â§ď¸ | b. 2001 | fandom/art blog. expect no consistency | 18+. no dni cos i don't think they're practical. i block freely | blanket warnings: nudity, violent imagery, i don't tag spoilers | if you want to talk to me please do!
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Andulka

izzy's playlists!

Love Begins
PUT YOUR BEARD IN MY MOUTH
Noah Kahan
Cosimo Galluzzi
Cosmic Funnies
Keni
Lint Roller? I Barely Know Her
hello vonnie
The Bowery Presents

bliss lane
Aqua Utopiaď˝ćľˇăŽĺşă§č¨ćśăç´Ąă

Origami Around

pixel skylines
Not today Justin

seen from Nepal
seen from United States
seen from Morocco
seen from China
seen from Brazil

seen from Spain

seen from Netherlands
seen from Bangladesh

seen from India
seen from United States
seen from Canada

seen from Iraq
seen from Portugal
seen from United States

seen from Colombia
seen from Nepal

seen from TĂźrkiye
seen from Argentina
seen from United States

seen from Malaysia
@trojlus
â§ď¸ | b. 2001 | fandom/art blog. expect no consistency | 18+. no dni cos i don't think they're practical. i block freely | blanket warnings: nudity, violent imagery, i don't tag spoilers | if you want to talk to me please do!
â¤

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annoyingly tumblr has been showing me this for nearly a day now. doesn't actually correspond to real activity
looking at the wikipedia page for EdineČ and uh
i don't think that's right.
ClaudiađЏ
seeing gifsets of helaena targ and her tapestries & it's made me start missing my girl emma pole nĂŠe wintertowne again

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url change rolandapostatize->trojlus. i'll probably change it back in two weeks or so
i stopped reading no.6 vol 1 some time back because my attention span is *laughs nervously* but i think it's so awesome that we enter nezumi's living space and it's immediately blatantly the polar opposite of what he presents himself as to shion and to the world at large and of the type of thinking he i think has conditioned himself into out of necessity, the polar opposite of his own self-image, probably. guy who is adamant you should cut all useless excess out of yourself otherwise you're dead meat lives in a basement chock full of books and barely any necessities
i'm sure my cousin doesn't have much time to read what with the toddler and the depression and all but i wonder if she's still into asoiaf in sime capacity.. idk how to approach her about this
the affogato was utter shit btw. like i fared far better pouring my own shit coffee over whatever icecream. đ
nearly through my Tasks for the day, thank fuck

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really loathe this tendency (NOT ALL) shippers have of asserting their ship is The most meaningful relationship in both parties' lives and invalidating to some degree every other relationship each has had a lot of this is encouraged/perpetuated/facilitated by how romance and relationships are structured in a lot of media in the first place (ie societal standards) but it's especially frustrating when shippers bring this mentality to stories that at their core refuse such a hierarchical view of relationships
few days back i spilled (bad) coffee on the couch pullout thing that functions as my bed like a proper fucking idiot and now the smell lingers. the surface dried but i'm worried something may start rotting in there
so now i've got two whole 3 season shows that really went to shit in their 3rd season that came out this year on my watchlist
*flint voice* our golden age of piracy is collapsing
Black Sails 3x02 XX ⢠The Wager by David Grann

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should i watch leviticus
Nolan soon decided the most ambitious thing he could do was: adapt Homerâs Odyssey. âWhen I revisited the poem, I realized that itâs all payoffs, but it doesnât have the setups,â he said. Think of Argos, Odysseusâs loyal dog, who recognizes his master when he returns, even when no one else doesâsomething Homer doesnât bother to foreshadow. All the things movies naturally doâteasing the thing in the first act that happens in the third; hinting at something before it happensâarenât present in the poem because ancient audiences knew the setups and Homer didnât include them. âWhat I realized is, Oh, okay, to make a screenplay for this, itâs all about setting those things up, being true to those because the payoffs are incredible. But itâs now my responsibility to, within the form of the structure of the poem, try and set these things in motion so that the audience, an audience whoâs not as familiar with the poem and the mythology of the poem as Homerâs audience, would be ready for these things. And that cracked it open for me.â
(x) genuinely and from the bottom of my heart: what the fuck is christopher nolan on about? i wish a single other example had been given besides the dog thing because when i think of the big payoffs in the odyssey, they are, in chronological order: the reunion with telemachus; the slaughter of the suitors; the reunion with penelope. (i suppose the reunion with laertes counts too although book 24 is so anticlimactic it doesn't quite feel in the same tier as the others.) these things... could not possibly be more set up. they are the focus of first four books of the poem!!! what needs to be done to make an audience ready for them that is not accomplished by a fairly straightforward adaptation of, again, literally the literal beginning of the poem? like the text of the poem opens on "suitors bad; wife and son sad; king gone" and closes on "suitors dead; wife and son happy; king home [until... i mean whatever. i would never fault a screenwriter for omitting 24 lmao]." what do you MEAN there is no foreshadowing in the odyssey there is a literal bird prophecy hinting at the climax of the story in book 2!! (prophecy and omens also come up like 1 million other times on odysseus's way home? like people are literally ALWAYS hinting at things that have not happened yet...) like, HUH? WHAT ARE YOU TALKING ABOUT CHRISTOPHER. CAN YOU EXPLAIN TO ME HOW YOU ARE DEFINING SET-UPS AND PAY-OFFS BECAUSE I DON'T UNDERSTAND.