregan is talked about like the second coming of the old Kings of Winter. He is formidable swordsman and a stern ruler who doesn't hesitate meting harsh punishment. He is the idealized image of a Stark lord — stoic yet fierce in battle, someone who keeps to his oaths and the law.

However, what most characters in the books (and people in the fandom) seem to forget is that Cregan, at least in the dance, is very young — that's why I personally love the fact that HBO made him clean-shaven on the show. He's still a gruff northener, but it emphasizes his youth. He's 21-23 during the time of the dance, and he is ruling over Winterfell as someone who had to depose his uncle when he was a teen.

Mind you, northerners have tighter-knit families compared to most everyone else in Westeros. To quote the books: When the snows fall and the white winds blow, the lone wolf dies but the pack survives. Cregan had to make himself a lone wolf in order to assert his lordship over Winterfell — which to a northern lad who already lost his father and younger brother must have been a difficult choice to make. Add to that his childhood friend/wife dying in childbirth and leaving him a single father, Cregan must be a very lonely wolf indeed.

But despite his loneliness, he does not let anyone in — or rather, he believes that he can't afford to because he knows there are people who will take advantage of his youth and his affections. It's shown in the Hour of Wolf that he is unforgiving, guarded, and does not trust anyone. This is understandable given that his uncle who raised him as a boy committed treason against him. But he seems to have a soft spot for children (he advised Aegon III and him arranging the boy's marriage to Jaehaera made sure that both children would be safe when he left to go back North) and people who appeal to his sense of duty (Jace & Black Aly) — these give him "acceptable" avenues to put down the northern masculine mask and be less rigid. Both tie back to a yearning for family.

Okay, so you got these two fellows: Prince Perfect Not-so-Valyrian Heir and Lord Stoic Northman Who Is Actually Deeply Lonely. Both of them have molded themselves to fit this mask of ideal masculinity because they believe it is their duty to their families and the only way to protect themselves in the arena of feudal politics.

Now put them together and what do you get? Chemistry. They see themselves in each other which leads to identification which leads to empathy which leads to curiousity which leads to dissection which leads to vulnerability which leads to intimacy. Jace sees the authority and respect Cregan commands and Cregan sees Jace's attachment and support from his immediate family, and they both desire something the other has, not fully realizing that they are forced into situations where they could not have both. It's juicy, it's rife with tension, it's the pact of ice and fire, baby.

Anyway, this is all to say...Sara Snow is a metaphor for the feminine vulnerability and yearning these two shared. That she is both a bastard and beloved sister is a combined manifestation of the two men's most deeply held desire — for Cregan, his yearning for close family who has no political claims that will get between their relationship, and for Jace, his need to be acknowledged and accepted as a baseborn child.

They trained and hunted and drank together — things regular young men do, but that the crown prince or Lord of Winterfell wouldn't have much opportunity to when one is studying Valyrian/dragonriding while the latter is making sure his paramountcy doesn't go into famine come winter. It's easy to imagine them bonding over the honor and burdens of their stations, their lost childhoods, their grief over losing loved ones, how their uncles who they grew up with betrayed them — just finding so much in common that it allows them to finally lower that meticulously crafted persona they use as their strength and shield.

And you wonder then, have they found someone who sees not as a fearsome wolf or powerful dragon, but just as...a handsome dude who they love to hang out with? Cause that would be sweet, bro, no homo. (But maybe some homo if you're okay with it.)

And the actors just really play into all of that with how they look at each other. Ugh, beautiful.