Léa Seydoux by Greg Harris for Vogue China, March 2022
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Léa Seydoux by Greg Harris for Vogue China, March 2022

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Christy Turlington at the iconic Gianni Versace’s Fall 1992 “Miss S&M” Fashion Show.
MISS CONGENIALITY (2000) dir. Donald Petrie
Anna Karina in ‘Une femme est une femme’ (dir. by Jean-Luc Godard, 1961).
Brigitte Bardot in Le Mépris (dir. by Jean-Luc Godard, 1963).

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Sophia Loren in Matrimonio all'italiana (dir. by Vittorio De Sica, 1964).
Marilyn at the premiere of How to Marry a Millionaire in 1953
Brigitte Bardot in Le Mépris (dir. by Jean-Luc Godard, 1963).
Lee Miller in her only film appearance in ’Le sang d'un poète’ (1930), directed by Jean Cocteau.
Lee Miller (1907–1977) is one of the most remarkable female icons of the 20th century - an individual admired as much for her free-spirit, creativity and intelligence as for her classical beauty. Lee began her modelling career on the cover of American ‘Vogue’, and was photographed by the greatest talents of the day before going to Paris, where she became a highly acclaimed photographer whose worked spanned documentary, portraiture, travel, fashion and advertising, as well as striking experimental Surrealist images. Together with Man Ray (Lee was his student, collaborator, lover and muse), she discovered the photographic technique of solarisation. During the Second World War, she was a war correspondent for Vogue, covering events such as the London Blitz, the liberation of Paris, and the concentration camps at Buchenwald and Dachau. During that time, she was the only official female photojournalist working in combat areas. (x)
Belle de Jour (Luis Buñuel, 1967).

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Rita Hayworth in Gilda (1946).
Laetitia Casta wearing the iconic wedding dress made of roses during the Yves Saint Laurent fashion show, 1999.
Lea Seydoux by Alasdair McLellan for Vogue Paris, December 2020.
Possession (Andrzej Zulawski, 1981)
IT’S A WONDERFUL LIFE 1946 – dir. Frank Capra

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Closer (dir. by Mike Nichols, 2004).
Lea Seydoux by Alasdair McLellan for Vogue Paris, December 2020.