‘’The Doom Generation’’ Poster Art
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‘’The Doom Generation’’ Poster Art

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James Turrel, Skeet, Installation, Fondation Cartier, 1990.
Tag der idioten's first and final shots
The Canyons
Lindsay series by Richard Phillips
these are incredible woah

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Contempt (1963) dir. by Jean-Luc Godard: “To know that one does not know, is the gift of a superior spirit. Not to know and to think that one does know, is a mistake. To know that this is a mistake, keeps one from making it. I have the knowledge here.”
~Le Mépris~
Love Streams (1984) dir. by John Cassavetes
David Marinos - Infinite
"I hope that when the world comes to an end, I can breathe a sigh of relief because there will be so much to look forward to."
Donnie Darko (2001)
Dir. Richard Kelly

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↳ What we have here is a dreamer. Someone completely out of touch with reality.
Un jour Pina a demandé/One day Pina asked, Chantal Akerman (1983)
Le Roi des Roses
Chiara and Louis

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Cindy Sherman, from Untitled Film Stills, 1977-1980
Other artists had drawn upon popular culture, but Sherman’s strategy was new. For her the pop-culture image was not a subject (as it had been for Walker Evans) or raw material (as it had been for Andy Warhol) but a whole artistic vocabulary, ready-made. Her film stills look and function just like the real ones—those 8-by-10-inch glossies designed to lure us into a drama we find all the more compelling because we know it is not real.
In the Untitled Film Stills there are no Cleopatras, no ladies on trains, no women of a certain age. There are, of course, no men. The sixty-nine solitary heroines map a particular constellation of fictional femininity that took hold in postwar America—the period of Sherman’s youth, and the ground-zero of our contemporary mythology. In finding a form for her own sensibility, Sherman touched a sensitive nerve in the culture at large. (via)