i'm on tumblr to read women's diaries

Discoholic 🪩
Sade Olutola
YOU ARE THE REASON
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blake kathryn

tannertan36
TVSTRANGERTHINGS
Lint Roller? I Barely Know Her

Kiana Khansmith

pixel skylines
$LAYYYTER

gracie abrams
we're not kids anymore.
Sweet Seals For You, Always
h
The Bowery Presents


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@to-insanity
i'm on tumblr to read women's diaries

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i will not lie, friends in my phone, i have been imagining affection from time to time
David Foster Wallace correctly predicts Netflix binging in 1996.
Everyone’s experience of this sort of thing is different. But for myself, I have found that since I emerged from the internet-based hibernation of my 20s and replaced a lot of my TV and video game consumption with live theatre and dance and city exploration and concerts and burlesque and parties, I am happier and more satisfied with existence than I have ever been in my life.
a poem/zine inspired by my forever muse
Joan Didion: The Center Will Not Hold, 2017 (dir. Griffin Dunne)

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“Translation, this revelation of meaning, as necessary to philosophy and the mutual necessity of philosophical engagement in any act of translation is further explored and illustrated in Alena Dvorakova’s paper ‘Pleasure in Translation: Translating Mill’s “Utilitarianism” from English into Czech’. Dvorakova describes the experience of translating John Stuart Mill’s essay ‘Utilitarianism’ as the experience not just of having ‘to do philosophy’ but as ‘having philosophy done to oneself ’. The remarkable fact that this ‘classic’ is not yet available in Czech begs the question whether or not there is something in the text itself that resisted the Czech language. Among the many benefits of producing this translation, Dvorakova highlights that it may in fact disclose a certain way of thinking. Further, a translation would afford a Czech speaker the possibility of assessing the force of this text; of establishing in their own tongue, whether or not the text is in fact a ‘classic’. Dvorakova draws attention to the differences between Jeremy Bentham and Mill’s understanding of the word ‘pleasure’; a word that in English has diverse meanings – something can give pleasure but also be a pleasure in itself. Problems with this subtle distinction arise in Mill’s original English text; in Czech these problems are multiplied. Not only are there three levels of pleasure/pleasant in Czech, each of these three words can be used only with certain kinds of pleasure and further there are also a number of different verbs used to express each type of pleasure. As a result, the language of the translation, Czech, itself forces a deconstruction of Mill’s text; it highlights the implicit ambiguity of the original and in so doing does not diminish its force but rather re-initiates a philosophical questioning of the word ‘pleasure’ itself.”
—Lisa Foran, Translation and Philosophy (2011)
what people think gift giving as a love language means: *spending an excessive amount of money on materialistic gifts for people during the holidays*
what gift giving as a love language actually means: “i picked up this cool rock that i found on the ground that reminded me of you” or “i bought you this necklace for 50 cents at a yard sale cause i thought you’d like it” or even “i’ve had this thing since childhood but i feel like it could be of some use to you or give you comfort so i want you to have it”
The point of a gift is to show that you know👏 a 👏person👏well👏!!!!
I have this love language and I have described it as being a magpie. I found this cool ceramic plate at goodwill I thought you would like. I heard you were looking for a new pen here try this one. Please accept my trinkets of devotion.
Please accept my trinkets of devotion…
"Gift giving sometimes is a form of telepathy or character analysis. I’ve given many unimportant gifts, small things that probably missed their mark. I imagine the recipient pointing at a weirdly gone wrong gift—“What even is it? It/me, it/me? You’re kidding!” Sometimes I’ve tried to make gifts speak for me, and this can result in miscommunication. One friend said I gave things I wanted myself, and that was true. I needed to work on that. On the other hand, it wouldn’t have been good to give things I didn’t want myself. Still, I needed to more adequately imagine the life and needs of the person I was giving to. I’ve given gifts so wrongheaded that in retrospect they’re almost funny. For years, I gave Japanese yukatas (cotton bathhouse robes)—because I loved those robes myself. I’m pretty sure those gifts were not appreciated. Then I went through a phase of giving orchids to people who didn’t want to take care of them or who lived in dark houses. Recently I gave a family a Morgan horse saved from the kill pen. That was as thrilling for me as it was for them. A wonderful horsewoman offered to give the Morgan a home, and I was able to buy him less than an hour before he would have been tagged for slaughter. Her daughter is training the horse, they send me updates, and it’s been lovely to see them enjoying the horse and see that he now has a good life.
As for what I’ve loved to receive—well, there are the big gifts and the small. A MacArthur Fellowship was an extraordinary gift—it had the potential to be life-changing. It was my mother who told me I’d gotten it. My husband and I were on a cross-country trip, completely disconnected for weeks, and the Foundation couldn’t reach me. A friend who’d seen the announcement in the paper had told my mother, but she had no way to reach me. I finally called her, and she said, “Did you hear the great news?” Being told by your mother that you’d won a MacArthur is kind of unreal, like something from a dream. In retrospect, that was the sweetest aspect. She shared my happiness so deeply. It’s rare to have someone who does.
That was a singular thing, a gift that honored my work, but most of my thinking about presents centers on the small, material objects we exchange as a form of silent communication. I’m absurdly comforted by material objects. It has nothing to do with commodity value and everything to do with time, endurance, and love. I can look around any room in our house and see objects that friends, students, family members have given, and seeing these things brings the giver vividly to mind. It isn’t sentimental, it’s deeper than that. I’m typing this is in my “email study,” and behind me are two puppets from India, a gift from one of my oldest friends. She also gave us a comforter that we use a lot. I don’t think she realizes that we’ve enjoyed it so much. Who knows, maybe some people are liking what I’ve given without me knowing. The giver can’t control the gift. Words, language, can fall so far short, and the objects we exchange imply and resonate without resorting to words. That’s part of their power for me.
“… Giving it away / doesn’t make a thing a gift.” Those lines are from “Malus Domestica,” a poem that’s partly about waterboarding, and the lines refer to confessions extracted through torture. A gift given under duress isn’t a gift. Gifts also fail if they’re chosen in an offhand, thoughtless manner; if they’re a leftover, something the giver didn’t want herself; or if they’re in any sense stingy. A true gift conveys affection, trust, and esteem. It can say, “I know you, and I thought you’d like this,” or, “I love this, and I wanted you to have this because I love you.”
- Alice Fulton
“To make bread or love, to dig in the earth, to feed an animal or cook for a stranger—these activities require no extensive commentary, no lucid theology. All they require is someone willing to bend, reach, chop, stir. Most of these tasks are so full of pleasure that there is no need to complicate things by calling them holy. And yet these are the same activities that change lives, sometimes all at once and sometimes more slowly, the way dripping water changes stone. In a world where faith is often construed as a way of thinking, bodily practices remind the willing that faith is a way of life.”
— Barbara Brown Taylor (via llleighsmith)
“I don’t think the artist owes anyone any kind of engagement or explanation. I think the artist should be a paradox, if they feel up to it. They should contradict themselves as much as possible. They should be interested in their own imagination. They should feel free to fuck up, to be strange—all of the things the internet doesn’t allow in 2021, and more or less punishes. So I guess I came here, on the internet, to say: maybe we should all leave. Maybe we all deserve a kind of creative mental freedom no matter if we make art or not.”
— Astro Poets, The Internet Is Over
Our culture has created a reward system in which you get points for tearing down rather than building up, and for besieging with criticism and derision those who dare to work and live from a place of constructive hope. Don’t just resist cynicism — fight it actively, in yourself and in those you love and in the communication with which you shape culture. Cynicism, like all destruction, is easy, it’s lazy. There is nothing more difficult yet more gratifying in our society than living with sincere, active, constructive hope for the human spirit. This is the most potent antidote to cynicism, and it is an act of courage and resistance today.
Maria Popova (via cunninggreeneraven)

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This Little Book Contains Every Reason Why Women Should Not Vote (New York: National Woman Suffrage Publishing Co., 1917).
“It’s important to say what hope is not: it is not the belief that everything was, is, or will be fine. The evidence is all around us of tremendous suffering and tremendous destruction. The hope I’m interested in is about broad perspectives with specific possibilities, ones that invite or demand that we act.”
— Rebecca Solnit, from her foreword to Hope in the Dark: Untold Histories, Wild Possibilities (via weltenwellen)
Alejandro Jodorowsky
modern mystic writes down prophecies in the notes app

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I look out upon the world men have made—their legislatures, courts, churches, schools, art, architecture, their politics, their economics—and I don't see anything I would have done as they have done it. Not one single thing. Their system does not reflect me at all, neither my mode of being in the world nor my world view; rather, it is inimical to all I love, all I desire, all I am. Its every aspect pains me to look at, to think about; it hurts me on all levels of my life; it is not my home.
- Sonia Johnson, Wildfire
Le Petit Prince