next years mood is love, same as always
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next years mood is love, same as always

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by lily van der stokker
[via]
Rest, 1911, Felix Vallotton
Medium: oil,canvas
hhh
(good save)

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“Paysage”, Nicolas de Staël, 1952.
by charlotte ager.
Untitled long exposures, 2018
ig @i.am.the.eggman
I always do a few versions of things I make. Usually a negative image of the original version, and/or color versions

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Bonus
Happy Birthday, Mark Rothko
While Rothko embedded his own emotions into his abstractions, he believed these were universal elements of the human experience, not unique to his situation. “I don’t express myself in my paintings,” he once whispered to critic Harold Rosenberg, while waxing on Abstract Expressionism at a party. “I express my not-self.”
The most poignant example of Rothko’s intent to remove ego from art is his theoretical manuscript “The Artist’s Reality,” which was published by his family in 2004, long after the artist’s 1970 suicide (Rothko suffered from depression throughout his adult life). While the text presents many of Rothko’s most developed theories on art and creativity, he very rarely uses the word “I,” and doesn’t mention his own paintings or practice. Indeed, his transcendent abstractions, too, are absent of any “I.” Instead, they express emotions that are universally understood and experienced by humans.
Mark Rothko, Untitled, 1969
“Silence is so Accurate”
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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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September 22. Nothing.
Franz Kafka, Diaries 1914-1923 (via honeylovemouth)
Chris & Jon Schoonover
Brothers and partners in crime, Chris and Jon Schoonover’s aesthetic is bold and colorful, oftentimes bordering on the bizarre. Based out of the New York area, Chris and Jon’s images convey a sense of artistry and wonder.