Horror Tree

” Even if all you have access to are virtual workshops. Not only will you expand on your craft, but you’ll also broaden your horizons and discover more options for your work. Networking is huge in this business. All the work I’ve gotten as a writer has been because of the connections I made at writing conferences.   AF: What kind of stories will have the edge for acceptance into Once Upon a Moonless Night? JG: We are looking for darker stories! That doesn’t mean we want only horror. Betrayal, revenge and redemption can come in all different colors. Be sure at least one of those three elements is the main theme of your story to avoid an easy rejection. I like a story with a hopeful message in the end, but if your story doesn’t have that, it is absolutely not a deal breaker. What *is* a deal breaker is sending us a story that does not fit the theme. Always follow the guidelines, my friends! You’d be surprised how much that will put you ahead of the other submissions.   AF: In your opinion, what is the best way to find profit in our field? JG: I’ve talked to many people about this very topic! Their answers have been to get your rights back and resubmit those stories are reprints. When you have enough with a central theme, release a collection. Don’t sit on your heels while waiting to hear back. Keep writing. Keep submitting.   AF: What is in the future for Jessica? JG: MORE SLUSH! It is so addictive! And hopefully more short stories. I will be starting my own publishing house and I hope to see those anthologies featured here.

Submission Window: June 12th, 2024 to July 12th, 2024 Payment: 8 cents per word Theme: Speculative short stories (science fiction, fantasy, dark fantasy, cosmic horror, etc.) that have been rejected from multiple markets. Calendar of Fools is seeking your rejected stories for the Intergalactic Rejects anthology. Sometimes you have a really good story that just hasn’t found a home among the markets and magazines. It doesn’t mean the story isn’t wonderful; it just didn’t fit their needs. Intergalactic Rejects contains 8 rejected stories by highly acclaimed authors, and has room for more. What we’re looking for Speculative short stories (science fiction, fantasy, dark fantasy, cosmic horror, etc.) that have been rejected from multiple markets. Length: Limit 5,000 words. Format: Standard Manuscript Format (double-spaced 12 pt. Courier or Times New Roman, no extra lines between paragraphs). Include your name and email on the first page of the story. Rejections: Your story must have been rejected at least 3 times. Multiple Submissions: We are not accepting multiple submissions. Simultaneous Submissions: We accept simultaneous submissions. Please let us know at [email protected] if your submission is accepted elsewhere. And congratulations! Reprints: We are not accepting reprints for Intergalactic Rejects. That would mean your story wasn’t a reject. Languages: We are only able to accept English-language submissions. Stories produced with AI: We do not ever accept stories where AI wrote or generated portions of the text. Submission Period: Submissions will be open from June 12th, 2024 until July 12th, 2024. If you haven’t heard from us in 3 months after the end of the submission window, please contact us at [email protected]. If your story is not accepted for this anthology, please keep writing and editing and molding your story. Every writer faces rejection, and your story will eventually find a home. To submit your story, please use our submission form. Acceptances, Payments, and Rights Rejections, acceptances, and other updates will be notified via email. Editing: All accepted stories will undergo an editing period. The author will be able to review and discuss edits. Payment: For this anthology, we pay a pro rate of 8 cents U.S. per word. Rights: For this anthology, we seek the following rights: First World Serial Rights First World Electronic Rights Non-Exclusive World Anthology Reprint Rights Via: Calendar of Fools.

Submission Window: June 1st, 2024 to July 30th, 2024 Payment: Contributors copy and Story: $25, Poems: $15. Non-fiction: $15, Query for art submissions Theme: Stories about Deep Ones A cultural, geographic and unnatural history Dive Deep into the Weird The stories we are looking for are all about Deep Ones. But not just “I met a Deep One and I fainted because the Innsmouth Look is just that jarring to my fragile psyche.” We want stories that are truly about Deep Ones: Deep One pirates willing to raid some truly unusual ships, beach bums sharing a smoke with a new friend. How do you handle the call to the sea when you live in Kansas? How did encounters with Romans, Vikings, and rum runners play out? Maybe they were the Sea People leading to the Bronze Age Collapse. Did they sink the White Ship that messed up English Royal succession? Or what or a more distant, perhaps primordial past? The “non-fiction” should be articles about aspects of Deep One culture, biology, history and everything in-between. Nothing from New England or South Pacific seas unless you give us a time period we haven’t seen before. Dive deep and grasp the Weird. Submissions window: June 1, 2024-July 30, 2024 Publication target: Summer 2025 Length: Stories: 500-6000 words. Poems: No more then 2 pages please Non-fiction: 500-1000 words Pay Rate for original works, via PayPal: Story: $25 Poems: $15 Non-fiction: $15 Query for art submissions Plus an author's copy and the ability to purchase copies at a reduced rate. (Please contact us for reprint pay rate.) Technical Details: Submit a docx with Modern Shunn Format using the Google form here: If there is an issue with the form, please let us know. DO NOT submit via email; email submissions will be ignored. Editors: Gevera Bert Piedmont Author of the Mickey Crow paranormal series, creator of the Quetzalcoatl Ascending world, author of Fat Monster (coming Fall 2025 from Nightmare Press) Member HWA/HWA-CT, NEHW, CAPA Elizabeth Davis Co-owner, Dead Fish Books Publisher: Transformations by Obsidian Butterfly, LLC Publication format: Paperback and Kindle Rights: revert to author one year after publication Via: Obsidian Butterfly.

So please, before submitting, ensure that what you have submitted will not violate any copyright or trademark laws. Reprints/previously published: We accept previously published works as long as you have the rights and can provide proof (if necessary). Other than that, we really want to see what you have. Payment rates: To be determined at the time of the contract and will be in the range of 50-70% of sales, and competitive with other publishing houses. The hard and fast rules of Submissions: If sending a Query letter, include a full synopsis of the story, the first three chapters as a writing sample and links to your social media pages. Response time may vary. Expect a reply within 9-18 months. We would prefer to see complete manuscripts that have already been somewhat edited by the author. Note: A contract offer will not be made based on a Query alone unless the work is of exceptional quality. Offers, in general, will only be made on completed works. Your submission must include your (Legal) name and your (Publication) name if using one, email address*, postal mailing address, and telephone number on both your cover letter and the first page of the manuscript. Include a plot outline if possible. *Also include links to all of your social media pages Spelling and grammar checkers are great, but they are not foolproof. Review your work for flow and content prior to submitting it. Minimal formatting, please! Indent paragraphs; single or double-spaced text is fine, though we prefer to use 1.15 spacing, with no extra lines between paragraphs; center chapter headers and scene break indicators (###, ***, etc.); use page breaks only at the end of chapters. For emphasis, choose either underline or italics and use it consistently throughout. Use straight quotes and apostrophes, … ., –, etc, no special characters, please! Times Roman 12pt is highly preferred. Make it readable, or we won’t read it. It’s that simple. If something specific requires special formatting then explain it in a cover letter. Please download our standards template by clicking here. Electronic Submissions: Neither disks or thumb drives will be reviewed, so do not send them unless requested. Our preferred method is by electronic submission, but we will accept a printed hardcopy. Attach the manuscript as a Rich Text Format (.rtf) file. Any other format will not be considered. Send the manuscript as a single file (do not break it into separate chapter files), so any synopsis and contact info needs to be in the file with your manuscript. NOTE: Any viruses attached to your submission will send your manuscript straight into file-13. (For non-military members, that means the trash can.) Hardcopy Submissions: (for those who cannot submit electronically) Standard manuscript format only: double-spaced, one side of the page only, 1/2″ (i.e., 0.5″) margins on all four sides of the page. We will consider photocopies if they are dark and clear. Title, author (last name only is okay), and page number at the top of each page are mandatory. Include your name, mailing address, and telephone number on the first page. Hardcopy manuscripts identified as “disposable” will be recycled. Disposable submissions should be accompanied by a self-addressed, stamped, letter-sized envelope for our reply (please ensure proper postage has been supplied!). Manuscripts intended to be returned should be accompanied by self-addressed packaging and sufficient postage. We will not be responsible for any manuscripts lost or damaged in the mail. Return packages will not be insured, tracked or otherwise paid for by Three Ravens Publishing. Via: Three Ravens Publishing.

Deadline: June 15th, 2024 Payment: 5 cents per word and a contributors copy Theme: Lucy’s Suitors - Quincey, Jack, and/or Arthur (To be published November, 2024) Issue 5: Lucy’s Suitors - Quincey, Jack, and/or Arthur (To be published November, 2024) Quincey was a cowboy who may or may not have been in cahoots with the count. Seward was a drug addicted custodian of a lunatic asylum. And Arthur was there, too! Let’s read some stories of these men - together, individually, in combination - before, during, and after the events of the novel. Did Quincey survive as the undead? How did Jack treat his other patients? When the dust settled, did Holmwood completely break down? Stoker tells us these three men adventured together prior. What might that look like? Currently this is planned as a single book, but quantity and quality may dictate a book for each man. Submissions open May 1, 2024-June 15, 2024. We like stories that feel like they could be canon, but we also enjoy fun alternate takes and pastiche. Prequels, sequels, updates, divergent timelines - unleash your creative powers of darkness and show us something exciting. As with every publication the best way to get a feel for what we like is to read what we’ve put out in the past. Stories should be 1500-5000 words. Poetry will be considered, but is not necessarily sought (We are hoping to have an all poetry issue sometime in the future). Compensation will be .05/word plus contributor’s copies. Reprints will be considered. Reprints should be at least 10 years old. Compensation is $55. Simultaneous submissions accepted, but please notify us immediately if accepted elsewhere. Some stories may be chosen for the website, but not the publication. Please adhere to the Shunn format - https://www.shunn.net/format/classic/ Please only send .doc, .docx, or .pdf Filename and email subject should be - “lastname_title_suitors or “lastname_title_jonathan” Include short 3rd person bio Email story submissions to: [email protected] Via: Dracula Beyond Stoker Magazine.

or avoiding plot holes are like mini masterclasses, making every viewer a little wiser and every story a little sharper. Fan Q&A Sessions: Video responses to fan questions are a great way to engage the community. These can be more dynamic and personable compared to text responses, and with video editing software, authors can add creative touches to make these sessions more entertaining. Book Reviews and Recommendations: Authors can create videos reviewing other books or sharing their recommendations. This not only helps build community by supporting other authors but also keeps the audience engaged between book releases. Collaborations with Other Authors: Creating collaborative videos with other authors can help reach different audiences, share fan bases, and discuss common themes or interests. These collaborations can range from discussions and debates to co-authoring a story live. The Story So Far…: Got a knack for leaving your readers wanting more? Tease them with serialized snippets of your upcoming masterpiece. Each clip ends on a cliffhanger so gripping, even the most patient readers will be marking days off their calendars. Final Thoughts: Why Flex Clip? Because in the world of book promotions, being seen is, unfortunately, just as important as being read. Flex Clip turns your promotional efforts into an art form, ensuring your book doesn’t just sit on the shelf—it does the cha-cha across your audience’s screens. It also does so at a price point that most of us can stomach, which is a rarity for video software that is so easy to use. So, gear up, get creative, and let Flex Clip be your guide in the visually-packed journey of book marketing. Your readership awaits, one stunning video at a time.

If a “Best of” or Collected Anthology is published, publication rights will be renegotiated for that publication. Payment: We aim to be a paying venue, even if it’s just enough for a cup of coffee. Upon agreement of publication, we’ll pay contributors $5 and a PDF contributor copy. However, in some instances where we’d like to publish a single poem, short work, or piece of art, we may not have the budget for a payout. We may offer publication for a Digital Copy of the PDF only. (We totally understand if you’d rather not, though!) Please feel free to let us know up front if you do not want to be considered with this option. The Fastest Ways to Get Rejected Here’s a brief, incomplete list of ways to increase your rejection chances: Start your story with a narrator waking up and / or not knowing where they are. Sending multiple submissions more than 1k words each, at one time. Lots! Of! Exclamation! Points! (Let the context guide the excitement.) Only sending rhyming poetry. (While I don’t mind some, rhyming poems are not a personal preference and increase the chance of rejection with each new rhyme .) Submit Your Work Written Work Please be prepared to provide your bio, type of submission, and the ENTIRE work(s). For non-fiction, feel free to submit a brief pitch for an interview / article idea. Remember that an interest in the pitch does not guarantee publication. For prose submissions, be sure your document is double-spaced, in a legible font. Art Prepare to send us your bio and work(s) titles. You may include a link to your specific work / works for consideration or upload them as PDFs, jpegs, or pngs. Remember: Your work needs to “work in print” and may be published in black and white. All artwork will be considered for cover artwork. Please let us know if you would NOT like to appear on the cover. Graphic Work Please send us bios for everyone involved in the work’s creation, along with the title and length of your submission. Feel free to link your submission or include it as a complete PDF—whatever makes the most sense for the project. Remember: Final publication size may differ, but our norm is 6x9”. We’re cool with color, but work may be published in black and white. Things we love. As our publishing tastes cover a wide variety, here is a very incomplete list of authors, artists, and various media that we would die to work with / publish / have made. These are a HUGE indication of our aesthetics. Carmen Maria Machado, Erin Morgenstern, Susanna Clarke, Ben Templesmith, Neil Gaiman, Toni Morrison, David Almond, Take Shelter, Hanif Abdurraqib, The 39 Deaths of Adam Strand, Nova Ren Suma, Over the Garden Wall, Haruki Murakami, Donnie Darko, Daytripper, Jeff Lemire, Sean Murphey, Joe Hill, The Golem and the Djinn, Louise Erdrich, Luca, Samurai Jack, What We Do in the Shadows, Coen Brothers, Spirited Away, Hannah Tinti, Brad Neely, Adventure Time, The Hawkline Monster, Michael Deforge, Allie Brosh, Kate Beaton, Graham Annable, Richard Ayoade, Joy Williams… We love the blending of real life and the fantastic, the absurd, the magical, the heartbreaking, and the things that scare the shit out of us. And if you want a more direct line, you can pick up a copy of one of our publications here. Via: Quarter Press.

Submissions should be sent as attachments to [email protected] (note, this e-mail address is different from some previous submission calls). The subject line should read Arkham Institutions/story title/author’s name (example Arkham Institutions/Really Cool Story/Doe). E-mails which do not follow this format will be deleted unread. In the body of your e-mail, provide a short (500 words or less) biography. Submissions should be sent as .doc, .docx, .odt, or .pages attachments. Multiple submissions are OK, but please wait until you have received a response on your first piece before submitting your second. Simultaneous submissions: no. We prefer Shunn Modern Manuscript Format (found https://www.shunn.net/format/story/), but any standard format is acceptable so long as you use the formatting tools in your word processing program. In other words, do not manually indent paragraphs using tabs or spaces. Please convert your manuscript to Times New Roman before sending. We really, really hate Courier. You can write in whatever font you choose, but we want to read it in Times New Roman. Payment will be $0.06/word (sent upon publication) plus one contributor’s copy in both paperback and digital formats. We will be running a Kickstarter campaign later in the year to help offset some of the production costs, but this will not affect payment or publication. As with our previous anthologies, a portion of the profits will be donated to the canine rescue organization Last Day Dog Rescue. Primary publication will be via Amazon’s KDP POD service, but the title will be available through Ingram and Baker & Taylor. The book will be released in paperback and digital formats. Expected release date Oct 2024. Note to New Authors: Most publications seek First North American Rights. While you may be able to sell your story again as a reprint, publication in this anthology may limit your story’s future marketability and may affect the amount of money you will be able to receive from other markets. Please take this into consideration before submitting. Via: The Dragon Roost Press.

We buy First World Rights and World Reprint Rights. Bylines are most certainly given. Most submissions are reviewed within 6 weeks. If the story shows merit, we will respond with a "maybe" letter, explaining that the submission is in the running for a spot in the next issue. At the end of the submission cycle, which is always two months before the next issue comes out, all "maybe" submission are re-reviewed, and the top eight selected for publication. At that time, all accepted authors receive contracts to sign. Since these contracts and, later, the payment checks, go out by snail mail, it is VERY important that all submissions include a snail mail address. We don't "buy ahead". By that, we mean that ALLEGORY purchases only the stories it needs for the current issue, rather than stocking up for the next and the next. This means that every author who received an acceptance from us will see their work on this site with the next new issue, provided he or she reads, signs, and returns to us an unchanged contract. Simultaneous submissions are "OK", provided that you let us know at the time of submission that other editors are reviewing this work. That's about it. Good luck. Via: Allegory Magazine.

Submission Window: June 1st -July 31st, 2024 Payment: 3 cents/word with a minimum payment of $50 for all submissions, fiction, flash fiction, nonfiction and poetry. Book reviews for $50. Art for $80. Theme: Science Fiction and Fantasy Reading past issues is the best way to know if your submission is a good fit for NewMyths.com. We like to balance each quarterly issue between science fiction and fantasy, dark and light, serious and humorous, hard and soft science fiction, and longer and shorter works. Our readers are not fixated on a single style or tone or genre, but prefer a quality sample of the field. Think tapas or dim sum. Maximum length is 10,000 words. Please keep submissions PG or cleaner. Submission Period New Myths considers submissions between January 1-February 28 and June 1-July 31.  Artwork, requests for book reviews, and other correspondence can be submitted at any time.  Book Reviews NewMyths publishes original book reviews. No reprints, please. Reviews should be between 500-1,000 words. We prefer reviews of novels published within the past year but also consider reviews of older works, and reviews of poetry collections, anthologies, and nonfiction works related to fantasy and science fiction. Pay is $50. Send inquiries to Candy at [email protected].   NewMyths publishes several book reviews per year, and we’d like to publish more. Unfortunately, with several thousand submissions per year, our hardworking editors don’t have a lot of time to review novels. If you are an author, agent or publisher, and have a novel or other work related to fantasy and science fiction that you would like to have reviewed, send an inquiry to Scott at [email protected]. If you don’t receive an answer, please assume that we simply don’t have the staff to review it. A solution might be to find someone who can write a review and submit it to us for consideration. Payment Payment is upon publication. NewMyths.com currently pays 3 cents/word with a minimum payment of $50 for all submissions, fiction, flash fiction, nonfiction and poetry. We purchase book reviews for $50. We purchase art for $80. Rights NewMyths.com acquires first publication rights only (we are not interested in stories that have already been published elsewhere). Authors retain their copyright on all works after first publication on the NewMyths.com website. By submitting content to NewMyths.com you agree that, should the content be accepted, you grant NewMyths.com a non-exclusive, non-transferable, non-sublicensable right and license to digitally archive and display the content (aka Digital Archive Rights). In the case that we later desire to include your content in any other format (e.g. print, anthology, etc.), those rights will be separately negotiated at that time. Simultaneous Submissions: No problem. We ask that you please indicate in your submission that your story is a simultaneous submission, and notify us as soon as possible if it has been accepted by another publication. Response Responses to your submissions may take as long as six months. Feel free to send a follow-up email query if you have not received a reply before the next submission period. Your Personal Information Your Personal Information: We save personal information and email addresses for the sole purpose of administering content submissions, administering payments, sending notice when the new issue is online or another NewMyths.com publication will be released. If you do not want to be notified, please let us know. These personal information and email addresses will never be sold or shared with any other organization. How to Contact Us Contact: Please send submissions as Word or pdf attachments to editor (at) newmyths.com (use @). Submissions received outside of the submission period (above) will be deleted, unread. Please direct all queries to this email address:  editor (at) newmyths.com (use @).

We typically send notices four to five weeks after the issue's deadline to everyone who submitted. You can also check the website's home page for each issue's production status. Payment: We pay on publication: $25.00 - $50.00 for fiction, $10.00 for poetry, and $25.00 for nonfiction (all U.S. dollars). We also send you a copy of the issue in which your piece appears. You'll receive your money and issue at the same time. Note to our international writers: Postage cost for sending author copies overseas is a little high, so we are reducing international author payment by the amount it would cost to send one author copy overseas. However, if you would like to receive an electronic version of the issue (PDF) instead of a hard copy, author payment will not change. Via: The First Line.

Deadline: July 1st, 2024 Payment: $10 Theme: Romantic fantasy that takes place in a tavern Spring Submissions Open March 21, 2024 Theme: “You Meet in a Tavern” One of the most well known tropes in table top roleplaying games like Dungeons & Dragons is beginning an adventure by meeting in a tavern. Taverns are a quintessential element to many fantasy stories as meeting places for not only fantasy adventures but also romance (only one bed tropes often go hand in hand with the tavern location). Give us your best Romantasy story set in the beloved tavern location! Anthology Payment: We offer $10 payment upon acceptance, a digital copy of the book, and authors can purchase physical copies of the book at wholesale price. Payments will grow as we do. Preparing and Sending Your Manuscript Deadline: July 1, 2024 midnight. Word Count minimum: 3,000 words Word Count maximum: 10,000 words Please only submit one story at a time. Simultaneous Submissions are allowed but please let us know if your story has been accepted elsewhere so we can pull it from the stack. Please include your real name, real street address and real phone number as well as your email address (presumably real) in the upper left hand corner on the first page of your manuscript. If you write under a pen name, you would put your pen name underneath the title on the first page of your manuscript. Manuscript should be in Word format with normal margins and 12 point Ariel or Times New Roman font (if you send us something in Comic Sans or Wingdings, we will cry). Title your email and cover letter with (Theme) Story and email it to [email protected] We will let you know if your story has been accepted or not by August 1, 2024. Thank you for submitting! Please Note: Wandwed reserves first publishing rights and rights to the story for one year from date of publication. After that, you are free to post or submit your story elsewhere. Via: Wandwed.

Deadline: May 31st, 2024 Payment: 2 cents per word and both a hardcover and paperback contributors copy Theme: stories involving vampires. We are looking for your stories involving vampires. Open for Submissions: April 1, 2024 through May 31, 2024 Expected Publication: October 2024 SUBMISSION REQUIREMENTS Your story: should be approximately 2,000 – 6,000 words in length. (If your story is significantly longer than this, consider submitting it to our Tiny Terrors short fiction program.) should not contain erotica, or excessive violence or gore. can be part of an ongoing series you might be writing. can have been previously published (with proof that you hold the current publishing rights). may be submitted simultaneously to other markets (but please let us know when you submit your story). You may submit more than one story for consideration for this anthology, but please wait until you have received a response from us on your previous submissions to this anthology. If you are uncertain if your story is something that we might be interested in publishing, please feel free to query us at submissions (at) graveside-press.com in advance of submitting your manuscript. Please, no fan fiction. SUBMISSIONS Send us finished manuscript in digital (.DOCx, .RTF, or .ODT) format using this form: Graveside Press Submission Form. Please use a standard manuscript format. If you’re not sure what one is, here’s a good source. PAYMENT Payment will be: $0.02 per word one (1) trade paperback contributor edition one (1) hardcover contributor edition access to ten (10) digital contributor copies CONTACTING US We will try to acknowledge receipt of your manuscript within 24 hours. We’ll also try to let you know whether or not we’re interested in working with you to publish your book within 30 days after that. Both of these periods may vary, though, depending on the number of manuscripts we’ve received during that time. Please don’t contact us about the status of your manuscript unless at least 30 days have passed since we acknowledged receiving it. If you did not receive a acknowledgement, please feel free to contact us. Via: Graveside Press.

Deadline: October 1st, 2024 Payment: $750 and 5 contributors copies Theme: Novellas to be released as a collection about lesbian-themed folk magic stories A collection of lesbian-themed folk magic and witchcraft tentatively titled Witchcraft in Your Lips. For this book we're seeking 3-4 novellas. Submissions should be between 20-30 thousand words in length. We are not interested in erotica or young adult stories for this book. Same-sex relationships should be presented as positive, as usage of folk magic. By this, we mean no self-loathing lesbians or witches (they can face external prejudices, of course). Submissions should be sent to [email protected] with the subject line WIYL Submission. Because we are a small press, our response time is quite slow; please do not query us about your submission until October, when we  will close for submission. Payment for each story will be 750 dollars and five copies of the print edition. Via: Lethe Press.

Deadline: May 31st, 2024 Payment: 2 cents per word and both a hardcover and paperback contributors copy Theme: stories involving ghosts and possession We are looking for your stories involving ghosts and possession. Open for Submissions: April 1, 2024 through May 31, 2024 Expected Publication: October 2024 SUBMISSION REQUIREMENTS Your story: should be approximately 2,000 – 6,000 words in length. (If your story is significantly longer than this, consider submitting it to our Tiny Terrors short fiction program.) should not contain erotica, or excessive violence or gore. can be part of an ongoing series you might be writing. can have been previously published (with proof that you hold the current publishing rights). may be submitted simultaneously to other markets (but please let us know when you submit your story). You may submit more than one story for consideration for this anthology, but please wait until you have received a response from us on your previous submissions to this anthology. If you are uncertain if your story is something that we might be interested in publishing, please feel free to query us at submissions (at) graveside-press.com in advance of submitting your manuscript. Please, no fan fiction. SUBMISSIONS Send us finished manuscript in digital (.DOCx, .RTF, or .ODT) format using this form: Graveside Press Submission Form. Please use a standard manuscript format. If you’re not sure what one is, here’s a good source. PAYMENT Payment will be: $0.02 per word one (1) trade paperback contributor edition one (1) hardcover contributor edition access to ten (10) digital contributor copies CONTACTING US We will try to acknowledge receipt of your manuscript within 24 hours. We’ll also try to let you know whether or not we’re interested in working with you to publish your book within 30 days after that. Both of these periods may vary, though, depending on the number of manuscripts we’ve received during that time. Please don’t contact us about the status of your manuscript unless at least 30 days have passed since we acknowledged receiving it. If you did not receive a acknowledgement, please feel free to contact us. Via: Graveside Press.

Deadline: July 1st, 2024 Payment: 2 cents per word and a contributors copy Theme: Poetry of any genre under 50 words in length Note: Reprints welcome Please send no more than five poems of no more than 50 words each. Many long poems are brilliant, but if they are more than 50 words (including title), send ’em elsewhere. We’re all about the number 50 here. Subject matter and theme are open to all possibiliies–except (and in a perfect world, this would not need to be said, but, alas . . .)–send nothing that advocates in favor of the ugly themes: racism, sexism, bigotry, hate speech of any sort, transphobia, antisemitism, Islamophobia, etc. No animal cruelty or gratuitous violence. If you have an anti-racist/anti-cruelty, etc., poem you want to submit, send it along. Please, no AI-generated material of any sort. Tasteful hints of erotica may be acceptable, but pornographic material is not for The Number Fifty. We’re not allergic to laughter and are happy to consider comic or humorous poems. If more poets and editors had a sense of humor, poetry might be more popular. The only rights sought are one-time, non-exclusive rights to publish the poem on paper and online at The Number 50. Reprints are welcome as long as you own the rights. By submitting the poems, you assert that you own the rights to them. Simultaneous submissions are fine, but if you need to withdraw a submission, please do so promptly. Before publication, authors of accepted poems will be asked to affirm that they grant one-time rights for the poems to be published on paper in The Number 50 and on The Number 50 at thenumberfivezero.wordpress.com. Send submissions to thenumberfifty [at] aol.com. Standard submission package, please–no more than five poems, and brief cover letter with brief bio. Submitted poems must be copied into the body of the email–no attachments will be opened. One submission per reading period, please. Include postal-mail address to receive payment and paper contributor’s copy. Payment: two cents per word (minimum one US dollar per poem) plus contributor’s copy. Current deadline: 1 July 2024. We aim to respond within six weeks or less. Via: The Number Five Zero.

it should hint at the inability of the human mind to comprehend the true nature of existence, and it should cause us to question the stability of our faith in the established laws of nature. REMUNERATION All accepted stories will be paid for upfront! Accepted stories can expect between $125-$200. In exchange, we ask for exclusive rights to publish the story. Said rights will maintain for the duration of one year. After that, we retain the non-exclusive rights to the story, but you're welcome to submit and publish elsewhere after that! SUBMISSION GUIDELINES Send your submissions to: [email protected] with the subject “LEVIATHAN SUBMISSION”. All manuscripts should be sent as a Word document. Our preference is for Times New Roman or another clearly legible text. Submissions should be between 3,000 and 6,000 words. This is not a hard limit, but preference will be given to those stories that meet this requirement. Please include a short summary of the story in the body of the email, as well as a short bio and a list of any previously published works. We're looking for original works that have not been previously published! We accept simultaneous submissions! ABOUT US If you’re unfamiliar with Sentinel Creatives, we’re an indie publishing and production house based in Cape Town, South Africa. We maintain a weekly Substack profile, a monthly podcast show, as well as more traditional publishing roles! Though our focus is on books, we have moved into the audiobook and radio-play sphere, and our larger projects include various other creative endeavours (illustration, sculpting, painting, composing etc.) Via: Sentinel Creatives.