Ice Maiden (The Dreamer of Dreams) (1915). Edmund Dulac.
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Ice Maiden (The Dreamer of Dreams) (1915). Edmund Dulac.

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Hermann Hendrich - Will o’ the Wisp and Snake
If I Were to Kiss You
If I were to kiss you, I’d kiss you very lightly first, touching your lips with mine tangentially, fleetingly, for half a second each time.
I’d torment you with kisses like that, until you would be falling in and out of vertigo.
I’d love to take my time if I were to kiss you, and start kissing you more assuredly not sooner than I already knew, through a series of passing experiments, the precise delineation of your lips, their esoteric geography, their ideal form, the rising and falling of a curve.
I wish you were moaning slightly under my kisses but it should be a moan through which involuntary globules of laughter scintillated since you could not contain the joy of such intensity—and neither do I.
I would kiss you fiercely, deeply, feeding on your mouth, collapsing into the kiss like a segmented kaleidoscope, folding into longing and belonging.
Oh I believe you would be a treat; you would be a delight.
But you surely know the profound sadness of such exploration. Each kiss enwraps coldness and distraction. There is always a primordial dissatisfaction in the most passionate session of learning the body of the other.
In the evening, ceasing fruitless attempts to transgress the reinstating, magnetic borders of our unfortunate personalities, we would look at each other as strangers and into each other as clairvoyants.
I wish I wore a 20s-looking dress, art deco or art nouveau, and a glass door was opened into a dark garden exploding with cold bedewed leaves, and branches, and petals; the antediluvian garden exuding sweet, heavy odor of dying, decaying verdure—I am certain I would have enjoyed you.
Lisa Ballard
Dark north coast rocks ballintoy rocks Mountain valley 3 small paintings

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Yet another...
Vampyr
Reckless in the dim and tangled pretty in your skin, we are haunting the margins of myth; we are courting the favour of time as she dances; we are memorising eyes. And passionfruit bruises like rubies will hang from your neck, and your cavalier curls will obscure where stars into vague constellations were plucked, and by morning your bones will be laced with the traces of mine.
Ridgeway
It is ribs of pink that interrupt my thinking, Didcot power station, twinkling red from the ridge, and ink-blotted rivers of pipistrelles flitting above; the slumber of history still fitful, the morbid curlew calling. It's conflating you with Irish rhymes and moons tucked under hillsides, blooming purple, silken blue; it's this room that is there in my heart that is hungry with freedom still clumsy and new, as I cycle from parsley and partridges strutting to ardour, from dream to harlequin dream.

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Yes, I deserve a spring–I owe nobody nothing.
Virginia Woolf, from A Writer’s Diary  (via featherumbrellas)
Jubilee
It terminates at Stanmore; oh, for more of your dark hair and den-warm eyes; you sprang from legend, but you stalked along the Thames - and so my evening ends. Though I'm learning, I have earned a kind of atavistic pain, and I felt I should have caught the train to Stratford.
Kensington Gardens, by the Pet Cemetery
I brought you to a place that clings, unbeknownst to those who pass it, to its past; I brought you somewhere familiar to know that I wasn't undone, to let the ghosts of cats and dogs and guardians of literature - Barrie, Woolf, and Lehmann - somehow cradle me as you did. For I wanted to add a veneer of our own to a place already teeming, for a thing so desperately good that it couldn't be thought of not to perish, but to fall into place with the night, so greedy she clamoured for love, so shrewd that she only craved love just discovered, just hungrily begun.
The sun was running riot, was maniacal as I with skeins of memories sheer as puddle shadows waited; and elegies of television, celebrated evenings building villages and rivers, building rooms soon barricaded by a decade that had faded, were demanding to be sung. And in the space of waiting I was thinking about limits; I was wondering how far the Berkshire countryside extends, and I was sure with each glance at the door that I could swallow time.

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