'Nother one for the dm fic of all time, "visions of the hereafter" (specifically the beginning of chapter 4), yay✨🥰
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'Nother one for the dm fic of all time, "visions of the hereafter" (specifically the beginning of chapter 4), yay✨🥰
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DO NOT REPOST!!!

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The world is violent and mercurial — it will have its way with you. We are saved only by love — love for each other and the love that we pour into the art we feel compelled to share: being a parent; being a writer; being a painter; being a friend. We live in a perpetually burning building, and what we must save from it, all the time, is love.
Tennessee Williams
FIFA graffiti seen in Jerusalem
i read the vampire armand like i read lolita. some discourse emerges from time to time by people who've read lolita and feel conflicted about their opinions on humbert humbert. he is a seducer, a manipulator, he purposefully tries to absolve himself of his crimes. the prose in lolita is rich, beautiful, the excuses are endless. humbert's tone is amicable, inviting, he takes you on the journey to perdition by the hand and asks of you only to be heard and not be judged. the catharsis in reading lolita (to me) lies entirely in the knowledge that this is the experience of many survivors. abusers & groomers look and talk like normal people. they exist the same way as us, they rationalize the same way, they show affection and kindness like everyone else. what makes them monstrous can be hidden, what makes them villains can be overshadowed by their amiable dispositions. how many survivors have told their stories and weren't believed or taken seriously because the perpetrator was just that much more convincing then them? that much more charismatic, charming, dominant, confident etc.? and how many more abused people can't look at their own victimization in all its brutality, can't inspect the wound too closely because it's gory, bloody and it hurts to be hurt? this is how i interpret armand's relationship with marius. like in lolita, it's primarily a story of a child who, because they have no other adult to depend on, sometimes walks into the bedroom of their own volition to seek comfort in the arms of the only other person they have left in the world.
'Master, Master, Master, I love you.'
'Yes, well, that's not so unusual. But the question is, Amadeo, why do I love you?'
larger details under cut

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I used you to punish. I never forgave you for Paris. Never. I never did. And now? Nope. Rest. Can't. Won't.
"After that speech, Armand carved an A in Louis’ chest. Anderson admits that he, Reid, and Zaman struggled to understand Armand’s “weird” move."
should probably tell the writers something if three for three actors don't understand why a character did something lmao.
whole house confused
Interview with the vampire 2.06
never getting over the lil nose kiss Louis gives Armand (also, WHY have someone walk in front of the camera right then?? diabolical. is it for thematic significance? probably. but also, evil. don't disrupt their fluff.)

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Words by Mary Oliver engraved in rock
minotaur by pedro requejo novoa
- lighthousekeeping, jeanette winterson
Anatomical wax model. Florence. Late 18th century. Wellcome Library, London.
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Fra Angelico & Mark Rothko
Julian Hooper 1. Introduction, 2016 2. Inevitable conclusion, 2016 (Acrylic on linen)