Bandy (they/them)
My icon is Anita Bryant getting hit with a pie by gay activist Thom L. Higgins.
List of sideblogs, if you're interested.
Bandy is short for Abandinus, btw.
styofa doing anything
Not today Justin
wallacepolsom


tannertan36
will byers stan first human second

oozey mess
almost home
RMH
Xuebing Du

#extradirty
todays bird
Today's Document

izzy's playlists!
art blog(derogatory)

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Discoholic 🪩

Janaina Medeiros
taylor price

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@transgender-er
Bandy (they/them)
My icon is Anita Bryant getting hit with a pie by gay activist Thom L. Higgins.
List of sideblogs, if you're interested.
Bandy is short for Abandinus, btw.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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TATMR they could never make me hate you
Especially now that I've seen the extended version that restores all the cut content and Narrator!Lily
God, it's a kids' movie, but the Burnett-Lily dynamic legit makes me so emotional. Especially when it comes to Tasha!
TATMR they could never make me hate you
i would trust weird al with my drink at a party. granted he may put one of those capsules that expands into a sponge animal in it,
sorry i had a vision and i just had to draw it
mutuals to sit under this thing with

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shaky doodle due to tremors but i couldn't focus on anything till i made this . karina you've been my favorite drawfer since you joined the show & i'll be very sad to see you go , but i know whatever you do next will be awesome
thanks for so many amazing years you've given the drawfee audience . i can't wait to see what you have in store !
its ok that karina is leaving drawfee. although the phrasing of the post is a bit concerning, i respect drawfee as a team of adults who can handle their own buisness. i look forward to supporting both the drawfee team and karina with their new directions going forward
let's be normal together :)
look i'm not gonna say i'm not upset by this news but please can we be normal about this . no one can honestly say they were expecting them to all be on drawfee forever
don't jump to conclusions , and please please don't get upset at karina or anyone else for this . feel your feelings , but don't make them karina's problem . she's allowed to leave if she wants to
I had to do it I'm sorry
We'll truly miss u Karina :']
Just been announced that Karina will be parting ways with Drawfee. She will be greatly missed from the channel but wishing her the best going forward !! Will be keeping an eye out for her future projects :)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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hey guys- i’m very sad to share the news that i am no longer a part of drawfee going forward. you’ll keep seeing me around as i move on to new things! but please understand the privacy and difficulty around the matter.
thank you everyone for many fun years, and for your continued support going forward 🫶
going from the euphoria of dan and phil posting a new tomodachi life video to the absolute despair of the news of karina leaving drawfee is making me insane
my diva moment will have casualties
My memory of The Birdcage (1996) is always that it's more dated and more difficult to watch than it actually is. You hear "drag-themed comedy from the 90s based on a musical from the 80s based on a play from the 70s" and you brace yourself just a little, right? But the film has a strong gay perspective, so the fruity fag jokes mostly come off as warmly affectionate. There is a surprising amount of poignancy in Robin Williams' portrayal of Armand, grudgingly agreeing to his beloved son's request that he go back into the closet for an evening ("do me a favor and don't talk to me for a while"). The drag club's staff attempting to redecorate the apartment with stuff straight people might like (a taxidermy moose head, an enormous crucifix, and Playboy magazine) is extremely funny. Albert's histrionics are a point of tension because he does often come off as a stereotypically pathetic/comic figure, but towards the end of the movie he makes it very clear that he's aware of how people see him, and asserts that trying to copy a stoic masculinity he doesn't possess for the sake of social approval would be more pathetic. In the 1983 musical adaptation, they give "Albert" (Albin) the only good song in the whole show, "I Am What I Am", which Gloria Gaynor covered to the delight of gays everywhere. Apparently Nathan Lane wasn't (publicly) out yet in 1996, which is amazing because it means that at one point in this movie you're watching a gay man playing a straight man playing a gay man playing a straight man, in a movie about how it's important to be yourself, an absurdity that does seem to encapsulate the state of gay America in the 90s.
I'm seeing a couple of posts circulating about the gay 90s and this movie. The above is a very good summary, and I think it's worth adding a few other points.
This movie got made because Robin Williams said yes to it (and it's important that Gene Hackman did as well). Williams in the 90s was a mega-star of a type that's not present in the current media environment (maybe Tom Cruise, but I personally think that's echo from his salad days). Even his flops made money on the back end in the video rental market, which also doesn't exist anymore (streaming is different). Hackman was on the other side of his A-list career but still Hollywood nobility if not full royalty.
Playing gay was considered career suicide in the 90s. There had been a number of actors who put lie to that belief stretching back decades, but this was Williams and Hackman (yes, being on screen next to a gay character was enough to get you blacklisted) saying "screw that" and doing it anyway.
Being gay and out was career suicide in the 90s.
Nathan Lane had a really nice gig going for himself. The Lion King put him into the Disney rep company with people like Williams, Bette Midler, and Whoopie Goldberg (check their IMBD list from the 90s--they were making bank at Disney).
Lane didn't come out until several years later (nice summary: https://deadline.com/2024/06/nathan-lane-robin-williams-advice-coming-out-birdcage-1235975010/).
I don't want to imply that this was a Sorkinized moment where everything changed because of one thing, but this was a very important movie that caused real movement in the needle on queer acceptance.
It also proved that there was a market for films with gay characters, which had the knock-on effect of gay filmmakers being able to find distributors of their gay-themed films. Which meant that more people than ever (queer and non-queer) got to see representation on-screen.
New Tal-y-llyn engine unlocked?!

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sometimes instead of a horrid little monk, divine visions of lesbians dance in my head dispensing wisdom
Gang, my brain is broken (as per usual)