bonsai tree house by takanori aiba
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bonsai tree house by takanori aiba

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Wood sculptures 「スーパーウサギ」 (super rabbit) and 「タイガーと言う名の ア ザ ラ シ」 (a seal named tiger)
by 彫刻家/ねがみ@Negami_sculptor
🏰 May and June Asset Packs on Patreon with 50 and 35 new tiles.
Tile sets made for the creation of RPG custom maps. April's pack theme is for assets needed to make military defense points like stone & wood walls, palisades and wooden watchtowers (those famous "stone watchtowers" were too elusive to find for reference). June set has assets to make large buildings like chapels with a variety of plaster walls with windows and doors. The second theme is for caverns with natural rocky walls, columns and floors plus a small cave battlemap. There's a few miscellaneous assets for home decor too (and a secret trap shhhh)
By supporting us on Patreon you will get access to more than 400 creatures, maps and assets! Complement your campaigns with hq hand-drawn tokens and start building the adventure of your dreams with our isometric and 2D assets 🏰!
MASTER POST: The interior landscape of the Mine Safety Applications Company, Pittsburgh, Pennsylvania.
Scan
Maison Hermes Tokyo, Japan (2001) Architecture: Renzo Piano

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Dragon Ball Ending, "Romantikku Ageru yo" by Ushio Hashimoto
In my opinion, Bill Watterson deserves way more credit as one of the great paleoartists.
He did not need to go this hard, but he did, and he has my everlasting respect for that.
How could you leave out this???
Also I recall in the foreward of one of his big Calvin and Hobbes collection volumes, he wrote a bit about how his knowledge and portrayal of dinosaurs shifted over time as he wrote the comic. Watterson's early dinosaurs were very stereotypical reptilian monsters inspired by the dinosaurs he loved in his childhood:
As he continued work on the comic he researched further into modern dinosaur science of the time, which just so happened to be the height of the Dinosaur Renaissance in the 1980s and 90s. Dinosaurs were being reenvisioned as active, warm blooded, successful animals, and Watterson made an amazing effort to include accurate anatomy and scientific understanding where he absolutely could have just stuck to what he was familiar with. Instead, he created incredibly vivid and real-feeling depictions that absolutely belong alongside the works of other revolutionary palaeoartists of the 80s and 90s like Mark Hallett, Greg Paul and John Gurche.
“I saw it with my own two eyes, it was huge. Slimy! It crawled across the path, trailing mucus and blood-”
“-Naw! It walked on legs! And it had fur, like a camel!”
“And a big sail on its back!”
Relations are tense between Haddock, Tintin and Chang after returning from China. A wave of monster mania is sweeping Loch Broom, and the paper Tintin and Chang work for wants them to go and investigate. With Tintin reluctant to go due to the falling out, Haddock makes the decision to take Chang up to Loch Broom himself, having spent childhood holidays at that loch and wanting to prove to himself that his personal worth isn’t reliant on Tintin’s heroism.
With everyone hunting for the beast, will everyone be willing to confront their own monsters?
Keep reading
© diego inzunza - hand drawn sketches of iconic 20th century homes
Behind a Little House, by Manuel Cosentino

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Frey House II, Palm Springs, USA - Albert Frey
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By Su.
NIKE-deconstruction China-based designer UV- 朱 has created futuristic shoes based on deconstructing Nike shoes.
Halo in THE BOOK OF BOBA FETT | Return of the Mandalorian

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Antonio López García - New Refrigerator, 1991-94
Oil on canvas (240 x 190 cm)
Buster Keaton in The Haunted House (1921)