leonard cohen, 1965.
Monterey Bay Aquarium

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@thenotsodamnede
leonard cohen, 1965.

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Chefchaouen, Morocco. Painting by MagĂ Puig. Spanish (Catalan) artist born 1966.
Genuine: The Tragedy of a Vampire (1920)
Fern Andra as Genuine
artist: haley tippmann
...on a mission
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Scottish Landscapes By Gustave Dore
some flowers for you, and you, and you
Countdown to Season 5
An old postcard from the marshes of Iraq

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Andrew Garfield about grief
Hand Knitted Crime Scene Caution Tape
SILVER SPRINGS Fleetwood Mac â The Dance (1997)
By 1997, Stevie Nicks and Lindsey Buckinghamâs romance should have been ancient history. The pair had split two decades prior, fueling Rumoursâ famously raw breakup anthems. But during a taping of a Fleetwood Mac reunion show later released as The Dance, shit once again got very real. Midway through a non-album rarity called âSilver Springs,â Nicks turned and faced her former flame as she sang the songâs rueful bridge: âTime cast a spell on you, but you wonât forget me / I know I could have loved you but you would not let me.â The pair locked eyes, and Nicks gradually built to a cathartic howl â âIâll follow you down âtil the sound of my voice will haunt you / Youâll never get away from the sound of the woman that loves youâ â indicating that, for her at least, resolution had never really come.
This was by design. Nicks has admitted that the fiery take on the song that appears in The Dance was âfor posterity,â as she told Rolling Stone at the time. âI wanted people to stand back and really watch and understand what [the relationship with Lindsey] was,â she later told Arizona Republic.
The trackâs primary exposure was as a B side to âGo Your Own Wayâ â Buckinghamâs own expression of anger and revenge against Nicks, where he claimed that âpackinâ up, shackinâ up is all you wanna do.â The song would become one of the bandâs biggest hits, charting in the Top 10. âHe knew it wasnât true. It was just an angry thing that he said,â Nicks told Rolling Stone in 1997 of the âpackinâ up, shackinâ upâ line. âEvery time those words would come onstage, I wanted to go over and kill him. He knew it. He really pushed my buttons through that. It was like, âIâll make you suffer for leaving me.â And I did.â
Of course, Nicks had the exact same motivation when she wrote âSilver Springs.â In a 1997 interview with Arizona Republic, she explained the songâs message as âIâm so angry with you. You will listen to me on the radio for the rest of your life, and it will bug you. I hope it bugs you.â
âBrittany Spanos, âSilver Springsâ: Inside Fleetwood Macâs Great Lost Breakup Anthem
iâll never recover from this song
The High Priestess by Arthur Hacker and Calla Lilies by George Cochran Lambdin

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ĺ°çčç´ Handscrolls of Buddhist Hell 12th Century, Japan.