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Good morning and welcome to your Daily!Tom!
Young Tom today. He's awfully cute, isn't he? Never gonna pass up a chance to see those beautiful blue eyes...
Have a great day!

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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One look in your eyes, I go dumb đ¶đ¶đ¶
Replica Man Magazine Spring/Summer 2026

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch âą No registration required âą HD streaming
Replica Man Magazine Spring/Summer 2026
Where Hell Ends
Chapter Three: A Gift Not Seen in Ages
Pairing: Dream of the Endless x Reader (Hob's Daughter) Warning: Angst, AU-Fic, Eventually Smut, Graphic Scenes, Death Tag List: Please comment below if you wish to be tagged.
Please comment and engage! It means the world to me â€ïž
Over the four months following your first meeting with your fatherâs strange friend, you busied yourself with work and music. There was always enough of both. The orchestraâs winter programme required longer rehearsals, additional sectional work and several evenings spent beneath the conductorâs increasingly unforgiving stare. Difficult passages were repeated until your shoulder burned and the skin beneath your fingertips hardened further. A fractionally early entrance could condemn the entire string section to another twenty minutes of repetition.
You attended lectures between rehearsals, accepted private work whenever it appeared and continued taking shifts at the New Inn because orchestras paid considerably less than people imagined. When you were not performing music, you were writing it. The melody you had first recovered in dreams remained with you in perfect detail.
You played it often, although never casually. There was something within it that refused to become ordinary. No matter how frequently you returned to the opening phrase, the final passage still carried the same weight. Grief lived within the notesânot the immediate violence of new loss, but something older and quieter. Grief preserved so long that it had become part of the person carrying it. You did not understand why it made you think of your fatherâs friend.
You remembered his presence in the dream only indistinctly. A pale figure dressed in black. A voice confirming that you had finally found the correct ending.
Sometimes, when you played the final passage, you remembered impossible eyes filled with distant stars. Then the image vanished. You began writing another piece several weeks later.
Unlike the first melody, this one did not arrive complete. It came in fragments. A sequence for the violins appeared while you were travelling on the underground. You wrote it across the back of an old receipt before it could disappear.
A passage for the woodwinds occurred to you while you were behind the bar. You wrote that one on an invoice and nearly caused Hob to submit half a musical movement with the monthly accounts. At night, the piece followed you into dreams. You dreamed of an enormous chamber built from dark stone. Its ceiling rose so high that it disappeared into mist, and the music did not come from musicians but from the architecture itself.
The strings lived within the walls. The brass sounded beneath the floor. Voices moved among the arches overhead.
At the centre of the chamber stood a black tree. There were no leaves upon its branches. Instead, sheets of music hung from them, turning softly in a wind you could not feel. Some contained passages you had already written.
Others held music you had not yet discovered. You reached for one of the pages. A pale hand removed it before you could touch it.
You looked up. Your fatherâs friend stood on the opposite side of the tree. He did not look entirely as he had in the New Inn.
His black clothes moved as if they had been cut from smoke and shadow. His skin appeared almost luminous against the darkness, while his eyes contained not merely points of light but vast, turning skies. You should have been frightened. Instead, you were annoyed.
âI was about to read that.â
He held the page between long white fingers.
âIt is not yet written.â
His voice seemed to come from the stone around you.
âThen why is it hanging from a tree?â
âBecause you have dreamed it.â
You moved around the trunk, but he remained opposite you.
âMay I have it?â
âNo.â
âWhy?â
âBecause you must find it yourself.â
You frowned at him.
âYou gave me the ending of the other melody.â
For one instant, something entered his expression. Pain. It was ancient and immense, but gone so quickly that you were uncertain whether you had seen it at all.
âThat song was not yours to create,â he said. âYou merely found it again after it had been lost for a very long time.â
âAnd this one is?â
âYes.â
You looked up at the pages shifting among the branches.
âIs it good?â
His gaze settled upon you.
âWhy does that matter?â
âBecause I am writing it.â
âYou ask whether it is good because you wish to know whether others will admire it.â
His voice remained calm. That made the judgement in it worse.
âYou have not asked whether it is true.â
You stared at him.
âThat is unnecessarily severe.â
âIs it inaccurate?â
You opened your mouth. Nothing came. He extended the page towards you.
You reached for it. Before your fingers touched the paper, it folded in upon itself and became a white moth. It flew through your hand and vanished among the dark branches.
âThat was irritating.â
âYou will remember what is required.â
Silver light split the trunk of the tree. The music inside the walls grew louder. You looked at him through the widening fracture.
âWill I remember you?â
The chamber began to collapse into mist. He watched you as the darkness drew him away.
âPerhaps.â
You woke with your arm extended above you and your fingers closed around nothing. You remembered the black tree. You remembered the moth.
You remembered speaking to someone, although his face faded the moment you attempted to hold it. The music did not. You wrote until nearly midday.
By the time Hob entered the kitchen, you had covered the table in manuscript paper. He stopped in the doorway with a cup of tea in one hand.
âAnother one?â
You did not look up.
âI think so.â
âYou think so?â
âThis one is being difficult.â
Hob crossed towards the table and looked down at the pages. He had never learned to read music fluently despite possessing seven centuries in which to do so. He claimed he understood enough. You suspected this meant he could identify when the notes moved upwards.
âIs it like the other melody?â
âNo.â
You tapped the end of your pencil against the page.
âThe other one felt as though I was remembering something. This feels like I am searching for something that has not happened yet.â
Hobâs mouth tightened.
âPeculiar.â
You glanced up.
âWhat is?â
He gestured vaguely towards the manuscript.
âAll these songs coming to you in your dreams shortly after my immortal acquaintance surfaced again.â
You stared at him.
âYou think he has something to do with it?â
Hob hesitated.
âNot purposefully, probably.â
âProbably?â
He sat opposite you.
âHis return may have had something to do with you dreaming.â
You lowered your pencil. The suggestion should have sounded ridiculous. It did not.
âI saw him in two of my dreams. Possibly more.â
Hob became very still.
âYou did?â
âYes.â
âWhich ones?â
âThe music ones.â
His expression changed in a way you could not interpret.
âDid he speak to you?â
âOnly in the last one. I think. I cannot fully remember.â
You frowned, attempting to recover the memory.
âHe helped me finish the first melody. In another, he would not let me read a piece I had not written yet.â
Hob stared at you and chuckled.
âWhat is he?â you then asked.
Hob looked down at your manuscript.
âThat is not for me to share.â
âSo he is not like you?â
A strange sound escaped Hob. It might have been a laugh.
âNo.â
âWhat does that mean?â
âIt means he is slightly more important than me.â
You leaned back in your chair.
âSlightly.â
âConsiderably.â
âIs he a vampire?â
Hob looked at you in disbelief.
âWhat?â
âI am merely asking.â
âNo.â
âHe is pale, dresses entirely in black and apparently enters dreams.â
âHe is not a vampire.â
âAre you certain?â
âYes.â
Hob rubbed one hand over his face.
âAnd letâs just say that, if you see him in your dreams, it is not as random as you think.â
You frowned.
âWhat does that mean?â
âIt means he was there by choice.â
You stared at your father.
âThat is not how dreaming works.â
Hob held your gaze.
âIt is when it concerns him.â
The room became strangely quiet. You thought of the pale figure at the edge of the rehearsal room. The black tree.
The voice that had known precisely which piece of music you were trying to find.
âHe chose to enter my dreams?â
âIt would appear so.â
âWhy?â
âThat,â Hob said slowly, âis something I intend to ask him.â
You studied his face.
âShould I be concerned?â
Hob did not answer immediately. That concerned you more than an immediate denial would have. At last, he reached across the table and turned one of the pages towards himself as though he understood anything written upon it.
âHe is not careless with those who dream.â
âThat was not an answer.â
âNo.â
His gaze returned to you.
âBut if he intended you harm, I doubt he would have helped you finish a song.â
You thought of the sorrow in the final passage.
âIt was not merely a song.â
Hob noticed the change in your voice.
âWhat was it?â
You shook your head.
âI donât know.â
You gathered the pages together.
âBut I think it belonged to someone he loved.â
********
The new composition developed over the weeks that followed. You did not see the stranger again. Not in waking life.
Not clearly in dreams. Occasionally, you sensed someone at the edge of them. A figure standing beyond the range of the stage lights.
A shadow beneath the arches. A presence listening without interrupting. Whether it was truly him or merely your imagination, you could not tell.
You completed the composition without further help. The final movement emerged one rainy morning while you were walking towards rehearsal. You stopped beneath the awning of a closed shop and wrote it with the paper pressed against the brick wall. By the time you reached the conservatoire, the ink had bled in several places and the sleeve of your coat was soaked.
The music remained. Maddy heard the first orchestral reading two weeks later. She sat in the otherwise sparse recital hall holding two coffees and a paper bag containing pastries. She was not musical, beyond a few childhood piano lessons she described as psychological warfare, but she attended almost every performance you gave.
She had strong opinions regarding composers. She liked Tchaikovsky. She tolerated Brahms.
She claimed Wagner made her want to invade a neighbouring country. Your composition began with a violin alone. The other strings entered gradually, forming themselves around the melody without consuming it. Woodwinds followed, hesitant and searching. Beneath them, the cellos introduced a second themeâwarmer, darker and somehow older than the first.
The two melodies circled one another. At times, they appeared to argue. At others, each seemed to exist solely because the other was present.
They came together for only eight measures. Then they parted. The violin continued alone until the final note disappeared.
Silence followed. The conductor did not immediately lower his baton. The musicians remained still.
Professor Steven OâCallaghan sat in the third row with your score open across his knee, his pen motionless in his hand. At last, the principal cellist exhaled. The sound seemed startlingly loud.
Maddy waited until you reached the corridor before catching both your arms.
âWhat the hell was that?â
You nearly dropped your violin case.
âGood afternoon to you too.â
âNo. You do not get to behave as though that was normal.â
âIt was an orchestral composition.â
âIt was five minutes of emotional devastation.â
You took one of the coffees from her.
âThat seems excessive.â
âThe horn player cried.â
âThe horn player cries frequently.â
âProfessor OâCallaghan looked impressed.â
You glanced towards the closed doors.
âProfessor OâCallaghan always looks as though he is deciding whether someone deserves to survive.â
âToday he decided you did.â
You laughed softly and began walking. Maddy followed.
âWhere did it come from?â
âI wrote it.â
âI understand the basic principle. Where did you get the idea?â
You adjusted your bag over your shoulder.
âA dream, mostly.â
Maddy stopped.
âAgain?â
You continued towards the courtyard. She hurried to catch up.
âWas he there?â
You looked at her.
âWho?â
âThe weird, hot one.â
You nearly walked into the door.
âWhat?â
âYour fatherâs strange friend. The pale one who looks as if sunlight personally offended him.â
âI only vaguely remember it.â
âBut he was there again? Just like in the last dream?â
âYeah.â
Maddy stared.
âYou have dreamed about the same man twice?â
âApparently.â
âAnd what was he doing?â
You pushed open the courtyard door. Cold air moved around you.
âListening.â
âThat is either romantic or deeply sinister.â
You laughed despite yourself.
âIt was odd. It felt as though he already knew the music and was waiting to see whether I could find it.â
âPerhaps your subconscious chose him because he frightened you.â
âPerhaps.â
You took a cautious sip of coffee.
âDad saidââ
You stopped and bit your tongue. Maddyâs eyes narrowed immediately.
âYour dad said what?â
âNothing.â
âThat was not nothing.â
You hesitated. Hob had not expressly forbidden you from telling anyone what he had said. He had merely made it very clear that the truth belonged to his strange friend and was not his to share. Besides, telling Maddy that the man had possibly entered your dreams deliberately would lead to questions you could not answer without revealing considerably more about Hob than she had ever been permitted to know.
So you lied.
âDad said dreams are sometimes strange and that I shouldnât overthink them.â
Maddy stared at you.
âThat was the dramatic secret?â
âIt was not a dramatic secret.â
âYou stopped halfway through the sentence and looked as though you had nearly revealed a state conspiracy.â
âI momentarily forgot how unhelpful his advice was.â
âIt is extremely unhelpful.â
âExactly.â
Maddy continued to watch you suspiciously.
âDid he say anything about his friend?â
âOnly that he has always been peculiar.â
That, at least, was true.
âHow long has he known him?â
You concentrated upon replacing the lid on your coffee.
âA long time.â
âThat was evasive.â
âI donât know the precise answer.â
Also true.
âYour father is extremely odd about that man.â
âMy father is extremely odd about many things.â
âFair.â
You continued across the courtyard. Maddy remained beside you.
âBut your father is right. Dreams can be strange,â she said. âI dreamt something entirely absurd last night.â
You glanced towards her. Her expression changed.
âActually, never mind.â
âNo. You cannot introduce an absurd dream and then refuse to explain it.â
âIt was inappropriate.â
âEven better.â
Maddy groaned.
âIt involved Sven.â
You stopped. Sven Dahl was the orchestraâs assistant conductor, a broad-shouldered Swede with an austere face and an unnerving ability to silence an entire brass section merely by removing his glasses. He had spoken to Maddy perhaps six times.
Four of those conversations had concerned where she was permitted to sit during rehearsals. You stared at her.
âSven?â
âI told you it was absurd.â
âWhat happened?â
âI am not giving you details.â
âWere there details?â
Maddy covered her face.
âUnfortunately.â
You began laughing. She struck your arm with the pastry bag.
âStop it.â
âPerhaps your subconscious is trying to tell you something too.â
Maddy glared at you.
âLike what?â she asked. âUnlike your fatherâs weird friend, Sven isnât exactly scary.â
âI donât think Dadâs friend is scary.â
Maddyâs expression changed immediately.
âSo you think heâs hot too.â
âI did not say that.â
âYou didnât have to.â
You took another sip of coffee and decided to change the subject before she could become any more insufferable.
âThat old book I was reading when Dadâs friend first appearedâI dreamed the actual ending.â
Maddy lowered her hands.
âThe house with the people in the walls?â
âYes.â
âHow do you know it was the actual ending?â
You thought of the sentence that had appeared beneath the final printed paragraph. The house was gone, but what had lived within it had learned her name. You had never told anyone about that.
âIt matched what he described.â
âHe might have invented it.â
âI found a surviving letter online confirming that the ending had been changed.â
Maddy considered that.
âThat is strange.â
âI also found out the author was delirious for several days before the final manuscript was submitted.â
âClearly.â
âHe apparently kept talking about voices moving through the walls.â
Maddy stopped walking.
âYou might have mentioned that part sooner.â
âIt was probably the fever.â
âOr your fatherâs terrifying friend knows far too much about obscure dead authors.â
âBoth possibilities are equally comforting.â
Before you could say anything more, the door behind you opened. Professor Steven OâCallaghan stepped into the courtyard. He wore a dark wool coat buttoned neatly over his suit. His silvering hair had somehow remained untouched by the wind.
His gaze moved first to you and then to Maddy.
âMiss Gadling.â
You shifted your violin case against your hip.
âProfessor.â
âMay I speak with you?â
Maddy looked at you.
âI can wait.â
Professor OâCallaghanâs smile was professionally polite.
âIt may take some time.â
Maddy hesitated. You nodded towards the gate.
âIâll call you.â
She squeezed your arm before leaving. Professor OâCallaghan waited until she had gone.
âWalk with me.â
*********
Steven OâCallaghan had taught at the conservatoire for nearly eighteen years. His reputation extended far beyond the institution. He had discovered soloists, secured grants for composers and introduced promising musicians to patrons whose approval opened doors throughout Europe.
Students he favoured received opportunities. Students he disliked tended to find those opportunities disappearing. You had attended two of his courses. His criticism was merciless, precise and usually correct, which made it difficult to dismiss.
You followed him into his office. Scores covered one wall. Framed photographs showed him beside celebrated conductors, composers and musicians whose biographies you had studied. He gestured towards the chair opposite his desk.
You sat.
âYour work today was exceptional.â
You looked at him. Praise from Professor OâCallaghan was ordinarily followed by an insult.
âThank you.â
âIt lacks discipline in places.â
There it was. He removed his coat.
âThe transition preceding the final recapitulation is indulgent. Your use of the horns is emotionally effective but structurally unjustified.â
âI can revise it.â
âYou should.â
He moved behind his desk.
âHowever, the central idea is gifted.â
The word landed harder than you expected. You lowered your eyes briefly.
âThank you.â
âDo not become embarrassed. False modesty is tedious.â
You looked up.
âIt was not false modesty.â
âGood.â
He sat.
âYou are talented, Miss Gadling. More talented than several people who already possess the career you imagine for yourself.â
You remained quiet.
âBut talent is rarely enough.â
âI know.â
âDo you?â
His gaze remained fixed upon you.
âThe profession is crowded. Institutions release hundreds of competent musicians every year into an industry without enough space for them. Most will teach children, play weddings or abandon performance.â
âThere is nothing wrong with teaching or playing weddings.â
âNo. But that is not what you want.â
You did not respond. He leaned back.
âYou want to compose.â
âYes.â
âYou want serious orchestras to perform your work.â
âEventually.â
âEventually is what people say when they do not know how to proceed.â
His voice softened.
âI know how.â
Hope entered you before caution could prevent it. Professor OâCallaghan possessed connections you could not create for yourself. A recommendation from him could accomplish more than years of applications.
âThere is a residency in Vienna next spring,â he said. âFour composers. Full funding. Professional performances at its conclusion.â
You knew the programme. Every student composer did.
âApplications closed months ago.â
âOfficially.â
You looked at him.
âOne of the successful candidates has withdrawn.â
âAnd you select the replacement?â
âI advise the committee.â
Your fingers tightened around the strap of your bag.
âWould you recommend me?â
Professor OâCallaghan smiled. It was not a kind expression.
âI might.â
The hope cooled.
âWhat would you require?â
He rose from his chair.
âCommitment.â
âTo the residency?â
âTo your development.â
He came around the desk. Something in your body understood before your mind did. Your shoulders stiffened.
He stopped beside you. Too close.
âYou are young,â he said. âYou have not yet learned how often careers are built outside formal auditions.â
You stood.
âI should leave.â
He placed one hand against the back of your chair, obstructing the easiest route towards the door without quite touching you.
âYou misunderstand me.â
âI do not think I do.â
His expression hardened.
âDo not be childish.â
Disgust moved through you with such force that it became physical. You were suddenly conscious of the closed door and the quiet corridor beyond it.
âMove.â
His eyebrows lifted.
âYou should think carefully before choosing indignation.â
His other hand settled against your waist. You stepped away so quickly that the chair struck the desk.
âDo not touch me.â
He removed his hand. His composure made it worse.
âNothing has happened.â
âYou offered me a residency in exchange for sleeping with you.â
âI did no such thing.â
âThen recommend me without this conversation.â
Silence. His eyes cooled.
âYou are gifted, but difficult.â
âMeaning?â
âYou lack patience with authority. Your manner is abrasive. You are too quick to interpret correction as attack.â
âThis was not correction.â
âThis tendency to dramatise discomfort will not serve you.â
You reached for the door. His voice followed you.
âVienna would change your career.â
Your hand stopped upon the handle. For one terrible moment, you saw everything he was offering. A residency.
Professional musicians performing your work. Access to a world you had spent years trying to enter. Then you remembered his hand on your waist.
You opened the door.
âThen I will have to change it myself.â
You stepped into the corridor and closed the door behind you. You did not run. You wanted to.
Instead, you walked through the conservatoire with your back straight until you reached the street. Only then did you breathe. Your hands were shaking.
Maddy answered on the second ring.
âHow did itââ
âWhere are you?â
Her voice changed immediately.
âThe cafĂ© opposite the station. What happened?â
âIâm coming.â
**********
Maddy wanted you to report him. She also wanted to return to the conservatoire and pour coffee over his head. You prevented the second plan.
You were less certain about the first.
âHe will deny it.â
âOf course he will. Men like that practise denying things before they do them.â
You stared into your untouched tea. Maddy sat opposite you in the corner of the café. Her anger had made her frighteningly calm.
âDid he lock the door?â
âNo.â
âDid he threaten you?â
âNot directly.â
âDid he touch you?â
You swallowed.
âMy waist.â
Maddy closed her eyes.
âI am going to kill him.â
âYou cannot kill a professor because he touched my waist.â
âWatch me.â
âThat would cause additional administrative difficulties.â
She opened her eyes.
âYou are making jokes because you feel sick.â
You looked towards the window.
âProbably.â
âTell your dad.â
Your answer came immediately.
âNo.â
âWhy not?â
You imagined Hob hearing what had happened. He would believe you. He would not ask whether you had misunderstood, what you had worn or why you had entered the office.
That certainty should have made telling him easier. Instead, it made you imagine what he would do afterwards. Hob had adapted to modern laws.
He had not entirely abandoned older ones.
âBecause Dad would do something.â
âGood.â
âSomething bad.â
âAlso good.â
âHe occasionally abides by laws that stopped existing in the fourteenth century.â
Maddy considered that.
âCan he frighten OâCallaghan without committing a felony?â
âI am not confident he distinguishes between those activities.â
She reached across the table and covered your hand.
âYou cannot do nothing.â
âI know.â
âWrite down everything that happened.â
You nodded.
âAnd never meet him alone again.â
âI have no intention to.â
âGood.â
You drew in a slow breath.
âDo not tell Dad.â
Maddyâs mouth tightened.
âFor now.â
âMaddy.â
âFor now,â she repeated. âBut if OâCallaghan threatens you, harms your work or comes near you again, I am telling Hob. Then I am helping him select the most appropriate medieval punishment.â
You nearly smiled.
âThank you.â
âDo not thank me. I am still considering the coffee.â
**********
You did not tell Hob. You wrote down every detail. You sent a copy to Maddy and saved several more.
Then you changed for work. The New Inn was quiet that evening. Rain had discouraged most customers. A two-person folk band occupied the small platform beside the fire, playing for several regulars, a young couple sharing wine and an elderly woman who appeared to have fallen asleep.
The musicians were siblings named Niamh and Conor. Niamh sang and played guitar. Conor moved between a bodhrĂĄn, mandolin and fiddle with the relaxed competence of someone who had learned music in crowded rooms rather than formal lessons.
You had heard them before. They were good. You preferred classical music. You liked structure, discipline and the intimacy created when dozens of musicians surrendered themselves to the same written intention.
But folk music possessed a freedom you envied. Nothing remained fixed. A tune could change according to the room and the people playing it.
You were wiping the bar when Conor approached during their break. His gaze dropped to your left hand.
âYou play.â
You looked at your fingers.
âIs it that obvious?â
He held up his own callused fingertips.
âFiddle?â
âViolin.â
âSame thing.â
âDo not say that near anyone from the conservatoire.â
He grinned and held out his fiddle.
âPlay the next set.â
You laughed.
âNo.â
âWhy?â
âIâm working.â
Hob spoke from the other end of the bar.
âYou are not working especially hard.â
You looked at him. He had been distracted all evening, glancing towards the door every few minutes. Someone was expected.
You knew who before the door opened. The room changed. The flames sank slightly in the fireplace.
The elderly woman woke, looked towards the entrance and promptly closed her eyes again. The stranger stepped inside. He wore black.
His pale face was as severe as you remembered, his hair untidy above eyes that caught the dim light in an impossible way. Recognition moved through you. Rain against tall windows.
A black tree. A white moth. Then it was gone.
Hob straightened.
âYouâre late.â
The stranger approached the bar.
âWe agreed upon no hour.â
âI said evening.â
âIt is evening.â
Hob looked pointedly towards the clock.
âBarely.â
The stranger glanced towards the quiet table Hob had reserved for them. Then his attention moved towards the stage and the fiddle in your hands.
âI thought we could sit over there,â Hob said.
âNo.â
Hob blinked.
âNo?â
âI shall remain here.â
Conor extended the fiddle towards you again.
âOne tune.â
You looked at Hob. He shrugged.
âGo on.â
âYou pay me to work.â
âI pay you poorly enough that I cannot reasonably object.â
You took the fiddle. It was heavier than your violin, its varnish worn where countless hands had held it. You tested the strings.
Conorâs eyebrows rose.
âClassical?â
âMostly.â
âTry to forget that.â
âI have spent fifteen years being told not to.â
Niamh laughed from the stage. You stepped onto the platform. Maddy emerged from the back carrying clean glasses.
She saw you holding the fiddle. Then she noticed Hobâs friend at the bar. Her eyes widened.
She mouthed, the weird hot one. You ignored her. Niamh began with a familiar tune.
You listened through the first repetition and entered on the second. Conor watched you closely at first. By the third repetition, he stopped. He moved to the bodhrĂĄn and allowed you to carry the melody. The tune quickened.
You followed. Niamh changed the rhythm. You answered.
Without a conductor or written score, the music loosened beneath your hands. Nothing existed except the next phrase and the certainty that the others would meet you there. At the bar, Hob poured himself a drink. Dream stood beside him and listened.
Hob watched you for a moment. Then he turned towards his friend.
âShe told me you appeared in her dreams.â
Dreamâs gaze remained upon the stage.
âDid she?â
âTwice.â
âYes.â
Hob waited. Dream offered nothing more.
âDid you give her melodies?â
Dream looked towards him.
âNo.â
âThen why is she dreaming music no one else recognises?â
âShe found them herself.â
Hob frowned.
âYou helped her complete a piece she had thought about.â
âI did.â
âWhy?â
The fiddle tune ended and another began almost immediately. Dream watched you adjust to the unfamiliar melody.
âShe came seeking answers within my realm.â
âShe was asleep.â
âNevertheless, she sought them.â
âOnce?â
âAgain and again.â
Dreamâs voice remained quiet.
âShe returned to the same melody. She rejected every ending her own mind attempted to create because she knew none of them were true.â
Hob looked towards you. You were smiling as Conor called out a change half a moment before making it.
âSo you gave it to her as a favour, because she is my daughter?â
Dreamâs eyes returned to Hob.
âNo.â
The answer came without hesitation. Hobâs expression changed.
âThen why?â
For several seconds, Dream said nothing. The room seemed to recede around him.
âBecause she possesses a gift I have not witnessed in a mortal for thousands of years.â
Hob stared.
âWhat sort of gift?â
Dreamâs gaze shifted back towards you.
âMusic does not merely occur within her. She perceives what lies behind it. Memory. Story. Truth. She hears what has been forgotten and sometimes what has not yet been created.â
Hobâs fingers tightened around his glass.
âYou have seen this before.â
âYes.â
A pause followed.
âThe last mortal in whom I witnessed such a gift was my son.â
Hob turned towards him. Surprise briefly overcame his concern.
âYou had a mortal son?â
Dream did not answer. His gaze remained fixed upon you. The tune had slowed. You stood beneath the low stage lights, your eyes half closed as you followed the melody into a quieter passage.
After a moment, Dream said:
âHer gift will mature in time.â
Hob studied his face, recognising the deliberate change of subject but choosing, for now, not to challenge it.
âWhat does that mean?â
Dream considered the question.
âOften, nothing.â
Hob looked at him.
âNothing?â
âSome mortals are simply gifted. They create works that outlive them. They touch the dreams of others and never understand how.â
âAnd the others?â
Dreamâs face became unreadable.
âSome are something else.â
Hob lowered his voice.
âAre you concerned?â
Dream looked at him.
âIf I were concerned by every gifted mortal in every galaxy, Robert Gadling, I would have little time for anything else.â
âThat is not the same as saying no.â
âNo,â Dream agreed. âIt is not.â
Hob watched him.
âAnd you do not know which she is.â
âNot yet.â
On the stage, you completed the song. Applause moved through the room. Dream did not look away.
*********
You remained for the rest of the set. By the end, several more customers had gathered near the fire, drawn by the music from the rain-dark street. The trouble began shortly afterwards.
Four men entered already drunk. You knew it from the volume of their voices and the exaggerated care with which one of them leaned against the bar. Hob served them a single drink each.
He refused the next round. The largest man stared at him.
âWeâve only had one.â
Hob collected their glasses.
âYou had several before you arrived.â
âYou following us?â
âNo. You smell like a distillery fire.â
Maddy turned away to hide a smile. The man struck the bar with his palm.
âGet another round.â
âNo.â
âWe are paying.â
âStill no.â
Conversations quietened. Hob remained calm.
âTime to leave.â
One of the manâs companions pulled at his arm.
âCome on, Dean.â
Dean shook him off.
âI said we want another drink.â
âAnd I said youâre leaving.â
Dean reached across the counter. Hob caught his wrist. The movement was so fast you almost missed it.
âLet go.â
âGladly, once you agree not to swing at anyone.â
âI wasnât going to swing.â
âYou were thinking about it.â
âYou donât know what I was thinking.â
Hobâs mouth curved without humour.
âI have been in more tavern fights than you have eaten dinners. I know exactly what you were thinking.â
Dean tore his hand free. His elbow struck a glass. It fell and shattered across the floor.
Beer spread between the fragments. Maddy swore. You stepped from behind the bar with a cloth and dustpan.
Dean looked at you.
âYou work here?â
You looked pointedly at the cloth in your hand.
âPlainly.â
âTell your boss to stop being a prick.â
Hob moved between you.
âLeave.â
Dean laughed.
âWhat, she your daughter?â
Hobâs face became still. Of every possible question, the man had chosen the worst one.
âYes.â
Dean looked you over. Your skin crawled.
âCould do better than working in this dump.â
You crouched to collect the glass.
âI am beginning to understand why you require three friends to accompany you into public.â
Conor made a choking sound from the stage. Dean stepped towards you. Hob blocked him.
âEnough.â
âShe saidââ
âI heard her.â
âTeach her some manners.â
âI attempted to. She resisted.â
You looked up.
âConsistently.â
Dean shoved Hob. It was a poor decision. Hob moved half a step backwards.
Nothing more. His face changed. For an instant, you saw the older man beneath him: violent, experienced and entirely unsurprised by confrontation.
He seized the front of Deanâs coat. Before he could do anything else, your fatherâs friend spoke. His voice was quiet.
Everyone in the room heard it.
âYou will leave this place.â
Dean turned towards him.
âWho the hell are you?â
Dream stepped forward. The lights within his eyes appeared brighter.
âYou have dreamed of a river for eleven years.â
Deanâs anger faltered. One of his companions went silent.
âEvery night,â Dream continued, âyou stand upon the bank and hear your brother calling from beneath the water.â
The colour left Deanâs face.
âShut up.â
The flames bent low. Shadows lengthened.
âYou tell yourself you could not have saved him.â
Dreamâs voice did not rise.
âBut in your dreams, you remember that he was still breathing when you left.â
Dean stumbled backwards.
âHow do you know that?â
Dreamâs expression held no mercy.
âHe will be waiting when next you sleep.â
Dean turned towards the door. His companions were already leaving. He followed them.
The door slammed. Silence filled the pub. Maddy whispered:
âWhat the fuck?â
Dream looked at her. She lowered her eyes.
âSorry.â
Hob released a slow breath.
âI did not need help.â
Dream regarded the broken glass and Hobâs clenched hand.
âClearly.â
âYou could have told him to leave without excavating his worst trauma.â
Dream returned to the bar.
âHe required persuasion.â
Hob looked towards the closed door.
âIs his brother truly waiting for him?â
âYes.â
âThat seems cruel.â
Dreamâs gaze settled upon him.
âThe dead are not always cruel merely because they wish to be remembered.â
Hob said nothing more.
*********
The remaining customers left soon afterwards. Niamh and Conor packed away their instruments. Maddy disappeared into the back, though your phone vibrated almost immediately.
THE WEIRD HOT ONE IS A DEMON. A second message followed. OR PSYCHIC.
Then: STILL HOT. UNFORTUNATELY. You put your phone face down.
Hob took the dustpan from you.
âIâll clean that.â
âYou are terrible at sweeping.â
âI owned an inn before modern brooms existed.â
âThat explains the problem.â
He crouched beside the broken glass. You wiped spilled beer from the bar. Dream remained.
You expected him to sit with Hob. Instead, he approached you carrying a book. You had not seen it in his hands before.
Its binding was dark green, old but carefully preserved. No title appeared upon the cover. He placed it on the counter. You looked at it.
Then at him.
âWhat is this?â
âAn earlier work by the same author.â
âThe author of the house novel?â
âYes.â
You touched the cover.
âI could not find any others.â
âThis was published under another name.â
You opened it carefully. The title page read The Drowned Orchard by E. L. Vane. Brown ink filled several margins.
âFor me?â
âYes.â
âWhy?â
His gaze remained upon you.
âBecause I believe you may enjoy it.â
The answer was almost ordinary. From him, it felt significant.
âDoes it have another false ending?â
âNo.â
âA happy one?â
âThat depends upon what you consider happiness.â
âDoes the heroine marry an untrustworthy solicitor?â
âNo.â
âPromising.â
Something shifted faintly at the corner of his mouth. You looked at him more closely. The fragments of your dreams stirred again.
âI had a strange dream about the ending of the other book after you visited last.â
His attention sharpened.
âWhat did you dream?â
You described the house. The former inhabitants trapped within its walls. The solicitor feeding names to something beneath the cellar.
You did not mention the final sentence appearing in the waking book. Some instinct urged you to keep that part to yourself. Dream listened without interruption.
âWhen I woke, it felt as though I had actually read the ending,â you said. âNot invented it.â
âPerhaps you did.â
âIn a dream.â
âDreams preserve many things believed lost in waking.â
You studied him.
âYou speak as though dreams are a place.â
His eyes appeared to darken.
âDo they not feel like one?â
You thought of the vast chamber. The black tree.
âSometimes.â
You ran your fingers across the edge of the book.
âI have had other strange dreams.â
âAbout what?â
His question came more quickly than you expected.
âI dreamt about composing. About playing the violin. Entire compositions appear, or pieces of them.â
âDo these dreams frighten you?â
âNo.â
You considered the first melody.
âOne made me sad. I woke crying, although I did not know why.â
Dreamâs face became utterly still. You remembered the final passage and the grief held inside it.
âThere was someone in that dream.â
His gaze did not move from yours.
âWas there?â
âI think it was you.â
The words sounded absurd when spoken aloud. You looked down.
âGod. Why am I telling you this?â
âYou believe it was me.â
âVaguely. You looked different.â
âHow?â
You tried to hold the memory.
âYour clothes moved although there was no wind. Your eyesâŠâ
For one instant, you saw them. Galaxies turning in endless darkness. The image vanished.
âThey were not human.â
Dream said nothing. Behind you, Hob had stopped sweeping. You could feel him listening.
âYou were watching me play,â you continued. âI could not find the ending, and then it appeared.â
Dreamâs eyes lowered briefly.
âYou played it.â
It was not a question.
âYes.â
âDo you remember it?â
âEvery note.â
Grief passed across his face. This time, you did not imagine it. It was too vast to belong to an ordinary man.
âWas the melody yours?â
âNo.â
âSomeone you knew?â
Silence gathered around him.
âYou do not have to answer.â
His gaze moved towards the rain-dark windows. He said nothing. You watched him for a moment, but his expression had closed completely, leaving no indication of who had composed the melody or why it affected him so deeply.
Realising you had stepped too close to something private, you quickly changed the subject.
âDo you like classical music?â
His gaze returned to you.
âI do.â
You reached beneath the bar for your bag. Several concert programmes were folded inside the outer pocket. You removed one.
Then hesitated. Dream watched you.
âThis may seem strange.â
You held out the programme. He looked at it without taking it.
âIt is a concert next Thursday.â
âI can read it.â
âYes. Obviously.â
You nearly withdrew the paper. Instead, you continued.
âWe are playing Mahler and Mendelssohn. We are also performing the new piece I composed.â
His gaze moved to your face.
âThe one you found amongst the leaves of a tree.â
The phrasing struck you as peculiar.
âYes.â
You tightened your fingers around the programme.
âPlease do not think I am being strange. I simply have this feeling you might enjoy it.â
Dream remained silent. That made you speak faster.
âI donât know why. Perhaps because of the dreams. They felt too real, and you were listening, and now I am inviting you to a concert because my subconscious apparently has opinions. But please donât read anything into it. I am onlyââ
âYou are only what?â
You faltered.
âI donât know.â
Hob straightened behind you.
âYou should go,â he told Dream. âYou will appreciate it. Most of the programme comes from the nineteenth century, when music still possessed structure.â
You looked over your shoulder.
âMusic still has structure.â
âSome of it.â
âYou are not qualified to hold that opinion.â
âI have listened to music for seven hundred years.â
âMostly while drunk in taverns.â
âThat remains listening.â
Dream accepted the programme. His fingers brushed yours. They were cold.
Not unpleasantly. Merely absent of the warmth you expected from living skin. He examined the details.
âYou are not attending your daughterâs performance?â he asked Hob.
Hob grimaced.
âI attend many of them.â
âHe does,â you admitted.
âI have a private function that evening,â Hob said. âIt has already been postponed twice, and apparently the stability of a local charity depends upon my supervision of forty accountants with access to an open bar.â
Dream folded the programme once and placed it inside his coat.
âI shall consider it.â
You nodded.
âThat is all I meant. There is no obligation.â
âI am aware.â
Hob came around the bar.
âYou are leaving already?â
âI have remained longer than intended.â
âYou always say that.â
Dream regarded him.
âWe have met twice within five months.â
Hob smiled.
âAt this rate, people may assume we are friends.â
A stillness passed over Dreamâs face. Then he said quietly:
âPerhaps they would be correct.â
Hobâs smile became softer. Dream turned towards you.
âGood night, Y/N Gadling.â
âGood night.â
His eyes rested briefly upon the green book.
âDo not read the final chapter before sleep.â
You frowned.
âWhy?â
âYou dislike it when characters ignore warnings in stories. I wondered whether you would be any wiser when given one yourself.â
Before you could respond, he crossed the room. The door opened at his approach. He stepped into the rain-dark street and disappeared.
@adrifttinthedreaming @deeplyenchantedsabotage @janeeyree @mamawiggers1980 @novemberschy @zafirina12 @justkonutoh @uniquehijo @happyendingarentreal @leah-halliwell92 @therealmhs @park-byun-meluna-blog @kmc1989 @assaariii
Replica Man Magazine Spring/Summer 2026
Call It Method (Part 92) - Rewrite
Pairing: Tom Sturridge x Reader
Warnings: Age Gap, Enemies to Lovers, Secret Relationship, Possibly Unexpected Circumstances, Playboy Tom, Bi Tom, Bi Reader
The following day, Jess arrived at the café twelve minutes early.
She chose a table near the back, positioned where she could see both the entrance and the street through the front windows. She ordered coffee and left it untouched.
At precisely four minutes past four, Denise entered.
She looked much as Jess remembered her: polished, carefully dressed and carrying herself with the confidence of someone accustomed to entering other peopleâs spaces as though invited.
Her dark coat was belted neatly at the waist. Her hair had been styled despite the wind outside. She held her phone in one hand and scanned the room before spotting Jess.
Jess did not stand when Denise approached.
Denise hesitated beside the table.
âJess?â
âDenise.â
âThank you for agreeing to meet.â
Denise removed her coat and sat opposite her.
A server appeared before either woman could continue.
Denise ordered tea. Jess said she did not need anything else.
They waited until the server had moved away.
Jess folded her arms.
âWhatâs this about?â
Denise glanced around the café.
Jess watched the movement and immediately disliked it.
âYou know Y/M and Tom are engaged.â
Jess stared at her.
âThat is not news. Itâs online.â
âI am aware.â
âThen why are we starting there?â
A faint line appeared between Deniseâs eyebrows.
âBecause what I saw happened less than a week after the engagement.â
âWhat did you see?â
Denise placed her phone on the table but kept her hand resting over it.
âYou know that photographer Tom was with in the past?â
âFrank Conner?â
Yes?â
âWhat about him?â
âHe was staying at the estate for Arthurâs wedding as well. Him and Leo are friends.â
âAnd?â
Jess waited.
Denise lowered her voice.
âAnd I saw him leaving their bedroom suite the morning of the wedding.â
Jess did not move.
The reaction happened privately, sharp and immediate beneath her ribs.
She kept her expression neutral.
âYou watched him walk out of their room?â
âYes.â
Deniseâs mouth tightened.
The server returned with the tea.
Denise thanked her, waited until she was gone and began pouring milk into the cup.
Her hand remained steady.
Jess watched her.
âWhat time?â
âShortly after seven.â
âWhy were you there?â
âOne of my children woke early. I had gone to ask whether breakfast could be sent up.â
âAnd Frank?â
Denise placed the milk jug down.
âHe was barefoot in a hotel robe.â
Jess said nothing.
âDid he see you?â
âNo.â
âDid anyone else see him?â
âNot that I know of.â
âDid you take a photograph?â
For the first time, Denise looked away.
âNot at that moment.â
Jess leaned back.
âSo you did not actually photograph the only thing you claim proves that there is some kind of story.â
âI was surprised.â
âYou were apparently not surprised enough to stop thinking about it.â
Denise lifted the teacup but did not drink.
âI know what I saw.â
âThat is not evidence.â
âIt is evidence to me.â
Denise met her gaze.
âAnd I thought you might know whether it was likely.â
There it was.
The real reason for the meeting.
Jess took a slow breath.
âWhy would I know?â
âBecause you were involved with Tom.â
The sentence was delivered carefully, disguised as fact rather than accusation.
Jess still felt it.
âPreviously.â
âYes.â
âAnd what does that have to do with Frank?â
âYou may know whether Tom and Frank continued seeing one another after Y/N entered the picture.â
Jessâs eyes narrowed.
âWhy would he have told me?â
âPerhaps he didnât need to.â
âWhat is that supposed to mean?â
Denise stirred her tea even though the milk and tea were already thoroughly combined.
âYou knew him intimately.â
Jess gave a short laugh.
âThat is not the same thing as knowing him well.â
âYou sound angry with him.â
Jess recognised the satisfaction Denise tried to hide. It appeared briefly at the corners of her mouth.
Jess held her gaze.
âI am.â
Denise relaxed almost imperceptibly.
âThen perhaps you may wish to help me.â
Jess nearly laughed.
âHelp you with what?â
Denise glanced around the café before lowering her voice.
âSelling the story.â
Jess stared at her.
âSelling it?â
Deniseâs fingers moved along the edge of her phone.
âYour experience with Tom would add credibility. Along with what I saw, it could be a strong story. Perhaps even a little revenge after the way he treated you.â
âAre you insane?â
Deniseâs expression tightened.
Jess picked up her coffee and forced herself to pause.
Walking away now would mean never knowing what Denise actually had. Better to let her believe she was interested.
Jess slowly set the cup down.
âAll right.â
Denise watched her cautiously.
âAll right?â
âShow me what you have.â
Hope flickered across Deniseâs face.
She unlocked her phone and opened a folder. The photographs had been separated from the rest of the wedding pictures and carefully organised.
The first showed Frank and Tom near the garden fountain. Frankâs hand was raised near Tomâs collar, and Tom was smiling.
Jess enlarged it.
âWhat am I looking at?â
âFrank touching Tom.â
âHis hand is near his collar.â
âLook at Tomâs expression.â
Jess did.
Tom looked relaxed and comfortable. He also looked exactly like a man whose old friend was fixing his jacket.
âThey have known each other for years.â
âAnd slept together for years.â
âEveryone already knows that.â
Denise swiped to the next photograph.
Frank stood near an archway in the guest corridor, fully dressed and holding his phone.
âThis was near their suite.â
Jess looked at Denise.
âIt is a photograph of a man standing in a corridor.â
âHis room was in the opposite direction.â
âHe was speaking to a member of staff.â
âExactly.â
âWhich probably means he was asking the staff member something.â
Deniseâs mouth tightened before she moved to the third photograph.
You stood between Tom and Frank near the ballroom doors. Tomâs hand rested at your waist. You were touching Frankâs arm while he leaned closer to speak over the music.
All three of you were smiling.
Jess studied your face.
You did not look deceived, uncomfortable or excluded.
You looked happy.
She returned the phone.
âYou have nothing.â
Deniseâs eyebrows rose.
âYou looked at that one for a long time.â
âBecause Y/N is my friend.â
âYou have not spoken to her for months.â
Jess went still.
âHow do you know that?â
Denise hesitated.
âShe mentioned that things had become difficult between you.â
âThat does not mean I want to destroy her.â
âI thought you might want Tom exposed after the way he treated you.â
Jess picked up her handbag.
âI am still angry with Tom. I was baffled by the proposal, and Tom Sturridge suddenly deciding to settle down after behaving like a complete dick to me remains personally irritating.â
Denise leaned forward.
âThen help me.â
âNo.â
âBut you just saidââ
âI said I am angry with him. I did not say I wanted to ruin his life or hers.â
Deniseâs expression hardened.
âWhat if he is cheating on her?â
Jess nodded toward the third photograph.
âHe clearly is not hiding Frank from her.â
âYou believe Frank spent the night with them.â
Jess did not answer directly.
âEven if Frank is sleeping with Tom, that photograph suggests Y/N knows perfectly well what is happening and, knowing her, sheâs probably participating.â
âThat does not make it acceptable.â
âAcceptable to whom?â
Denise said nothing.
Jess stood and pulled on her coat.
âDo yourself a favour, Denise. Do not destroy your relationship with this family over three meaningless photographs and the possibility that Y/N, Tom and Frank might occasionally have a threesome.â
Deniseâs face became cold.
âYou do not understand my position.â
âAs far as I know, Y/Nâs parents have been good to you. They have treated you like family.â
âThat does not meanââ
âAnd you are considering repaying them by selling a story about their daughterâs private life.â
Denise looked down at her phone.
âI know what I saw and ajournalist could investigate.â
âWith what? A photograph of Frank adjusting Tomâs collar and another of all three of them talking at a wedding?â
Jess placed enough money on the table to cover both drinks.
âIf it is money you are after, you will not get much for this.â
âThere are publications that would be interested.â
âThen best of luck.â
Jess picked up her bag.
âBut do not contact me again.â
*********
The cold struck her as soon as she stepped outside.
Jess moved quickly down the pavement, passing shops glowing beneath the grey afternoon sky. She did not stop until she had turned twice and the café was no longer visible.
Her anger carried her for several streets.
Then uncertainty replaced it.
Denise believed she had witnessed something.
The details were uncomfortably specific.
Frank crossing the corridor at seven in the morning.
In a robe.
Trying to move quietly.
Jess knew enough about Tom to believe it was possible.
She knew enough about you to wonder whether you had encouraged it. Because she could actually picture you watching Tom with another man.
The photograph of the three of you refused to leave her mind.
You had not looked deceived.
You had looked included but, even though you were included, did not change the danger.
Denise needed money.
Denise had already begun gathering photographs.
She had approached the person she assumed was most likely to hold a grudge.
If Jess did nothing, Denise would approach someone else.
Perhaps one of Tomâs former partners.
Perhaps a member of staff from the estate.
Perhaps a journalist willing to publish allegation as implication.
Jess stopped beneath the awning of a closed shop and opened her phone.
Your conversation remained exactly where she had left it months earlier.
Your final message sat unanswered.
I hope youâre okay. Iâm sorry everything became so messy.
Jess had read it countless times.
She had never found a reply that felt honest.
She missed you.
She resented you.
She knew you had not deliberately taken anything from her.
She knew Tom had never belonged to her.
Knowing those things did not make them painless.
She began typing.
I met Denise today.
She deleted it.
Too abrupt.
Someone is trying to sell a story about you.
Deleted.
Too alarming without explanation.
She stared at the empty message field.
Then typed:
Congratulations.
It was awkward.
It was inadequate.
It was also the only beginning she could manage.
She sent it.
**********
You were on the sitting-room floor when the message arrived.
Scripts and rehearsal notes surrounded you in several untidy piles. Maddyâs wedding spreadsheet remained open on your laptop, though you had promised Tom you would spend the evening learning dialogue rather than comparing florists.
Tom sat on the sofa behind you, wearing glasses an optometrist had recently prescribed him for reading, and reading the latest revision of his script. One bare foot rested near your hip.
Your phone vibrated beside a yellow highlighter.
You picked it up without much interest.
Then you saw Jessâs name.
For several seconds, you simply stared.
Tom noticed the change in your posture.
âWhat is it?â
You turned the screen toward him.
His eyebrows rose.
âJess.â
âYes.â
He read the single word.
âWhat does she want?â
You looked over your shoulder.
âThat is very suspicious.â
âShe has not spoken to either of us for months.â
You returned to the screen.
Your fingers hovered over the keyboard.
Thank you.
You sent it.
Tom attempted to return to his script.
He lasted approximately eight seconds.
âHas she answered?â
âNo.â
âYou should put the phone down.â
âYou are watching it too.â
âI am reading.â
You lowered the phone beside your knee.
Tomâs gaze followed it.
You smiled.
âVery convincing.â
The phone vibrated again.
Jess had replied.
I miss you.
The words tightened something in your chest.
You read them twice.
Then typed:
I miss you too.
The typing indicator appeared.
Disappeared.
Appeared again.
I didnât know how to talk to you after everything.
You sat up straighter.
Tom closed the script over one finger.
âWhat did she say?â
âThat she didnât know how to speak to me.â
Tomâs expression shifted.
Guilt moved through it quickly.
You typed:
Iâm sorry for how everything happened. I never wanted to hurt you or make you feel that you didnât matter.
Jess replied:
You didnât do anything wrong.
You swallowed.
It didnât feel that way.
This time the response took longer.
I was angry with him.
A second message followed.
Sometimes I was angry with you because it was easier.
You looked back at Tom.
He watched your face.
âWhat?â
âShe says she was angry with you.â
Tom nodded once.
âFair.â
âAnd me.â
His eyebrows drew together.
âLess fair.â
You placed one hand on his knee.
âTom.â
âIt is.â
You turned back to the conversation.
Jess continued:
Iâve realised feelings are sometimes impossible to prevent. That doesnât make them anyoneâs fault.
Your eyes burned unexpectedly.
You typed:
I didnât plan any of it.
I know.
Then another message appeared.
Thereâs something else.
The warmth disappeared from your chest.
You sat very still.
Tom noticed immediately.
âWhat?â
You waited.
Jess typed:
Denise contacted me.
Your stomach dropped.
Why?
The response arrived in several parts.
She asked to meet in Soho today.
She knows I was involved with Tom.
She assumed I might be willing to help her.
Your fingers tightened around the phone.
Tom placed his script aside.
âWhat happened?â
You did not answer yet.
Another message appeared.
She says she saw Frank leaving your suite at Arthur and Leoâs wedding.
The room seemed to contract around you.
Tom saw your face.
âWhat did she say?â
You turned the screen toward him.
He read the message.
All expression left his face.
His hand closed over the edge of the sofa.
âShe saw him.â
You nodded.
The phone vibrated again.
She believes Tom and Frank are still sleeping together. With or without your knowledge. She wants to know what the story is worth.
Tomâs jaw tightened.
You stared at the messages.
For one strange second, your first thought was not of the press.
It was of that morning.
Frank leaving quietly.
Tom asleep beside you.
You half awake, warm beneath the sheets and unaware that someone was standing at the far end of the corridor constructing a weapon from what she had seen.
âOh, God.â
Tom leaned forward.
âWhat else?â
âShe wants to sell it.â
âJess said that?â
âShe said Denise wants to know what it is worth.â
You typed quickly:
Did she show you anything?
Jess replied:
Three photographs.
Your stomach turned.
Of what?
Frank with Tom in the garden.
Frank near the guest corridor.
The three of you talking at the reception.
Another message followed.
None of them prove anything.
You glanced at Tom.
âShe has photographs.â
His expression hardened.
âOf Frank leaving?â
âNo.â
He exhaled, but the relief was slight.
âThen she has nothing.â
âShe has the story.â
âA story she cannot prove.â
âShe does not need to prove it if someone wants the headline enough.â
Tom looked away.
You could see him thinking through every possible version.
Tom cheating on his young fiancée with his former male lover.
Tom maintaining a secret relationship with Frank after publicly becoming engaged.
You knowingly allowing it because you were too inexperienced, unstable or desperate to object.
Frank intruding upon a relationship the press already treated as scandalous.
The truth would not necessarily help.
The truth involved all three of you willingly choosing something the public would feel entitled to judge.
Tom reached for the phone.
âAsk Jess to send the photographs.â
You typed the request.
Jess answered almost immediately.
I took pictures of her phone. They arenât perfect.
Three images arrived.
You opened the first.
Frankâs hand was near Tomâs collar. Tom was smiling.
You remembered the exact moment.
Frank had told him the collar was folded underneath his jacket.
Tom had accused him of behaving like a disapproving valet.
The second image showed Frank in the corridor.
The angle made him appear closer to your suite than he probably was.
The third showed the three of you near the ballroom doors.
Frank leaning toward Tom.
Your fingers around Frankâs forearm.
Tomâs hand at your waist.
Nothing happened in the photograph.
Everything could be suggested by it.
Tom studied the images.
âThey mean nothing.â
âTo us.â
âTo anyone.â
âYou know that is not true.â
His mouth tightened.
You returned to Jessâs messages.
I told her I wouldnât help her.
Then:
I thought you should know.
You closed your eyes for a moment.
Thank you.
Jess replied:
Iâm sorry.
You typed:
You have nothing to apologise for.
You hesitated before adding:
Iâm glad you told me.
The typing indicator appeared.
I did not know whether you would want to hear from me.
Your throat tightened.
I always wanted to hear from you.
There was no immediate response.
You put the phone down.
Tom watched you.
âAre you all right?â
You stared at him.
âAre you?â
âI asked first.â
âShe could expose you again.â
His eyebrows drew together.
âI have already been exposed.â
âNot like this.â
âYou are the one Denise will humiliate.â
âI donât care about me.â
Tomâs voice sharpened.
âI do.â
You stood from the floor too quickly and began pacing.
âThey will say you cheated.â
âThey will say you let me sleep with him because you were too young to stop me.â
You stopped.
Tom rose from the sofa.
âThat is what she wants.â
âYou do not know that.â
âOf course I do.â
His voice remained quiet, which made the anger beneath it more visible.
âShe has already decided that any choice you made could not have been yours.â
You folded your arms around yourself.
âAnd Frank?â
Tomâs expression changed.
The anger gave way to concern.
Frank had already endured having his private history with Tom printed, photographed and dissected. The last scandal had affected his work, his clients and every old photograph he had taken of Tom.
This would not merely revive it.
This would attach him to your engagement.
Your wedding.
The film campaign.
Every interview in which you and Tom were asked whether you trusted one another.
âWe have to tell him,â Tom said.
âTonight.â
âYes.â
âAnd Arthur.â
Tom looked at you.
âWhy Arthur?â
âBecause Denise was at his wedding. Because she is part of my family. Because she may have taken other photographs.â
He moved closer.
âYou should sit down.â
âI donât want to sit down.â
âYou look pale.â
âI am angry.â
âYou can be angry sitting down.â
You looked at him.
Despite everything, the sentence nearly made you smile.
He took your hands.
âI am sorry.â
Your expression hardened.
âFor what?â
âFor bringing Frank into our room.â
âWe brought Frank into our room.â
âIt was my history with him that made this dangerous.â
âNo. Denise made this dangerous.â
Tom looked down at your joined hands.
âI should have known someone might see him.â
âYou were asleep.â
âThat is not a defence.â
âIt is when you are blaming yourself for corridor surveillance.â
His mouth twisted faintly.
You squeezed his hands.
âDo not turn this into something you did to me.â
âI do not want you humiliated.â
âAnd I do not want you made into a liar or a cheat because someone thinks your sexuality is an easy scandal.â
Tomâs eyes lifted to yours.
âYou are worried about me.â
âOf course I am.â
âI am worried about you.â
âThat is inconvenient.â
âVery.â
He drew you closer.
You rested your forehead against his chest.
For several seconds, neither of you spoke.
Then your phone vibrated again.
Jess had replied.
I miss you more than I wanted to admit.
You stared at the message.
Then typed:
Can we talk properly soon?
Her answer came almost immediately.
Yes.
You placed the phone down.
The friendship was not repaired.
Not yet.
But it had survived enough to warn you.
For the moment, that mattered.
***********
The following evening, you met Frank at Leoâs gallery after work.
The drinks had already been arranged before Denise became a problem. Frank was exhibiting a selection of new photographs, and the five of you had planned to view them privately once the gallery closed to the public.
By the time you and Tom arrived, only a few low lights remained on, illuminating the white walls, polished concrete floors and collection of large abstract paintings. The empty gallery made the conversation waiting ahead feel far more dramatic than it needed to be.
Frank had arranged five chairs around a low table near the rear office. A bottle of wine stood open beside several glasses, along with a half-finished plate of cheese and crackers.
Arthur entered a few minutes later with Leo. He stopped almost immediately and stared at the vast red painting hanging behind Frank.
âThat looks like a nervous breakdown.â
Frank glanced over his shoulder.
âIt sold yesterday for eight thousand pounds.â
Arthur looked at it again.
âAn expensive nervous breakdown.â
Leo removed his coat.
âCan we please discuss the attempted blackmail before Arthur insults your inventory?â
âShe has not blackmailed anyone yet,â Tom said.
Frank poured wine.
âPreliminary exploitation, then.â
You sat beside Tom and handed Frank your phone.
âThese are the photographs Jess sent.â
Frank took the phone. He examined the first image in silence. Then the second. Then the third.
You watched his expression carefully.
His eyebrows rose. His mouth twitched. Then he began to laugh. Not loudly at first. A quiet exhale that turned into unmistakable amusement.
Tom stared at him.
âWhat is funny?â
Frank turned the phone around.
âThis is her evidence?â
âShe also saw you leave our suite,â you said.
âYes. Not my finest exit.â
Arthur accepted a glass of wine.
âWhy were you in their suite?â
Frank looked at him.
âNo reason.â
Arthur considered that.
âUh-huh.â
Tom leaned back in his chair.
âYou all seem remarkably calm.â
âWould you prefer if we panic?â
âConcern would be reassuring.â
âI am concerned.â
Leo looked at him.
âYou are smiling.â
âThe conditions can coexist.â
Frank enlarged the first photograph and shook his head.
âAnd thisâŠthis means nothing.â
You took the phone and opened the corridor photograph.
âThis one worries me.â
Frank studied it.
âI was asking a member of staff where I could charge my phone.â
Leo tilted his head.
âNear their suite?â
âThe member of staff was near their suite. I did not position him there for dramatic effect.â
Arthur pointed at the archway.
âYour room was the other direction.â
âYes. But on the same floor and my power point didnât work.â
Tom took the phone.
âShe followed you.â
The amusement faded from Frankâs expression.
âPossibly.â
Silence settled over the group.
You opened the final image.
âThis was during the reception. The band was playing.â
Arthur looked at it.
âYou are all standing very close.â
âWe were trying to hear one another.â
âYour hand is on Frank.â
You looked at the photograph.
âI touch people when I talk.â
All four men looked at you.
You frowned.
âI do.â
âConstantly,â Tom said.
âThank you.â
âThat was not criticism.â
Frank took his wine.
âAgain. The photographs prove nothing.â
âBut they create a pattern,â Leo said.
Frank glanced at him.
âOnly if accompanied by Deniseâs account.â
âWhich she will provide.â
The room became serious.
Frank placed his glass down.
âJess was correct. Denise will not receive much from these images alone.â
You looked at him.
âBut?â
âBut someone may still publish the allegation.â
Tomâs fingers moved restlessly against his knee.
âOn what basis?â
âOn the basis that allegations involving sex, infidelity and people who have already been publicly linked are easy to package as questions rather than facts.â
Arthur frowned.
âMeaning?â
Frankâs expression became dry.
ââIs Tomâs former lover threatening his engagement?â âThe mysterious wedding photographs raising questions.â âInside the unconventional relationship.â They do not need to say anything definite.â
You closed your eyes briefly.
âWonderful.â
âThe more significant problem is not what she already has,â Frank continued.
Tom looked at him.
âWhat is?â
âWhat she attempts to obtain next.â
The words settled heavily.
Frank leaned forward, forearms resting on his knees.
âShe believed there was a story before she had the photographs. The images have not proved it. If she needs money badly enough, she may continue watching.â
You folded your arms tightly.
âWe are not doing anything now.â
Arthur looked at you.
You corrected yourself.
âNothing she can photograph.â
Leo lifted his glass.
âAn extremely reassuring distinction.â
Tom gave him a warning look.
Frank continued.
âShe may approach other guests. Estate staff. Drivers. Anyone who saw us together.â
Tomâs face hardened.
âJess will not be the only person.â
âProbably not.â
âWho else would she contact?â you asked.
Frank thought about it.
âPeople who dislike Tom.â
Arthur glanced around the room.
âThat seems broad.â
Tom stared at him.
Arthur lifted one hand.
âI meant professionally.â
âThat was not better.â
Arthur cleared his throat.
âEither way, we should involve Dad.â
You turned towards him.
âAre you high?â
Arthur blinked.
âNo.â
âYou want to tell Dad that Denise saw Frank leaving our bedroom at seven oâclock in the morning?â
âYes.â
You stared at him.
âHe will ask questions.â
âThen you answer them.â
âSaying what, exactly? âYes, Dad, I enjoy watching my fiancĂ© have sex with his former lover and occasionally participateâ?â
Leo took a slow drink of wine.
âI knew it.â
You turned towards him.
âYou knew what?â
Arthur looked faintly offended.
âWe have known since game night.â
âYou absolutely have not.â
âNot every detail,â Leo said. âBut enough.â
âWhat does âenoughâ mean?â
Arthur leaned back in his chair.
âYou disappeared to Frankâs loft with Tom after spending half the evening making increasingly transparent suggestions.â
âWe went to look at photographs.â
Frank lifted his glass.
âTechnically, photographs were present.â
Tom closed his eyes.
âPlease stop helping.â
Arthur continued.
âThen Tom could barely sit properly the next morning.â
Tomâs eyes opened.
âI was tired.â
Leo gave him a sympathetic look.
âOf course.â
âWe had been drinking.â
âNaturally.â
Tom looked towards you.
âWhy am I defending myself?â
âBecause apparently my brother has been conducting a private investigation into your ability to sit.â
Arthur held up both hands.
âI did not investigate anything. It was obvious.â
âIt was not obvious.â
Frank considered that.
âIt was moderately obvious.â
Tom stared at him.
âWhose side are you on?â
âI was unaware there were sides.â
Arthur leaned forward again.
âThe point is, this is not exactly shocking information to us. And we know how to keep things private.â
âIt will be shocking information to Dad.â
âPerhaps,â Arthur said. âBut Dad has the resources to make this disappear before Denise gets anywhere.â
You folded your arms.
âDad cannot make everything disappear.â
âHe knows lawyers, editors, publicists and at least three people who owe him significant favours.â
Leo nodded.
âHe also understands how to frighten people without technically threatening them.â
Tom looked uneasy.
âYour father also owns a rifle.â
You turned towards him.
âWhat?â
âI have seen it.â
Arthur frowned.
âWhy have you seen Dadâs rifle?â
âHe showed it to me during the weekend at the country house.â
You stared at him.
âHe showed you a rifle?â
âHe said he was cleaning it.â
Frankâs mouth twitched.
âWhile his daughterâs much older boyfriend was staying under his roof?â
Tom looked at him.
âYes.â
Arthur nodded thoughtfully.
âThat sounds deliberate.â
âIt was extremely deliberate.â
You rubbed your forehead.
âThis is precisely why we are not involving Dad.â
Arthur shook his head.
âYou are focusing on the rifle rather than the lawyers.â
âThe rifle is difficult to ignore.â
Leo looked towards Tom.
âDid he point it at you?â
âNo.â
âDid he discuss ammunition?â
Tom paused.
âBriefly.â
Frank began laughing.
âThat man likes you.â
âI would hate to see what he does to people he dislikes.â
Arthur gestured towards the phone on the table.
âWhich is exactly why Denise may reconsider if Dad speaks to her.â
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A Wrong Digit (Pt 6)
Main characters: Tom Sturridge, Reader
When you came home that day, you couldn't help but bring your hand to your lips. A smile appeared on your face. Mia was right. You'd realized it yourself.
You like him...
It wasn't really right for you. To love someone older than you. You never dared to love anyway but your opinions changed after meeting Tom. It was as if a completely different life had opened up before your eyes.
Different ideas
A different lifestyle
Different requests.
You changed your clothes. For some reason, you seemed happy. You were normally a bored girl who didn't enjoy life. You were the kind of girl everyone hated, the one who didn't even want to talk to anyone. Now it was as if someone else had taken his place.
Comfortable pajamas and a messy bun. That was you. You looked at yourself in the mirror. At that moment, you truly felt valued. You sat down at your desk. You took out your books. You started studying. The small light illuminated the room somewhat. At least you could see what you were reading. That was enough.
You looked at the clock. It was getting late. What had Tom done? He'd probably fallen asleep. Or maybe she's thinking about a kiss, just like you.
The screen's light flashed. You thought, "Tom." A huge disappointment. Mia. You joined the conversation.
"Hey girl, where did you disappear to? We've been looking for you! Where did you go with Tom?"
Your fingers moved quickly across the keyboard. You pressed the send button. She was going to ask a ton of questions again. Typical best friend behavior.
"We were just bored at the party. There was too much noise. We went to the park too."
She was probably giggling on the other end of the phone. That's why she was replying so late.
"What did you do?"
And yes. Questions... You took a deep breath.
"Nothing... We just chatted, that's all."
"Do you think you can fool me? A voice inside me says you've done more than that, Y/n."
You remembered the kiss, a smirk appearing at the corners of your lips. Mia was probably waiting for you excitedly.
"Just one kiss."
You smiled while waiting. The books were forgotten. Studying was forgotten. You were only curious about what Mia would write.
"Wow... Wow... Wow... You're faster than me, girl."
"Mia..."
"What? I'm telling the truth. You only met twice. And you immediately kissed him on the lips. You're fast."
A giggle spread across her face as she read it. The gentle sound of rain outside calmed his soul.
"I hate myself for this."
"Hey, don't say that. After that idiotic ex-boyfriend, this is amazing."
That's how Mia was. She always badmouthed her ex-boyfriend, in every situation. No matter the topic. You sighed.
"Anyway, I have to go, I have classes to study."
"Couldn't you take a break, Y/n? You're always working anyway. Anyway. I wish you all the best in your work."
Red heart. You hung up the phone. Of course you couldn't work. Thoughts. Oh, these thoughts... Tiring...
Tom
Kiss
Mia
More things. It was all exhausting to think about. You made yourself a steaming hot cup of coffee. Maybe that would help. You put your phone on airplane mode. You didn't have to put it on airplane mode. Besides, who would be texting at this hour anyway? You looked at the clock one last time.
2 AM
You took a sip of coffee, picked up your pen, and began to work. The pen lingered between your lips as you read the article. You were tired. Working after the party was really tiring. It would have been better if you hadn't gone to the party, but you couldn't refuse Mia.
If you hadn't gone, there wouldn't have been a memorable moment for you. There wouldn't be a moment to make you smile. You wouldn't have fun.
Your eyes were slowly closing. The pen fell to the floor. It woke you up. You were really tired now. You fell asleep at the table before going to bed.
â
You slowly opened your eyes as the alarm suddenly rang. The morning light illuminated the room. You looked around. You looked at the clock.
No message. Just two unnecessary emails.
You sighed, went to the kitchen, and made yourself some coffeeâice-cold coffee to wake you up. You went to the bathroom. You took a hot shower. You wrapped the horn around your body.
Classic routine
As soon as you got out of the shower, you grabbed your coffee and went to your room. You got dressed and put on makeup. A simple floral dress and your hair tied up.
When you received a notification on your phone, you approached the table where your phone was and picked it up.
Why were you looking at it? It was probably an email. You unlocked the phone using the button. The time appeared. A couple of emails and a message at the bottom of the email.
Tom: "Good morning, madam."
Your eyes sparkled. You smiled. You've entered the message. Her slender fingers moved across the keyboard.
"Good morning. Did you wake up for me, or are you waking up at this hour?"
You grabbed the keys to leave the house while waiting for a message. Just as you were turning off the lights, a message notification sounded.
"Did you forget? I'm an actor. I wake up early to go to the set."
"Oh, right. I forgot. I'm sorry, university has been a bit stressful lately."
"Ah, I understand. You don't need to apologize, ma'am. My job is very tiring. I memorize a hundred sentences a day."
"Wow... Quite a lot."
He smiled as an emoji. You smiled. You continued writing.
"Did you learn how to use the phone?"
"Yes, I know almost half of it. I'll learn the rest of it too. Dean is helping and, of course, teasing. It's so frustrating."
Laughter escaped your lips. He probably would have been angry if he had seen that. You hung up the phone. You went to university.
â
Tom got up. He made coffee and drank it. This time he neatly combed his hair. He put on his shirt and tucked it into his trousers. He put on his black sunglasses, which everyone loved so much. He left the house.
He was tired from filming. He drank water. In his new film, he played a man's friend. That's why it was boring. At least, that's how it seemed to him.
Exhausted in the final scenes He wasn't in a state to think about anyone. He just wanted to go home and sleep. It would normally be like this, but he thought of you. Your lips. Your smile. He had recovered somewhat.
â
You had barely spoken for a week. His film work, your university. He didn't even cross your mind anymore. Mia's boring speeches and invitations to the party were typical, normal things.
You wanted something new. Strange. Diffrent. That's why you went to the bar. You don't normally drink, but it's university. The exams had exhausted you.
You walked through the bar door. You sat down in one of the swivel chairs and asked the waiter for a drink. The waiter placed your drink in front of you. You looked at the drink. You picked it up and immediately drank it in one gulp.
Actually, it wasn't just one glass. More followed. Two? Three? Four? Maybe 5 glasses at most. You checked your phone. There were no messages from anyone. Just... The diploma slot is full.
You looked up from your phone when a man sat down next to you. You looked at the man. He looked like someone who was only a few years older than you. He ordered a drink. Because you weren't in your right mind, you looked at almost every part of the man's body.
You bit your lip. You drank the last sip in the glass. The man looked at you.
"Hey hey, what are you doing? You can't just suddenly start drinking like that."
You looked at the man. Your eyes were closing from the alcohol. You were staggering because you weren't used to it. Your gaze shifted to the man. He had been worried about you.
"I'm fine, no problem."
You stood up and stumbled, bumping into someone. They looked taller than you.
"I apologize. I...-"
When you looked up, the man seemed very familiar. You widened your eyes. No, it can't be...
Tom....
He was looking at you in surprise. He was surprised you were drinking like that. You told him you weren't drinking. You whispered to yourself.
"Damn it!"
"Y/n, what are you doing here? Come on. Let's go, I'll take you home."
To your house? Did he know your address? Mia had probably told him. Oh, Mia.
You got into a taxi carefully. You was muttering something. It was incomprehensible. You rested your head on his shoulder. He looked at you. Oh my God, it was embarrassing.
He pulled you out of the taxi and paid for what was probably a very cheap fare. He grabbed you and pulled you towards him. When you reached the front door of the house, he managed to take the key from your pocket.
You walked in. He put the key on the table, closed the door, and held you. His steps were slow. He led you to the bed. He put you to bed. You writhed in pain. He simply carefully removed your shoes and threw them on the floor. He didn't touch anything else.
Tom came closer to you. He sat on the edge of the bed. You were still muttering something. He pushed the strand of hair that had fallen across your face aside, behind your ear.
For some reason, it felt warm, as if I'd known you for years. It's as if you've met before in your previous life. He withdrew his hand. He stood up. He wanted to leave. He couldn't stay here. Just as she was about to leave, you grabbed her arm. Your eyes were closed, and you whispered something.
"Stay..."
It's just a simple phrase, but it carries thousands of meanings. Should he have done it? Or should he have gone home? He had never been so indecisive in his life.
Finally
He lay down beside you calmly. Tom didn't do anything. He just stood there. He watched her face. He was going to leave early anyway.
You clung to him like an octopus. His eyes remained open. For a while. Then he wrapped his arms around you and pulled you closer.
What have I done? He muttered to himself.
Tom sighed. A moment later, the sounds of their breathing mingled together. Peace. There was only peace in the middle of it all and two people embracing each other.
End of Chapter 6
Call It Method (Part 91) - Rewrite
Pairing: Tom Sturridge x Reader
Warnings: Age Gap, Enemies to Lovers, Secret Relationship, Possibly Unexpected Circumstances, Playboy Tom, Bi Tom, Bi Reader
For the first few weeks after returning to London, you did not plan the wedding.
You told everyone this repeatedly.
You told Arthur when he sent you the details of the florist he and Leo had used in France.
You told your mother when she forwarded you three country estates, two London hotels and a castle in Scotland with the alarming comment that it was surprisingly reasonable.
You told Maddy when she arrived at the house carrying two bridal magazines, a garment bag and the expression of a woman who had already arranged several things without consulting you.
Most importantly, you told Tom every time he looked faintly alarmed by an email containing the words wedding package.
There was no urgency.
You had only just become engaged. Tom was preparing to begin another film, you were in rehearsals for a television series shooting across London, and the campaign schedule for the film you had made together had finally arrived.
The premiere was in three months.
There would be interviews, photographs, festival appearances, magazine shoots and several carefully controlled opportunities for journalists to ask how the two of you had moved from playing lovers on screen to becoming engaged in real life.
The schedule was twenty-three pages long.
Tom read three of them before placing it face down on the kitchen table.
âNo.â
You looked up from your coffee.
âNo to which part?â
âAll of it.â
âThat seems difficult from a contractual perspective.â
Tom pushed the pages toward you.
âThere are six interviews on the first day.â
âYes.â
âWhy do they need to speak to us six times?â
âDifferent publications.â
âThey can share.â
You smiled and continued reading.
The house was still carrying evidence of the holiday. A suitcase remained half unpacked near the stairs. A bottle of wine from the estate sat unopened on the kitchen counter. Your engagement cards had begun occupying every available surface, despite Tom insisting that the mantelpiece was not designed to hold that many photographs of rings.
He sat opposite you in an old T-shirt, his hair still damp from the shower. The domestic ordinariness of him made the campaign schedule seem faintly absurd.
In three months, hundreds of cameras would be pointed at both of you.
At that moment, Tom was eating toast over the sink because he did not want to dirty a plate.
You turned another page.
âThereâs a joint magazine cover.â
Tom looked suspicious.
âWhich magazine?â
You told him.
His face tightened.
You laughed.
âWeâll be fine.â
âYou always say that shortly before something becomes deeply uncomfortable.â
âThat is because we are usually fine afterward.â
Tom returned to the table and sat down.
He glanced toward your left hand.
His eyes rested on the ring for a moment, as they still frequently did.
Then he reached across the table and touched it lightly with one fingertip.
âThree months.â
âUntil the premiere.â
âEveryone will know then.â
You raised your hand.
âPeople already know.â
âNot like that.â
He meant the carpet. The lights. The photographs that would move around the world before you had reached the cinema doors.
The engagement had been announced quietly during Arthur and Leoâs wedding weekend after several guests began congratulating you publicly. A representative had confirmed it in one sentence. No details had been offered.
The simplicity had not prevented hundreds of articles.
Most were affectionate.
Some were incredulous about the speed of the relationship.
Several had carefully calculated how long you had been dating, how recently you had moved in and how much older Tom was than you.
One had referred to you as his young fiancée seven times.
Tom had stopped reading after the second paragraph.
You folded the campaign schedule closed.
âAre you worried?â
âAbout the film?â
âAbout us promoting it while engaged.â
Tom thought about that.
âIâm worried theyâll make it seem as if the relationship was part of the publicity.â
âAnyone who thinks you proposed for publicity has never watched you on a red carpet.â
His mouth twitched.
âI am perfectly capable on a red carpet.â
âYou stand there like someone has asked you to identify a body.â
âThere are a lot of people shouting.â
âTheyâre shouting your name.â
âThat does not make it less unsettling.â
You reached across and took his hand.
âWe know what happened. Everyone important knows what happened.â
Tomâs thumb moved against your fingers.
âEllie knows.â
âEllie is thrilled.â
His expression softened immediately.
Ellie had been the first person after Maddy to know that Tom intended to propose.
She had also been the first person to discover the ring, which she had found inside a zipped compartment of his overnight bag while looking for a charger he had specifically told her was not inside it.
For weeks, she had maintained the secret with an intensity that nearly destroyed her.
When you and Tom returned to London, she had arrived at the house before lunch the following day.
She had not even removed her shoes.
âShow me.â
You had held up your hand.
Ellie had stared at the ring for approximately three seconds before launching herself at both of you.
âYou actually did it.â
Tom had looked offended.
âYou knew I was going to.â
âKnowing you planned it is different from knowing you didnât panic and throw the ring into the sea.â
âWhy would I throw it into the sea?â
âYou overthink things.â
You had hugged her tightly.
âHe only nearly ruined it six times.â
âFive.â
âThere was a frog.â
âThat was not my fault.â
Ellie had pulled away and taken your hand again.
âCan I tell people?â
Tom had answered immediately.
âNo.â
You had answered at the same time.
âSome people.â
Ellie looked between you.
âThis marriage will be very organised.â
âIt will not,â Tom said.
âIt might be,â you said.
Ellie had grinned.
âCan I be in the wedding?â
You looked at her.
âObviously.â
âDoing what?â
âWhatever you want.â
Tom frowned.
âWithin reason.â
âWhat if I want to perform a song?â
âThen reason has already failed.â
Ellie ignored him.
âCan I wear a suit?â
âYes.â
âOr a dress?â
âYes.â
âCan I decide later?â
âYes.â
She beamed.
âCan I give a speech?â
Tomâs answer came too quickly.
âNo.â
Ellie turned toward you.
âCan I give a speech?â
âWeâll review it first.â
âThat means yes.â
âIt means your father is frightened.â
Tom looked between you.
âI am not frightened.â
Ellie smiled at him with open menace.
âI have stories.â
He had been frightened after that.
Not of the wedding itself.
Of Ellie having access to a microphone.
Her happiness had been uncomplicated. She wanted to discuss clothing, music, food and whether her hamster could be included in the photographs.
She had suggested walking down the aisle holding him.
Tom had refused so firmly that you suspected he believed it was a genuine possibility.
The only difficulty came three days later, when Ruth asked Ellie why she had begun saving photographs of black suits to a folder on her phone, which was about a week or two before the first public announcement.
Ellie told her.
Ruth called Tom that evening.
You were in the sitting room reviewing scripts when his phone rang. He looked at the screen and went still.
You did not need to see the name.
âRuth?â
Tom nodded.
âYou should answer.â
He stared at the phone for one more ring.
Then he did.
âHello.â
You tried not to listen.
It proved impossible almost immediately.
Ruthâs voice was not loud enough for you to distinguish every word, but it carried the particular sharpness of someone trying and failing to remain calm.
Tom stood and moved toward the kitchen.
You returned your attention to the page.
You read the same line four times.
From the kitchen, Tom said quietly:
âI was going to tell you.â
A pause followed.
âNo, I didnât think Ellie should be responsible for telling you.â
Another pause.
Tom rubbed his forehead.
âWe have been away.â
Ruth said something long enough that Tom lowered his hand and stared through the window.
âBecause we were at a wedding, Ruth.â
His voice remained controlled.
That was usually when he was most irritated.
âNo, I did not propose at Arthurâs wedding. I proposed before it.â
You closed the script.
Tom looked toward you briefly.
You raised your eyebrows.
He shook his head as if to say it was under control.
It clearly was not.
âI understand that it seems quick.â
Ruth interrupted him.
Tomâs jaw tightened.
âI am aware of how long we have been together.â
Another interruption.
âShe is not a stranger to Ellie.â
This time, Ruthâs voice carried clearly enough that you heard the response.
âShe has known her for a few months, Tom.â
You looked down at your script again.
Tom remained silent for a moment.
âThey have spent a considerable amount of time together.â
âThat does not make her family.â
Tomâs expression changed.
âShe is going to be my wife.â
âExactly.â
Ruthâs voice sharpened.
âYou have decided that after less than six months. Ellie has barely had time to understand that you are in a serious relationship, and now she is apparently expected to adjust to a stepmother who is closer to her age than she is to yours.â
Tom looked at the ceiling.
You covered your mouth.
It was not funny.
It was slightly funny.
Ruth continued.
âShe is twenty-four.â
âI know how old my fiancĂ©e is.â
âAnd Ellie is a teenager.â
âAlso information I possess.â
âCan you stop being defensive for one minute and listen to what I am saying?â
Tom closed his eyes.
âI am listening.â
âYou have made an enormous decision very quickly, and Ellie is confused.â
Tom opened his eyes.
âEllie is happy.â
âShe is excited. That is not necessarily the same thing.â
âShe asked to be in the wedding.â
âChildren become excited about weddings. She may not understand what it means for her life.â
Tomâs hand tightened around the phone.
âShe is not a child.â
âShe is our child.â
That silenced him.
You remained where you were.
This was not a conversation you wanted to intrude upon, but leaving now would make your listening more obvious.
Ruthâs voice softened slightly.
âTom, she came home talking about dresses and speeches and whether she will have to call your fiancĂ©e her stepmother. She does not know what is expected of her.â
Tomâs irritation shifted into concern.
âNothing is expected of her.â
âHave you told her that?â
He hesitated.
âNot in those words.â
âThen perhaps you should.â
Tom looked toward you.
You nodded once.
Ruth continued before he could respond.
âI am not trying to ruin this for you.â
Tom gave a tired exhale.
âIt sounds remarkably similar.â
âI am trying to make sure you have considered what this means beyond being in love and buying a ring.â
âI have considered it.â
âHave you?â
His voice became quieter.
âYes.â
âBecause from where I am standing, you went from not seeing anyone seriously to moving a twenty-four-year-old actress into your house and proposing within months.â
You looked away.
Tomâs face hardened.
âDo not speak about her as if she wandered in from the street.â
âThat is not what I said.â
âIt is what you meant.â
âI meant that this has happened very quickly.â
âYes. It has.â
âAnd that should concern you.â
Tom looked at the ring on your hand from across the room.
âIt did.â
Ruth became silent.
Tom continued.
âIt still does, occasionally. I know exactly how it appears. I know what I would say if somebody else told me they were doing this. But I am not confused about her.â
His gaze remained on you.
âAnd Ellie is not being replaced, displaced or required to feel anything she does not feel. She is happy. I will speak to her again and make sure she understands that nothing is expected of her. But you do not get to use her discomfort as evidence if she has not expressed any.â
Ruth answered more quietly.
âShe expressed confusion to me.â
âThen I will speak to her.â
âYou should have spoken to her before proposing.â
Tomâs mouth tightened.
âShe knew before I did it.â
Silence.
Then Ruth said:
âWhat?â
Tom realised his mistake.
âShe found the ring.â
Tom rubbed his face.
âAnd, either way, Iâm sorry you heard it from Ellie.â
âYou should be.â
A pause followed.
When Ruth spoke again, the anger had dulled into something more complicated.
âIs there a date?â
Tom glanced toward you.
âNo.â
âAre you planning to have children immediately as well?â
Tomâs eyes widened.
âThat is none of your business.â
âIt becomes my business when it affects Ellie.â
âIt does not currently affect Ellie.â
âYou donât know that.â
âNeither do you.â
Another long silence.
Then Ruth said:
âSpeak to her.â
âI will.â
âWithout your fiancĂ©e there.â
Tom looked at you again.
You gave a small nod.
âAll right.â
âAnd Tom?â
âWhat?â
âBeing happy does not make every decision wise.â
His expression became unreadable.
âNo. It doesnât.â
The call ended.
Tom remained in the kitchen with the phone in his hand.
You waited a moment before walking in.
âHow bad?â
He placed the phone on the counter.
âShe thinks I have lost my mind.â
âThat is hardly new.â
âShe thinks Ellie is confused.â
âEllie might be confused.â
Tom looked at you.
âYou think Ruth is right?â
âI think Ellie can be happy and still have questions.â
He leaned back against the counter.
âShe asked to give a speech.â
âThat does suggest dangerous levels of enthusiasm.â
Tom did not smile.
You moved closer.
âTalk to her.â
âRuth said without you.â
âThen talk to her without me.â
His forehead creased.
âYou donât mind?â
âOf course I donât mind. She should be able to tell you if something feels strange without worrying that sheâll hurt me.â
Tom looked down.
âI should have done that already.â
âProbably.â
He raised his eyes.
âYou are meant to reassure me.â
âI am reassuring you that you can fix it.â
Tom took your hands.
âDo you feel strange about being called her stepmother?â
You considered it.
âYes.â
That surprised him.
âYou do?â
âIâm twenty-four, Tom. Six months ago, I was pretending I knew how to live alone. Now someone is asking whether I intend to become a teenage girlâs stepmother.â
His grip loosened slightly.
âYou donât have to.â
âI know.â
âI mean it. You donât have to take on a role you donât want.â
You looked at him.
âI want a place in her life. I love her. But I donât want to arrive and start acting like her mother. She already has one and I think that, acting like a second mother to her, will definitely make her feel uncomfortable at that age.â
Tom nodded slowly.
âThat is what I want too.â
âThen we tell her that.â
He pulled you closer and rested his forehead against yours.
âYou are being far too sensible.â
âIt will pass.â
**********
Tom took Ellie out for lunch the following Saturday.
He returned three hours later carrying a shopping bag from a record store and looking considerably less tense.
You were sitting cross-legged on the living-room floor surrounded by scripts, highlighters and notes for the television series.
Tom dropped onto the sofa.
âSheâs fine.â
You looked up.
âActually fine or pretending-to-be-fine because you bought her something?â
âThe record was unrelated.â
âOf course.â
He leaned forward, elbows resting on his knees.
âShe was confused about what to call you.â
âReasonable.â
âAnd whether she would have to spend Christmas differently.â
âAlso reasonable.â
âAnd whether we would have a baby immediately.â
You stared at him.
âWhy is everyone asking that?â
âApparently marriage leads to babies.â
âSomeone should inform Arthur and Leo.â
Tom gave you a look.
âI told her we have no immediate plans.â
âGood.â
âI told her she never has to call you her stepmother.â
âExcellent.â
âShe said she was going to call you by your name because calling you Mum would be weird and possibly cause Ruth to commit a crime.â
You laughed.
âAccurate.â
Tom reached down and picked up one of your highlighters.
âShe is happy.â
You studied his face.
âI believe you.â
âShe also wants to know whether she can bring someone.â
âTo the wedding?â
âYes.â
âWho?â
âShe claims she hasnât decided.â
âThat means she has decided and doesnât want you interrogating her.â
Tom dropped the highlighter.
âI do not interrogate her.â
âYou once asked a boy what his five-year plan was.â
âHe was sixteen and had none.â
âMost sixteen-year-olds donât.â
âThat is what concerns me.â
You moved your notes aside and leaned against his legs.
âRuth?â
His hand settled in your hair.
âStill angry.â
âSheâll calm down.â
âWill she?â
âEventually. Or sheâll remain angry but become quieter about it.â
âThat is not the same thing.â
âIt is sometimes the best available outcome.â
*********
Tomâs parents reacted very differently.
Phoebe telephoned you directly a week or so after you came back from France.
She did not ask whether Tom was there.
âI have been informed that neither of you has begun planning.â
You looked toward Tom, who was sitting beside you on the bed reading his new script.
âWeâve been engaged for three weeks.â
âYes. That is sufficient time to decide whether you are having a church.â
Tom lowered the script.
âDo not engage,â he whispered.
You turned away from him.
âWe havenât discussed a church.â
âTom was christened.â
From the bed, he said:
âAgainst my will.â
Phoebe heard him.
âYou were an infant.â
âExactly. I could not consent.â
âDo stop being dramatic.â
You bit back a smile.
âWe havenât decided what kind of ceremony we want.â
âThat is entirely understandable. I am not interfering.â
Tom mouthed, She is interfering.
âI only wanted to mention that your grandfatherâs cufflinks are available if Tom wants them.â
You looked at him.
His expression shifted.
âThatâs lovely,â you said.
Phoebe continued.
âAnd there is a family veil.â
Tom sat upright.
âNo.â
âI wasnât speaking to you.â
âShe doesnât want a family veil.â
You covered the phone.
âI might.â
He stared at you.
You smiled.
âYou donât know.â
âI do know.â
Phoebe spoke loudly enough to be heard.
âIt is lace, late Victorian and extremely beautiful.â
Tom whispered:
âIt is haunted.â
âIt is not haunted,â Phoebe said.
âThree marriages involving that veil ended disastrously.â
âOne ended because Uncle Henry died at ninety-two.â
âStill ended.â
You laughed.
Phoebe sighed.
âCharles also wants to know whether there will be a morning suit.â
Tom leaned toward the phone.
âThere will not.â
From somewhere beside Phoebe, Charles called:
âThere ought to be.â
âWhy?â Tom demanded.
âTradition.â
âWhose tradition?â
âOurs.â
Tom looked at you with an expression of profound betrayal.
âWe should elope.â
Phoebe ignored him.
âYou need not decide now. I simply thought you should know what is available.â
âThank you. Iâd like to see the veil.â
Tom closed his eyes.
Phoebe sounded delighted.
âI shall bring it next weekend.â
The call ended before Tom could object.
He looked at you.
âWhy?â
âI want to see it.â
âIt is enormous.â
âHave you worn it?â
âNo.â
âThen you donât know.â
âI have seen photographs. It consumed Matilda.â
You took the script from his hands and placed it on the bedside table.
âYour mother is excited.â
âMy mother has been waiting for one of us to provide a socially acceptable event she can organise.â
âYou have been married before.â
âShe disliked nearly every decision we made.â
âPerhaps this is her chance for redemption.â
Tom stared at you.
âYou say that as though my wedding is an educational opportunity for my mother.â
âAll weddings are educational opportunities for mothers.â
He reached for his script again.
âElopement.â
âNoted.â
**********
Maddy was worse.
Maddy did not inquire about your intentions.
She arrived with a plan.
You opened the front door and found her holding a laptop beneath one arm, a garment bag over the other and two takeaway coffees in one hand.
âMove.â
You moved.
She entered the house.
âWhereâs Tom?â
âUpstairs.â
âGood. We can establish the facts before he contributes opinions.â
Tom appeared halfway down the stairs.
âI have opinions.â
Maddy looked up.
âYou have anxieties. They are not the same.â
She placed everything on the dining table.
Tom descended slowly.
âWhat is in the bag?â
âNothing for you.â
âThat is not reassuring.â
Maddy opened her laptop.
âFirst, we need to separate the wedding from the film campaign.â
You sat opposite her.
âThey are already separate.â
Maddy gave you a patient look.
âEmotionally, yes. Publicly, no.â
Tom remained standing.
âWhy not?â
âBecause the premiere is in three months, she will be wearing the ring, you will both be asked about the engagement and every photograph will be examined for wedding clues.â
Tom looked appalled.
âWhat does that mean?â
âIt means that if she wears white, they will say it is bridal. If she wears black, they will say she is rejecting tradition. If she wears anything loosely fitted, they will say she is pregnant.â
You looked down at yourself.
âI wear loose clothing constantly.â
âExactly. You have been pregnant online four times this year.â
Tom sat down beside you.
âFour?â
âOne article counted a handbag being held in front of her stomach.â
âI was carrying a handbag.â
âThe internet considered that evasive.â
Maddy turned the laptop toward you.
A document filled the screen.
At the top was written:
ENGAGEMENT, WEDDING AND CAMPAIGN SEPARATION STRATEGY.
You stared at it.
âYou created a strategy?â
âSomeone had to. Because your publicist has been useless and I am your official unofficial fashion advisor.â
Tom read the title.
âNo one had to.â
Maddy continued.
âThe premiere wardrobe needs to acknowledge the engagement without looking like a rehearsal wedding dress.â
âI was planning to wear clothes,â you said.
âThat is why I am here.â
She unzipped the garment bag.
Inside were fabric swatches, photographs and a preliminary sketch.
Tom leaned closer despite himself.
âThatâs nice.â
Maddy pointed at him.
âDo not sound surprised.â
âI wasnât.â
âYou were.â
You examined the sketch.
It was elegant, dramatic and nothing like a wedding dress.
âI love it.â
âGood. It photographs well beside a dark suit, so Tom will wear one.â
Tom frowned.
âI usually wear a dark suit.â
âThen this will be a rare event where instinct and competence align.â
He sat back.
âI liked you before you became involved in the wedding.â
âI am not involved in the wedding yet.â
Maddy clicked to the next page.
A list appeared.
Venue.
Guest count.
Date.
Security.
Dress.
Second outfit.
Ceremony photography.
Private photography.
Official announcement.
Potential exclusive.
Social-media boundaries.
Tom looked at the list.
Then at you.
âElopement.â
You ignored him and looked at Maddy.
âAll right. So you are my official unofficial fashion adviser and apparently my wedding planner now?â
Maddy considered this for less than a second.
âCertainly. I accept.â
âI did not formally offer you the position.â
âYou did enough.â
She began typing.
âThere is one condition.â
You narrowed your eyes.
âWhat?â
âYou make me maid of honour.â
Tom looked between you.
âThat sounds suspiciously like extortion.â
âIt is negotiation,â Maddy said.
âYou have already created a wedding spreadsheet without permission.â
âWhich proves I am qualified.â
You looked at the increasingly alarming collection of tabs across the bottom of the screen.
âWhat exactly would you do as maid of honour?â
Maddy glanced up.
âEverything you forget, avoid or underestimate.â
Tom nodded slowly.
âShe is qualified.â
You turned toward him.
âWhose side are you on?â
âThe side most likely to prevent you from losing the marriage certificate.â
âI would not lose the marriage certificate.â
Both of them looked at you.
You folded your arms.
âImmediately.â
Maddy held out her hand.
âDo we have an agreement?â
You stared at it.
âYou are not permitted to become unbearable.â
âThat condition is too vague.â
âYou are already unbearable,â Tom said.
Maddy continued holding out her hand.
You finally shook it.
âFine. Maid of honour.â
âExcellent.â
She immediately opened another document.
Tom watched the screen change.
âWhat is that?â
âVenue shortlist.â
âElopement,â he repeated.
âRejected,â Maddy said.
âBy whom?â
âThe wedding planner.â
âYou became the wedding planner thirty seconds ago.â
âAnd I have already made significant progress.â
By the time Maddy left that evening, you had selected a date, provisionally reserved a venue and created a guest list that Tom insisted was at least twenty people too long.
You also had a preliminary colour palette, three possible photographers, a reminder to contact a registrar and a separate spreadsheet devoted entirely to wardrobe.
Tom stood at the front door as Maddy disappeared down the steps with her laptop beneath one arm.
He closed the door slowly.
Then he turned toward you.
âWe were not planning a wedding this morning.â
You looked at the confirmation email on your phone.
âApparently we are now.â
âWe have a venue.â
âProvisionally.â
âAnd a date.â
âAlso provisionally.â
Tom stared at you.
âThis is how governments fall.â
You smiled and slipped your arms around his waist.
âYou proposed.â
âI did not realise it would involve this many spreadsheets.â
âYou should have researched more carefully.â
He rested his hands against your back.
âWe could still elope.â
âMaddy would find us.â
Tom considered that.
âShe would.â
âAnd she would bring fabric samples.â
His mouth twitched despite himself.
âNext May, then.â
You looked up at him.
âNext May.â
*********
The date remained unofficial.
You did not tell the press.
You did not announce it to extended family.
You told Ellie, who immediately asked what she was wearing.
You told Arthur and Leo, who responded by creating a group chat titled The Next Wedding.
You told your parents over dinner.
Your father smiled and opened a bottle of champagne.
Your mother asked why you had chosen late May before confirming the availability of several relatives you had not yet invited.
Tom told Phoebe and Charles the following Sunday.
Phoebe became emotional.
Charles asked whether Tom had considered a morning suit.
Tom ended the conversation shortly afterward.
For all his protests, the date affected him.
He began referring to next May differently. It was no longer merely a month in which he might be filming or travelling or avoiding another public appearance.
It was when you would become his wife.
At night, when the house was quiet and scripts had been abandoned on both bedside tables, he sometimes touched your ring and said it aloud.
âNext May.â
You would turn toward him.
âYou sound surprised.â
âI am.â
âYou chose this.â
âI know.â
âYouâre allowed to change your mind.â
His face would tighten immediately.
âI donât want to.â
You would smile.
âThen stop looking terrified.â
âIâm not terrified.â
âYou look slightly terrified.â
âI am thinking.â
âThat is usually when you look most terrified.â
Then he would pull you closer and kiss your forehead.
âNext May.â
**********
While you and Tom adjusted to schedules, fittings, rehearsals and the first appearance of Maddyâs expanding spreadsheet, Denise waited.
She did not contact a newspaper.
Not yet.
The photographs from France remained stored in a hidden folder on her phone.
Frankâs hand close to Tomâs collar.
You standing between them at the reception.
The three of you talking closely near the ballroom doors.
None showed a kiss.
None showed anyone entering or leaving a bedroom.
The most suggestive photograph was also the least useful: Frank standing at the far end of the guest-room corridor, alone, fully dressed and apparently looking for someone.
Without the knowledge of what Denise had seen that morning, it meant nothing.
With the story attached, perhaps it meant more.
She had considered approaching your mother.
That risked being dismissed as jealous or malicious. Your mother might disapprove of Frank, but she was also protective of family reputation. She might warn you before Denise could do anything with the information.
A journalist would want evidence.
A gossip account might publish speculation, but speculation alone would disappear quickly unless someone credible reinforced it.
Denise needed someone connected to you.
Someone who understood your private life.
Someone who might know whether Frankâs involvement had continued after Tom began seeing you.
She thought of Jess.
Jess had once slept with Tom. She knew that because it became a family discussion.
Jess knew you. She knew Jess. Jess had been in your life since high school. Denise even knew that you and Jess have history. So this could be perfect.
And more importantly, Jess was not family.
Denise found her details through social media.
She followed the public account first.
Then she sent a message.
Hi Jess. Weâve met very briefly through the family. Iâm Denise.
She watched the message remain unread for several hours.
That evening, Jess opened it.
No response came.
Denise sent another.
Iâm sorry to contact you unexpectedly. There is something involving Tom and Y/N that I believe you may be interested in and I would love to get your help for a story.
This time, the typing indicator appeared.
Then vanished.
A minute later, it returned.
Jessâs reply was brief.
What exactly are you asking me?
Denise looked at the photographs again.
She selected none of them.
Not yet.
Instead, she typed:
I saw something at Arthurâs wedding. I think Y/N may be making a serious mistake and I know you and her had a fight. So this might be a good opportunity for you to tell your story as well.
Jess read the message almost immediately.
For several minutes, there was no response.
Then one arrived.
Letâs meet in person.
@adrifttinthedreaming @deeplyenchantedsabotage @janeeyree @mamawiggers1980 @novemberschy @zafirina12 @justkonutoh @uniquehijo @happyendingarentreal @leah-halliwell92 @therealmhs @park-byun-meluna-blog @kmc1989 @assaariii
Call It Method (Part 90) - Rewrite
Pairing: Tom Sturridge x Reader
Warnings: Age Gap, Enemies to Lovers, Secret Relationship, Possibly Unexpected Circumstances, Playboy Tom, Bi Tom, Bi Reader
By eight oâclock, the estate had transformed.
The quiet stone courtyard where everyone had lingered over wine the previous evening was now filled with florists carrying armfuls of cream roses, caterers balancing trays of glassware, and members of the wedding party moving in every direction with expressions of mounting importance.
The morning light spread warmly across the pale walls and terracotta roofs. Beyond the estate, rows of vines ran down the hillside in neat green lines, fading into a soft haze beneath the summer sky.
It was, by every visible measure, going to be perfect.
Inside your suite, however, perfection was proving difficult to organise.
Tom stood in front of the mirror in trousers and an unbuttoned white shirt, attempting to fasten one cuff while watching you search the sitting room for an earring you were certain you had placed beside your handbag.
âIt was here.â
âYou said that about your shoes ten minutes ago.â
âAnd I found the shoes.â
âIn the bathroom.â
âWhich proves I was right to continue searching.â
Tom looked at your reflection.
âThat is not what it proves.â
You dropped to your knees beside the sofa and peered beneath it.
âYou are being remarkably unhelpful for a man who is still only half dressed.â
âI am mostly dressed.â
You glanced back at him.
His shirt was open almost to his waist. His tie remained draped over the back of a chair. One cufflink was fastened. The other sat between his lips while he struggled with the cuff.
âYou look like someone interrupted you during an affair.â
Tom removed the cufflink from his mouth.
His eyes met yours in the mirror.
A pause passed between you.
Then his eyebrows lifted.
âThat is an interesting choice of observation this morning.â
You grinned.
âNo idea what you mean.â
âOf course not.â
There was no awkwardness between you after the night before. If anything, there was a private softness to the morning, an ease formed from shared exhaustion, too little sleep and a secret neither of you felt remotely guilty about.
Frank had slipped away shortly after seven.
You had barely stirred.
Neither had Tom.
Neither of you knew that Denise, returning from the kitchen after asking whether breakfast could be sent to her children, had paused at the far end of the upper gallery and watched Frank cross quietly from the direction of your suite to his own room.
She had not called out.
She had not confronted him.
She had simply stood behind a stone column, staring as Frank unlocked his door while wearing nothing but a robe.
By the time Frank disappeared inside, Denise had already constructed an explanation.
It was not the correct explanation in every detail.
It was close enough.
Inside your suite, you finally found the missing earring tangled in the edge of the bedspread.
âFound it.â
Tom looked over.
âWhere?â
âSomewhere completely reasonable.â
âThe bed?â
âI said reasonable.â
He gave you a look but allowed the matter to pass.
You stood and approached him, taking the cufflink from his hand.
âLet me.â
Tom lowered his arm obediently.
You fastened it through the cuff, then smoothed the sleeve into place.
He watched you rather than the mirror.
âYou look beautiful.â
You were not fully ready. Your hair was pinned loosely, with several sections still waiting to be fixed, and you had only put on half your makeup.
âYou have very low standards.â
âI do not.â
âI am wearing one earring.â
âIt is an excellent earring.â
You smiled and reached for his shirt buttons.
âAre you nervous?â
âIt is not my wedding.â
âThat wasnât my question.â
Tom looked down as you began fastening his shirt.
âSlightly.â
âWhy?â
âWeddings are emotionally aggressive.â
You laughed.
âEmotionally aggressive?â
âYes.â
You finished the final button and flattened your hand briefly against his chest.
âYou can stand beside me.â
Tomâs expression softened.
âI was hoping to.â
Someone knocked firmly at the door.
You and Tom both looked toward it.
âIf that is my mother, pretend we are not here.â
The knock came again.
âItâs Arthur.â
You immediately crossed the room and opened the door.
Arthur stood in the corridor already dressed in his wedding suit, his tie slightly crooked and his complexion several shades paler than usual.
You stared at him.
âWhat happened?â
âNothing.â
âYou look ill.â
âI am getting married.â
âYes. We have known for some time.â
Arthur glanced past you toward Tom.
âIs he dressed?â
Tom stepped into view.
âMostly.â
Arthur looked relieved.
âGood. I need a man.â
You put a hand to your chest.
âI am wounded.â
âI need a man who is not my father, my future husband or one of the six people currently telling me to breathe.â
Tom picked up his jacket.
âThat is a rather specific category.â
Arthur gestured impatiently.
âPlease.â
Tom looked at you.
You nodded.
âGo. Iâll finish getting ready and come find you.â
Arthur turned at once.
âThank you.â
Tom followed him into the corridor, but leaned back before the door closed.
âDo not lose the other earring.â
âLeave.â
His smile remained visible until Arthur pulled him away.
***********
Arthur had been calm through every stage of planning.
He had negotiated the guest list, approved menus, resolved a disagreement about table linen and managed Leoâs relatives with the serene confidence of a minor European diplomat.
He had insisted repeatedly that he was not nervous.
By nine-thirty on the morning of the wedding, he was standing in his room while Tom retied his tie for the third time because Arthur kept pulling it loose.
âI cannot breathe.â
âThat is because you keep tightening it.â
âIt feels wrong.â
âThe tie?â
âEverything.â
Tom paused.
Arthur was staring toward the open balcony doors, beyond which the vineyard shimmered in the morning heat.
Tom adjusted the knot carefully.
âDo you not want to marry him?â
Arthur looked appalled.
âOf course I want to marry him.â
âThen everything important is right.â
âThat is an offensively sensible thing to say.â
âI occasionally manage one.â
Arthur swallowed.
âWhat if I cry?â
âYou probably will.â
âThat wasnât reassuring.â
âI could lie.â
Arthur looked at him.
Tom straightened the tie and settled it against Arthurâs collar.
âYou love him.â
Arthurâs face changed.
The panic did not entirely disappear, but it softened around something deeper.
âYes.â
âAnd he loves you.â
âYes.â
âThen you walk down there, say the words and spend the rest of your life irritating each other.â
Arthurâs mouth twitched.
âThat is your idea of marriage?â
Tom glanced down, then toward the corridor as though he could somehow see you through several walls.
âIt may be one version.â
Arthur drew in another breath.
âDo I look all right?â
âYou look very handsome.â
âYouâre not attracted to me, are you?â
Tom stared at him.
âNo. But I am very attracted to your sister.â
Arthurâs composure cracked into a nervous grin.
âSorry. I donât know why I asked that.â
âNor do I.â
âI think I may be having some kind of episode.â
âYou are getting married.â
âApparently that is the episode.â
The door opened and your father stepped inside.
He stopped upon seeing Arthur.
For a moment, neither of them spoke.
Your father had been restrained throughout the preparations. He had asked practical questions, checked transport arrangements and made several unnecessary inquiries about rain despite the forecast being clear.
Now, looking at his son in his wedding suit, his expression folded quietly.
Arthur noticed at once.
âDad.â
Your father cleared his throat.
âYour mother says we need to leave in fifteen minutes.â
âThat is not why you came in.â
âNo.â
Arthurâs eyes shone.
Your father crossed the room and adjusted Arthurâs lapel, although there was nothing wrong with it.
âYou look wonderful.â
Arthur gave a small, unsteady laugh.
âTom already said handsome.â
âWonderful outranks handsome.â
Tom stepped discreetly away toward the balcony.
Arthurâs voice lowered.
âAre you all right with this?â
Your father looked at him.
âI have been all right with this for years.â
âMumââ
âYour mother loves you.â
Arthur nodded.
âI know.â
âShe also has a remarkable ability to complicate things she loves.â
From the corridor, your mother called his name.
Your father closed his eyes briefly.
Arthur laughed.
âYou had better go.â
Your father leaned forward and embraced him.
The hug lasted longer than either of them appeared to expect.
When they separated, your father looked toward Tom.
âThank you.â
Tom nodded.
âHe only needed his tie fixed.â
Arthur glanced down.
âThree times.â
Your fatherâs mouth twitched.
âRuns in the family.â
*************
You found Leo in the eastern drawing room with his sister, two cousins and several glasses of untouched champagne.
Unlike Arthur, Leo appeared entirely composed.
He stood near the tall windows in a cream dinner jacket, speaking calmly to the photographer while someone fixed a small flower to his lapel.
When he saw you, he smiled.
âThere she is. The recently engaged distraction.â
You kissed his cheek.
âI have been instructed not to draw attention to myself.â
âBy whom?â
âMe. Repeatedly. No one is listening.â
Leo looked down at your ring.
âI can see why.â
Leo took your hand and examined it.
âArthur cried when he saw the photograph.â
âArthur cries at adverts involving old dogs.â
Leo smiled.
He looked perfectly calm. Impossibly calm.
You narrowed your eyes.
âYouâre not nervous.â
âI am prepared.â
âThat sounds worse.â
âEverything is organised. Everyone is here. The weather is perfect. Arthur has not fled.â
âArthur is currently having an emotional collapse upstairs.â
Leoâs composure flickered.
âWhat?â
You laughed.
âHe is fine. Tom is with him.â
âWhy is Tom with him?â
âBecause Arthur demanded a man who wasnât Dad, you or anyone telling him to breathe.â
Leo stared toward the door.
âShould I go to him?â
âAbsolutely not. Apparently you are the source of the problem.â
âI am the source of the wedding.â
âExactly.â
Leo looked momentarily concerned.
Then he caught your expression.
âYouâre enjoying this.â
âDeeply.â
His sister approached with a glass of champagne.
âDrink.â
Leo accepted it.
âI donât need it.â
âThen hold it decoratively.â
He took one small sip.
âArthur really is all right?â
You squeezed his arm.
âHe loves you so much that it has temporarily affected his ability to function.â
Leoâs face softened.
For the first time that morning, he looked nervous.
âThat is not helping.â
âGood. It was unsettling when only Arthur was suffering.â
***********
The ceremony was held in the estate gardens beneath an old stone pergola covered in climbing roses and pale green vines.
Rows of wooden chairs faced the vineyard, each decorated with small bunches of olive leaves and white flowers. The late-morning sun filtered through the pergola, breaking across the aisle in shifting patches of gold.
Guests gathered slowly, speaking in low voices while musicians played near the garden wall.
Your parents sat together in the front row.
That had not been guaranteed.
Your mother had initially suggested that she might sit with Denise and the children so your father could sit closer to Arthurâs oldest friends. Your father had responded that they were Arthurâs parents and would sit together.
The discussion had continued privately for nearly twenty minutes.
Now they occupied the same bench, shoulders almost touching.
Your motherâs posture was immaculate. Your fatherâs hand rested loosely over one knee.
They disagreed about almost everything that had happened in the past six months: you, Tom, the engagement, Frankâs presence, your motherâs continued suspicion that the entire family had abandoned good judgement.
But when Arthur appeared at the far end of the garden, your mother reached for your fatherâs hand.
He took it without looking at her.
You noticed.
So did Tom.
His fingers tightened around yours.
He stood beside you in the second row, his jacket buttoned, his hair still slightly disobedient despite his efforts. When you looked at him, his gaze had fallen to your ring.
Again.
You leaned closer.
âYou keep looking at it.â
Tom did not deny it.
âI like it.â
âYou chose it.â
âI also like that youâre wearing it.â
âI was considering keeping it in a drawer.â
He turned toward you.
âThat would have made the proposal significantly less successful.â
The music shifted.
Everyone rose.
Leo stood beneath the pergola, still composed, smiling politely as the first members of the wedding party made their way down the aisle.
Then Arthur appeared.
Leo stopped breathing.
You watched it happen.
Every trace of his calm vanished the instant he saw Arthur walking toward him between the rows of guests.
His mouth parted.
His eyes filled.
Arthur, who had spent the previous hour convinced he would be the first to cry, saw Leoâs expression and immediately began crying as well.
A soft ripple of laughter moved through the guests.
Arthur laughed through it, wiping quickly beneath one eye.
Leo did not attempt to hide his tears.
When Arthur reached him, Leo took both his hands.
âHello.â
Arthurâs voice shook.
âHello.â
âYou lookââ
Leo stopped.
Arthur smiled.
âWonderful apparently. It outranks handsome.â
Leo laughed, and several guests laughed with him.
âYou look like my husband.â
Arthurâs face crumpled again.
âWe havenât done that part yet.â
âIâm getting ahead of myself.â
The celebrant waited patiently while they recovered.
Beside you, Tomâs thumb moved slowly over the back of your hand.
The vows were warm, sincere and only occasionally interrupted by Arthur trying to make Leo laugh before emotion overwhelmed him.
Leo spoke first.
He described Arthur as the person who had made every unfamiliar place feel like home. He promised to listen even when Arthur began a story halfway through and expected everyone to understand the missing beginning. He promised to support his ambitions, defend his terrible taste in reality television and continue pretending not to notice when Arthur stole his clothes.
Arthur looked down at Leoâs jacket.
âThis is mine.â
Leo glanced at it.
âNot anymore.â
The guests laughed again.
Then Arthurâs turn came.
He unfolded a page from his pocket.
It trembled visibly in his hands.
âI wrote this six times.â
Leo smiled.
âI know.â
âYou were not supposed to know.â
âYou left three versions on the printer.â
Arthur closed his eyes.
âI am marrying a spy.â
âPlease continue.â
Arthur looked at him.
The humour faded into tenderness.
âBefore I met you, I believed love was something dramatic. Something that arrived in one enormous moment and changed everything at once.â
Leoâs eyes filled again.
âBut loving you was quieter than that. It was coffee already made when I woke up. It was you remembering the things I forgot. It was discovering that every ordinary day became the part of my life I wanted most.â
Your throat tightened.
Tom glanced at you, then once more at your ring.
Arthur continued.
âYou have seen every version of me. The confident one. The impossible one. The frightened one. The one who says he does not want dessert and then eats yours.â
âFrequently.â
âAnd you have loved all of them, even when several appeared on the same day.â
Leo laughed wetly.
âSo I promise to love every version of you too. I promise to choose you when life is easy and when it is inconvenient and when you are objectively wrong.â
âThat last promise feels conditional.â
âIt is extremely generous.â
The celebrant let the laughter settle.
Arthurâs voice softened.
âYou are my home, Leo. You have been for years. Today I only get to say it in front of everyone else.â
Your mother covered her mouth.
Your father stared straight ahead, blinking hard.
Tomâs hand closed around yours.
When the rings were exchanged, Arthur dropped Leoâs.
It struck the stone beneath the pergola and rolled toward the celebrantâs shoe.
There was a collective gasp.
Arthur froze.
Leo stared at the ground.
Then the celebrant bent, retrieved the ring and placed it back in Arthurâs hand.
âWe will treat that as the final opportunity to escape.â
Arthur clutched the ring.
âNo. Absolutely not.â
Leo laughed.
âGood answer.â
When they were finally pronounced married, Arthur kissed Leo before the celebrant had finished the sentence.
The applause rose around them.
Tom leaned close to your ear.
âHe was waiting for that.â
âSo was Leo.â
âLeo looked ready to climb him during the vows.â
You turned toward Tom.
âEmotionally aggressive.â
He smiled.
âExactly.â
************
All throughout the ceremony and afterwards, Frank behaved impeccably.
That was, Denise decided, the most infuriating part.
He arrived at the ceremony alone, sat beside an elderly aunt of Leoâs and spent ten minutes discussing French landscape photography with her. He applauded at the appropriate moments, laughed at Arthurâs jokes and offered your father his seat during the photographs when the older man complained about the sun.
There was nothing furtive in the way he spoke to Tom afterward.
Nothing intimate.
Nothing that suggested he had crossed the corridor from your suite early that morning without shoes.
During the drinks in the garden, Denise watched Frank approach Tom beside the fountain.
They spoke for less than a minute.
Frank adjusted something near Tomâs collar.
Tom rolled his eyes.
Frank laughed and stepped away.
Denise raised her phone discreetly and took two photographs.
In the first, Frankâs hand was near Tomâs neck.
In the second, Tom was smiling.
Neither image proved anything.
They could have been friends.
Former lovers. But still friends.
Denise studied the images and felt irritation settle beneath her ribs.
She had expected them to be nervous around one another. She had expected avoidance, secret glances, some visible indication that they shared a private understanding.
Instead, Frank wandered across the garden and joined a conversation with Leoâs uncle about vintage cameras.
Tom came directly to you.
âYour brother has already lost his husband.â
You glanced around.
Arthur was greeting guests beneath the pergola while Leo had been intercepted by relatives near the terrace.
âTheyâve been married for nine minutes.â
âAn ominous beginning.â
Frank passed behind you carrying two glasses of champagne.
He handed one to you without stopping.
âYou looked empty-handed.â
âThank you.â
âTom has one.â
âI noticed.â
Frank continued toward another group.
Tom watched him go.
âCompletely normal.â
âPainfully.â
âItâs almost convincing.â
You took a drink.
âAlmost?â
Tom gave you a sidelong look.
âI know him too well.â
From several metres away, Denise photographed the three of you within the same frame.
Frank was already walking away.
You were facing Tom.
There was no touch between any of you.
Still, she saved it.
*******
The reception spread across the estateâs lower terrace and adjoining ballroom.
Long tables were dressed with linen, candles and loose arrangements of summer flowers. French doors remained open to the garden, allowing music and conversation to drift between the rooms.
Arthur and Leo entered to loud applause and immediately argued over which of them had stepped on the otherâs foot.
âYou walked into me.â
âI was following you.â
âThat was your first mistake as a husband.â
âIt is too late for annulment.â
Their first dance was affectionate, slightly uncoordinated and repeatedly interrupted by Arthur laughing whenever Leo attempted to guide him.
The speeches began over dinner.
Your father spoke first.
He had promised to remain brief.
He did not.
He described Arthur as a child who had once attempted to run away from home but returned after twenty minutes because he had forgotten to pack snacks. He spoke about Arthurâs determination, his loyalty and the way Leo had become part of the family so naturally that your father could no longer remember which traditions had existed before him.
Your mother sat very still beside him.
When your father spoke about learning that a childâs happiness did not always take the form a parent had imagined, her expression tightened.
But when he finished by welcoming Leo as his son, she applauded before anyone else.
Leoâs sister followed with a collection of stories that grew steadily less appropriate.
Then you were called forward.
You had written a speech.
You had misplaced it.
Tom discovered it folded inside his own jacket pocket.
âWhy do you have it?â
âYou gave it to me.â
âI have no memory of that.â
âThat is why you gave it to me.â
You took the pages and stood.
Arthur pointed immediately at your hand.
âBefore she begins, no one is permitted to ask about the ring.â
Several people laughed.
You looked toward the guests.
âThank you, Arthur. I had planned to open with a twenty-minute presentation.â
âThis is my wedding.â
âYes, and after years of waiting, Leo has finally agreed to take responsibility for you.â
Leo raised his glass.
âI was misled regarding the terms.â
You looked at Arthur.
For all the jokes, emotion rose quickly.
You spoke about growing up together, about Arthur defending you even when he thought you were wrong, and about the years in which Leo had become not merely Arthurâs partner but your family, friend and occasional co-conspirator.
Arthurâs eyes watered again.
âStop.â
You smiled.
âI havenât reached the embarrassing story.â
âYou have already made me cry four times today.â
âThat sounds like a personal weakness.â
Then you put the paper down.
âArthur, you have always loved loudly. You make people feel chosen. Leo, you are the first person I have ever seen make him feel safe enough not to perform that love every second.â
Arthur stared at you.
Leo reached for his hand beneath the table.
âYou are both irritating, dramatic and far too involved in my life.â
âCorrect.â
âBut I love you. And I cannot imagine either of you without the other anymore.â
Arthur stood before you had finished and pulled you into a hug.
The guests applauded.
Over his shoulder, you saw Tom watching.
His expression was soft.
His gaze fell once more to your ring.
*******
By late afternoon, the formality began to dissolve.
Jackets came off. Children ran between the terrace and gardens. Your father danced with Leoâs mother while your mother pretended not to watch.
Frank remained sociable and entirely unremarkable.
He spoke with Arthur.
He danced once with Leoâs aunt.
He joined Tom and your father in a discussion about a director they all disliked.
Denise continued observing him.
At one point, Frank excused himself and headed toward the interior corridor leading to the guest rooms.
Denise waited several seconds before following.
She found him near the staircase, speaking to a staff member about where he could charge his phone.
The corridor beyond led toward your suite.
Denise stopped at the corner and took a photograph.
Frank stood alone near the archway, his profile turned away from the camera.
Again, the image proved nothing.
He was a guest staying in that part of the estate.
He had every reason to be there.
When the staff member pointed him toward the library, Frank turned and walked in the opposite direction from your room.
Denise lowered the phone.
She was certain of what she had seen that morning.
Certainty, however, was not evidence.
Not yet.
At the reception, she found you standing between Tom and Frank near the open ballroom doors.
The three of you were speaking closely because the band had begun playing and the music made ordinary conversation difficult.
Frank said something into Tomâs ear.
Tom laughed.
You touched Frankâs arm while answering.
Denise took several photographs in quick succession.
In one, all three of you were smiling.
In another, Tomâs hand rested lightly at your waist while Frank leaned close.
In the third, Frankâs face was turned toward Tom.
Nothing overt.
Nothing undeniable.
But perhaps it did not need to be.
Tomâs public history with Frank already existed.
Your engagement was new.
The suggestion might be enough.
A photograph did not need to prove a story if the story made people look at the photograph differently.
Denise saved them into a separate folder.
Then she returned her phone to her handbag and approached as though nothing had happened.
âHaving fun?â
You turned.
âVery much.â
Frank smiled politely.
âItâs a beautiful wedding.â
Denise looked at him.
âYouâve settled in comfortably.â
âI usually manage.â
Tom glanced between them.
âHow are the children?â
âOverstimulated. One has eaten six macarons.â
You looked toward the dance floor.
âOnly six?â
Deniseâs smile tightened.
âI stopped counting after that.â
Frank lifted his glass.
âProbably wise.â
He behaved as though her attention meant nothing.
As though he had no secret.
As though she had not watched him leave your room.
Denise excused herself first.
The moment she was gone, you looked at Frank.
âWhat was that?â
âDenise being Denise.â
Tom watched her disappear into the crowd.
âShe seems particularly interested in you.â
Frank shrugged.
âI am fascinating.â
âYou are a photographer in a room full of people who prefer being photographed.â
âExactly. An object of mystery.â
You laughed and took Tomâs hand.
None of you noticed Denise glance back.
************
Night settled slowly over the estate.
Strings of lights illuminated the terrace. Candles burned low across the tables. The vineyard beyond the garden disappeared into darkness while the ballroom filled with music, laughter and the soft chaos of people who had been drinking champagne since midday.
Arthur had abandoned his tie.
Leoâs jacket was missing entirely.
Your father was arguing amiably with Frank about a film neither of them had liked.
Your mother was dancing with Arthur, one hand resting on his shoulder.
Whatever conflicts remained between them, they were hidden for the evening.
Tom found you near the ballroom doors.
He held out one hand.
âDance with me.â
You looked toward the crowded floor.
âYou hate dancing.â
âI hate dancing where people can see me.â
âThere are forty people in there.â
âMost are drunk.â
You placed your hand in his.
âExcellent reasoning.â
Tom led you onto the floor.
The song was slower than the one before it, though not slow enough to require anything formal. You slipped your arms around his neck. His hands settled at your waist.
For a few moments, neither of you spoke.
Around you, Arthur and Leo moved through the guests, stopping every few steps to embrace someone else.
Tom looked down at you.
Then, predictably, at the ring.
You smiled.
âAgain.â
âI know.â
âAre you checking it hasnât disappeared?â
âPossibly.â
You lifted your hand between you.
The stone caught the light.
âStill here.â
Tom touched the ring gently with his thumb.
âGood.â
You rested your forehead near his.
âToday was lovely.â
âIt was.â
âEven the emotional aggression?â
âI survived.â
âArthur cried approximately fourteen times.â
âLeo cried first.â
âArthur will use that in every argument for the next decade.â
Tomâs mouth curved.
You moved closer as the music softened.
âDo you think ours will be like this?â
Tomâs eyes lifted to yours.
âOurs?â
âThe next wedding.â
He swallowed.
Despite the proposal, despite the ring and every conversation since, the words still affected him.
âYou are assuming ours is next.â
âWho else is getting married?â
Tom glanced around the room.
âI am not sure. Maybe Sam?â
You laughed.
âSam is single.â
His hand moved slowly along your back.
âDo you want something like this?â
You considered the flowers, the candles, the music and Arthur laughing in Leoâs arms several feet away.
âSome of it.â
âWhich part?â
âThe people we love. Good food. Enough wine that no one remembers the speeches properly.â
âReasonable.â
âNo seven-hour photography schedule.â
âAgreed.â
âNo releasing doves.â
Tom frowned.
âWas that under consideration?â
âIt is now prohibited.â
âGood.â
You smiled up at him.
âAnd you.â
His expression softened.
âI should hope so.â
âYou seem like an important component.â
âI would prefer not to be replaced.â
You laughed and kissed him lightly.
Across the ballroom, Frank happened to glance over. He smiled into his glass and turned back to your father.
Tom followed your gaze.
âHe would give a very good speech.â
âHe would make you uncomfortable for at least half of it.â
âThat is precisely why I am concerned.â
You rested your cheek against Tomâs shoulder.
âThe next wedding might be ours.â
His arms tightened around you.
âIt will be.â
You drew back enough to see his face.
âVery confident.â
âYou accepted.â
âI could change my mind.â
Tomâs eyes narrowed.
âYou could.â
âI wonât.â
His expression eased.
You kissed him again, slower this time, while the music continued around you.
Beyond the ballroom doors, the estate glowed beneath the summer night.
Arthur and Leo were married.
Your parents were still sitting together.
Frank was behaving with flawless innocence.
And Denise, unnoticed near the edge of the room, watched you and Tom dance while her phone held a collection of photographs that proved absolutely nothing.
For the moment, that was enough.
She believed the story hidden between them would be worth far more than proof.
@adrifttinthedreaming @deeplyenchantedsabotage @janeeyree @mamawiggers1980 @novemberschy @zafirina12 @justkonutoh @uniquehijo @happyendingarentreal @leah-halliwell92 @therealmhs @park-byun-meluna-blog @kmc1989 @assaariii
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Where Hell Ends
Chapter One: The Day the Glass Broke
Pairing: Dream of the Endless x Reader (Hob's Daughter) Warning: Angst, AU-Fic, Eventually Smut, Graphic Scenes, Death Tag List: Please comment below if you wish to be tagged.
The Day the Glass Broke
The New Inn, London
You stood behind the bar of the New Inn polishing wineglasses while, fourteen years away and several thousand feet above the earth, an aeroplane began to fall.
Not literally.
The aircraft had fallen a long time ago.
Fourteen years ago today, in fact.
But anniversaries were strange things. They collapsed time. They found the memories you had packed away carefully and pulled them apart until the past no longer felt like something that had already happened.
The glass turned between your fingers, the polishing cloth whispering against its surface.
Outside, London had dissolved into rain.
Water ran down the tall front windows in crooked silver streams, breaking the pedestrians beyond them into blurred coats, umbrellas and hurried shadows. Traffic hissed over wet roads. The sky was already darkening despite the early hour, heavy clouds pressing low over the city.
Inside, the pub was warm.
The evening crowd had not yet arrived, but several tables were occupied. Two elderly men were arguing amiably over a newspaper. A university student sat near the window with a laptop, an untouched pint and the despairing expression of someone facing an imminent deadline. At the far end of the room, your father was pretending to inspect an invoice while actually listening to every conversation taking place around him.
The New Inn smelled of wood polish, beer, rain-damp coats and the stew Hob had started cooking before lunch despite being repeatedly reminded that the pub had a kitchen and staff who were perfectly capable of feeding themselves.
It was home.
It had been home for most of your life.
You placed the polished glass beneath the bar and reached for another.
On the television mounted above the far shelves, the afternoon news continued silently beneath a stream of captions.
You had muted it half an hour ago.
They had been showing the memorial.
Aerial footage of the field where the wreckage had fallen.
A line of white flowers against a stone monument.
Relatives standing beneath umbrellas as the names of the dead were read aloud.
Two hundred and twenty-three people.
You had always hated the number.
It was too large to understand properly and too precise to ignore.
Two hundred and twenty-four people had boarded the aircraft.
Two hundred and twenty-three people had died.
And you, a six-year-old girl seated near the centre of the passenger cabin, had survived.
You were still twenty now, although your twenty-first birthday was only three weeks away.
That meant you had lived more than twice as long after the crash as you had before it.
The thought unsettled you every year.
Most people considered surviving a miracle.
You had never known what to call it.
A miracle implied purpose. Benevolence. Some divine hand reaching down through smoke and fire to save a child.
You remembered no hand.
You remembered falling.
The wineglass slowed between your fingers.
You rarely allowed yourself to think about the flight in detail. Not because the memories were clear, but because they were not. What remained came in fragments that never seemed to belong to one another.
A blue fabric seat beneath your legs.
Your shoes not quite touching the floor.
A woman beside you humming while she turned the pages of a magazine.
You thought she had been your mother.
There were photographs of her in the files the social workers had eventually given your adoptive parents, but the face in the photographs never quite matched the woman you remembered.
Perhaps that was normal.
You had been six.
Memory changed people.
It polished them down or distorted them according to whatever the mind needed to survive.
You remembered the woman fastening your seat belt.
You remembered her fingers trembling.
You remembered asking why the plane was shaking.
After that came scattered impressions.
The overhead lights flickering.
A bag falling from an open compartment.
Someone shouting from the rear of the cabin.
The sharp, metallic cry of the aircraft itself as though the machine had become a wounded animal.
The woman pulling you against her.
Then darkness.
Not unconsciousness.
Darkness.
A darkness so complete that it had seemed to possess weight.
Sometimes you remembered stars inside it.
Not stars beyond the window. Not distant lights in the night sky.
Stars surrounding you.
Cold points of white light scattered through an endless black expanse while something vast moved beyond them.
You had never told the investigators that part.
You had not told your therapists.
You had not even told Hob.
It sounded ridiculous, and you had spent enough of your childhood being studied by people who thought every silence concealed a symptom.
The official version of events was simpler.
The plane had encountered a severe storm shortly before beginning its approach to London. Communications became confused. The aircraft lost altitude, clipped a line of trees and struck the ground with enough force to scatter wreckage across more than a kilometre of farmland.
There had been fire.
There had been no response from the cabin.
Emergency crews arrived expecting a recovery operation rather than a rescue.
They found you shortly before dawn.
You had been standing in the mud beyond the outer edge of the wreckage.
Barefoot.
Still wearing the dark blue dress you had boarded the plane in.
There was blood on the front of it, but none of the blood belonged to you.
You had no burns.
No broken bones.
No internal injuries.
Not even a meaningful bruise.
The investigators calculated where your seat had been located and concluded, in the carefully restrained language used by official reports, that your survival was inexplicable.
The newspapers had been less restrained.
MIRACLE CHILD WALKS FROM INFERNO.
THE GIRL DEATH FORGOT.
THE LONE SURVIVOR.
You had been too young to understand the articles, but old enough to recognise your own face on the front pages.
For several days, the hospital had been surrounded by reporters.
You remembered flashes beyond the windows.
You remembered nurses closing the curtains.
You remembered waking to find police officers sitting outside your room.
Mostly, you remembered refusing to speak.
It had not been a deliberate decision. Words simply seemed impossible. The adults around you asked questions faster than you could understand them.
What was your full name?
Who had you travelled with?
Did you remember the crash?
Did you have grandparents?
Aunts?
Uncles?
Where had you lived?
Did you know your address?
You knew your first name.
You knew the woman beside you had been your mother, or at least that you had called her Mum.
You knew there had once been a man whose voice you could almost remember, though investigators could not determine whether he had been on the plane.
Everything else was missing.
The passport recovered from the wreckage gave your surname and date of birth. It identified the dead woman beside you as your mother.
The address listed in the documents belonged to a flat that had been vacant for years.
Telephone numbers led nowhere.
The school named in your papers had no record of you.
Your motherâs identity existed on paper, but the further investigators looked, the less substance they found beneath it. No employment history. No medical records before the previous year. No relatives who could be located.
There had been no father listed on your birth certificate.
No one came to claim you.
For six weeks, you remained in hospital.
Not because you were injured, but because the authorities had nowhere else to place the famous child who had survived when everyone else had died.
Doctors examined you repeatedly.
They tested your hearing, your reflexes and your memory. They scanned your brain. They monitored your sleep.
One doctor noted that you never appeared to dream.
Your eyes did not move beneath your eyelids as expected. You did not talk in your sleep. You never woke frightened by nightmares, despite everything you had endured.
You simply closed your eyes and disappeared into stillness.
Later, therapists told you the absence of dreams was probably your mind protecting itself. Or something else. Some people simply did not dream. Maybe you were just one of them.
You had accepted the explanation because you possessed no better one.
The newspapers eventually moved on.
The flowers outside the hospital wilted.
The police presence diminished.
And one rainy afternoon, Robert and Elenore Gadling came to meet you.
Hob always claimed Elenore had volunteered them both before he properly understood what she was suggesting.
According to him, she had seen a report about you on television and telephoned the local authority the next morning.
Elenore had worked with children for years. She had been a teacher, then a counsellor, and she and Hob had previously provided emergency foster care when placements were scarce.
Their home had space.
Their records were excellent.
They had no young children of their own.
They could take you temporarily while the authorities continued searching for family.
The first meeting took place in a hospital consultation room that smelled of disinfectant and overbrewed tea.
You sat on a plastic chair with your knees drawn to your chest.
Elenore sat across from you.
She had been forty-nine then, with dark hair threaded by grey and kind brown eyes that did not stare at the faint scar near your temple.
Hob sat beside her.
He looked approximately thirty-eight.
He had always looked approximately thirty-eight.
At the time, you did not know there was anything unusual about that.
Neither of them asked about the crash.
That was the first thing you noticed.
Elenore placed a small cloth bag on the table and opened it. Inside were coloured pencils, paper and several books.
âYou donât have to speak to us,â she said.
You watched her.
âWe can sit here for a little while, and then we can leave. Or you can draw something. Or read. Or do absolutely nothing.â
Hob leaned towards the bag and examined its contents.
âShe neglected to bring food.â
Elenore looked at him.
âWe are in a hospital.â
âExactly. The food here is terrible.â
âHob.â
âIt is. Iâm not criticising the nurses. Iâm criticising whoever decided jelly constitutes a meal.â
You had looked at him then.
He noticed.
His expression changed, but he did not smile too quickly or praise you for responding.
He simply took a pencil from the bag.
âDo you know how to draw a horse?â
You did not answer.
âNeither do I.â
He attempted one anyway.
It looked like a dog with extremely long legs.
You had almost laughed.
Almost.
During their second visit, Elenore brought you a small wooden music box.
The melody was simple. A lullaby you did not recognise.
You turned the handle twice, listened, then reached for a sheet of paper.
Instead of drawing, you wrote the notes down.
Elenore watched without interrupting.
Hob leaned over her shoulder.
âWhat is that?â
You spoke for the first time in twenty-three days.
âMusic.â
Hob sat back.
âRight. Of course it is.â
Elenore cried in the corridor afterwards.
You learned that years later.
They took you home three weeks after that.
The placement was temporary.
Everyone said so.
The social worker repeated it in the car.
Elenore explained it again when she showed you the small bedroom at the back of the house. Nothing would happen without you being told. No one expected you to call them Mum or Dad. You could stay until the authorities found the right permanent arrangement.
The bedroom had pale walls, a narrow bed and shelves filled with books chosen for children both younger and older than you because Elenore had not known what you liked.
The door did not have a lock.
You asked her to leave it open.
For the first year, you could not sleep with a closed door.
Hob removed it entirely for several months.
He stored it in the attic until you asked for it back.
The temporary placement lasted twelve weeks.
Then six months.
Then a year.
Investigators searched internationally for relatives. Notices were published. DNA samples were compared with missing-person databases. Every lead ended in nothing.
The woman believed to be your biological mother was buried with the other passengers, and no one attended the funeral except officials and two reporters.
Elenore took you.
Hob stood on your other side and held your hand throughout the service.
You did not cry.
You stared at the coffin and felt as though you were mourning someone from a story you had once been told.
You knew the woman had loved you.
Your body remembered the safety of her arms even when your mind could not rebuild her face.
But she belonged to a life that had ended in fire.
Hob and Elenore belonged to the life that followed.
The adoption process began when you were seven.
There were interviews.
Home inspections.
Medical assessments.
Financial records.
Questions about Hobâs unusual employment history and the fact that his legal documentation seemed to begin far more recently than he claimed his family did.
Hob had become exceptionally skilled at creating plausible lives.
Centuries of practice had given him excellent paperwork.
At the time, you knew none of that.
You only knew strangers came to the house and asked whether you felt safe.
Whether Hob became angry.
Whether Elenore listened to you.
Whether you wanted to stay.
You always gave the same answer.
Yes.
The final hearing took place in a small family courtroom.
You wore a green dress Elenore had bought specifically for the occasion. Hob wore a tie for nearly twenty minutes before loosening it and receiving a warning look from the solicitor.
The judge asked whether you understood what adoption meant.
You said it meant they could not send you somewhere else.
The room became very quiet.
Elenore reached for your hand.
The judge explained that it meant more than that. It meant Hob and Elenore would become your legal parents. Their family would become yours. Their home would remain your home.
You looked at Hob.
âEven when Iâm grown up?â
His face softened.
âEspecially then.â
You agreed.
You became a Gadling.
Elenore cried openly when the order was granted.
Hob claimed he had dust in his eye.
There had been no dust in the courtroom.
The years afterwards were, for the most part, ordinary.
Or as ordinary as life could be with Hob Gadling.
You went to school.
You made friends badly.
You learned to ride a bicycle and broke three windows attempting to practise cricket in the garden.
You discovered literature, mythology and the theatre.
You began playing the violin when you were eight.
The instrument belonged to Elenoreâs aunt and had been stored in its case for decades. You found it while exploring a cupboard and asked if you could touch it.
Elenore showed you how to hold the bow.
Neither she nor Hob could explain what happened next.
You played a melody.
Not well. Your fingers were clumsy, your bow scratched across the strings, but the melody itself was coherent. Complete.
Hob asked where you had heard it.
You did not know.
It had simply been waiting inside you.
Lessons followed.
Within a year, you had moved beyond the first teacherâs ability.
By twelve, people had begun using words like exceptional.
Gifted.
Rare.
Your music frightened you sometimes.
Not the pieces written by ordinary composers. You loved those. Bach gave structure to the world. Vivaldi made it move. Tchaikovsky made sorrow beautiful enough to survive.
It was the other music that unsettled you.
The melodies that came late at night.
The songs no one had taught you.
Old, winding arrangements that seemed to resist conventional notation. When you played them, candles occasionally guttered. Shadows gathered in corners. Hob would stop whatever he was doing and listen with an expression you could not understand.
Once, when you were fourteen, you played a piece that made Elenore begin to cry without knowing why.
You never played that one again.
Your childhood contained other peculiarities.
Accidents that nearly happened.
A car mounted the pavement when you were ten, struck the exact place you had been standing and missed you because you had turned away seconds earlier after hearing someone call your name.
No one had called.
At thirteen, a section of ceiling collapsed during a school performance. You had left the stage moments before because you suddenly became certain your violin was out of tune.
It had not been.
At sixteen, you slipped beside the Thames and should have fallen into the water. Instead, your coat caught on a rusted railing that broke immediately after Hob pulled you to safety.
Everyone called you lucky.
Hob became increasingly uneasy each time.
He rarely explained his fears.
Your father was a man who could speak for hours about food, politics, football, property prices and the deficiencies of modern ale, yet became evasive whenever a subject mattered too much.
You discovered his immortality yourself.
You were fifteen.
A history assignment led you into the room Hob called his study, although it functioned mainly as an archive for the debris of several lifetimes.
You were looking for an old map.
Instead, you found a portrait.
The painting was badly preserved and centuries old, but the man depicted in it was unmistakably your father.
The same face.
The same eyes.
The same small scar beneath his chin.
He wore clothing from another era and stood beside a woman whose name you did not know.
You carried the portrait downstairs.
Hob was cooking.
Elenore was reading at the kitchen table.
You placed the painting beside the vegetables.
âWho is this?â
Hob looked at it.
Then at you.
Elenore closed her book.
âAh,â Hob said.
âThat is you.â
âYes.â
âThe gallery record says it was painted in 1672.â
âAlso yes.â
You waited for him to laugh.
He did not.
âYou havenât aged since I was six.â
Hob put down the knife.
Elenore watched him carefully.
âNo.â
âWhy?â
He told you about the year 1389.
He told you about the tavern, the ale and the declaration he had made loudly enough for a stranger to overhear.
Hob had decided that dying was a foolish business.
A pale man dressed in black approached his table and challenged him to prove it.
They would meet again in one hundred years.
If Hob still wished to live, he would say so.
Hob agreed.
He survived plague, war, starvation, wealth, ruin, imprisonment and grief.
The stranger returned every century.
Then 1989 came, and Hob waited alone.
The stranger never arrived.
âWhat was he?â you asked.
Hob leaned back in his chair.
âI donât know.â
âYou met him six times.â
âSeven, if you count the first.â
âAnd you never asked?â
âI asked plenty. He didnât answer.â
âWas he the devil?â
âNever wanted my soul.â
âAn angel?â
Hob snorted.
âNot one with much interest in good cheer.â
âA god?â
He became quieter.
âPerhaps.â
At first, you assumed the story had to be an elaborate lie.
Then Hob showed you more.
Letters.
Portraits.
Journals written in his own hand over hundreds of years.
Documents under different names with the same face attached to them.
He spoke about history with a precision no scholar could counterfeit.
William Shakespeare was not a distant literary figure to Hob. He was Will, an ambitious young man with a sharp mind and a desperate hunger to be remembered.
The Elizabethan period was not an academic subject. It was mud, smoke, disease and packed theatres.
The seventeenth century was not a chapter. It was the loss of a wife named Elenore and a son named Robyn.
You had looked towards your adoptive mother when he said the name.
She had smiled sadly.
Hob had told her the truth before they married.
He had loved another woman with the same name centuries ago.
Your mother had never resented the name.
âThere are worse women to be named after than someone he loved for several lifetimes,â she told you once.
Hobâs immortality became another truth folded into the structure of your family.
Strange, but familiar.
Like the aircraft.
Like your impossible survival.
Like the music that came from nowhere.
Elenore aged.
Hob did not.
You noticed it more as the years passed.
Grey spread through her hair. Fine lines deepened around her eyes. Her hands changed.
Hob remained the same.
Your only friend, Madeline, thought he had remarkable genes.
You allowed her to believe it.
Elenore became ill when you were seventeen.
At first, the symptoms seemed minor. Fatigue. Pain she dismissed. Appointments she postponed because she did not want to worry either of you.
The diagnosis came too late.
Cancer had already spread.
The illness lasted eleven months.
You played for her often during that final year, but never the strange melodies.
Only the pieces she loved.
She died eventually with Hob on one side of the bed and you on the other.
Hob had survived wars and plagues.
He had buried children.
He had watched civilisations change.
Nothing had prepared him to lose her.
Immortality did not make grief easier.
It merely ensured grief had longer to accumulate.
For months afterwards, Hob continued cooking enough food for three people. He sometimes turned towards the stairs when the floorboards creaked, expecting Elenore to appear.
You did the same.
Three years later, her absence still occupied space.
It lived in the empty chair upstairs.
In the mug no one used.
In the books with notes written in her careful hand.
It was one reason you had never moved far from the New Inn.
The other was money.
London was absurdly expensive, your orchestra paid appallingly and you had discovered that living with strangers was unbearable.
You studied music and took additional courses in literature and theatre because choosing only one subject felt impossible. You worked occasional shifts at an antique shop near Bloomsbury, where the owner had stopped asking how you recognised the age of objects before examining their markings.
You played with a small orchestra that sounded prestigious when mentioned in conversation and considerably less so when the payment entered your bank account.
The work was irregular.
The rehearsals were exhausting.
The money was shit.
You loved it anyway.
When the orchestra was not using you and the antique shop did not need you, you worked at the New Inn.
Hob pretended to pay you properly.
You pretended to believe him.
Living above the pub meant you were never entirely off duty, but it also meant books covered nearly every upstairs wall and your violin could be heard drifting through the floorboards after closing.
It meant your father was never far away.
It meant you did not have to live with people who borrowed your food, moved your belongings or objected when you practised at midnight.
You had attempted shared accommodation once.
Four months with three other students had taught you everything you needed to know.
One left moulding dishes in the sink.
One stole your milk.
One held loud parties before your performances.
The third brought home a succession of men whose names you learned from overheard arguments.
You moved back to the New Inn after informing them that something was scratching inside the kitchen wall.
They accused you of trying to frighten them.
A week later, pest control removed eleven mice.
Madeline had found the entire situation hilarious.
Madeline was your closest friend.
Possibly your only close friend.
You had met during your first year at university when she sat beside you in a lecture on Greek drama and whispered that the lecturer looked as though he had personally offended Dionysus.
You laughed loudly enough to be asked to leave.
The friendship had continued from there.
Madeline was everything you were not.
She enjoyed crowds.
She understood social cues.
She could begin a conversation with a stranger and know their life story within fifteen minutes.
She liked parties, bright clothes and people who used phrases such as networking opportunity without irony.
You preferred books, empty rehearsal rooms and conversations about subjects most people considered too bleak for dinner.
Madeline called you strange with great affection.
Other people were less kind.
Your dating history was evidence of that.
Madeline had been trying to find you a partner for years.
Men, mostly, although she had also arranged dates with two women after you pointed out that her efforts lacked imagination.
Every date had been disastrous.
One man spent two hours explaining cryptocurrency.
Another asked whether Hob was single.
A cellist from a neighbouring orchestra became offended when you correctly identified that he had lied about learning a concerto.
A woman from your literature course left halfway through dinner after you began explaining why Orpheusâs second loss of Eurydice was more important than the first.
Madeline claimed you frightened people.
You did not think that was entirely fair.
You merely answered questions honestly.
Sometimes you noticed things others did not.
The rhythm of a personâs breathing when they lied.
The second set of footsteps in an apparently empty corridor.
The shadows that gathered around certain people.
The wrongness inside some voices.
You had learned not to mention most of it.
Madeline tolerated the rest.
At the other end of the bar, she was currently folding black cocktail napkins into increasingly unrecognisable shapes.
You placed another polished glass on the shelf.
âWhat are those meant to be?â
Madeline held one up.
âFlowers.â
âThey look diseased.â
âThey are prototypes.â
âFor what?â
She looked at you as though the answer were obvious.
âYour birthday.â
You closed your eyes briefly.
âNo.â
âI havenât said anything yet.â
âYou said birthday.â
âYou are turning twenty-one.â
âIn three weeks.â
âExactly. Weâre running out of time.â
âThere is no we.â
Madeline flattened the napkin against the bar and started again.
âHob told me to speak to you.â
Your gaze shifted across the room.
Your father was still holding the invoice.
He had been examining the same page for at least ten minutes.
âDid he?â
Hob looked up at the precise moment he realised you were watching.
âEverything all right?â he called.
âTraitor.â
He smiled.
âNo idea what you mean.â
Madeline leaned closer.
âHe says you need a proper party.â
âMy father believes every event requires alcohol and public noise.â
âHe owns a pub.â
âThat explains the bias. It does not justify it.â
âTwenty-one is important.â
âWhy?â
âBecause it is.â
âThat is circular reasoning.â
âThere will be cake.â
âI can purchase cake without enduring a party.â
âMusic.â
âI work with musicians. I have no interest in encouraging them outside contracted hours.â
Madeline lowered her voice.
âAttractive people.â
âAbsolutely not.â
âI have not specified a gender.â
âThe objection remains.â
She sighed theatrically and then rested both elbows on the bar.
Her expression softened as she looked at you.
âYouâre thinking about the crash.â
Your fingers tightened slightly around the stem of the glass.
Very few people could read your face.
Madeline had always been able to.
âItâs the anniversary,â you said.
âI know.â
You looked towards the muted television.
The memorial footage had ended. A politician now stood behind a lectern, speaking passionately about something the captions reduced to a line of bland text.
âFourteen years,â you said.
Madeline reached across the bar and rested her fingers against your wrist.
She did not say you were lucky.
She did not say everything happened for a reason.
She had learned very quickly that you hated both statements.
âDo you want me to stay tonight?â
âYou are already working.â
âI mean afterwards.â
You shook your head.
âIâll probably practise.â
âUntil two in the morning?â
âThe walls are thick.â
âThe walls are not that thick.â
âMy father sleeps through wars.â
From across the room, your father called, âI heard that.â
âApparently not,â Madeline said.
You smiled despite yourself.
For several minutes, everything felt ordinary again.
Glasses.
Rain.
Hob muttering over invoices.
Madeline producing another deformed napkin flower.
Then the candle on the nearest table went out.
You noticed because there was no breeze.
The flame did not flicker or shrink.
It bent sharply towards the floor and vanished.
A pressure formed behind your eyes.
You stopped polishing.
The room seemed to change around you.
Not visibly.
The walls remained where they were. Customers continued talking. Rain tapped against the windows.
But beneath the familiar sounds came something else.
A low vibration.
A distant grinding noise.
Stone against stone.
Chains drawn slowly across a floor.
You looked towards the front windows.
For an instant, your reflection was not alone.
But when you turned, there was no one there.
âWhat?â Madeline asked.
âNothing.â
The pressure sharpened.
Your vision blurred.
You placed one hand against the bar.
Somewhere beneath London, a circle was breaking.
************
The Burgess Estate
For more than a century, Dream of the Endless had been held inside glass.
Men had called it a prison.
They were mistaken.
Glass alone could not imprison him.
Iron alone could not contain him.
The sphere was merely the centre of a greater construction: a binding circle drawn beneath it, symbols copied from stolen books and reinforced with tools taken from his person.
His helm.
His pouch of sand.
His ruby.
The mortals who captured him had intended to summon Death.
They had obtained Dream instead.
Roderick Burgess had demanded gifts.
The restoration of his dead son.
Immortality.
Power over those who opposed him.
Dream had answered with silence.
He could not grant what the mortal demanded.
He would not reward the man who had torn him from his realm, stolen his tools and imprisoned him.
So he waited.
At first, Dream believed his absence from the Dreaming would be brief.
The mortals would make an error.
The circle would fail.
One guard would succumb to sleep.
Yet Burgess was cautious, and fear made men diligent.
Days became months.
Months became years.
Years became decades.
Dream felt his realm deteriorate in his absence.
He felt gates left unguarded.
Dreams that could not find their dreamers.
Nightmares abandoning their functions.
Creatures born of story and fear wandering without order.
He felt mortals fall into sleep and fail to wake.
Others remained awake for years, unable to cross the threshold into his domain.
The sickness spread through the waking world.
Dream felt each lost sleeper as a distant wound.
He could not reach them.
He could not reach his kingdom.
He sat naked within the sphere and watched the twentieth century pass through the clothing and faces of his captors.
Roderick Burgess aged.
His certainty became desperation.
His demands became pleas.
Then the Magus died, leaving his son to inherit the estate, the guards and the secret beneath the house.
Alex Burgess had been a child when Dream was captured.
He grew into a frightened young man beneath Dreamâs unchanging gaze.
Then he became old.
Dream watched his hair whiten.
His shoulders stoop.
His hands tremble.
Beside him remained Paul.
Paul, who had entered the house as a young man and stayed long enough to become part of it.
Paul, who looked at the glass with something that was not greed.
Perhaps guilt.
Perhaps pity.
Perhaps merely weariness.
Dream did not trust the distinctions mortals made between such feelings. Compassion without action was only another manner of cowardice.
On the final evening of his captivity, Alex Burgess sat before the sphere in a wheelchair.
Paul stood beside him.
Alexâs voice had weakened with age.
âI was a child when my father brought you here.â
Dream raised his head.
He did not speak.
âIt was not my doing.â
The mortalâs eyes filled.
âI could have killed you. I did not.â
Dream regarded him in silence.
The claim was absurd.
Alex Burgess had possessed neither the knowledge nor the power required to destroy an Endless.
Yet mortals often mistook prolonged cruelty for mercy simply because it stopped short of murder.
Alex leaned forward.
âI am asking you to forgive me.â
Dream did not move.
Forgiveness was not a thing extracted through repetition.
Paul placed a hand on Alexâs shoulder.
âCome away,â he said quietly.
He turned the wheelchair.
One wheel crossed close to the edge of the binding circle.
Paulâs shoe touched the line.
The chalk shifted.
Only slightly.
A smear no wider than a finger.
Yet the circle had to be whole.
A boundary was not almost complete.
A promise was not nearly kept.
For the first time in more than a century, Dream felt the binding weaken.
He remained perfectly still.
Alex and Paul did not notice.
Paul looked once towards the sphere before pushing Alex away.
There was something in his expression.
Regret, perhaps.
Dream believed, in that moment, that Paul had broken the line deliberately.
A small act of pity concealed beneath the appearance of carelessness.
Later, Dream would reconsider.
He would remember the abrupt pressure that moved through the chamber before Paulâs foot crossed the chalk.
The trembling of the glass.
The sensation of another presence touching the outer edge of the spell.
Something distant.
Something that did not belong within the Burgess estate.
He did not yet understand that the disturbance had begun elsewhere in London.
Inside a young woman standing behind a bar.
A woman who carried a history no mortal records could explain.
A woman who did not dream. Not yet. But soon.
The broken line was not enough to free him immediately.
But it gave him reach.
A guard entered the chamber after Alex and Paul departed.
He sat opposite the sphere with a weapon across his lap.
The guards had been taught never to sleep in Dreamâs presence.
Never to cross the circle.
Never to approach the glass.
Mortals believed knowledge of weakness made them immune to it.
Dream waited.
The guard blinked.
Once.
Twice.
His head lowered.
Sleep took him.
The moment the mortal crossed into Dreamâs realm, Dream entered his mind.
The dream was small and crude.
A sunny beach.
Money.
Freedom from the Burgess family.
Dream altered it.
He placed the glass sphere within the dream and showed the guard himself breaking it. He made the act appear necessary. Heroic. The only escape from a danger closing around him.
The mortal rose in the waking world.
His movements were uncertain, guided by a dream he believed was his own.
He approached the sphere.
Raised his weapon.
Fired.
The glass cracked.
The sound passed through the chamber like the splitting of the earth.
Dream lifted his face.
The guard woke.
Too late.
A second crack raced across the sphere.
Then a third.
The glass exploded.
Dream became shadow.
He became wind moving through a sealed room.
He became a storm of black sand pouring through the fractured sphere and over the broken circle.
The chamber lights died.
The guard screamed and fled.
Dream stood beyond his prison for the first time in more than one hundred years.
His body was weakened.
His tools were gone.
His realm had suffered.
Yet he was free.
He turned towards the old man sleeping elsewhere in the house.
Alex Burgess had sought forgiveness.
Instead, Dream entered his mind.
The dream began in a familiar bedroom.
Paul stood near the window, young again.
Alex smiled.
Then Paul opened the door.
Another room waited beyond it.
Inside stood Roderick Burgess.
Beyond Roderick waited another door.
Then another.
Each led to a memory Alex had buried.
Each room offered the possibility of waking and then withdrew it.
Alex attempted to turn his wheelchair.
It would not move.
Dream stepped from the shadows.
âYou asked that I forgive the years you stole.â
Alex stared at him.
âPlease.â
âYou had many years in which to free me.â
âI was afraid.â
âAnd so you made your fear my prison.â
The walls began to fracture.
The rooms multiplied.
Doors opened into corridors without end.
âYou shall sleep,â Dream said.
Alex began to cry.
âAnd each time you believe you have awakened, the dream shall begin again.â
Dream withdrew.
Alex Burgess remained behind, trapped inside an endless waking nightmare.
Justice had been delivered.
Dream should have turned his thoughts towards the Dreaming.
Towards his absent tools.
Towards the subjects who might yet remain.
Instead, he paused in the ruined chamber.
Something had touched him when the glass broke.
Not the guard.
Not Paul.
Not any member of the Burgess household.
For one brief moment, he had felt another mind recoil with his own.
Young.
Unfamiliar.
Human in shape, but not entirely human in substance.
The presence had carried the faintest scent of smoke.
Old fire.
Cold iron.
And beneath both, something darker.
A realm Dream had known since before mortals first gave it names.
He reached outward.
Across the sleeping city, minds opened before him.
Children dreamed of impossible gardens.
Adults rebuilt lost homes.
The lonely spoke with the dead.
Nightmares crouched behind familiar doors.
Dream searched among them for the presence that had touched the boundary of his prison.
He found nothing.
There was no dream to follow.
No path.
No door.
The mind had vanished from his perception as though it had never entered the Dreaming at all.
Dream opened his eyes.
For the first time since escaping, uncertainty moved through him.
******
The New Inn
Just as, across London, Dream of the Endless escaped from his prison, the wineglass exploded in your hand.
One moment it was whole.
The next, it burst outward with a sharp crack.
Fragments scattered across the bar and struck the shelves behind you. A jagged piece sliced through your palm.
Pain came a heartbeat later.
You gasped and dropped the stem.
The room tilted violently.
Madeline abandoned the napkins.
âOh my God.â
She caught your wrist before you could pull your injured hand against your chest.
Blood welled across your palm and ran between your fingers.
Hob was moving before anyone else understood what had happened.
The invoice fell from his hands.
His chair struck the floor behind him as he crossed the room.
âWhat happened?â
âThe glass shattered,â Madeline said. âShe wasnât squeezing it. It just broke.â
Hob took your wrist carefully.
His face had changed.
The easy humour was gone.
âSit down.â
âIâm fine.â
âYouâre bleeding.â
âI noticed.â
Your voice sounded distant.
The pressure behind your eyes had become unbearable.
The pub blurred around you.
For one impossible instant, you were somewhere else.
A dark chamber.
Broken glass spread across a stone floor.
A pale man standing within a circle, shadows folding around him like robes.
His face turned towards you.
Not towards the door.
Not towards the fleeing guard.
Towards you.
His eyes were black.
Stars burned within them.
Something moved through your body like lightning.
You jerked violently.
Hob caught your shoulders.
âLook at me.â
The vision vanished.
You stared at your father.
His mouth was moving, but you could not hear him properly.
Beneath the ordinary noise of the pub came thousands of other sounds.
Breathing.
Whispering.
Crying.
Laughter from distant rooms.
The rustle of wings.
You felt the sleeping city.
Not as individual people, but as a vast ocean of minds moving beneath the surface of consciousness.
Dreams opened around you.
A child running through a forest made of glass.
An old woman dancing with her dead husband.
A man trapped in a room with no doors.
A girl standing beneath a red sky while something called her name from beyond a wall.
Then the connection snapped.
Sound rushed back into the New Inn.
Madeline pressed a folded cloth against your palm.
âAre you all right?â
You struggled to breathe normally.
âYes.â
âYou nearly collapsed.â
âI felt dizzy.â
Hob was staring at you.
Not only with concern.
Recognition.
Or the fear of recognising something he did not understand.
âDizzy how?â he asked.
You looked towards the shattered glass.
âLike a shock.â
âAn electric shock?â Madeline asked.
âNo.â
You swallowed.
The strange pressure was already fading.
âIt felt like something broke.â
*******
The Hour of Dreamâs Escape
Far beneath the northern edge of London, where the oldest tunnels had been sealed and forgotten, a bell rang once.
No hand touched it.
The sound rolled through the underground chambers, low and resonant, disturbing centuries of dust. Black candles flared within their iron stands. Symbols cut into the stone floor filled briefly with a dull red light.
At the centre of the chamber stood a basin fashioned from volcanic glass. Its surface had reflected nothing for more than one hundred years. Now it showed a broken sphere.
Cracks spread through the glass prison like lightning trapped in ice. Within it, the pale figure who had sat unmoving for generations lifted his head.
The magicians surrounding the basin fell silent. Some knelt. Others stepped back, unable to endure the sight of the being imprisoned within the vision. Azazel remained standing.
His shape was scarcely contained by the chamber. He appeared as an absence in the rough outline of a man, a depth of darkness into which the candlelight vanished. Three mouths opened where a face might have been, each revealing another blackness behind it.
In the basin, the binding circle beneath the sphere was broken.
Dream of the Endless emerged in a storm of darkness and sand.
Azazelâs three mouths smiled.
âIt is done.â
The words seemed to come from beneath the floor.
One of the human magicians lowered her head.
Symbols had been burned into the skin around her eyes so that she might look upon beings from other realms without losing her sight.
Even so, she did not look directly at Azazel.
âThe Dream Lord is free.â
âHe is.â
The image within the basin changed.
Dream stood in the ruined cellar, naked, starved and terrible. His tools were gone, his power diminished after more than a century of captivity.
Yet the humans in the chamber trembled merely from witnessing his reflection.
A demon crouched near the basin. Its body was narrow and grey, its arms long enough for its claws to scrape the floor.
âThen the prophecy may begin.â
Azazelâs central mouth opened.
âThe prophecy began before the first of these mortals learned to name the stars.â
The demon bowed its head.
âThen it may take root.â
At that, the basin trembled.
For a moment, another image appeared beneath the reflection of broken glass.
A young woman stood behind the bar of a public house. Blood ran over her hand. Her face was pale with shock, and behind her stood an immortal man who did not yet understand what he had taken into his home.
The image vanished almost immediately.
The female magician looked towards Azazel.
âHe felt her.â
One of Azazelâs mouths smiled.
Another remained still.
The third spoke.
âHe felt that something touched the boundary of his prison.â
âWill he search for her?â
âHe already started.â
The candles nearest the basin bent towards Azazel.
âHe sought her among the dreamers. He found no door, no path and no mark by which her mind might be entered.â
Azazel extended one shadowed limb above the basin. The water darkened, concealing the young woman completely.
âThe opening was brief. The magic that held an Endless tore through several boundaries when it failed. The concealment weakened for no more than a breath.â
Another demon looked back at the basin then and Dreamâs image emerged again. He stood over Alex Burgess, preparing a punishment that would last beyond waking.
âWhy free him now, not later?â
The three mouths closed.
For several moments, only the faint grinding of stone could be heard.
Azazel moved around the basin.
The magicians lowered themselves further as his shadow passed over them.
âBecause the girl approaches the twenty-first year of her mortal life.â
The woman waited.
âHer power will begin to reveal itself.â
âIt already has,â said the long-limbed demon. âThe accidents. The music.â
Azazelâs darkness surged.
The demon flattened itself against the floor.
âFragments,â Azazel said. âInstinct without understanding. A door moving in its frame, but not yet open.â
He turned his attention back to the magician.
âSoon the signs will become more difficult to conceal. Creatures of Hell will sense her. The servants of the Silver City will recognise the wound in creation from which she came. Even mortals will begin to understand that she is not one of them.â
The magicianâs expression shifted.
âAnd if Dream becomes to know what she is?â
The basin changed.
The young woman appeared again, but this time darkness moved beneath her skin. Behind her, for less than an instant, stood an enormous gate formed from iron, bone and fire.
âIf the Lord of Dreams knows what she is before he knows who she is,â Azazel said, âhe will destroy her.â
The magician stared at the vision.
âBecause she belongs to Hell?â
âNo.â
The denial came from all three mouths.
The candles guttered.
âDream does not kill merely because a creature is infernal. Hell and the Dreaming have existed beside one another since before men imagined either realm.â
Azazelâs form rose higher, nearly brushing the vaulted ceiling.
âHe will destroy her because she is a breach in the order of things.â
The stone symbols beneath him glowed.
âA living wound between realms.â
The basin showed borders folding into one another.
The waking world bled into a red and burning landscape. Human cities stood beneath a sky without sun. Towers of Heaven withdrew behind gates of silver while demons passed freely across lands that had never belonged to them.
âHer existence threatens the balance that even the Endless must preserve.â
The female magician spoke softly.
âDream is not guardian of the balance.â
Azazelâs middle mouth curved.
âNo. But he is bound to it.â
The right mouth opened.
âDream is not a creature who possesses a duty.â
The left joined it.
âHe is his duty.â
The three voices came together.
âSo, if he recognises the breach before attachment clouds his judgement, he will fulfil his function,â Azazel said. âHe will mourn her if he believes mourning appropriate. He may resent those who made the act necessary. But he will end her life, and the balance will remain.â
The magician looked towards the basin.
âThen we require him to meet her while she still appears only human.â
âYes.â
âBefore the breach matures.â
âBefore he can name it.â
The long-limbed demon lifted its head cautiously.
âYou believe the Dream Lord will fall in love with her? A mortal woman?â
Azazel turned.
For once, none of his mouths smiled.
âBelief is for fools.â
A pause followed.
âBut yes. It would not be the first time the Lord of Dreams has loved a mortal.â
The demon glanced towards the dark water.
âAnd this is what the prophecy promises?â
âThis is what I understand it to require.â
Azazelâs shadow stretched across the floor.
âHe must love her before he understands the danger she represents. Before he sees the breach rather than the woman. Before duty becomes the only choice available to him.â
âThen the prophecyââ
Azazel moved closer to the basin.
âThen the prophecy shall be fulfilled.â
The black water began to ripple.
Words appeared across its surface, written in no mortal language, yet understood by every being within the chamber.
A voice spoke from nowhere.
First came the voice of a maiden.
Then that of a mother.
Then an old woman whose breath rattled at the edge of death.
When the King of Dreams gives his heart to the Child of the Wound, that which sleeps within her shall wake. The breach shall flower beneath the shadow of his love. The walls of Hell shall cease to be walls. And Hell shall become all that Heaven has not claimed.
@adrifttinthedreaming @deeplyenchantedsabotage @janeeyree @mamawiggers1980 @novemberschy @zafirina12 @justkonutoh @uniquehijo @happyendingarentreal @leah-halliwell92 @therealmhs @park-byun-meluna-blog @kmc1989 @assaariii
Call It Method (Part 89) - Rewrite
Pairing: Tom Sturridge x Reader
Warnings: Age Gap, Enemies to Lovers, Secret Relationship, Possibly Unexpected Circumstances, Playboy Tom, Bi Tom, Bi Reader, Smut (MM)
By ten forty-five, you and Tom were showered, warm and waiting.
You had both put on the hotelâs white robes, though yours was tied badly enough that Tom had already retied it twice.
The television played quietly across the sitting room. Neither of you had paid attention to it for at least fifteen minutes.
Tom sat at the end of the sofa with one ankle resting over his knee, attempting to look as though he were entirely relaxed.
He was not.
You were beside him, checking the time again.
âIt has only been thirty seconds,â Tom said.
âI wasnât checking the time.â
âYou opened your phone and looked directly at the time.â
âI might have received a message.â
âYou didnât.â
You opened your conversation with Frank.
Ready for you. Didnât bother getting dressed.
Before Tom could object, you leaned into him, lifted the phone and took a photograph.
Both of you were flushed from the shower, wrapped in white robes with damp hair. Tom looked suspiciously at the camera while you smiled against his shoulder.
You sent it.
Tom stared at you.
âYou sent him a photograph?â
âYes.â
âWithout warning me?â
âYou looked handsome.â
âI looked confused.â
âYou often do. Itâs part of your appeal.â
His phone vibrated almost immediately.
Frank had replied to the group conversation.
Fifteen minutes. Try to survive.
You showed Tom.
He looked toward the door.
âFifteen minutes?â
âYou knew he was coming at eleven.â
âYes, but now there is a countdown.â
âYouâre nervous.â
âI am not nervous.â
âYouâve looked at that door four times.â
âIâm ensuring it remains closed.â
âUntil Frank opens it?â
Tom looked at you.
âYou are enjoying this far too much.â
You shifted closer and kissed the edge of his jaw.
âIâm newly engaged. Iâm enjoying everything too much. Especially watching my fiancĂ© get nervous because he knows thereâs going to be fantastic sex.â
His expression softened despite himself.
âThat is a concerning defence.â
âItâs going to cover a lot of behaviour.â
âI suspected it might.â
At precisely eleven, there was a small knock.
Not the loud, confident knock Frank usually used.
Three quiet taps, followed by silence.
You were on your feet before Tom had even unfolded himself from the sofa.
âSubtle,â he murmured.
You opened the door just far enough to see Frank standing in the corridor.
He wore one of the hotel robes, tied loosely at his waist. His hair was still slightly damp from the shower, and a bottle of champagne hung from one hand.
For one second, you simply looked at him.
Then you smiled.
âHello, handsome.â
Frank stepped through the doorway, and you caught the front of his robe before he could say anything.
You kissed him.
There was no longer the uncertainty that had existed the first time.
During the previous encounter, something had changed between you. Kissing Frank had stopped feeling like an extension of whatever was happening with Tom and become something you wanted for itself.
Frankâs free hand settled against your waist.
The kiss remained slow, warm and teasing, but familiar now.
Comfortable.
When you drew back, his mouth curved.
âThat is considerably friendlier than the welcome I expected.â
âYou brought champagne.â
âI see. My personality remains irrelevant.â
âEntirely.â
You took the bottle from him and closed the door.
Tom was standing beside the sofa, watching both of you.
Frank looked toward him.
For a moment, neither man spoke.
Then Frank crossed the room.
Tomâs mouth twitched.
âYouâre wearing the same robe.â
âItâs a hotel, Thomas.â
âYou could have put on clothes.â
âSo could you.â
âI was instructed not to.â
Frank stopped directly in front of him.
âYou have always been remarkably obedient.â
Tom opened his mouth to reply.
Frank kissed him before he could.
You leaned back against the closed door and watched.
Frankâs hand moved to the side of Tomâs neck. Tomâs fingers caught loosely at Frankâs waist, drawing him closer as the kiss deepened.
The sight of them still affected you with startling immediacy.
The contrast between them.
Frankâs deliberate confidence and Tomâs initial restraint, which never survived for long.
You sighed softly.
Both men heard.
Frank drew back only slightly, his forehead still near Tomâs.
You crossed the room.
âThatâs always so unbelievably hot.â
Tom looked at you, already flushed.
âYour contribution is invaluable.â
âIâm appreciating you.â
âVery loudly.â
Frank glanced toward the wall.
âNot loudly enough to wake anyone at least.â
âYet,â Tom said.
You stood between them and kissed Tom.
Frank remained close, one hand resting against your back.
When you turned, he kissed you again.
For several minutes, the three of you exchanged slow kisses and quieter laughter, hands moving over soft robes and warm skin without urgency.
It felt different this time.
Less like crossing an uncertain boundary.
More like returning to something the three of you already understood.
Eventually, Frank rescued the champagne from where you had abandoned it on the table.
He inspected the label.
âI stole this from the case in my room.â
Tom sat down on the sofa.
âArthur gave you an entire case?â
âNo. I brought it.â
âYou travelled with a case of champagne?â
âI got it on the way.â
Frank began opening the bottle.
âSome of us prepare appropriately.â
You found three glasses while Tom watched Frank wrestle carefully with the cork.
âDo not make it explode,â Tom warned.
Frank glanced at him.
âI know how to open champagne.â
âYou once put a cork through a lampshade.â
âThat lampshade was badly positioned.â
The cork released with a restrained pop.
All three of you froze.
You looked toward the door.
Silence remained in the corridor.
Frank began pouring.
âExcellent,â he murmured. âNo immediate parental investigation. Because that would sure be awkward now.â
You accepted a glass.
Tom accepted another.
Frank raised his own.
âTo your engagement.â
You looked toward Tom.
Tom looked at you.
Your ring caught the light between you as you lifted your glass.
âTo our engagement,â Tom said.
Frankâs teasing expression softened.
âAnd thank you,â he added, âfor apparently still allowing me to participate in whatever this is.â
Tom lowered his glass slightly.
Frank continued before either of you could respond.
âI realise an engagement traditionally suggests a greater degree of respectability.â
You laughed.
âTrust me. We appreciate you being part of our lack of respectability.â
Frank looked at Tom.
âAnd you?â
Tom held his gaze for a moment.
âI would hardly have let you cross the corridor wearing nothing but a robe if I didnât.â
Frank smiled.
âThat is almost sentimental.â
âDonât ruin it.â
They drank.
You placed your glass down first.
Then you loosened the belt of your robe.
Tomâs attention shifted immediately.
Frankâs followed.
You let the robe slip from your shoulders and fall onto the sofa behind you.
Neither man spoke.
You looked between them.
âBoth of you are being very obvious.â
Tom swallowed.
Frankâs gaze moved slowly back to your face.
âYou took your robe off and evidently wear absolutely nothing underneath.â
âYes.â
âAnd now youâre criticising us for looking?â
âIâm observing your enthusiasm.â
You stepped closer and reached for the belts of their robes, one hand resting against each.
âHm.â
Tom looked down at your fingers.
Frank raised an eyebrow.
You smiled.
âHow about these come off so I am not the only one naked?â
Frank untied his immediately.
Tom looked at him.
âYou could at least pretend to consider it.â
âI considered it in the corridor.â
You laughed as Frankâs robe joined yours.
Tom shook his head, but his own followed a moment later and, just as it did, Frank leaned closer to your ear.
âI have an idea.â
His voice was barely more than a whisper.
Your breath caught as his warm lips brushed the shell of your ear, the secret heat of his words seeping into your skin.
âWhat do you think if we share him for a whileâboth of us going down on himâand see how long he can stay quiet?â Â Frank breathed, the promise coiling low in your belly.
A shudder ran through you, your nipples tightening almost painfully at the thought of it.
âHmm. That sounds fabulous,â you whispered back as your fingers wrapped around Frankâs rigid length. He was so hard, the skin velvety over iron, a pearl of moisture already slicking the tip. You squeezed gently, feeling him pulse against your palm.
Then your eyes darted toward Tom. He stood tense, his own cock jutting thick and proud, the swollen head glistening with a bead of pre-cum that caught the dim light. His chest heaved, the muscles of his abdomen tightening with every ragged breath. His gaze was sharp, suspicious, but his body betrayed him entirelyâhis cock throbbed visibly, a desperate, needy thing.
âWhat did he say?â Tom demanded, his tone a volatile mix of impatience and raw, aching want. You let a slow, wicked smile curve your lips, your fingers stroking Frankâs shaft in a lazy, torturous rhythm, your thumb circling the frenulum with practiced ease.
âNothing,â you murmured, watching the way Tomâs jaw tightened, the way his fingers curled into fists at his sides.
âThat was not nothing,â he shot back, his voice cracking at the edges, the hunger bleeding through.
Frank looked at him with infuriating calm, reaching down to cover your hand with his own, guiding your strokes faster, harder. âI was wondering whether you are capable of behaving yourself,â he said, smooth as aged whiskey, but his eyes were ablaze, pupils blown wide with lust.
Tomâs eyes narrowed, his hips jerking forward involuntarily, as if his body couldnât help but seek friction. âThat depends entirely upon what you are proposing,â he countered, though the words came out strained, almost a plea.
Frank stepped nearer, still holding your hand on his cock, and lowered his voice to a husky whisper that seemed to wrap around all three of you like a velvet rope.
âYou shall see, Thomas,â he whispered to Tom just as your free hand reached forward, almost of its own accord, fingers curling around the thick, hot length of Tomâs cock too now.
 He gasped, a harsh intake of breath, as your palm made contact.
Both of themâso impossibly hard, throbbing in your grip like wild, separate heartbeats.
You squeezed them simultaneously, feeling the contrasting textures: Frankâs silky, veined shaft; Tomâs thicker, more bullish girth.
A low groan tore from Frankâs throat, and then his hand was tangling in your hair, tilting your head back. He captured your mouth in a kiss that was all dominance and liquid heat. His tongue slid against yours, hot and insistent, tasting of dark promise and raw hunger.
He explored you thoroughly, his lips moving over yours with a possessive rhythm, his teeth grazing your lower lip before sucking it into his mouth. You moaned into him, your pussy clenching around nothing, your hands still pumping both cocks with greedy, eager strokes. Saliva slicked your chin as he kissed you deeper, harder, until you were dizzy with it. When he finally broke the kiss, you were panting, your lips swollen and wet, a strand of spit connecting you.
Then Tomâs hand was on your jawâurgent, demandingâtilting your face toward him.
âMy turn,â he growled, his voice ragged and almost sullen with need. He kissed you with a fierce, almost desperate fever. His mouth was ravenous, his tongue thrusting deep as if he wanted to climb inside you, to claim every corner. You could taste his frustration on his lips, the salt of his sweat, the bitter edge of his unspent lust.
You stroked him harder, twisting your wrist on the upstroke, your thumb smearing the slick pre-cum over his flared tip. He groaned into your mouth, a sound that vibrated through your entire body, and his cock twitched so violently in your grip that you felt it throb against your palm. When he finally released you, gasping, your lips were tingling, your chin wet.
Then you pulled them togetherâyour hands moving from their cocks to the backs of their necks, guiding their faces toward each other.
âLet me watch you kiss,â you whispered, your own voice thick with desire.
And they did.
It started as a soft, exploratory brush of lips, a tentative meeting. Then Tom made a soundâa low, broken moanâand Frankâs restraint shattered.
The kiss turned ravenous. Their mouths opened, tongues tangling wetly, sliding against each other in a dance of pure carnality. Frankâs hand slid around Tomâs neck, pulling him closer, his thumb stroking the racing pulse point. Tomâs hands roamed down Frankâs back, fingers digging into the firm muscle, grabbing his ass, pulling their hips flush so their cocks pressed together in a hot, hard tangle. You watched their jaws work, heard the slick, filthy sounds of their mouths moving togetherâthe wet clicks, the harsh breathsâand it was the most erotic thing you had ever witnessed.
Your pussy throbbed, drenched now, and you let your free hand trail down your own belly, slipping between your legs to feel the damp heat. They kissed like they were starving, like they had been waiting years for this, and you just stood there, a voyeur and a participant, dripping with want.
But Frank broke away first, his lips pink and shining, a smear of Tomâs saliva on his chin. âEnough,â he panted, his voice thick and roughened with authority.
âTomâsit on the bed. Now.â
Tom didnât hesitate. He stumbled backward, his body moving on pure animal instinct, and sat on the edge of the mattress. The springs groaned under his weight. His legs spread wide automatically, an open invitation, his cock standing straight up, slick and shining under the soft light, a steady bead of pre-cum dribbling down the underside.
The sight made your mouth water.
You dropped to your knees without being told, the carpet soft against your skin, and Frank settled beside you. His shoulder pressed warm and solid against yours, a pact of shared purpose. You exchanged a lookâa slow, knowing glance full of filthy promiseâand then both of you leaned forward.
You made the first move, wrapping your lips around the swollen head of Tomâs cock. The taste of his pre-cum burst on your tongueâsalty, musky, uniquely him. You moaned softly, the vibration traveling down his shaft, as you suckled gently, savoring the flavor.
Frankâs hand came up to rest on the back of your head, his fingers tangling in your hair, not forcing but gently guiding the rhythm. You bobbed your head slowly, taking him deeper with each descent, your tongue swirling around the ridge, tracing the thick vein on the underside.
Tomâs breath hitched, a strangled animal sound escaping his throat.
âOh, fuck,â he whispered, his fingers flying to grip the sheets, twisting the fabric in white-knuckled fists.
Tou hollowed your cheeks, sucking harder, and his hips bucked up off the bed, driving his cock deeper into your throat. You took him, relaxed your jaw, let him fill you.
Then Frank nudged you aside gentlyâa soft pressure on your shoulderâand you released Tom with a wet, slurping pop, your lips leaving a slick, shiny trail down his length. A string of saliva connected you to his cockhead for a glistening moment before breaking.
Frank didnât pause. He swallowed Tomâs cock whole in one smooth, practiced motion, his throat opening to take him deep, his nose pressing against the wiry hair at the base.
Tom cried out, a broken, almost pained moan that echoed off the hotel walls.
âYes, like that, donât stop, please donât stop,â he begged, his voice climbing higher, cracking on the last word. Frank pulled off with a smirk that was pure sin, his chin shiny with saliva and pre-cum, his lips swollen.
âQuiet, Thomas,â he reminded, his tone a dark, teasing caress. Then he nodded to you.
You dipped lower, your mouth abandoning his shaft to find his heavy, full balls. You licked them first, a broad, flat stroke of your tongue over the wrinkled, sensitive skin, feeling them tighten and draw up. Then you sucked one into your mouth, rolling it gently, letting the weight of it rest on your tongue. Tom keened, a high, helpless sound.
Meanwhile, Frank went back to work on Tomâs cock with renewed fervor, his head bobbing in a steady, relentless rhythm, his hand stroking the base of the shaft in counterpoint. Tom squirmed above you, his body trembling, his thighs quivering on either side of your heads. You released his sac and lapped lower, your tongue tracing a wet path over his perineum, the taut skin behind his balls, while Frank continued his merciless sucking. The taste of Tomâs skin was intoxicatingâraw salt, clean sweat, pure male muskâand you couldnât get enough.
You moved back up, your lips chasing Frankâs as they slid along Tomâs slick, spit-shiny cock. You found an obscene rhythm together: your tongue lapping at the sensitive frenulum while Frank hollowed his cheeks around the shaft; then Frank taking him deep into his throat while you licked and kissed the flared head.
Tomâs hands were in your hair now, both of you, grabbing fistfuls, his body drawn taut as a bowstring.
âI canâtâyouâre going to make me come,â he gasped, his voice ragged, splintered, a desperate plea. But neither of you let up.
Frank urged him further onto the bed with a push to his hip, guiding Tom until he was sprawled on his back, his legs spreading wider, his knees drawing up toward his chest after Frank placed them there in a posture of utter, beautiful submission.
âGood boy,â Frank muttered before he shifted position, crawling onto the bed behind Tomâs upraised hips. He hooked Tomâs legs over his shoulders, and you saw the feral hunger in his eyes as he spread Tomâs cheeks apart with both hands, revealing that tight, puckered hole.
The sight made your pussy clench, a fresh flood of arousal soaking your thighs.
Meanwhile, you positioned yourself between Tomâs lifted thighs, your mouth sinking onto his cock once more. You took him deep, your throat relaxing to accommodate his girth, your tongue pressing flat against the pulsing vein on his shaft. Your hand cradled his balls, rolling them gently, tugging.
Then Frankâs head dipped, and his tongue was thereâa broad, wet lash across Tomâs asshole.
Tom screamed, a desperate, keening sound that seemed to tear from the depths of his chest. His hips bucked wildly, nearly dislodging you, but you held on, sucking harder.â
âFuck!â he shouted, forgetting every pretense of silence, his voice raw and broken.
Frank rimmed him with wet, hungry strokes, his tongue probing and circling, the tip dipping just inside the tight ring before retreating to lap and kiss. His fingers stroked the sensitive skin around Tomâs balls, teasing, tracing patterns that made Tom writhe and sob. You sucked Tomâs cock with wet, slurping sounds, your head bobbing in a messy, spit-soaked rhythm, your hand tightening around his sac. Tomâs body was one giant nerve ending, every touch, every lick, every suck sending electric jolts through him. Frankâs tongue worked deeper, his moans vibrating against Tomâs hole as he ate him out with a feverish, devoted intensity.
Tomâs cries grew louder, more incoherent, his entire frame quivering under your dual assault.
âPlease, Iâm going to come,â he begged, his voice splintering into a sob.
Frank lifted his head just long enough to speak, his voice a gruff, authoritative rasp against Tomâs sensitive skin.
âDonât swallow it. Hold it in your mouth.â
Then his tongue dove back in, his fingers now teasing Tomâs rim alongside his mouth, one digit breaching just slightly, while your lips worked Tomâs cock with desperate, slick precision.
You felt the changeâTomâs entire body went rigid, every muscle locking. His cock swelled impossibly harder against your tongue, the thick vein on the underside pulsing in a frantic, desperate rhythm.
You felt the first hot spurt of his cum hit the back of your throatâsalty, bitter, thickâand you moaned around him, the vibration dragging a broken sob from Tom's chest. His hips bucked up violently, driving his cock deeper, and you swallowed reflexively, your throat gripping him as he emptied himself into your mouth. Rope after rope of hot cum flooded your tongue, and you held it there, exactly as Frank had instructed, letting it pool and fill your cheeks until you thought you might overflow.
"Fuck, fuck,"Â Tom wailed, his voice cracking into something almost animal, his fingers twisted so tight in your hair that your scalp burned. His entire body convulsed, his thighs clamping around your head, his balls drawing up tight against his body as you milked him with your mouth.
Frank's tongue never stopped, still lapping at Tom's asshole, still probing and circling, drawing out every last shudder, every last spasm. Tom's cock jerked on your tongue, spilling the final weak pulses of cum, and then he collapsedâutterly spent, chest heaving, skin slick with sweat, limbs trembling like a fawn's.
You pulled off slowly, your lips sealed tight, your mouth full of his release. The taste of him was everywhereâsalt and musk and something uniquely Tom, an intimate flavor you'd come to crave.
You turned your head toward Frank, your eyes meeting his over the landscape of Tom's wrecked, quivering body. Frank withdrew his mouth from Tom's asshole with a final, lingering lick, his chin glistening, his lips swollen and pink. He crawled up the bed, his movements predatory and graceful, until he was kneeling beside you. His hand came up to cup your jaw, his thumb brushing over your stretched, cum-filled cheek.
"Show me," he murmured, his voice thick with hunger. "Let me see."
You opened your mouth, your tongue coated white with Tom's cum, the thick fluid pooling in the well of your tongue. Frank's eyes darkened, his pupils swallowing the iris, and a low, guttural sound escaped his throatâsomething between a growl and a moan.Â
âBeautiful,"Â he breathed. His hand slid from your jaw to the back of your neck, pulling you closer and then he kissed you.
It wasn't gentle. It was a claimingâhis mouth slanting over yours, his tongue thrusting inside to scoop up Tom's cum. You felt the slick heat of it passing between your mouths, the obscene slide of tongues and cum and saliva.
Frank groaned into the kiss, a deep, satisfied sound, and you felt his throat work as he swallowed. Then his tongue was back, pushing more of the salty fluid into your mouth, insisting you take your share.
You swallowed too, the taste of Tom's release sliding down your throat, warm and intimate. The kiss deepened, grew messier, cum-slick lips sliding together, teeth clicking, breath coming in harsh, ragged gasps. Your hand found Frank's cockâstill achingly hard, the tip wet with his own pre-cumâand you stroked him as you kissed, feeling him pulse against your palm.
Behind you, Tom made a sound.
It was barely a word, more a breathless exhalation of pure, reverent awe.Â
"That's..." he started, then stopped, swallowing hard. His voice was wrecked, hoarse, barely more than a whisper. "That's the hottest thing I've ever seen."
Frank broke the kiss, a string of cum and saliva stretching between your lips before snapping. He turned to look at Tom, and the smile that curved his mouth was pure sin. "We're not done with you yet," he said, his voice a dark promise.
He turned back to you, his hand sliding from your neck down your spine, his fingers tracing the curve of your ass before he gave orders to Tom again.
He looked at Tom with an expression of pure, commanding authority. The shift was immediateâthe playful edge sharpening into something more primal. "On your hands and knees," he then instructed your fiancĂ©, his voice low and steady. Not a request. A command.
Tom's eyes widened, a flicker of defiance sparking in them, but his body was already movingâobedience carved into his muscles by months of knowing exactly what that tone meant. He rolled onto his stomach with a grunt, then pushed himself up onto his hands and knees, his back arching, his ass rising into the air like an offering. The position was obscene: his thighs spread, his spent cock hanging heavy between them, his asshole still slick and glistening from Frank's earlier attention.
He looked over his shoulder, his jaw set, his cheeks flushed with a mix of embarrassment and arousal. "Happy?" he muttered.
Frank ignored the attitude entirely. Instead, he turned to you, gesturing toward the nightstand.
âRight, yes,â you chuckled before you scrambled off the bed, your legs trembling, your own arousal a throbbing ache between your thighs. The drawer slid open, and you fumbled past a tube of lube and a small vibrator until your fingers closed around the foil wrapper. You grabbed two, just in case, and crawled back onto the mattress behind Tom's prone form, your heart hammering against your ribs.
Frank had moved into position behind Tom, his cock jutting out hard, a pearl of pre-cum beading at the tip. He took the condom from your hand, tore it open with his teeth, and rolled it down his length with practiced efficiency. The latex gleamed wetly in the low lamplight, stretched tight over every ridge and vein.
Then he looked at you, his dark eyes burning. "Hold him open for me," he said, his voice a rough whisper, knowing very well that this was what you liked the most.
Your hands were shaking as you reached for Tom's ass. He flinched slightly when your fingers made contact, but then he exhaled, forcing himself to relax. You gripped the firm, rounded cheeksâstill warm, still slightly damp from Frank's mouthâand pulled them apart, exposing the tight, puckered ring of his asshole.
The sight of it made you moan aloud, a soft, guttural sound you couldn't hold back. It was so intimate, so vulnerable, the way the pink flesh clenched and fluttered under your gaze, still glossy and loose from Frank's tongue. You could see the faint sheen of saliva, the slight swelling of the rim, and the idea of Frank's cock sliding into that tight, wet heat made your pussy clench around nothing.
"God, look at you," you breathed, your voice barely audible. "You are so ready for him.â
Frank leaned forward, his chest pressing against Tom's back, his lips hovering over the curve of Tom's shoulder. He kissed the skin there, slow and tender, a stark contrast to the raw dominance in his posture. "I like how obedient you can be," he whispered against Tom's flesh, the words a warm tickle of breath. "When you want to be."
Tom's head whipped around, his eyes blazing. "Oh, fuck off," he snapped, but the words came out strained, breathless, entirely lacking conviction. His cock twitched between his legs, belying everything.
You both laughedâyou and Frankâa shared, conspiratorial sound that only deepened the flush spreading down Tom's neck. It wasn't mockery; it was delight. The sheer joy of how easily Tom's bravado crumbled when he was naked and exposed and exactly where he wanted to be. Frank pressed another kiss to his spine, then straightened, lining his cock up with the entrance you held open.
"Watch," Frank said, and it took you a moment to realize he was speaking to you.
"Your fiancée loves watching my cock in your ass, doesn't she, Thomas?"
He didn't wait for an answer. The thick, latex-sheathed head of his cock pressed against Tom's hole, and you held your breath, your fingers still spreading Tom wide, your eyes locked on the point of contact. Frank pushed, and the ring of muscle resisted for just a heartbeat before yielding, sucking him in with an obscene, wet sound. Tom let out a strangled groan, his arms buckling, his forehead dropping to the mattress. Frank sank deeper, inch by inch, until his hips were flush against Tom's ass, and you could see the way Tom's body stretched to accommodate him.
"I do," you said, answering Frank's question, your voice thick with lust. "Fuck, I do. I love it. I could come just from watching this."
Frank's eyes snapped to yours. His thrusts stilled, his cock buried to the hilt inside Tom's ass, and his voice was sharp as a blade. "Don't." The single word was a command, absolute and unyielding. "Not yet.â
A whimper escaped your throat, but you nodded, your fingers still gripping Tom's cheeks, holding him open as Frank began to move. He withdrew slowly, deliberately, until only the tip remained inside, then slammed back in with a force that drove a gasp from Tom's lungs. You watched, mesmerized, as Frank's cock disappeared again and again into that tight, gripping heat, the condom glistening with lube and Tom's own slickness. Tom's moans were muffled against the sheets, his hands fisting in the blankets, his body rocking forward with every punishing thrust.
You did this for a while, holding your fiancé open for his lover while you watched.
But eventually Frank stopped. He pulled out completely, his cock slick and throbbing, and Tom whimpered at the sudden emptiness. Frank looked at you, then at Tom, a slow, wicked grin spreading across his face. "Turn over," he said. "On your back. You're going to fuck your fiancée while I fuck you."
The rearrangement was fast, frantic, driven by pure need. Tom rolled onto his back, his cock already so hard again, flushed a deep, aching red. You climbed over him, your knees bracketing his hips, and he guided himself to your entranceâbare, no condom, just skin to skin. The first press of his cock against your soaked pussy made you both gasp. You sank down onto him slowly, feeling every inch stretch you, fill you, complete you. Tom's hands gripped your hips, his eyes rolling back, his mouth falling open in a silent cry.
Then Frank was behind you, kneeling between Tom's spread thighs. You glanced over your shoulder, and Tom's gaze followed yours, locking onto Frank's face as he lined himself up again. You saw the exact moment Frank pushed insideâsaw it in the way Tom's eyes flew wide, his jaw clenching, his whole body tensing beneath you.
"Oh, fuck," Tom breathed, his voice cracking. "Oh, fuck, both of youâ"
Frank's cock sank deep into Tom's ass, and you felt the ripple of it through Tom's body, the way his hips bucked up into you involuntarily. You were pinned between them now, filled by Tom, watching Tom be filled by Frank, and the thought of itâthe sheer filthy perfection of itâmade your head spin. "The thought of you having Frank's cock in your ass while you fuck me," you said to Tom, your voice a ragged gasp, "it's so hot. So fucking hot."
You began to move, riding Tom in slow, grinding circles, and Frank matched your rhythm, thrusting into Tom with deep, steady strokes. Every push from Frank drove Tom deeper into you; every clench of your pussy around Tom made him clench around Frank. It was a feedback loop of pleasure, a chain of sensation that connected all three of you in a single, undulating wave. Tom's face was a masterpiece of tormentâbrows drawn together, lips parted, eyes glazed and unfocused. You watched him, watched the way his features contorted every time Frank bottomed out inside him, and it was the most erotic thing you'd ever seen.
Your orgasm built fast, too fast, a pressure coiling at the base of your spine. "I'm going to come," you panted, your nails raking down Tom's chest. "I can'tâI can't hold itâ"
"Come," Frank growled from behind you, his voice strained with his own impending release. "Come on his cock while I'm inside him. Let go."
The permission shattered you. Your climax crashed over you like a wave, your pussy clamping down on Tom's cock in rhythmic, pulsing contractions, your entire body arching, your cry swallowed by the thick air of the room.
Tom felt itâfelt you milk himâand with a broken sob, he thrust up into you one last time and came, his cock pulsing hot and thick inside you, filling you with his release, his body shuddering beneath yours. The sensation of his cum flooding your channel pushed another aftershock through you, and you collapsed forward, your forehead pressing against Tom's chest.
Frank wasn't far behind. You felt the change in his rhythm, the way his thrusts turned erratic and desperate, and then he was coming too, a low, guttural groan tearing from his throat as he emptied himself into the condom buried deep in Tom's ass. His hips jerked, his fingers dug into Tom's thighs, and then he stilled, panting, his body draped over both of you like a heavy, satisfied weight.
For a long moment, no one moved. The room was filled with the sound of ragged breathing, the scent of sex and sweat, the heat of three bodies tangled together. Tom's hand came up to rest weakly on the back of your head, his fingers threading through your hair. Frank pressed a kiss to your shoulder, then to Tom's knee, his lips gentle now, the dominance fading into tenderness.
Eventually, the three of you untangled.
It took considerably longer than it should have.
Every attempt to move resulted in someone complaining, laughing or dragging someone else back down. Tom remained flat on his back for several minutes, staring at the ceiling as though reconsidering every decision that had brought him to this point.
You rested against his chest, listening to his heartbeat gradually slow.
Frank lay beside him, one arm thrown loosely across Tomâs stomach.
âNo one speak,â Tom murmured.
You lifted your head.
âWhy?â
âI have temporarily lost the ability to participate in conversation.â
Frank glanced across him at you.
âHe becomes dramatic when heâs had a good orgasm.â
Tom closed his eyes.
âI am lying between my fiancĂ©e and a man who has spent most of the evening issuing instructions. I believe I have earned some drama.â
âYou enjoyed the instructions,â you said.
âThat is irrelevant.â
Frankâs hand moved lazily over Tomâs side.
âIt seems quite relevant.â
Tom turned his head toward him.
âI dislike both of you.â
You kissed his chest.
âNo, you donât.â
âNo,â he admitted. âUnfortunately, I really donât.â
That should have been the end of it.
It was not.
There was still champagne left, although it had gone warm by the time anyone remembered it existed. There was also an enormous bed, a locked door and absolutely no sensible reason to behave responsibly.
So you didnât.
Somewhere during the next hour, the glasses migrated to the bedside table and the duvet ended up almost entirely on the floor.
You lost track of the time while you had sex again, and again and a fourth time.
You only knew that the television was still playing quietly in the sitting room and that every so often one of you would remember how close the other guests were and attempt to enforce silence.
The attempts were not especially successful.
By the time the three of you finally surrendered to exhaustion, Tom was in the middle of the bed.
You were curled against his chest with one leg tangled through his, your engagement ring resting visibly against his skin.
Frank lay behind Tom, close enough that his arm rested across both of you.
For once, nobody made a joke.
The room had settled into darkness and quiet, the reckless energy of the night replaced by something softer.
Tomâs fingers moved slowly through your hair.
Frankâs breathing warmed the back of his shoulder.
You felt Tom turn his head slightly.
âYou all right?â he whispered.
You nodded against him.
âVery.â
There was a pause.
Then Frankâs sleepy voice came from behind him.
âAre you asking me as well?â
Tom sighed.
âYes, Frank.â
âIâm excellent.â
âOf course you are.â
You smiled without opening your eyes.
Tom pressed a kiss to your forehead.
Within minutes, all three of you were asleep.
It was shortly before seven in the morning when Frank woke.
The curtains had not been closed properly, and a thin strip of pale morning light stretched across the room. For several seconds, he did not appear to remember where he was.
Then he looked down.
You were still asleep against Tom, your cheek resting over his heart. Tomâs head had fallen slightly toward yours, his hair disordered and one hand still loosely curled around your waist.
Frankâs arm remained draped across Tomâs stomach.
He withdrew it carefully.
Tom shifted but did not wake.
Frank sat on the edge of the mattress and looked back at both of you.
His expression softened.
Then he glanced toward the clock and appeared to remember that he was supposed to be sleeping in another room entirely.
He stood, collected his robe from beneath the armchair and pulled it on. Finding the belt required several silent minutes and one muttered curse.
His champagne bottle remained on the table.
He considered it.
Then apparently decided that sneaking through the hotel at seven in the morning carrying an empty bottle would attract more attention than leaving it behind.
Frank crossed to the door and opened it only a fraction.
The corridor was silent.
He looked in both directions.
No movement.
No voices.
Nothing to suggest that anyone else was awake.
He slipped outside and closed the door without making a sound.
His room was only a short distance away.
It should have been easy.
What Frank did not notice was Denise standing at the far end of the adjoining corridor.
She had woken early because one of the children had demanded water and then refused to return to sleep. After finally settling them, she had stepped outside in search of coffee.
From where she stood, she had a clear view of your door.
She saw it open.
She saw Frank emerge wearing a hotel robe, his hair untidy and his bare feet moving quickly over the carpet.
She watched him pause outside the door, glance around and then cross directly to his own room.
Denise became perfectly still.
Frank disappeared inside.
His door closed.
For several seconds, Denise continued staring at the empty corridor.
Then her gaze returned slowly to your room.
Her expression changed.
Confusion first.
Then recognition.
Then the sharp, almost delighted look of someone who believed she had just discovered something she could use.
Inside, you remained asleep.
Tom remained asleep.
Neither of you knew that Frank had left.
And none of the three of you knew that Denise had seen him.
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