The Popcorn Table (1915). Merry Christmas!!
trying on a metaphor

oozey mess
let's talk about Bridgerton tea, my ask is open
dirt enthusiast
we're not kids anymore.
Aqua Utopia|海の底で記憶を紡ぐ
DEAR READER

Kiana Khansmith
Misplaced Lens Cap

Origami Around
Jules of Nature

roma★
he wasn't even looking at me and he found me
PUT YOUR BEARD IN MY MOUTH
Peter Solarz

Andulka
Xuebing Du
art blog(derogatory)
seen from Spain

seen from Malaysia

seen from Germany
seen from United States

seen from Netherlands

seen from Brazil
seen from United States
seen from United States

seen from United States

seen from Germany
seen from United States

seen from United States
seen from United States

seen from United States

seen from United States

seen from United Kingdom

seen from United States
seen from United States
seen from United States

seen from Malaysia
@thegreatdivorce
The Popcorn Table (1915). Merry Christmas!!

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
From My Practice Book For Me Level 2 by Thorn, McCreary-Juhasz, Smith, Munroe & Richmond, 1966.
Edward Jean Steichen :: American dancer, Harriet Hoctor on pointe in an arabesque, wearing all black costume which includes a cap. Vanity Fair, 1932. | src and hi-res Getty Images
View on WordPress

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Cecil Beaton as the Easter Bunny, photographed by Gordon Anthony (1937).
Spring Spleen, Lydia Davis

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
The Road, 1958: An Antimonument by Oskar Hansen
“The Road” is an unbuilt project by Polish architect Oskar Nikolai Hansen (team leader) with Zofia Hansen, Jerzy Jarnuszkiewicz, Edmund Kupiecki, Julian Pałka and Lechosław Rosiński. The project is an entry for an international competition and an exhibition at the Auschwitz-Birkenau Museum in 1958. The brief was to design a monument to the victims on the site of the death camp. The proposal by Hansen’s team refuses a sculptural approach and overall the notion of monument in itself and considers the whole site as a memorial. A black paved road one kilometer long and 70 metres wide cuts diagonally through the former camp while the main gate which leads to it is kept shut. All elements met by the road would be preserved, while all the rest, the chimneys, the barracks, the railway ramp, would have been left untouched and exposed to the effects of time, decaying and being overgrown by plants. People would have come to perform individual commemorative actions using the road as a background. In a sense, “The road”, with its ability to show the petrified time of a tragedy, reminds Gibellina’s Cretto by Alberto Burri.
via socks
Per Adolfsen(Danish, b.1964)
1. Bathing Cabin and a Trash Can on a Beach color pencil, graphite and chalk 2. Empty Beach 2020 Graphite, Pencil, 23 3/5 × 16 ½ in 3. Low Tide Seden Beach 2020 Colored pencil and chalk on Hahnemuehle paper, 16 ½" × 11 4/5" here and here
Source details and larger version.
Newsworthy: a collection of weird headlines and book titles.
Setsuko Hara in A Woman in the Typhoon Area (Hideo Oba, 1948)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Source details and larger version.
Crawling along: my collection of vintage turtle imagery.