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@thewordsanctuary
âthe way somebody comes back, but only in a dream.
Mary Oliver, excerpt of âWe Should Be Well Preparedâ, in Red Bird (via antigonick)

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âAt what moment does the knife wound sink so deep that the flesh begins to weep with love?â
â AnaĂŻs Nin -Â Fire from A Journal of Love: The Unexpurgated Diary of AnaĂŻs NinÂ
âLast night I danced on the rim of the moon,â
â Ethel May Caution, from Last Night; Shadowed Dreams: Womenâs Poetry of the Harlem Renaissance (ed. by Maureen Honey)
My tendency to romanticize made me want to verify what I felt. Now I trust my intuition and its strength.
AnaĂŻs Nin, from In Favor of the Sensitive Man: Essays; âThe New Woman,â (via violentwavesofemotion)
how would you define "good" art?
Good art, you feel in your stomach. A feeling of electricity in your whole body. It is nourishing and powerful.Â

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âI have done nothing all summer but wait for myself to be myself again ââ
â Georgia OâKeeffe, in a letter to Russel Vernon Hunter, from Georgia OâKeeffe: Art and Letters (via luthienne)
âSeptember tastes of ashes. And yet it insists. Softly. But it insistsâ
â Julia de Burgos, from Song of the Simple Truth: Poems; âAutumn Psalm,â
They wanted to blossom, / and blossoming is being beautiful. But we want to ripen, / and this means being dark and taking pains.
Rainer Maria Rilke, from The Poetry of Rilke; âThe Drawing Roomâ (via mesogeios)
How fragile we are, between the few good moments.
Jane Hirshfield, Vinegar and Oil (via mesogeios)
[âŚ] Admire as much as you can, most people donât admire enough.
Vincent Van Gogh, from a letter to his brother, Theo, dated January 1874, The Letters of Vincent Van Gogh (via mesogeios)

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I think of beauty as an absolute necessity. I donât think itâs a privilege or an indulgence, itâs not even a quest. I think itâs almost like knowledge, which is to say, itâs what we were born for.
Toni Morrison, from The Paris Review Podcast (via mesogeios)
âTo live for art (Vissi dâarte, vissi dâamore, as Callas sings in Pucciniâs Tosca), is to live a life of questioning.â
â Jeanette Winterson, Art Objects: Essays on Ecstasy & EffronteryÂ
(âŚ) one day Iâll touch the world with bare hands Even if it burns.
Tracy K. Smith, from âDonât You Wonder, Sometimes?â, Life on Mars (via mesogeios)
âThe most precious thing is vitality â not in any sinister Lawrentian sense, but just the will + energy + appetite to do what one wants to do + not to be âsunkâ by disappointments. Aristotle is right: happiness is not to be aimed at; it is a by-product of activity aimed at.â
â Susan Sontag, Reborn: Journals and Notebooks 1947â1963Â (via sartreuse)
Give me books, French wine, fruit, fine weather and a little music played out of doors by somebody I do not know.
John Keats (via mesogeios)

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Women speaking of mirrors and prettiness make it all too clear that even for pretty women, mirrors are the foci of anxious, not gratified, narcissism. The woman who knows beyond a doubt that she is beautiful exists aplenty in male novelistsâ imaginations; I have yet to find her in womenâs books or womenâs memoirs or in life. Women spend a lot of time looking in mirrors, but the âcompulsion to visualize the selfâ is a phrase Moers uses of women in her chapter on Gothic freaks and horrors; the compulsion is a constant check on oneâs (possible) beauty, not an enjoyment of it.
Joanna Russ, âAesthetics,â How to Suppress Womenâs Writing (via mesogeios)
Find meaning. Distinguish melancholy from sadness. Go out for a walk. It doesnât have to be a romantic walk in the park, spring at its most spectacular moment, flowers and smells and outstanding poetical imagery smoothly transferring you into another world. It doesnât have to be a walk during which youâll have multiple life epiphanies and discover meanings no other brain ever managed to encounter. Do not be afraid of spending quality time by yourself. Find meaning or donât find meaning but âstealâ some time and give it freely and exclusively to your own self. Opt for privacy and solitude. That doesnât make you antisocial or cause you to reject the rest of the world. But you need to breathe. And you need to be.
Albert Camus, Notebooks 1951-1959 (via mesogeios)