‘Ugetsu’ (1953). Directed by Kenji Mizoguchi.
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‘Ugetsu’ (1953). Directed by Kenji Mizoguchi.

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Mark Rothko – Blue and Grey, 1962
Robert Fripp, David Bowie and Brian Eno, Hansa Studios, Berlin, 1977 by Christian Simonpietri

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Andrei Tarkovsky, Nostalgia (1983)
Secrets of a Soul, 1926, Georg Wilhelm Pabst
1980 Japanese poster for ORDET (Carl Th. Dreyer, Denmark, 1955)
Designer: Masakatsu Ogasawara
Poster source: Posteritati
Blue Velvet (1986) dir. David Lynch
Oskar Schlemmer’s, “Danses du Bauhaus, Danse des cerceaux”, 1927.

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Japanese samurai during the last days of the Tokugawa shogunate, circa 1865
via reddit
Her daily routine here was marked by her reverence for simple rituals and an inner clarity that allowed her to be fully present in each moment. She would rise early and take a long walk before breakfast, accompanied by her dogs. After breakfast, she would venture back into the desert for a day of painting, often using her Model A Ford as a portable studio. Upon returning home, she would take an evening walk before dinner. The lasting impression of O'Keeffe’s legendary life and art, and the Ghost Ranch home that stood at its center, is that of a woman completely at ease with the natural world and with herself.
Hiroshima Mon Amour (dir. by Alain Resnais, 1959).
When we experience a film, we consciously prime ourselves for illusion. Putting aside will and intellect, we make way for it in our imagination. The sequence of pictures plays directly on our feelings. Music works in the same fashion; I would say that there is no art form that has so much in common with film as music. Both affect our emotions directly, not via the intellect. And film is mainly rhythm; it is inhalation and exhalation in continuous sequence.
Ingmar Bergman
Persona, directed by Ingmar Bergman, screenplay by Ingmar Bergman, cinematography by Sven Nykvist, and edit by Ulla Ryghe; featuring the shooting script for the film.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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I never considered myself anything more than as a craftsman, a hell of a skilled craftsman, if I may so myself, but nothing more. I create things that are meant to be useful, films or theatrical productions. I’ve never felt the need for…what’s the word?…sub specie aeternitatis. I have never created for the sake of eternity. I was only interested in producing the good work of a fine craftsman. Yes, I am proud to call myself a craftsman who makes chairs and tables that are useful to people.
Ingmar Bergman
California; captured by Elliott Erwitt (1955)