Thomas Bernhard, Café Bräunerhof ,1988, por Sepp Dreissinger
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Kiana Khansmith
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Thomas Bernhard, Café Bräunerhof ,1988, por Sepp Dreissinger

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Lars Bo 1924-1999
Chants royaux du Puy Notre-Dame d'Amiens, c. 1518
lam yabqa fi qaws sabri minza’: my patience is at an end (lit.: there is no arrow left for the bow of my patience)
Mummy portraits of Egyptians from the Roman period, 1st-2nd centuries AD

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An Iranian motorist rides his motorbike past a mural depicting a scene from the torture of Iraqi prisoners by U.S. personnel at the Abu Ghraib prison near Baghdad, on a major highway in the Iranian capital Tehran, June 1, 2004.
(Photo credit: Behrouz Mehri/AFP)
Hildegard von Bingen Book of Divine Works, Part 3 Vision One: The City of God and the Mirror of the Angels 1230
Ivan Leonidovich Lubennikov (Bielorussian, b.1951) Guardian angel, 2001 Oil on canvas
Humberto Mayol, Untitled, 1991
Nils Dardel - Crime of Passion (1921)

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Georg Baselitz 'Untitled',
2026. Red ink on paper. 11 3/4" x 9". Courtesy
Six of the frowzy-headed Fishers in a pose, ca. 1901
Hanne Darboven's studio, Hamburg.
«No. 178. Notes préparatoires pour Odile.», in Raymond Queneau plus intime [catalogue par Jean-Pierre Dauphin], (exhibition catalogue), Bibliothèque nationale / Gallimard, Paris, April 1978, [p. 19] [Département Manuscrits, C-1364, Bibliothèque nationale de France, Paris]
Oskar Schlemmer
choreography instructions for Das Triadische Ballet (The Triadic Ballet), 1922

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Visitors gather to watch giant gushes of water released from the Xiaolangdi dam on the Yellow river in Jiyuan, China.
The “Pillar-biter” (Dutch: pilaarbijter), 1509–1517 — a rare late-Gothic satire carved on the lower choir/rood screen of St. Bavo Church in Haarlem.
The figure grips the column framing him and literally bites into it, his face twisted into a grimace, while a rosary on his belt hints at the message: a warning against excessive, performative piety and hypocrisy, looking devout in public, but acting differently at home.