stills from the matrix, 1999.
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@this-is-not-here
stills from the matrix, 1999.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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“Yo no me siento sola, me siento abandonada, que es peor y que significa una soledad trágica, recorrida de odios, no una soledad creadora, rilkeana. En suma, me doy asco. Cada vez que hablo y sonrío y soy cordial y afable, me doy asco porque sé que lo hago para defenderme: simulo bondad, para que no me castiguen ni abandonen, para que me quieran y me ayuden, etc. Pero me desprecio y me repugno y sólo amaré al ser que me ame como soy, callada y de hielo, hecha de silencio y dolor. Y cuando no precise ser otra ni fingir más, o al menos fingir muy poco, entonces habrá llegado la paz, el amor, la dulzura. Toda esta farsa me rompe el ser, me desarticula, me pierde y me enloquece. Hay que aceptar el abandono y la soledad.”
— Alejandra Pizarnik
FLESH AND THE DEVIL (1926) — Dir. Clarence Brown
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Lena Headey in "The Man with Rain in His Shoes" (dir. Maria Ripoll - 1998).

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Marilyn Monroe photographed by Milton Greene in Los Angeles, 1956.
Ph. Jay Satriani
Julie Delpy in Mauvais Sang (1986)
Marina Nery by Billy Kidd

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Circling the Sun, Angela Lane
Nadie vuelve a ser igual después de darse cuenta.
Hedy Lamarr
JEAN HARLOW red dust (1932), dir. victor fleming.

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Tippi Hedren in The Birds, photographed by Philippe Halsman, 1963.
James Wigger
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