I have got to stop responding to random people's posts no matter how bad they are cos all that ever happens is I either get blocked by the poster or I get some response that shows they don't care about most/any of what I've said
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will byers stan first human second
One Nice Bug Per Day
Misplaced Lens Cap

#extradirty

ellievsbear
Xuebing Du

Andulka
trying on a metaphor
Lint Roller? I Barely Know Her

❣ Chile in a Photography ❣
$LAYYYTER
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"I'm Dorothy Gale from Kansas"
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@tiger-moran
I have got to stop responding to random people's posts no matter how bad they are cos all that ever happens is I either get blocked by the poster or I get some response that shows they don't care about most/any of what I've said

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superficial features which make a person objectively more attractive:
gender nonconformity
a profile in which the nose features prominently
striking and unusual voice
sexually repressed but in a way that I can work with
notable height (in either direction)
glasses
other unusual physical features (red hair, freckles, protruding ears, vitiligo, etc.)
visibly haunted
condemned by god to an eternity of suffering
plays an instrument
I've only been a part of the Sherlock Holmes fandom for about three years- my obsession began when I saw an animation by ratmakingart with an audio from Sherlock & Co. pod, and since then i've been a diehard fan of the books, the movies, the shows, even the music and spinoffs.
I say this not to invoke a "holier than thou" persona for what i'm about to talk about, but because I personally relate to Sherlock a lot- in most adaptations at least, and most certainly in the books and S&Co.
Obviously Sir Doyle did tell us we can do whatever we please with his detective- but for some reason (probably the anicent ape part of my brain that makes me territorial over my special interests) I can't STAND the aromantic headcanons some people apply to Holmes! I'm not here to yuck anyone's yum, of course you can do whatever you want with your favs, but here's my perspective:
Over the years i've noticed that people tend to infantilize autistic people (such as myself), and even though a lot of autistic folks ARE aromantic/asexual/both, including myself being an aromantic, I also tend to notice that people apply those labels to characters who are just...on the spectrum. Even if the character expresses sexual or emotional attraction to another character in the story. Often times, the people who assume this about these characters aren't autistic, either.
Since Sherlock Holmes is one of the most prevalent and obviously autistic characters in a peice of media that old, people are bound to have mixed views on him- including his sexuality. This post isn't meant to imply Johnlock is the only 'correct' ship, but, merely to express my perspective on why people might default to that headcanon. A few of the arguments i've seen for an aroace Holmes have been that he shows no particular interest in women; my reply to this is that he's meant to be gay. Full stop.
Arthur Conan Doyle even had influence on Holmes after he met with Oscar Wilde- one of the most famous gay writers of all time! It's no surprise that he would write the detective in that way. It just irks me that people read it that way, especially when it feels somewhat like a slight towards autistic people; something to imply that we are simply either too stupid or too childish to have sex or feel romantic attraction. Most autistic people i've met are absolute freaks in the sheets.
But, who cares! It's public domain for a reason!
I wasn't going to respond to this but I kept thinking about this so, yeah.
Maybe during Pride Month when a lot of aromantic and asexual people are probably more likely to be posting about aromantic/asexual Holmes headcanons and their love for and their joy in such ideas is not the best time to be talking about how much you "can't STAND" such headcanons, and posting such things anyway in the character/fandom tags as well as the asexual and aromantic tags is in fact still 'yucking people's yums'. And I mean this in the kindest possible and not at all condescending way I promise but I see from your intro post you are very young and therefore probably (happily for you) you've probably missed a lot of this """discourse""" (in fact, hatred and bigotry) that's been thrown at asexual and aromantic people for the past 10-15 years or so in particular, but you are basically parroting some of those ideas even so - acting like aspec headcanons are somehow 'infantilising', making it sound like asexuality = sexlessness and aromanticism = no emotional feelings, the idea that you can't headcanon autistic or widely believed to be autistic characters as asexual because that's treating them as "childish" or infantilising them (even though you literally acknowledged a lot of real actual autistic people are asexual/aromantic and even though a real actual orientation is never going to be childish or infantilising), trying to make it sound like these ace/aro headcanons are mostly coming from people who aren't autistic themselves, erasing asexual people who do have sex for whatever reason or who are kinky or are "freaks in the sheets" as you call it. Again I'm not being condescending here, just stating a fact, but I've been in the Sherlock Holmes fandom for a lot longer than you have and I have seen this time and time again, people insisting we're 'not allowed' to headcanon Holmes as asexual/aromantic because both 'he's autistic and saying he's ace is infantilising him' and 'he's gay and saying he's ace is homophobic' and asexual people be called ableist and/or homophobic just over ace headcanons. I've seen people deny that anyone who headcanons characters (including Holmes) as asexual is themselves autistic. I've seen asexuality called "desexualising" characters including Holmes over and over again, where aphobes just act like asexuality is a made up fanfic trope and just about 'not fucking' instead of being an orientation and one possessed by millions of real and diverse people and which has nothing inherently to do with sexual activity or attitudes towards sex. I've seen similar things said about aromanticism and about aro headcanons being used to 'dehumanise' characters or whatever as if aromanticism is also just a made up fic trope and not a real and diverse orientation.
You could have just posted about how you headcanon Holmes as gay or whatever and how much you love that idea without any of the rest of this, without talking about your dislike for other headcanons, without making it sound like there aren't people who are both asexual/aromantic and gay, without trying to disprove ace/aro headcanons, without regurgitating the aphobic rhetoric that treats these real orientations as being just about behaviour and as desexualising or infantilising or whatever else and acting like autistic characters aren't allowed to be asexual/aromantic, without implying that people are coming up with these aro/ace headcanons largely because of some kind of bigotry and not because these are primarily coming from people who are very commonly ace and/or aro and autistic themselves and they also, like you, "personally relate to Sherlock a lot" ("Often times, the people who assume this about these characters aren't autistic, either" - sorry but this is simply not true of Holmes or probably of most other characters commonly headcanoned in this way. Just because you personally haven't seen this doesn't mean you have a right to try to claim many of the people with these headcanons are not themselves autistic).
Tacking on your 'but who cares!' bit on the end doesn't actually negate the fact that you are still just rehashing the exact same aphobic rubbish that has been thrown at both asexual and aromantic people time and time again including in relation to this specific character for many years. You may not be doing so with the same level of vitriol a lot of """ace discoursers""" (and also the 'TJLCers', because there was a huge amount of overlap between the 'TJLCers' and aphobes for quite a while when TJLC was a huge thing on here) had but you're still rehashing the things they said time and time again even so. You don't have to tear down other headcanons and other people to talk about how much you love a different headcanon, and especially not over a character whose canon sexuality you will never actually know for sure because he's simply too old and his creator has been dead for too long (and I'm not getting fully into what ACD thought about Holmes or about the homophobic things ACD came out with, I'm just going to say that you will never actually know for sure what ACD intended for Holmes's sexuality any more than anyone else will).
Do you have other thoughts about pre-canon Moran/Watson? Your fics about them captivate me truly because I thought I was the sole shipper of them still breathing for like 2 months & I'm generally curious about if you have any further analysis or just ideas
That pairing has seized hold of my mind definitely, I love the idea of them as mirror characters and understanding each other because of their similar histories and them going from friends and lovers to enemies but where there's still something between them even then, even when they're on opposite sides. They still care about each other (and it is interesting and very suggestive, how Moran never seems to target Watson when targeting Watson seems like such an obvious way to either lure Holmes back to London or just get revenge on Holmes. It seems plausible to me that Moran doesn't target Watson because they were close once).
I do love the thought that they met in the army and though a lot of my ideas are more for my modern universe where things are a bit different to the canon, it is a definite possibility that they did meet in Afghanistan canonically. I see them as being the kind of characters who come into conflict with each other but also like and (maybe grudgingly at first) respect each other. I do think Moran has a lot of contempt towards doctors in general and army surgeons in particular but then Watson isn't really like the others. He's younger (though I like the idea of him being older than Moran) and a bit more idealistic maybe, not so egotistical, but he totally puts Moran in his place and orders him to sit still and behave when he's trying to treat him and Moran is being antagonistic (Moran of course thinks this is hot and actually ends up obeying him, and Watson does gain his respect for this because he is tough and firm but he's not cruel with it and he genuinely does really care about people).
And I think they do come to love each other, in their own way, even though Moran would never openly admit to it because he doesn't do that and Watson won't admit to it because he thinks Moran sees whatever is between them as nothing serious and he suspects telling him he loves him would scare Moran off or else Moran would just laugh at him, plus anyway it's not meant to be anything serious cos they could both just get killed tomorrow. And Moran does infuriate Watson I'm sure because he is so reckless, so seemingly lacking in any sense of self-preservation. He seems to be determined to put himself in way more danger than anyone else and he just keeps on scraping through somehow each time, more or less physically unharmed always, but Watson is convinced whatever luck Moran has is not going to last. Moran worries him, more than most people do I'm sure. He wants to save Moran but Moran does not make that easy. Meanwhile Watson is pretty oblivious to the fact that Moran actually does truly care about him and what's between them is not just sex.
(I probably have many more ideas but I'm exhausted right now so maybe I'll think of more about them another time)
(Thank you!)
Are you satisfied with the way your blorobo's story came to an end?
For those with a blorbo who's blorbo still has new media, are you satisfied with the way their story is going?
Are you satisfied with your blorbos story ending?
Yes
No
It’s complicated
My blorbo’s story isn’t over yet

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just saw someone say "a fandom is small, so like only 1-3 fics posted per day" . you wouldnt survive a day in the place where im from
Seeing people "hyped" to listen to new S&Co episodes meanwhile nowadays I'm listening to them purely during the times when I don't have any other audiobooks/podcasts to listen to or can't commit to listening to the ones that are several hours long.
Also I've had very few thoughts about their The Greek Interpreter aside from I really hate their take on Mycroft, Mariana is being sidelined in it yet again and John seems to be doing nothing but go on and on about how he got shot and nearly died while constantly doing things that probably the majority of completely able-bodied people who have not recently been shot and been put into a coma couldn't manage to do, all of which is just making him sound even more petty and vindictive for killing Moran.
I knew I wasn’t the only one who was surprised by how John seem to have ‘recovered quickly,’ let alone be able to go to Greece without being questioned by the police or perhaps without recovering for a longer time (sure there’s some moments shown of Sherlock trying to care for him but still??) also I have no idea what’s with adaptations introducing Watson with some type of disability or having been effected by the war only to completely scrap it much later on (you could argue that he is able to recover but in the point of S&P they seem to be doing random bullshit)
in which this whole recent plot line made me think that maybe they could have saved the moment from the dancing men (I think that’s what it’s called? That one very popular moment) for this storyline, however without making Moran try to kill Watson because that’s a stupid idea) which could’ve sparked Sherlock more intrigue with the Spider? However I have no idea if this is better or not tbh
On the note of Mariana being sidelined (again) it reminds me of this YouTube comment I saw from one of their parts talking about how it seems like male writer sometimes have no idea what to do with female characters in term of their writing overall and almost being nervous of showing their flaws (compared to allowing their male characters to have some flaws) in which reminded somehow me of their mediocre writing of Irene and Mary (God I’m still annoyed about how their stories went by)
It's so ridiculous, he's doing more 'action' stuff in this than in most of the other stories so him repeatedly going on about being shot and nearly dying feels more and more unbelievable. It's just making him seem whiny and annoying and like he's trying to milk the situation for pity points while there's nothing actually wrong with him (and it does make it feel like he really did just shoot Moran dead out of spite for shooting him first too). I really don't like John in this at all now and it is absurd how they keep drawing attention to him being supposedly seriously hurt. If you're going to make it stupidly unrealistic then stop drawing attention to it so we can just handwave that away.
Meanwhile I guess Mariana doesn't get to be traumatised about everything that happened or if she is traumatised her trauma doesn't matter cos Sherlock and John have to go off on ~adventures~ and Mycroft has to do his gay James Bond shit and """funny""" bickering with Sherlock. It's annoyed me before how Mariana is always the one who gets shoved out to go visit her parents or whatever and misses so much and now they're doing the same thing again (and the one time she got to be really really awesome was, unfortunately, in The Empty House or in other words the worst story they've done which I will never want to listen to again).
I still think The Dancing Men was a far better adaptation of both The Three Garridebs and The Empty House than those actual stories were in this. It was much closer to the canon and had way more impact than this nonsense. I still can't believe they just changed everything so much in these recent stories to this total bullshit, after everything they'd spent so long setting up.
Seeing people "hyped" to listen to new S&Co episodes meanwhile nowadays I'm listening to them purely during the times when I don't have any other audiobooks/podcasts to listen to or can't commit to listening to the ones that are several hours long.
Also I've had very few thoughts about their The Greek Interpreter aside from I really hate their take on Mycroft, Mariana is being sidelined in it yet again and John seems to be doing nothing but go on and on about how he got shot and nearly died while constantly doing things that probably the majority of completely able-bodied people who have not recently been shot and been put into a coma couldn't manage to do, all of which is just making him sound even more petty and vindictive for killing Moran.
Seeing people "hyped" to listen to new S&Co episodes meanwhile nowadays I'm listening to them purely during the times when I don't have any other audiobooks/podcasts to listen to or can't commit to listening to the ones that are several hours long.
You know, an interesting tumblr transformation that's happened gradually, and which I've seen no one talk about: ask-culture has essentially dropped off to nothing.
By which I mean, asks used to be WAY more of the tumblr economy. They used to be more common to send, and receive, and see. They were integral to the collaborative, forum-like behavior of old tumblr communities, not even to speak on the HUGE number of ask-blogs that used to exist to only be interacted with in ask-form.
I'm not saying this in a vying-for-attention way but instead in an observational way: I used to get way way more asks in like 2015, even with a fraction of my follower count. I wonder if it's due to the homogenization of social media sites? There's a lot more of this divide between "content creator" and "consumer" instead of just a bunch of peer blogs who would talk to each other. "Asks" aren't really a thing on twitter, are they? And as I understand it, the closest thing to an "ask" on instagram or tiktok would be a creator screenshotting some comment and responding to it in a new reel or video or whatever those content mediums are. Are asks just too tumblr-specific? Is that aspect of the site culture dying out as more and more people converge to using all their social media sites in the same way?
it's probably from assholes making asks a minefield of trolling/harassment for years with no real blocking ability, which turned people off from allowing asks on their blogs so as a whole the site moved away from it
but now that we do have better blocking, we should try to revive it.
Reblog if your ask box is open.

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this is v random but i was bewitched by a mini tiger figure thingy so here
Seb and his Mini Me
They're so cute
(I've got one the same as the adult one I think)
I would still genuinely like to know how anybody liked the portrayal of Moran in S&Co or thought it was actually good
Apparently people would rather block me than answer that though so I guess I'll never know
I liked the version of Moran, I will admit he's not the best portrayal but I'm theorizing that he's not actually dead, just heavily injured and faking it to recover.
I feel like they had more potential to do more with him to make him more like the og moran, and I wouldn't be shocked if they added a "moran substitute" that's either Moran or by giving him a sibling or just an apprentice or smt like that. Just a thought.
It's its own adaptation, it's bound to have character changes that differ from others and the original story lines. Creative liberties and all that. I'm basing my opinion off of only sherlock and co, not looking at other adaptations, and I don't mind the portrayal of him. Don't really have a reason for hating him (the portrayal) without looking into other adaptations, which is slightly unfair when looking at new adaptations. They are their own version that should be looked at like that.
I will admit I haven't read all the acd books, so I've not seen much of the og Moran. So my opinion may be invalid in some points.
I still wish there was going to be some twist with him where he's not dead, preferably where that was not really Moran, but by this point I just feel like that's not the kind of thing they do, even though it is so strange that they did all this 'slow burn' set up (which I really really liked!) with not just Moriarty but Moran too, only to plunge into this strange storyline involving both of them which basically totally wasted Moran and changed him almost beyond recognition and did weird things with John's character at the same time. There's a part of me still thinking it really genuinely can't have been that bad, can it? There's got to be some twist here, right? But then that feels kind of like the people in the BBC Sherlock fandom who couldn't let go of the idea of the Lost Special/Secret Fourth Episode because the show itself became so bad. I feel like it's probably futile hoping for anything better really. I also don't really see how they could pull off faking his death in a way that felt actually believable. Well unless they went for something like John and the others were in on helping Moran fake his death to get him away from Moriarty and Moran is going to now betray Moriarty by giving evidence against him, which might be plausible I suppose but that too would really suck.
I mean I kind of get it to some extent, people who were not already invested in the character or don't know anything about the canon or the character already or people who don't give a damn about the 'bad guys' anyway and just want the 'good guys' to win always not seeing any issue with how badly he was portrayed in it. But at the same time I feel like their portrayal of Moran doesn't even make sense in the context of S&Co itself because they kept going on about him like he's some brilliant major villain yet he barely did anything, then they just killed him off in a very strange way which treated killing a person pretty much like it was a joke and doesn't actually matter at all, and he just seems to be quite stupid and not really competent at anything except apparently beating people up (plus also seemingly much of his criminal career was just working in a bank which doesn't exactly make him sound like a really dangerous criminal either), which not only undermines this idea that he somehow deserved to just be executed, essentially (and by John. Armed police maybe would have made more sense but not John) because he really doesn't come over as that dangerous or capable or any worse than countless other criminals, but also it undermines the police (who couldn't find Moran), it undermines Sherlock (who never actually seemed interested in Moran not even when he thought Moran was 'the spider') and it undermines Moriarty and how dangerous he really is too (because it's like, that is the guy who Moriarty values so highly?).
I think adaptations don't have to follow what other adaptations do (and it's fairly pointless comparing this to other adaptations anyway in terms of Moran specifically, since so many of them never used him at all or also portrayed him badly), but they've got to have some sort of solid basis in the original material surely but with Moran he's just practically unrecognisable and they just seemed to change everything about him for the worse to try to make him seem as repellant as possible instead of actually developing his character properly to make him into an effective and capable and actually menacing villain with at least some sort of depth (also I don't even know what was up with all his swearing. I kind of get the feeling it was meant to be funny? But then if it was meant to be funny that seems like it makes him feel even less actually dangerous, if they're just trying to portray him as this 'comic' figure).
About the only detail they did seem to keep was him working for Moriarty and mattering in some way to Moriarty (which makes it even more bizarre really that they drastically altered so many other things about him, because a LOT of adaptations and pastiches have either ignored Moran completely or erased or denied his closeness to Moriarty).
Also there are some people who already really like Moran who don't seem to see anything wrong with his portrayal in it and that's just totally wild to me cos it's like, Moran is supposed to be really clever and a competent stealthy hunter and killer and be trying to get revenge on Holmes after The Final Problem plus also he doesn't die in the canon (nor is he shot by Watson), but they just threw all of this out in S&Co to turn him into this one dimensional 'baddy' with no depth at all and then he dies, but some existing fans of the character seem to see no issue with this.
I just don't get what anyone's seeing in this portrayal to like really, even just as a 'bad guy'.
I would still genuinely like to know how anybody liked the portrayal of Moran in S&Co or thought it was actually good
Apparently people would rather block me than answer that though so I guess I'll never know
Might have to delay writing the Moran in Moriarty's lecture smut fic cos I started writing a scene between Sebastian and Augustus instead last night
Something I learned since starting to write this modern universe though: there was no actual British Ambassador to Iran between November 2011 and September 2016. This is all set between about 2012 and 2014 so, uh, I'm still not sure what to do with this now. I know it's not actually real so does it really matter if I say there was an Ambassador during that time after all? I don't know
Might have to delay writing the Moran in Moriarty's lecture smut fic cos I started writing a scene between Sebastian and Augustus instead last night

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Does an adaptation/reboot/sequel series/etc of your girl blorbo’s source work exist? Do you like her in it?
No adaptations (/etc) at all
One, I like her in it
One, I’m neutral about her in it
One, I don’t like what they did with her in it
Multiple, like her in them all
Multiple, I don’t like what they did with her in all
Multiple, mix of like and dislike
Multiple, completely neutral on her in them all
She’s not in the adaptation(s) (/etc) 😭
She’s only my blorbo in an adaptation
She’s my OC
Other infinitely nuanced answer
ok i absolutely need to know what accents u all have pls reblog and tell me or comment or whatever I must know