taylor price
Not today Justin

pixel skylines
Keni
Monterey Bay Aquarium
d e v o n
Xuebing Du
Lint Roller? I Barely Know Her
dirt enthusiast
Show & Tell

titsay

roma★
Cosmic Funnies
YOU ARE THE REASON
"I'm Dorothy Gale from Kansas"
we're not kids anymore.

shark vs the universe
🪼
tumblr dot com
styofa doing anything

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@theomaru

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I feel like zombie settings could do more to make slow zombies scarier in quiet, creeping ways. Zombies facing away from people. Walking backwards. Only moving if they're not seen. Holding a survivor but not hurting them. Motionless but their eyes follow you. Soundless horde.
"we have to accept the fact that the r word is coming back" NO WE DONTTTT NO WE DONT
world heritage post
its not nice to call someone light yagami
listening and learning

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i can do what has to be done
Me watching the GW3 announcement and just ... please
Doom bringer
taking my gamer dog out for a walkthrough
May I request a genderfluid Drift/Deadlock?
ty for reminding me i love drift actually <3

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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今日のカニギター
unfortunately i dont think its queerbaiting if the creator is just so terminally heterosexual that they never remotely considered the same gender relationship their show is centered around could be read as romantic. it is deeply painful however.
Maybe accidental queer baiting? The way someone may not mean to say something rude, but it may come off rude, so it's rude. Frustrating either way.
Not being a dick, just a friendly clarification.
By definition you can't accidentally queerbait. Queerbaiting is specifically using a same sex pair from the show to market the show to queer audiences with no intention of ever following through on a romantic relationship.
There is officially licensed Destiel merch signed off on by Kripke. Teen Wolf had a commercial with the actors for Derek and Stiles draped over each other talking about being "on a ship." Both shows actively used scenes between them as marketing while actively mocking fans for wanting them together. Sherlock has multiple characters refer to Johnlock as a couple, including characters we're supposed to believe are never wrong about human behavior and pushed those scenes in marketing. Then they acted insulted when fans saw them as a couple.
That's queerbaiting.
Done on accident it would just be queer subtext. Done because they had no other choice due to censorship is queer coding.
The specific meaning of the word is really starting to get lost and it's a pretty important one to keep accurate. It describes a very specific phenomenon that was done repeatedly and maliciously for decades and is meant to examine that specifically.
Doing it on accident sucks, but it isn't a tactic of capitalism intentionally intended to suppress queer representation while making money from queer fans.
every year i open up the sanrio character rankings and every year i am disappointed
Hello Kitty: Big City Dreams ♥ 2008
watching a youtuber learning how to play a video game you already know how to play is the worst form of ragebait

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“I love the way the player’s body moves in Bloodborne: You can fly in any direction like that, like a nervous little bird. If you want to be close, you are instantly close, and if you want to be away, you are instantly away. What a gift. Of course everything is violent and wants to touch you, but if you are perfect, you will not be touched. There is a little secret here which perhaps you can notice: When the ugly monster’s limbs reach out to touch the small human’s body, there is about a tenth of a second—maybe less— where her body is invincible. It doesn’t even matter if she’s geometrically in harm’s way or not. She is safe because she timed it right, was perfect. See, even in this very hard game, there is something wonderful and fair: The game doesn’t care about the way bodies actually intersect. If your timing was correct, it agrees: “You were not touched.” Many games hide that tiny moment of invincibility within quick movement, and it feels so kind just knowing, no mater how bad you are, that if you could fit every moment of pain in that one tenth of a second you could be invincible for the rest of your life. Sometimes I wish I had this power in real life. If I had it would mean never having to say ‘no’ in so many words, nor the confrontation that sometimes comes with saying no. But that perfect, flawless dodge is not sustainable—you have to be devastated so many times to get the timing so flawless. And here’s my bad secret: when I killed this one monster, I didn’t do it by dodging flawlessly, but by mashing some awful weapon in her side while her limbs were flailing and she could not hit me back. Unfair and problematic of me, I know. So often, games’ expressive qualities are limited to the violent motion of virtual bodies, yet they can be extremely articulate within that vocabulary. As much as I want to be an untouchable angel of forgiveness and grace with a bottomless well of compassion for all living things, I keep messing up that dodge and I think it’s making me a bitch.”
— Aevee Bee, “I love my untouchable virtual body” (via goodbyemisery)