(looks up) (looks down) (looks up again) oh, hey there. (leans against the doorframe) didn't see you there. (misses and falls; scrambles up) welcome to my..... (stretches and groans so casually) multimuse blog. here. let me pour you a glass of wine. what's that? you don't drink? shit. fuck. goddammit. ok. uh. (abandons hospitality completely)
yeah, no big deal, i just write, uh, you know. men. bruce wayne. carlisle cullen. i dabble. ryland grace. you can peep the CARRD to live mas.
mutuals only for ic interaction. oc / crossover friendly (incl. canon-compliant muses), plotting is nice but not necessary, and open to silly / crack ship / self-indulgent threads.
this blog is 21+, minors please DNI.
prompts, please specify muse! | draft tracker
ββ Think of my Pleasure in Solitude, in comparison of my commerce with the world β there I am a child β there they do not know me not even my most intimate acquaintance β I give into their feelings as though I were refraining from irritating a little child β Some think me middling, others silly, others foolish β every one thinks he sees my weak side against my will; when in truth it is with my will β I am content to be thought all this because I have in my own breast so great a resource. βββ John Keats in a letter to his brother George, 1818
Mobile rules under cut.
oo1. ASSUME GOOD FAITH. I will always assume the people I choose to interact with mean well and have good intentions, and I expect the same of anyone interacting with me. I don't do virtue signaling or morality contests. Actions speak louder than words and posting 'stop h8' is cool but the real thing that helps is RPing with trans people, RPing with people of color, and creating effortful representation in good faith outside your personal experiences.
oo2. DUPES, OCS, ETC. I love oc's, and I am more than happy to write with dupes! Most of the time, especially for secondary/request muses, I want to write with those characters as well as write for them! Multi-ship friendly, multi-thread friendly, literally do whatever u want we are vibing brother
oo3. SHIPPING. oc / multiship friendly, but open to exclusives if it is mutual. I am always down to ship anyone with anyone. I prefer not to pick up in the middle of an established relationship unless we've plotted heavily OR the intention is to make them exes/build history.
oo4. PLOTTING. I live for plotting! the best way to do that is to send me an ask or DM on Tumblr. Mutuals can ask for my discord. Plotting, to me, looks like spitballing, randomly sending ideas, fully writing out flashbacks or planning the RP before we RP it. I don't need to plot it like a novel, but having a direction to go in is great. I NEVER mind threads that aren't plotted, either, and if the muse strikes, feel free to turn asks into threads because God knows I will.
oo5. MY WRITING. I am sometimes very slow to respond for personal life reasons. If I don't reply to you for a week-plus, it's very likely because of my personal life. There will also be times I write back three times in a day. I will always try to match the tone, tense, quality, and volume of my partner, but I don't necessarily expect the same. I always write third person and tend to default to present tense lately, but I prefer to match tense, so past is TOTALLY fine if you tend to write that.
I also rarely use graphics, and when I do, it's usually just very thin bars. I never use gifs or complex formatting aside from small text and bolded dialogue. If you need normal/larger text for any reason, plz let me know! :)
oo6. TRIGGERS PRESENT. Present in this writing include graphic depictions of violence, VERY occasional on-page death, physical and emotional abuse, depictions of PTSD, existential dread, possibly major character death. I will sometimes write my own triggers as listed below.
oo7. MY TRIGGERS. I would appreciate you tagging these triggers if they come up. They include highly graphic on-page depictions of sexual assault, on-page partner death, highly graphic depictions of witnessing death. Grief surrounding partner death is fine. As mentioned, these may sometimes appear in my own writing and I will tag them as they come up. I am also happy to sensitivity read partner-related grief if you ever want a second eye. :)
oo8. TAGS. TW format: #tw (trigger) / e.g. #tw SA / #tw partner death / | NSFW: #nsft / I will attempt to proactively tag triggers whether they affect my mutuals or not, but please lmk if I miss one of yours!
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i keep thinking about wanting to organize a discord rp love is blind thing where everyone picks a character to RP without telling anyone else who they picked and they all go on blind RP dates....... it would be SO much work but i miss organizing events tbh
the most annoying thing about my job (which is gig economy work βοΈπ) is that all the jobs get eaten up by college kids on summer vacation and i have finally entered Broke Season
the rp pipeline is so beautiful. strangers to mutuals. mutuals to writing partners. writing partners to sending each other twelve messages about how their muses would grocery shop together.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Grace explaining sheepishly to Eridian linguists that the reason he uses different pronouns for Rocky than for the rest of the population is that he reflexively defaulted to assigning Rocky the same grammatical and social gender that he himself uses, in a way that has historical precedent but in modern English is considered somewhat chauvinistic and backward, and he's not proud of it but also the habit is pretty deeply ingrained now and unless Rocky objects it's probably easier to just keep on as he has been...
and immediately being informed lol. lmao. do not even worry about it. you have no idea what kind of buck wild grammatical constructs Rocky has invented for you. everyone else addresses you as foreigner/scholar. they're somehow managing to refer to you as their sibling, ward, and semidivine culture hero at the same time every time they talk about you.
good morning friends (its 6 pm) I had an anxiety attack that gave me blinding stomach pain yesterday so I took my anxiety meds, fell asleep, and woke up two hours ago??
Needless to say, my draft queue is empty and I will get to work on those when my body works again ily <3
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Adjust wording as necessary. Picked up from the internet of 'how to ragebait men' posts, but adjusted to try and apply to anyone.
"Act like your hairline and back up."
"Aside from the obvious, what would you change about yourself if you could?"
"Did you mean to dress like that?"
"Do you cut your own hair?"
"Do you ever wish your voice was deeper?"
"Do you wish you were strong/pretty?"
"Do you wish you were taller?"
"Do you wish you were the funny friend?"
"Don't argue longer than you last."
"Every time I talk to you, I wonder who tied your shoes this morning."
"Have you considered therapy?"
"I love how you don't let your insecurities get in the way of your confidence."
"I neither have the time nor crayons to explain this to you."
"I'm sorry, I didn't think you'd get so emotionalβ¦"
"If it helps you believe you'll reach the top shelf, buddy."
"If you were athletic, what sport would you play?"
"Looks like someone didn't take a nap today."
"Oh, someone's having a tantrumβ¦"
"So you're the little spoon?"
"Someone's compensating."
"Someone's experiencing some big feelings!"
"Surely this isn't your first time being rejected."
"Take a deep breath sweetheart."
"That haircut/outfit is very brave."
"What does your barber do for a living?"
"Whatever makes you feel big and strong."
"Whatever you say princess."
"Why are you making your voice deeper?"
"Would you still love me if you were handsome/pretty?"
"Wow such a big voice for such a little girl/guy."
"Wow, your glow-up's going to be crazy."
"Yeah, that makes sense if you don't think about it."
"You look adorable when you're mad."
"You look easy to draw."
"You look like a 'Before' picture."
"You look like you can't swim."
"You look like you never learned how to ride a bike."
"You look like you read with your finger."
"You look like you'd be so ticklish."
"You look like you're afraid of heights."
"You look like your parents are cousins."
"You seem like you were homeschooled."
"You speak with the confidence of a much taller person."
"You're kinda overreacting."
(note that in julia's marvel verse, she is usually being observed / occasionally fucked with / occasionally murdered by Loki due to BACKSTORY REASONS! it's very cat-with-a-mouse-corpse for the most part, though I do have spots in the timeline where he seduced her / they briefly fell in love / etc. The important bit is that she is not aware of her past lives and would need to recover those memories in order to know any of it happened. a lot of the inciting incidents I use for plotting include "some freak in green pajamas is stalking me and i was sent to the Fucking Avengers about it???" type shit. I am down to workshop other options if you have better ideas, Julia is EXTREMELY mutable due to the nature of her character.) I'm open to shipping / found family / enemies / whatever for these, they're just plot starters.
PETER PARKER / SPIDERMAN / VARIANTS. Julia, a neurobiology PhD candidate and Normal Civilian, has been told that due to Loki-related dangers that none of the powers that be can source yet, she's getting a 24-hour security detail. The following day, she gets a call from a number that's been sitting in her phone unused for 4+ years: your character, her lab partner from Freshman Chem. When she answers, Spiderman introduces himself as her security detail. (Shipping, found family, really could work for most dynamics.)
THANOS. Thanos discovers that Julia has been evading Lady Death for centuries and resolves to kidnap her and hold her hostage for the Lady to collect. (Straight antagonism, Stockholm Syndrome, or a thing where Thanos is never wanted by Death and Julia is never collected by Death and they come to a weird, grim, mutual understanding. Could be a starter to work with other OCs/characters as well, especially Gamora/GOTG.)
STEVE / BUCKY / ANY. It is early 1941, and Julia is, for the era, mostly normal. She works as a typist and keeps house for her widowed father. She is approaching 24 and still doesn't seem to care to meet men. The arc goes like this: she meets your character, they maybe fall in love, then your character is shipped out, "dies" in the war, and leaves behind a grieving young widow. Fast forward to modern day. Your character wakes up/is recovered, only to find that Julia passed away in the 80s. But then your character sees a person identical to Julia, in her early twenties, and the more your character gets to know her, the more oddly similar she is, in almost every way. (Written for shipping, but if you have other dynamic ideas that would fit here, I'm open to discussing!)
WADE WILSON / DEADPOOL. Wade cannot die because Death made it so. Julia cannot stay dead because Death overlooked her. Wade, in his own cosmic bullshit way, is the only person who can actually diagnose her problem. If it becomes romance, it's doomed, because he can't die and when she dies, he would have to tear through timelines to find her, and she might be a child, and she *definitely* wouldn't remember him. (Shipping, enemies-to-friends, reluctant allies, I'm open to building bigger plots around this!)
LADY DEATH. Everything comes to Death eventually. Julia does not. After finally coming across a hole in her ledger, Death does something she's never had to do: she takes a mortal form and finds the girl. (Doomed romance, cosmic horror, or just... two people who finally finish the problem.)
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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indie portrayal of matt murdock aka daredevil. heavily comics-based. piloted by k, (she/they, 31, est). fairly selective, medium activity, and mutuals only. oc / crossover / au friendly.
A STUDY IN: punishment as permission. gracelessness. being conscripted but refusing discharge. the body as a machine for converting pain into meaning.