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@tiramisu-ki

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[ID: A screenshot of part of “Intermission part 3,” 17776. The background is a very detailed image of space, with countless distant stars and galaxies of varying sizes against darkness.
Green text (Ten): People had a choice. They could continue wandering through the endless darkness, an absence of everything they loved, an endless void of disappointment and loneliness…
[A vast gap between the text at the top and at the bottom.]
… or they could look down, and embrace what they always had and loved. /end ID]
Lola Rennt (1998)
Young Glenn’s sitting poses are the best.

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Eduard Bagritsky, from “Black Bread,” featured in “A Treasury of Russian Verse,”
from Rectify (2014), created by Ray McKinnon
—I don’t think we need to tell sad stories. Life’s too short. —That’s exactly why we have to tell them.
Virginia Woolf to Janet Case, 19 November 1919, Edited by Nigel Nicolson and Joanne Trautmann, From The Letters of Virginia Woolf, Volume Two 1912-1922
“I was pretending that I did not speak their language; on the moon we spoke a soft, liquid tongue, and sang in the starlight, looking down on the dead dried world”
— Shirley Jackson, We Have Always Lived in the Castle

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“You hide behind your words because it’s all you have.”
— ten-word-story, #47
“Love opened a mortal wound. In agony, I worked the blade to make it deeper.”
— Love Opened a Mortal Wound, Sor Juana Inés de la Cruz - (1651-1695), tr. Joan Larkin and Jaime Manrique (via decreation)
L'amour à la mer (Guy Gilles, 1964)
William Shakespeare ― The Tragedy of Hamlet, Prince of Denmark
Franz Kafka

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“…there are other worlds—remote, lonely, silent, far—of strange delicious life. Let us go.”
— Kahlil Gibran, in a letter to Mary Haskell, from Beloved Prophet: The Love Letters of Kahlil Gibran and Mary Haskell, and her private journal (via neuseks)