HORROR / STORIES

Ruminations on Godhood & Girlhood: How does a girl become real?

i rewatched the etern.als. and then i got thinkin. and now you guys are on the receiving end of more protective prompts, but these little beauties are aimed more for the act of actually saving a life! bon appetit!

DIALOGUE PROMPTS.

“ what the hell were you thinking?! you could’ve been killed! “

“ hey! get away from them! “

“ if you wanna hurt them, you’re going to have to get through me, first. “

“ you underestimate how much you mean to me. i wasn’t about to let them hurt you. and i certainly wasn’t about to let them even consider killing you. “

“ i told you before. i’m not gonna let anything in this world nor the next harm you. “

“ you need to get out of here! go! i’ll buy you some more time! “

“ what are you doing?! i told you, get out of here! now! “

“ get it through your head, i’m not gonna just leave you here! “

“ now’s not the time to play the martyr, got it? you’ve got a good long life ahead of you, and i intend to keep it that way. “

“ you need to go now, okay? don’t worry. i’ve got this. they’ll want to be trying a lot harder if they want to keep me from protecting you. “

“ don’t worry about me; are YOU okay? “

“ damnit, [NAME]! i TOLD you not to play the hero! “

“ i can look after myself, you know. but… i do appreciate you stepping in back there. you saved my life. “

“ why are you so invested in keeping me alive? “

“ that was for saving my life. “

“ it’s alright, they’re gone now… are you alright? hey, look at me; are you hurt at all? “

“ are you insane?! run! “

“ were you preoccupied, or did you just really want a dramatic heroic entrance before you saved my ass? “

“ are you okay? “

“ yeah, yeah, i’m okay… are you okay? “

“ hey! why don’t you try picking on someone your own size! “

“ hurry! take my hand! “

“ get in the car! now! “

“ i’m sorry i was late… are you alright? they didn’t hurt you too badly, did they? “

ACTION PROMPTS.

add a “+ REVERSE” to switch the roles around!

[ SHIELD ]:     sender uses their own body to shield the receiver from an attack.

[ EMBRACE ]:     sender quickly wraps the receiver in a protective hug and turns so the sender’s back might take on the brunt of an on-coming attack.

[ SHOVE ]:     seeing the receiver is in immediate danger, the sender runs to them and shoves them out of the line of fire.

[ YANK ]:     seeing the receiver is in immediate danger, the sender hastily grabs them and pulls them against them, out of harm’s way.

[ TACKLE ]:     sender physically tackles the receiver out of the line of fire.

[ THROW ]:     sender throws themselves between the receiver and an on-coming attack, taking on an injury that might have been fatal to the receiver otherwise.

[ DISTRACT ]:     sender causes a distraction to draw the receiver’s attacker/s away from them.

[ FIGHT ]:     just as the receiver is about to be attacked, the sender arrives suddenly and begins to physically fight off their assailant.

[ CATCH ]:     sender manages to intervene and catch the falling receiver before they fall to their death.

[ SACRIFICE ]:     sender sacrifices themselves, either fatally or otherwise, in order to save the receiver’s life.

[ HIDE ]:     sender quickly pulls the receiver into a hiding place, hiding them from their pursuers.

[ KILL ]:     sender, seeing the receiver in immediate and intentionally fatal danger, intervenes by killing their assailant before they can kill the receiver.

[ INCAPACITATE ]:     sender, seeing the receiver in immediate danger, intervenes by knocking out their assailant before they can harm the receiver.

[ AFAR ]:     sender, having been watching the receiver’s interactions with a threat from afar, saves them from an impending attack while remaining distant from them.

[ SECRET ]:     sender, having been secretly following the receiver, saves their life from an immediate threat while remaining hidden from the receiver.

[ REVEALED ]:     sender, having been secretly following the receiver, reveals themselves in the process of saving the receiver’s life from an unexpected threat.

[ REUNION ]:     after spending a considerable length of time apart, the sender reunites with the receiver after saving their life from an immediate and potentially lethal threat.

[ KISS ]:     after having been saved from immediate danger by the receiver, the sender, in a state of intense emotion and relief, kisses them to express these feelings.