help I’m having ideas beyond my available free time
trying on a metaphor
PUT YOUR BEARD IN MY MOUTH
dirt enthusiast
Lint Roller? I Barely Know Her



#extradirty
Mike Driver
KIROKAZE

祝日 / Permanent Vacation
taylor price
DEAR READER

⁂
I'd rather be in outer space 🛸
Claire Keane
sheepfilms
Sweet Seals For You, Always
$LAYYYTER
d e v o n

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@tokaydokay
help I’m having ideas beyond my available free time

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New look at Alys Rivers’ dress from the upcoming new episode of ‘HOUSE OF THE DRAGON’
I think regardless of what you think of hotd you need to agree that it's kind of admirable that they are a UK based production that consistently hires trans actors in both major and minor roles. emma d'arcy is obviously the main example but like how cool is it that they needed a little boy for a small speaking role and they gave that role to a trans kid. when their government is actively trying to make the lives of trans children worse
Noritoshi Hirakawa
From " Unión de ...Interactional Casa Barragán"
alicent should've sat on rhaenyra's lap, yanked on that chain and they should've made out sloppily

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first day at work <3
maybe the reason carol sturka is immune has something to do with her ability to unhinge her jaw like a snake to eat avocado toast
anna maxwell martin as kay langrish in the night watch (2011)
Fandoms have a serious problem with how creators are being treated these days.
Fandom creators spend hours of their free time to create something to make fandom thrive...for free and for the love of the game.
And what do they get? A wholeass heap of fuck all. No reblogs, no comments, no nothing. And people are surprised that creators are dropping out left, right, and centre??
"Why is there no long fic anymore?" "Why did my favourite writer stop?" "Why is my favourite artist not posting anymore?"
I implore you to ask yourself: "What's the last thing I did to support my fandom? Does my favourite creator know they are my favourite? When was the last time I left a comment under something?"
Steve Adams - Moongazer (A hare staring at the rising moon in Kimberley Nottinghamshire), 2012 Photography

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at first i was a little thrown by rhaenyra sobbing her guts out upon executing otto because it’s so. Stark like it upends everything soooo harshly. but in a franchise where lopping off heads is so commonplace and nameless guards are constantly getting shanked— it’s a big big choice to suddenly linger on the act as *murder*, as something grave, disturbing and frightening, as a genuine stain on the soul. a lot rests on emma’s acting there. it reverbates through their entire body, it looks so unnaturalllllll it’s awesome. wonderful, strange, deeply humanist moment that made me feel quite ill. the way this show treats violence is so fascinating. And it’s truly channeling the spirit of asoiaf ❤️
no catharsis in death!!!!! no joyous killings!!!!! THIS IS HOUSE OF THE DRAGON BITCH TAKE YOUR SENSITIVE ASS BACK TO FIRE AND BLOOD!!!!!!
RHAENYRA TARGARYEN House of the Dragon (2022 - ) — insp.
Locking eyes with the love of your life as the severed head of the man who first tore you two apart lays between you, separating you even after death
Keith's Tower in Aberdeenshire, Scotland. Built c. 1824
helaena in the background bearing witness to whatever stupid argument idiot 1 and idiot 2 are currently having save her

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one of many things i really loved was how anticlimactic rhaenyra taking kings landing is. there is barely any action, barely any spectacle, barely any dragons. they just walk through the halls functionally unimpeded and all we see is their silver targaryen hair as they walk through halls that are familiar to us by now but where they feel out of place. there is tension in the fact that there is no tension at all. we know daemon is a better fighter than any hightower guard. we know they have more dragons. even the goldcloaks rushing in lasts barely more than a second. otto's death is imperfect and unsatisfying. there is no revenge or catharsis behind her swing. all of this build up her entire life the moment she has been waiting for through all of the death and grief and she hobbles up to the throne in tears because there is absolutely no glory in taking the iron throne, none of it matters, but its too late to do anything else but sit.
"Seeing the shift in Rhaenyra's face and whole body as she sees Alicent. This breaks something in her. From this scene onward, Rhaenyra changes in a way that she doesn't even really completely understand in that moment." – Clare Kilner
HOUSE OF THE DRAGON | Season 3, Episode 2, "Queen's Landing"