Georges Méliès, The Eclipse: Courtship of the Sun and Moon (originally L'éclipse du soleil en pleine lune), 1907

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Georges Méliès, The Eclipse: Courtship of the Sun and Moon (originally L'éclipse du soleil en pleine lune), 1907

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Fernand Braudel, a giant of the field, being transparently honest in a footnote.
woke up this morning, rolled over, and very confidently tried to blow out my alarm clock like a candle. absolutely no precedent for that.
Ebeneezer in 1742 wakes with a start as for some reason he has put out his guttering candle by slapping atop it ith the palm of his hand. His hand is burned and his nightgown and cap are spattered with hot wax.
Fear is very useful. Like darkness, like shadow.
the traitor

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of red on Gethen.
The Left Hand of Darkness
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One of the things I really appreciate about Dungeon Meshi is how the text is so clearly full of love for animals. Like the true kind of love Laios feels for the monster where he wants to know everything about them, but most of all he respects them and loves them as animals.
One of the chapters I can't stop thinking about is the one about Anne the Kelpie. It's kind of impressive how well it illustrates the different kind of love people have for animals. And how someone that loves an animal isn't necessarily an animal lover. If that makes sense.
When Senshi calls out Anne what he says is "Don't worry Anne's Harmless" but she isn't, she's a wild animal.
Marcille immediately reacts positively about it thinking it's cute she accepts the treat Senshi has for her. And hers and Chilchuck's reaction to Senshi wanting to cross the river on her back is more surprise while Laios immediately realizes how bad of an idea it is.
But Laios is the animal monster lover so how come when he finally is faced with a "docile" monster he doesn't react positively like the others? Marcille even calls him a monster. That's because Laios loves monsters, and Senshi loves Anne.
I've seen this attitude around me several times, where people love a specific animal but what they love is their idea of that animal, they don't really know them because they don't love the animal part of them.
It becomes a "this one is special because I love them" that can quickly become an issue for the animal as much as it is for the person. It's something unfortunate I see time and time again irl.
Anne wasn't wicked, Anne wasn't mean, Anne didn't trick him. Anne was a wild animal and Senshi loved her as Anne but not as a kelpie.
She acted on instinct, maybe she did love Senshi in the way kelpies can love, but animals are still animals and must be respected and treated as such. Climbing on top of Anne's back was the equivalent of putting your arm inside a alligator's mouth, the mouth is gonna close because that's what they're designed to do.
The real life equivalent I see the most of "I love this animal but I don't love the animal part of them" is with dogs. If you insist on loving an animal without acknowledging they ARE an animal they might hurt you, you might hurt them, it will only end in grief.
The best way you can love an animal is by understanding they're an animal.
That is all to say I don't mean that the love Senshi felt for Anne wasn't real or that it's all his fault. He couldn't have known with the information he had and unfortunately it came down to the worst outcome.
I just love dungeon meshi dearly.
One of the blu-ray bonus is an extra about Anne
Dungeon Meshi continues to be amazing "can you really provide for that animal" is something more people should ask themselves before getting a pet <3
Endless List of Books: Moby Dick by Herman Melville (1851)
For as this appalling ocean surrounds the verdant land, so in the soul of man there lies one insular Tahiti, full of peace and joy, but encompassed by all the horrors of the half-known life.
November 8th 2025

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Ιφιγένεια (1977) dir. Mihalis Kakogiannis
Moby Dick
Art by Nicolas Delort
A highlight in the history of uninvited cats on stage has to be the premiere of Rossini's Barbiere di Siviglia:
... during the finale, a cat arrived, and mingled with the performers. [Figaro] chased it from one side, it returned from the other side to throw itself at the legs of [Bartolo]. ... the audience imitated its meows and encouraged it to continue its improvised role.
Alexis Jacob Azevedo: G. Rossini, sa vie et ses oeuvres (1864)
im so sorry that you're doomed by the narrative but i really need you to answer my message on Microsoft Teams

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I feel like one of the conversational skill failures it’s really easy to fall into is assigning the other person an opinion, rather than asking what their opinion is. This kind of inherently puts them on the back foot, which is uncomfortable, so people don’t like it.
Starting a conversation by informing the other person that you KNOW their feelings, and you are acting based on the feelings you assume they have, without giving them a chance to tell you what feelings they ACTUALLY have… No one likes this!
You may have learned it from your parents doing it to you, in which case I can only imagine you didn’t like it either, but you still internalized it as an acceptable mode of communication because we are always internalizing stuff from our parents even though we don’t like it. It’s kind of a quintessential passive-aggressive parent move: “well, you never want to help me, you don’t appreciate everything I do for you” etc. It puts the addressee in the position of defending themselves and their actual feelings instead of inviting them to SHARE those feelings.
People generally find it easier and more pleasant to converse with you if you go into it with an attitude of curiosity rather than what is essentially a power-play. Assigning your interlocutor an opinion based on your assumptions about their internal experience expresses an unconscious sense that you believe you are and should remain in control of the conversation. But friendly conversations aren’t really supposed to be about control.
You will discover that by them saying so. If they do not wish to share their feelings with you, that’s a different communication problem
Gérard Dubois (French, 1968) - Moby Dick (2023)