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@thepowerlife

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Felix Gonzalez-Torres, “Untitled” (Golden), 1995.
Plastic beads and metal rod, variable dimensions. The Solomon R. Guggenheim Museum, New York
There’s more than one multiverse, Shane Drinkwater
Dune Coffee Table, Studio Manda
Patio House, Sicily - Studio Solum

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Dan Flavin untitled (in honor of Leo at the 30th anniversary of his gallery), 1987
Joe Tilson, Labyrinth, (folded greeting card, screen-printed in color), Self-publishing, n.p., 1975/1976 [sent to the graphic designer Silvestro Bini] [Studio Bruno Tonini, Gussago (BS). © Joe Tilson]
Hans Hofmann (1880–1966) [USA + Germany] — ‘Gloria in Excelsis’, 1963. Oil on canvas (127 x 101.6 cm).
Felix Gonzalez-Torres, “Untitled” (Blood), 1982.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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via
Jiahong Zeng
Contemporary pastel pink house by Ehsan Danandeh
// surreal //
web instagram
by Georg Nickolaus

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Stone Vessel, Fartha, County Cork, Ireland,
The structure is a contemporary, experimental interpretation of Ireland's traditional communal "rambling houses"—historic village gathering spaces open to passers-by for storytelling, music, and poetry.
Most of the fieldstone used in the pavilion was quarried directly from the surrounding site and old farmsteads at Fartha. Harder regional limestone was brought in specifically for structural accents like the quoins and lintels.
A team of 15 professional stonemasons assembled the pavilion entirely by hand without structural mortar. They utilized a thousand-year-old corbelling technique, meticulously layering the stones inward until the roof met and completely closed over the chamber.
Completed in 2023 at Joseph Walsh Studio and designed by Sheila O’Donnell and John Tuomey.
https://gabrielmelcher.com/