The Eyes of My Mother (2016)
NASA
let's talk about Bridgerton tea, my ask is open

#extradirty
TVSTRANGERTHINGS
noise dept.
Mike Driver
I'd rather be in outer space 🛸
ojovivo
Cosimo Galluzzi
Monterey Bay Aquarium

Janaina Medeiros
$LAYYYTER
Cosmic Funnies

祝日 / Permanent Vacation

Andulka
PUT YOUR BEARD IN MY MOUTH

almost home

Product Placement
todays bird

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@thisinsatiable
The Eyes of My Mother (2016)

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Creep (2014)
Nikolaj Coster-Waldau | Shot Caller [x]
A man holding his baby up to paintings and talking to him at an art gallery
“Though critical reevaluation and appreciation for Jennifer’s Body has been gaining momentum in the near 10 years since theatrical release, the film is still often referred to as a “guilty pleasure.” There’s nothing wrong with liking Jennifer’s Body; it’s a legitimately great horror comedy with pitch-black humor, clever themes, a loving deconstruction of horror tropes, and brilliant subtext. It’s long past time we embrace it.” - Bloody Disgusting
“Had it been released a decade later, possibly through a streaming service, Cody told Variety that it would have “definitely” found its audience and the themes of queer representation and sexual assault would have been clear.” - Variety
“The idea of a woman’s body being used for men’s gain (even if it’s a prize as lame as indie rock fame), and her coping with this violation by using her sexuality to entrap and feed on those who once objectified her, feels like something to be celebrated, not mocked. Had this film been made a decade later, it’s possible Fox could have been heralded as the feminist revenge hero of our time. In fact, the reason Jennifer becomes a demon in the first place, rather than just dying from the violent stab wounds inflicted on her by emo Seth Cohen and his band while sacrificing her to the devil, is because they wrongly believed her to be a virgin. In complete opposition to tired horror tropes, a woman is, in a way, saved by her sexual experience, rising anew to wreak revenge on those who’ve wronged her.” - Refinery29
“The internet is suddenly full of critics reclaiming the movie and naming it a forgotten feminist classic. Jennifer’s Body is good now. More precisely, Jennifer’s Body was always good, and everyone is just now starting to get on its level.” - Vox
“Now, I think what’s happening is that people are seeing that the movie really did have a distinctly female perspective and that we need those movies, like we find those movies even after the fact, even after they’re dismissed because we need proof that we exist. And that was one of those movies for me. I was like, ‘If I was in high school I would love this movie. I would see this movie 10 times.’ I wanted to make a movie for young women that they can feel themselves being represented in even in a crazy outlandish story. And so I’m glad to know that the movie is getting rediscovered because there’s something pleasantly bonkers about it for me.” - Karyn Kusama, SyfyWire
10 Years of Jennifer’s Body Writer: Diablo Cody, Director: Karyn Kusama Theatrically released September 18, 2009

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The Book of Eli (2010) | dir. The Hughes Brothers
Hello. There you are. You can’t speak. You can’t move. But this opens you up to the influence, and it breaks down your defenses. Trust me. Alright? You will love it. MIDSOMMAR (2019) dir. Ari Aster
“I hate kids.”
Child’s Play 2 (1990)
I like your lyrics. Thank you. Yeah, I got the tape that you sent - it’s great. Really good. Thanks.
Tree Gelbman is one of the most underrated horror movie leading ladies ever
She’s an awful little sorority girl who through living in groundhog day Halloween edition becomes a strong basically fearless but so fucking tired three dimensional character

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🎵Hard times,gonna make you wonder why you even try 🎵 Happy Death Day 2U (2019) dir. Christopher Landon
Would you please stop looking at me like I took a dump on your mom’s head?
Jessica Rothe as Tree Gelbman in Happy Death Day (2017)
attended junji ito’s artist talk today and his literal advice to all artists/cartoonists can be summed up with “go to fucking sleep”
If this is true, then the cultural context of this is especially important. Death By Overwork is so much a thing in Japan - especially in the creative media industry, including video games, manga and film - they have their own word for it (Karōshi). Illnesses that could have been caught and treated earlier, if not for the expectation of constant overwork and the culture of shame over taking any time off for any reason, have claimed the lives of geniuses like Satoshi Kon and Satoru Iwata. And they will continue to take people’s lives, and rob the world of everything they could have gone on to create, as long as they’re not allowed time to take care of themselves. We will never see another Nintendo game with Iwata’s name on it. Satoshi Kon’s ‘Dreaming Machine’ will be unfinished forever, and will probably never see the light of day. Countless creators are working themselves into an early grave, and all it does is ensure their life’s work will be cut short. So listen to horror dad, fuck “crunch culture”, and take a fucking nap.
stop putting stem and arts majors against each other!! they are partners and they are in love!!
We gotta team up to fight the true enemy:
Keanu Reeves in John Wick 3: Parabellum (2019) dir. Chad Stahelski
John Wick excommunicado in 3…2…1…

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He’s getting slow. He’s been retired for five years, but he is still…John Wick. We will see.
Triple Frontier behind the scenes