My constant struggle when writing PWP
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My constant struggle when writing PWP

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I just want to make a quick note about this before people get too silly about the situation. It's very important to remember that Robbie is Native American, and is putting a lot of work into making sure that Kattigan has indigenous cultural touchstones as part of his characterization. And that is the appropriate lens through which we should view his missing and murdered wife and daughter, I think.
I would be reluctant to use fridging in this exact context, because this isn't some imaginary scenario to generate manpain for a white hero, this is a much more common experience of Native American and First Nation people, having their wives and daughters and sisters (in particular, but not exclusively) go missing. And never getting answers, never learning what happened, and not being believed that there's a problem in the first place.
This is like how being rescued from a tower by a prince is not particularly empowering or affirming to cis physically able straight thin perisex white women and girls, but can be for basically anybody else. Particularly black girls and women, who do not get a lot of cultural messages that treat them as people who are so valuable and precious, who may not have the strength to save themselves, or may wish that they didn't fucking have to save themselves (and everyone else) all the time.
White men have this story so often happen that we have a trope name specific to one specific and particularly egregious version of this, but you don't often see men who look like Robbie dealing with this type of story in fictional settings, even though it happens for men like Robbie in real life with horrifying frequency.
Sometimes stories that are old can be new again in different hands, from different point of views, so just... mind how you step here.
jesus CHRIST. started the new ccod and lavonte and hj are being so gay right off the bat
“i think lavonte and hj have done this dance before”
the soft music is killing me. this is such a change in mood from the past episodes
“i’m gonna punch hj as hard in the face as i can” gay “you should have cracked me in the front teeth with your scepter by now”
“i need you to wake ME up. Alright? because i feel asleep right now” this is just. oohhhh
“leaning into HJ a little bit… […] i think you just notice that there’s a flush to HJ.” spits out my drink
“HJ is choosing to push blood through his system” HOW DID YOU MANAGE TO MAKE IT GAYER
“your cheeks are rosy.” oh my fuck
they’re all trying so hard not to laugh
imagine if brennan was like “no its not about ssris.” nah ally, he just decided you were gay
“do you want to go to the co-op with me” i can choose to interpret this as a date
“do you remember what you told me when you turned me?” LORE DROPPP “You told me we were gonna drink the blood of Caine and go fight each other to the death on top of the golden gate bridge” i love everything about this scene. the HISTORY
“I STILL WANT THATTT,” this shifted immediately back into old married couple
City Council of Darkness, Episode 8: A Fraternal Order and an Author of Horror
Got to spend money to make money.
D20 Masterpost || Ep 7 || Ep 8
a supernatural middle age writer/lit professor shooting her shot with:
if you don’t mind robbing the cradle, you’re welcome to spend the night
ESTELLE LAURENT, THE WOMAN THAT YOU ARE

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i think everyone should thank Siobhan Thompson and give her 100 million dollars for her performance of Contesse Madelaine d’Artois and having some fun positive polyamorous sapphic sex representation happy pride
I love City Council of Darkness cause you have Brennan being like “I have absolutely no way to honor you guys succeeding there because of how insane you proceeded to act” and then ten minutes later he shows up with something equally insane but then it swings back around to Zac saying “I don’t read. I get mad that the letters don’t do other things,” which causes Brennan to make this face;
Like the Intrepid Heroes are On Some Shit no matter what campaign they’re in, but I swear to god, the coterie has unlocked a new level of unhinged in them. There is no straight man in this party. Every single one of them is doing loop-de-loops in a Bingo-Dingo bus around this town but also none of them are at the wheel and the buses are diving headfirst off the starwalk into the quarry.
sometimes two characters are codependently, toxically enmeshed, doomed to mutually define and haunt each other forever. and not fucking.
I adore that Darkness Man and Bat Child's relationship is:
Bat Child: I must foresake my passion for higher learning to Fight Crime and Protect the Night. Protecting the Night must be my entire existence.
Darkness Man: What?! No, go back to school. Finish your degree.
I love them.
Sometimes "rarepair" means "you are literally the only person who posts about this on tumblr dot com" and you have to learn to be okay with that.

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4 years since I got into shl \o/
In my opinion Dean is more of an action horror protagonist and Sam is more of a gothic horror protagonist (who is incidentally stuck inside an action horror show), like:
Dean - One liners for days, macho lady’s man (even if this is to some extent a façade), classic rock soundtrack, almost always the one hunting The Horrors, leather jacket + has a cool car
Sam - Maybe the real horror was inside him all along, often in pain and feverish, on and off relationship with reality, tormented by visions, sometimes thinks The Horrors are kind of hot, bodily autonomy who?
Dean is classic slasher horror and Sam is A24.
LMY (and others') view of moshang: And then the big scary ice demon pushed down the weak, trembling cultivator who was unable to escape his tender mercies.
meanwhile Moshang:
MBJ, robes artfully falling around his chest: Shang Qinghua. Come to bed.
SQH, all but stabbing the paper with red ink: Not now, Daddy's about to end this man's whole career.
Okay I admit I still have no idea what that show is, but today was the first time I actually saw the clip where that "I can excuse racism but I draw the line at animal cruelty"-meme came from. And apparently the gag was that the people at the desk were in a conversation with The Most Racist Man Alive, who had moments ago been racist at the blonde white woman by remarking in utter disgust that swedes have been mixing with sámi so much that they're practically finns (which is worse).
And as a finn I have to say that that line was ...bizarrely well researched? Like for a show presumably made for an american audience, they could've just flat-out made something up, but they managed to strike smack dab in the middle of the kind of Infinitely Nuanced Shrimp Colours Racism Beyond American Comprehension that a sufficiently racist and xenophobic Most Racist White Man Alive could come up with.
Like specifically knowing there are (relatively light-skinned) indigenous people in the Nordics just to be racist at them.
hinata is… setter catnip

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The Adventure Zone: Story and Song, the final volume of our graphic novel series, comes out this July and we're stoked to share some preorder news with you! Submit your receipt and 23rd Street Books will send you a postcard pack and a sticker featuring exclusive artwork of all our favorite places in the series, created by the one and only @careydraws! You can submit your receipt at bit.ly/TAZGNGift
YAYYYY I'm so excited that we get to reveal the postcards and sticker preorder gifts for TAZGN7: Story and Song!! We'll have closer looks at the artwork up later this week, so stay tuned!
I was delighted that the whole team was 100% on board for maximum heartache for 2/3 postcards and they were also very correct that let's have a fun one was a very necessary counterweight.
Stolen Century is really Lucretia's book in a lot of ways! Which is great because I love her, but also she really goes through it. Sorry, Lucretia! Hang in there!! tiny tiny sneak peek at her postcard:
Mingi when he gets included in something even if that something is being hunted for sport :
Getting murdered: 🚫🙅♂️👎
Getting murdered with the homos homies: 😃😄✨