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@thosewildcharms
GET OUT (2017) dir. Jordan Peele PEARL (2022) dir. Ti West SMILE 2 (2024) dir. Parker Finn OBSESSION (2026) dir. Curry Barker

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Iβve seen people saying Lestat doesnβt have the right to be upset with Louis now after everything that happened in s1. Which seems a bit reductive to me? What do you think?
One of the things that I was taught pretty early on in writing is that the best conflict - the most true to life conflict - is when both characters within an argument are right, and I think the show's done a really good job at depicting that. Louis does have every right to be upset, not just over what happened in New Orleans, but over what Lestat has kept from him over the years and how he's now handling that with the music, just as Lestat has every right to be upset about the way Louis' told their family's story so publicly, how he shared not only his own rape but their daughter's with the world, and how he didn't tell him about the book to give himself time to prepare for the impact of that. I think he also has the right to be upset over what Louis asked of him in the last ep with Regina.
It's kind of interesting to me though that people are arguing that Lestat doesn't have a right to be upset because of New Orleans, because while I think the show is always allowing the drop and those broader events space in the story and keeping its impact tangible on both characters, it's also a past that's been - on a story level - partially reconciled in a way that other things haven't? Lestat apologised for the drop and in letting Louis go in the finale showed meaningful growth, but Lestat's never apologised for never telling Louis about Armand or TdV which in a lot of ways is the bigger betrayal given everything it lead to, and it's a pattern that has continued. Lestat does have a right to privacy, but he makes active choices in what information he gives those around him access to in a way that does still cause ongoing harm, both to others and himself.
That is though understandable in this current arc too with the context of the book and the fact that Louis told Daniel about Magnus (among other things) - again! They're both right here! - but it still depicts a pattern of behaviour that's deeply rooted in their current relationship conflict. Their mutual unwillingness to be truly vulnerable with each other is currently the core conflict of their dynamic, and the pain and anger that comes with the realisation that the other hasn't been vulnerable or honest underpins a lot of the character and relationship tension.
New Orleans is always going to be an important chapter in their story, and a really important dynamic that they both have to wear, but I don't think using it as a yardstick for character feeling is particularly useful? Especially at this point in the story, I also think it shows an unwillingness to meet the story of these characters where they're currently at, and a bit of a detachment from what this story actually is.
really amused by all the complaints about Lestat in particular using modern day terminology in kind of a cringe way when that is one of the most book-accurate beats of the season
"why are there so many pop culture references this season" because Lestat loves pop culture! he is chronically online and a little goofy lmao that's just the character! they are writing for the character the season is about
really amused by all the complaints about Lestat in particular using modern day terminology in kind of a cringe way when that is one of the most book-accurate beats of the season
I feel for everyone who isnβt having the time of their fucking lives with The Vampire Lestat. Every week I clap and cheer for the antics of the worldβs saddest buzzword-laden bisexual crash-out diva and his crew of the least healed men to ever grace the small screen. The songs are cringe delightfully camp, the wigs are a nightmare, Iβm living my best life, Iβm loving every second. Why the fuck would you have a blood shower in your tour bus. The onscreen mother-son incest is only like the third wildest thing happening in any given episode. Itβs insane. I never want it to end

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THE VAMPIRE LESTAT 03.06 | "Montreal" preview
lestat is exactly where he wants to be x
That Lestat is pulled from the ground unwillingly. That he is chosen from afar. A young vampire overwhelmed and ready to die plucked from the depths to be the Keeper without the option to decline, without much instruction as to how to safely proceed. That he performs for an audience of one, year after year without promise of it ever ending. The loneliness. And finally, after so much time a word is whispered, a glimmer, he is drawn near only to be bent, overpowered, and drained. In many ways it is a repetition of his turning. The time longer, the motivation different, but the actions are in many ways the same. He is watched, he is chosen, he is taken, he is drained, and in the end he is transformed into something new and frightening. Marius screaming that he is unworthy, a failure and casting him out an echo of so many voices before his.
Lestat is abandoned, again, with an unfathomable power and deeply suppressed rage.
And then he meets and falls in love with Saint Louis
very curious as to where youβre afraid lestat and armand might go? iβve never been invested in that relationship but get why they have their fans.
Hi anon! I'm glad the tags cleared some things up for you:) but to answer your first question, first I just want to reiterate that my feelings on where I think this might be going are not necessarily a criticism of the show, at least not yet, but rather about my own expectations as a fan, and what I WANT to see. As I said in my tags, I'm a hypocrite because I am as protective and biased towards my favorite evil vampire as much as the next person and have formed certain expectations because of it that may not reflect an objective reality lol. Anyway, I'm putting this behind a read more for speculation, and for length.
update: I've convinced myself they are going with option 2 π
one big thing i think people outside fandom (like, all fandoms, fandom in general, not any particular one) tend to misunderstand is they know it's a subculture of people who are weirdly deeply invested in fictional media, and they hear about drama caused by people in those subcultures being unhinged in not-fun ways, and they think the unhingedness comes from the fact of being overinvested in works of fiction.
which is a natural assumption, but in my experience that's not really the case? like in my experience the drama llamas in fandom are usually not the ones who are just genuinely very deeply into the fiction. i've known people who are basically thinking about star trek or x-men comics or supernatural pretty much 100% of their free time and ime that type of person is usually very nice and surprisingly functional in their regular life. when someone's a constant nexus of fandom drama it's usually not that they are obsessed with the actual work of fiction the fandom is about, it's at least one of the following:
what they're obsessed with is not the source material but their unhealthy parasocial relationships with one or more of the people who created it
what they're obsessed with is not the source material but some elaborate shared-universe subset of fanfic about it that's only barely related to the original at this point, and/or an esoteric reading-against-the-text reinterpretation of the source material (often if the canon is active and ongoing this leads to becoming actively hostile toward it for its inevitably increasing failure to conform to their preferred fanon)
what they're obsessed with is not the source material but the fandom itself and gathering clout within it, so that the source material basically only exists to them as a tool for scoring points in increasingly arcane fandom disputes
and very often you get the same person doing 2 and sometimes even all 3 of these, and that's where the trouble really starts

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is it just me or have people really stopped writing tags under art reblogs
WE'RE ON TUMBLR! BLEED YOUR HEART OUT!
he's so silly
THE VAMPIRE LESTAT 3.04 β§ THE DEVIL'S ROAD
give me that long, dark death feed the future machine
he's delighted as fuck watching his husband act like a fool
can I say it makes me sad that I keep seeing people rank episode 1 of tvl as their least favorite. it's so fun!

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THE VAMPIRE LESTAT 3.5 | INTERVIEW WITH THE VAMPIRE 2.3
lestat: what if there was a great female vampire who was immensely powerful but needed me? what if she was made of stone so she could never leave or say something cruel or sit up or go anywhere without her keeper (me) her caretaker (also me) her child (me!!)? what if I showed her things that were interesting and exciting to me and she responded in ways I could construe as approving? what if the only thing I knew about her is that she is the progenitor of us all and I had no choice but to devote my life to caring for her and keeping track of her nightmarish fragility that could doom us all even though she has never asked for it because (again) she can't speak or protest?
also lestat: my relationship with my mother is fine.