Nothing doing, Panos Chatzistefanou

Kaledo Art

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Lint Roller? I Barely Know Her
NASA

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Alisa U Zemlji Chuda
will byers stan first human second
dirt enthusiast

JBB: An Artblog!
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Today's Document
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@thisisagoodtimetoleave
Nothing doing, Panos Chatzistefanou

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There was a lady who joined us at yoga today β older than me β spirited, warm. It was raining heavily when I was leaving. I saw her waiting for an auto. I offered her a lift. As we snaked through traffic she told me a bit about her life. We both lived in Poona for some time. Calcutta too. She lost her husband during Covid. She needed yoga to ease out the stiffness within β not just her muscles, but deep inside. Maybe Iβm just projecting. She showed me by contracting her shoulders uncomfortably and then pushing them back and setting them free. I told her, it helps with the grief, but my words felt hollow. I often find myself talking about grief these days but not feeling it. Autopilot grief talk. Here it comes. Small talk about something big, something devastating. I donβt know how to explain this, but right then, I wish I was older, wiser, more experienced. I wish I could be with her in that moment like a peer, and not some psuedosciency grammable faith healer. She carried her grief with such grace, it made me feel vulnerable, exposed. How do I carry my grief these days? Like some sort of badge of honour? Yuck. I hope not. But it's a new phase. Itβs not fresh. But itβs there. And I donβt have a roadmap to this. Sometimes Iβm blindsided by it. Sometimes, I carry on, like itβs nothing β like shapewear under a bodycon dress β effective and maybe even a bit attractive. Maybe even a bit perverse. And I immediately hate myself for it.
Tired and paranoid, Tye Martinez
Vice Magazine, The Fiction Issue, Cover Drawing, 2009
This is a commission drawing from 2009 for Vice Magazine. It was a 3 day deadline and I honestly have no idea how I pulled it off. I'd only been using permanent markers for a little over a year at this point and this was my first drawing larger than 8 x 10 inches. It was by far my most complex drawing to date, but ultimately a catalyst for the larger drawings of stacked media I've made over the years.
Once upon a time in the west, Wim Wenders

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Charles WeedοΌAmerican, based in Denmark b.1970οΌ
Evening 2023-2024 Tapestry painting Oil on canvas. 110x110cm via
Mammals both produce milk and have hair. Ergo, a coconut is a mammal.
I know youβre being facetious, but this is an actual issue with morphology-based phylogeny.
*leans over and whispers to person beside me* what are they talking about
*leans over and whispers back* Β Human ability to quantify and categorize natural phenomena is sketchy at best and wildly misleading at worst
consider the coconut
this reminds me of that time Plato defined humans asΒ βfeatherless bipedsβ and Diogenes ran in with a plucked chicken screamingΒ βBEHOLD A MAN!β
i love how you say βit reminds me of that timeβ like you were there.
listen if an immortal feels brave and supported enough to come out we should respect them
This post is a journey
1 Reblog = 1 Respect
I maintain that humans started attempting classify animals, and some god or another made the platypus, and is still laughing.
Zeus: *hits joint* okay so like. Itβs gonna have a duck bill right. But an otter body okay? And then a beaver tail. Itβs a mammal. But. It lays eggs!
Hades: wait wait dude. Give it. Give it poison. Make it poisonous
Athena: You mean venomous, and make sure the eggs have both reptile and bird traits. Hermes: *takes the joint* Give it extra senses. Poseidon: It should be aquatic.
I MEAN whereβs the lie
Demeter: β¦ And where exactly do you expect me to put this? Everyone: Australia.
World Heritage Post
A coconut and a platypus are now related. Because tumblr is science. Behold the word of tumblr.
Night watch, Ben Sledsens
Mythmaker, Kosuke Ajiro

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Itβs July, Miranda
Lost horizon, Laurence Biaggi
July 19, 1926 Journals of Anais Nin 1923-1927 [volume 3]

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Of late, it's been monsters on my mind.
Postcards from the edge, Bruno V. Roels (because)