From: Karel Martens / Wallpapers, Enter Enter – A Space for Books, Amsterdam, August 31 – September 20, 2025 [Art: © Karel Martens]

Kaledo Art
Keni

祝日 / Permanent Vacation
KIROKAZE
Misplaced Lens Cap

oozey mess
Aqua Utopia|海の底で記憶を紡ぐ
$LAYYYTER
taylor price

ellievsbear

titsay
styofa doing anything
2025 on Tumblr: Trends That Defined the Year

Kiana Khansmith
I'd rather be in outer space 🛸
Monterey Bay Aquarium
tumblr dot com
d e v o n

seen from New Zealand

seen from United States

seen from New Zealand
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seen from Chile
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seen from Malaysia
seen from United States
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seen from Singapore
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seen from New Zealand
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@thoughtrains
From: Karel Martens / Wallpapers, Enter Enter – A Space for Books, Amsterdam, August 31 – September 20, 2025 [Art: © Karel Martens]

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me impatiently to the little french cat boiling me in a stew: chat am I cooked
Cats Playing Pierre Bonnard - Date unknown Private collection Drawing - pastel
Dark days

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wanted all my horses in one basket, as it were
“Agency can be strange, twisted, caught up in things, passive, or exhausted. Not the way we like to think about it. Not usually a simple projection toward a future. It’s what we mean by “having a life” (as in “get a life”). But it’s caught up in things. Circuits, bodies, moves, connections. It takes unpredictable and counterintuitive forms. It’s lived through a series of dilemmas: that action is always a reaction; that the potential to act always includes the potential to be acted on, or to submit; that the move to gather a self to act is also a move to lose the self; that one choice precludes others; that actions can have unintended and disastrous consequences; and that all agency is frustrated and unstable and attracted to the potential in things. It’s not really about willpower but rather something much more complicated and much more rooted in things.”
— Kathleen Stewart, Ordinary Affects
“A Creek Runs Through This Home” dir: Serge Arlington, 1978
Vicente Aleixandre, ed. by Lewis Hyde, from A Longing for the Light: Selected Poems; “The Explosion”
[Text ID: “I devoted myself to one endless afternoon. / I’ve loved you every moment of that afternoon.”]
Jean-Michel Folon: The Return of the Two Snails [1979]

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paulassie pootoogook (1927-2006), telluliyuk sea goddess, 1960, stonecut
Akira Nagasawa 長沢明 - Reborn
Sophie Vallance Cantor - The Manifesto of Naina, 2020
Mitsuaki Sora (Japanese, 1933- )
Untitled 1970
Color woodcut
The Cleveland Museum of Art

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two fleur de lion variants!
Yamazaki Shishi work
YANOYA project of Akiko Yano and Tokyo University of the Arts「やの屋」矢野顕子×東京芸術大学 - 2012
Video here :
http://vimeo.com/29997265#at=0