Born to be a haunting spectre, forced to be an alive girl.
The Bowery Presents
almost home
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Stranger Things
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@theartofmadeline
I'd rather be in outer space 🛸
One Nice Bug Per Day
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Monterey Bay Aquarium

blake kathryn
Sweet Seals For You, Always
Cosmic Funnies
KIROKAZE

#extradirty
Keni
RMH
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@thesweetestbanshee
Born to be a haunting spectre, forced to be an alive girl.

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Women’s Day postcard by I. Kozlov (USSR, 1966)
Hylas and the Nymphs (1896) by John William Waterhouse

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the zendaya thing isnt even a new phenomenon by any means!! the article mentions margot robbie wearing the taj mahal diamond as well, and in addition to that i also want to remind people that diljit dosanjh's request to wear the patiala necklace for the 2025 met gala was denied by cartier because they said it was in a museum and could not be loaned. however they had no issues at all loaning it to emma chamberlain, a white woman, for the 2022 met gala, while they turned down the request of a punjabi man who wanted it to honor his heritage.
this behavior is nothing new. the global south and everything in it - the people, the culture, our heritage - is seen as nothing more than a decoration or commodity to colonizers. i don't even need to bring up the koh i noor or the entire british museum; these examples are recent and egregious enough on their own.
of course this is not to imply that any of the people involved here - zendaya, margot robbie, or emma chamberlain - had any sort of malicious intentions. but the ignorance is just as bad in my opinion. the ignorance is just as harmful, if not more. because it means we are not even an afterthought. it means that the real people and histories and heritages of the global south do not even register when these people are putting together looks for their movie premiers and met gala appearances. everything is just reduced down to a shiny piece of jewelry whose history they need not bother with. it's just a continued reminder of the way colonization affects us all even long after independence, of how barely-healed wounds keep being reopened even decades later. even now, we are being denied connections to our histories and heritages while they are freely being given out to those that have nothing to do with it and don't care for it. and i'm sick of it.
“Crescent Lady” by Warren B. Davis (1865-1928)

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Vladimir Archipovich Bondarenko
Vladimir Bondarenko (Russian, 1866–1900), Forest Scene, 1880s, oil on Canvas, 174 × 133 cm; private collection.
yeah its been a weird couple of lives
Butterfly, Tibor Csörgeö, 1939
Martín Ramírez (Mexican, 1895–1963)
Untitled (Train and Tunnel) ,1960
the kids in hsm2 shouldve unionized that country club

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Sigmar Polke. Selbstbildnis, 1971
I listen to two songs i enjoy in a row and im like "i would be such a good dj"