Woodbine: Shakespearean word for honeysuckle | PNW Based | They/them | Lesbian | Your Local Hedge Witch | Heathen Against Hate | AuDHD | Follows through: ignitelimelight
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My hottest take is that experimentation and fucking up are core to the experience of learning witchcraft (or learning anything in life). I scroll through witchtok in particular and see so many comments about witches requesting/only using spells crafted by other witches out of fear of screwing up and, honestly, if you don't experiment then your craft won't grow! I am hardly the first person to say this, but witchcraft isn't an organized religion. You can carve your own path as you see fit. You can practice traditional magic or folk magic or ceremonial magic or create your own, unique type of magic. The witches you look up to and admire likely got their start experimenting with their own spells and finding what works. Your fear of failure is holding you back. You are going to fail. You are going to craft spells that don't work or even backfire. It's okay, I promise. Record it. Alter the spell. Try again. Your spells don't all have to involve candles, jars, bags, or anything fancy. Be creative! You don't like using crystals or herbs? Don't use them. Figure something out. A spell can be anything as long as the intention is there. Go make a shitty spell.
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i'm thinking about charlotte brontë spending her last years editing and publishing her sisters' writings and about christopher tolkien dedicating his life to the protection and meticulous reconstruction his father's life's work and about johanna van gogh publishing the letters between vincent and theo that would propel vincent van gogh into fame because she knew how much her husband had loved his brother, and about how so often art isn't just a reflection of the artist's mind and skills but a testament to the fact that they were loved
My sister just quoted this post at me over dinner bc it was discussed in her philosophy class & I can't even smugly inform her of its authorship. Due to the mindhunter yaoi state of my most recent blog history.
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As a kitchen witch, I love to have at least one sinfully delicious meal. For me, that is Tomato Confit. Here we take cherry tomatoes (I prefer Sun Golds here, but other varieties would do), cover them in olive oil in a baking pan, add some garlic and herbs, and then cook low and slow for hours. 275°F for 3 hours or more.
Making this dish feels positively self-indulgent – the smell that will slowly overtake your residence is absolutely divine. The goal is to cook it until all of the water has left the tomato and you have beautifully roasted tomatoes in tomato-flavored olive oil. Once cooled, it will keep in the fridge for about a week.
It also freezes like a dream, allowing you to enjoy slow-roasted tomatoes in olive oil all winter long, even when nothing else tastes good. What more could you ask for than that? You can pour it straight into a ziplock bag and chip away at the tomatoes as needed, or freeze it in ice cubes for better portion control.
This stage, when the tomatoes and garlic/herbs are added, is where the magic happens for me. Pray over this, dedicate this dish to your gods, spell out runes or sigils like I did. Do your kitchen magic in whatever works for YOUR magic during this time.
Tomato confit is glorious and can be served in so many ways. It is divine on crackers or bread and pairs well with sharp cheeses. It works great as the basis for a simple sauce for vegetables or pasta. We used it as a pizza topping with chevre and sausage with great success. The tomato-flavored oil is excellent as well – it makes a great olive oil drizzle or base for a salad dressing. It can be used as a substitute for canned tomatoes in nearly any recipe and adds a richness and umami flavor that cannot be overlooked.
Yall????? omfg???? If you're a historical artist you NEED to look at what I just found because A BUNCH OF ORIGINAL SOURCES ON CLOTHING RANGING FROM MEDIEVAL TIMES TO THE 20TH CENTURY??? WITH CLEAR PHOTOS AND VERBAL EXPLANATIONS??? AND THEY'RE SORTED IN CHRONOLOGICAL ORDER WITHIN THE CENTURIES TOO????????
https://bloshka.info/
there's also this which also seems good but has less original sources and I haven't looked through as much :)
There are a lot of people who start creative projects with no business or financial plan, because "who cares, it isn't important, we'll figure that out later". And you can't let yourself become that person. Not because I'm a sneering finance bro who thinks your woke animated youtube series wont make money, but because if you don't you'll wind up financially exploiting your friends for years
Look, it's none of my business if you wanna work yourself to the bone for no money so you can make your dream project a reality. I think you shouldn't, but also let's be real that's basically a rite of passage for young creatives. But as soon as you start involving other people? You need a plan. You need to be able to compensate them for their time, and you need to have it in writing
head in my hands, as someone who does extensive freelance TTRPG work - an industry in which the vast majority of those involved are doing it as a passion project/side hustle, and in which many people are friends with those they work for and with:
if you are doing any creative project with someone else in which money will be involved, make a contract. Doesn't need to be super formal. Get something laid out in writing that very clearly indicates what the person you are asking to do something is responsible for, the timeline in which they're expected to complete it, and the compensation they'll get for doing so.
"oh but we've been best friends since eighth grade" make a fucking contract.
"oh but this probably won't make much money anyway" make a fucking contract.
"oh but I don't know all that legalese" there are tons of pretty accessible templates available online if you research, just make sure it's one that suits your needs and you understand what's in it (it can be written in normal language without legalese, as long as it's clear), and make a fucking contract.
I've heard horror stories about this shit destroying projects, friendships, livelihoods, and in most cases the fallout could have been avoided (or at least mitigated) by having a clear legally binding document about everyone's responsibilities and compensation from the get-go. Do not assign someone work without a contract or some form of written agreement; do not work without a contract or some form of written agreement. please for the love of god.
So one of my grad school classes is a 8 week long group project to essentially come up with an artistic solution to a problem. Of course, my pitch was solarpunk in nature, and my group actually really liked it! Basically, the concept is to design a series of solar panel-powered community fridges, to help address food insecurity and build community in different areas without having to rely on a specific host building to provide power. What better time to show my concept art than Solarpunk Aesthetic Week?
Originally, I was just drawing up ideas with what usually comes to mind when I imagine fridges--upright fridges. Here's my concept art!
In these sketches, my main concern was imagining how these fridges would fit into the community alongside their power sources--I didn't want them to be too bulky, but I also wanted them to be available for easy access. I also figured they'd need shelter for the fridge's longevity, as well as to protect any users from the element. It'd also be nice to have them alongside other mutual aid sources like little free pantries, little free libraries, the like. One of my favorite designs is the sheltered community space on page 2, with the fridge, the seat, the pantry, and the library all in one protected structure with solar panels on the top. Having a table near the community fridge would also be nice to give people a place to rest as well.
However, around this time, I started trying to find out just how big of a solar panel would be needed to power a fridge like this, and the results were... a bit discouraging. Until! I was informed that chest freezers use way less energy to keep cool--cool air sinks, so opening an upright fridge releases most of the cold air that's been building up and makes the machine work harder to keep cool, whereas a chest fridge doesn't lose nearly as much cold air. In addition, some people have converted chest freezers into chest refrigerators for as little as ~$30 USD. Due to the insulation in a chest freezer, converted chest fridges use way less energy than their upright counterparts to keep cool, making it way more feasible to power them with solar.
So of course, I had to get to drawing again!
Since I'd already concepted a variety of structures for upright fridges, for the chest fridges I mostly focused on their design and possible convenience/accessibility concerns I had been worried about, one of the main being having to reach inside vertically instead of horizontally--several of my family members have difficulty bending, so I was worried having a chest fridge would make things more difficult for others like them. There are likely other ways to address this concern that I haven't thought of, but for now I've concepted putting a grabber tool inside of every fridge so people with trouble bending can still get things. How well it'd work in reality, I'm not sure...
Buuut these are my concepts so far! I hope you like them, I hope they're cool? Let me know what you think! I think these would be cool to have in a solarpunk future--whether they're entirely possible today or will have to wait until a somewhat-distant, 'solar panels can generate more energy with less size and fridges are also way more energy efficient' future I can't say, but it's cool to think about!
[Image 1: Pencil sketches of refrigerators connected to solar power. The annotations on them are as follows. An arrow points to a magnet caddy on the freezer door with markers and stickers, saying "Markers + labels for dating donations". An arrow points to a battery-structure at the base of a solar panel system saying "Doubles as charging station for phones & stuff". An arrow points to a slanted roof structure over a fridge saying "Bus stop-esque structure." An arrow points at a glass door grocery store-style fridge saying "any kind of fridge, any size."
Image 2: Pencil sketches of refrigerators connected to solar power. The annotations on them are as follows. An arrow points to a fridge under a slanted roof structure, saying "Paintings on the fridge itself." Over a portion of a brick wall is written "Murals can be on accompanying walls or on the shelter structure for the fridge." An arrow points to a wheel-mounted solar panel saying "solar panel". A community space is named at the top "The Free Community Space: Open 24/7" An arrow points to the outside wall of a community space structure saying "mural on outer walls". Items inside are labeled 'Freedge, Little free Library, Seeds, Pantry'. An arrow points to a couch, saying "Maybe a bench instead?" Written on the inner wall is "mural inside." An arrow pointing at the space says "Community built space w/ lights, solar panels, little free library, freedge, seed library, little free pantry, couch (???). Solar battery stored behind or on top. Plastic magnet door to protect from elements? Like those magnet curtains?"
Image 3: Pencil sketches of refrigerators connected to solar power. The annotations on them are as follows. An arrow points to a slanted structure over a mini fridge, saying "Solar panel on roof?" Another arrow points to the side saying "Chalkboard paint--anyone can art here." Underneath says "variety of sizes/energy needs mean wider availability". At the top of a curved shelter on a pole is written "solar panel", along the sloping sides is "curved solar panels" and "Or solar voltaic glass?" On the underside of the structure is a label saying "Could be in a park or smth (something)". An arrow points to a box at the base of the structure, saying "charging station" and another arrow labels a table and chairs.
Image 4: Pencil sketches of refrigerators connected to solar power. The annotations on them are as follows. Along the top of a slightly-curved roof structure is an arrow saying "curved solar panel roof. renogy curved 4ft x 2ft for example". To the side of the roof is written "4 panels each side, 0.45 kWh x 8 = 3.6 kWh/h". A chest fridge is labeled "converted chest fridge", and a glass-front box is labeled "Old cabinet/case now Little Free Library". A box sitting between them is labeled "I hear car batteries are good solar storage for cheaper?" A standalone chest fridge has the following labels: "Could paint on fridge exterior" "solar panel on top of fridge?" "most chest freezers are 22-28 in wide &24-38 or 54-68 in long. The longest wattage panel needed would be ~50 in long & ~26 in wide"
Image 5: Pencil sketches of refrigerators connected to solar power. The annotations on them are as follows. The inside of an open lid has an arrow pointing to a grabber object saying "Grabber for accessibility for those w/ trouble bending". A label points at a strap fastened to the inside of the lid saying "straps to help shorter people pull the lid closed." A variety of arrows point to a drawing of an open, decorated chest fridge saying the following: "Counter-balanced lid" "Baskets/crates for storage -> can slide or be removed to access underneath" "Murals on front & sides (not back)" ]
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People have overused Catholic Guilt to the point they cannot recognize the clear and haunting Protestant Shame in front of their eyes. that character Knows they could have worked harder
“I have lived to see state after state extirpate its wolves. I have watched the face of many a newly wolfless mountain, and seen the south-facing slopes wrinkle with a maze of new deer trails. I have seen every edible bush and seedling browsed, first to anaemic desuetude, and then to death. I have seen every edible tree defoliated to the height of a saddlehorn. Such a mountain looks as if someone had given God a new pruning shears, and forbidden Him all other exercise. In the end the starved bones of the hoped-for deer herd, dead of its own too-much, bleach with the bones of the dead sage, or molder under the high-lined junipers. I now suspect that just as a deer herd lives in mortal fear of its wolves, so does a mountain live in mortal fear of its deer. And perhaps with better cause, for while a buck pulled down by wolves can be replaced in two or three years, a range pulled down by too many deer may fail of replacement in as many decades. So also with cows. The cowman who cleans his range of wolves does not realize that he is taking over the wolf’s job of trimming the herd to fit the range. He has not learned to think like a mountain. Hence we have dustbowls, and rivers washing the future into the sea.”
— — Aldo Leopold (1887 - 1948), Thinking Like A Mountain
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