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Lisa Bonet, 1988
πͺπ¬π«π’π±βπ° πͺπ¦π«π‘
Fantastic Planet (1973) dir. RenΓ© Laloux
Call on the Bird, painting byΒ Michele Melcher

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I'm almost done with my largest crochet project, so here's a couple details from behind the scenes πΏπ
McDonald's - 47 West 57th Street, NYC, NY (1989)
"A fast-food restaurant that makes the customer want to linger is something of a rarity. The McDonald's on 57th Street in New York City, designed by Charles Morris Mount, is almost unrecognizable as a member of the chain that usually boasts golden arches. Eschewing the corporate colors of yellow, red and orange, Mount chose a high-tech, electric blue and fuchsia color palette. Glass bricks, blue tiles and a reflective ceiling give the space a luminous, underwater quality.
Another departure from the fast-food restaurant formula was the installation of a carpet in the seating area, which Mount felt would soften the environment and cut down on noise. The heavily-trafficked main serving area was tiled in a distinctive blue pattern. Easy maintenance of the tiled area, which must be mopped frequently, was ensured by the installation of a slate ribbon between the carpeted and tiled area. The ribbon protects the carpet and also visually defines the curving border between the two floor treatments. The cost per square foot for this project was reportedly no more than a standard McDonald's." (front of house budget listed in 1989 dollars at $450,000)
Designed by Charles Morris Mount, Jennifer Wellmann, and the team of Silver & Ziskind/Mount
Scanned from Restaurant Design 2 (1990) by Judi Radice and The Best of Neon: Architecture, Interiors, Signs (1992) by Vilma Barr
New-ish Benoni art, I keep forgetting to post hereπI also forgot her rosary so just imagine the firewood is tied together with one until I can get around to finishing it
Asian architecture
212._.film

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P A R I S
Eurovision Fact #1346:
The activist groups No Music for Genocide and BDS have formally called for a boycott of the 2026 Eurovision Song Contest unless the EBU kicks Israeli broadcaster KAN from the competition. Over 1,000 artists have signed the open letter to the EBU, including various former Eurovision contestants. The letter reads:
"As musicians and cultural workers, many living within the reaches of the [EBU], we reject Eurovision being used to whitewash and normalise Israelβs genocide, siege and brutal military occupation against Palestinians.
"We stand in solidarity with Palestinian calls for public broadcasters, performers, screening party organisers, crew, and fans to boycott Eurovision until the EBU bans complicit Israeli broadcaster KAN.β
The letter also expressed support for the nations that have withdrawn this year and the artists that took part in various national finals who stated that they would not go to Eurovision if they had won their national final.
[Source]
"Massive Attack, Kneecap and Brian Eno sign open letter calling on fans to boycott Eurovision 2026 over Israel," the-independent.com.
SNAIL KISS β‘π

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