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she had startled you a bit; you'd been daydreaming about music, which you'd just discovered, and rather liked. you'd heard it from a little house while you snuck in and stole their sheep.

but you knew the sound of fear, of being followed. you'd been chased too many times, you knew what it looked like. the rapid jolt of fear.

you smelled her then; cinnamon and onyx, and perhaps that was what had blinded you. perhaps your mouth was just watering. whatever the case, you waited until she had fled back into the forest; and then you waited a bit longer. in her wake, a garrison of men, their hands rough.

oh. so they were not knights. they were just men chasing a young woman through the woods. perhaps they did not even know a real princess had been running from them. well, that was a relief. you are not good at fighting with knights, who have swords instead of cudgels. these were just men, so you rose from the water in the quiet way you'd learned from the fish. they did not hear you coming.

and besides. proper dragons do violence so well.

___

once you had smelled her you could find her, although such things have always been easier for you than for the others. you spend a great deal of time studying things - it allows you to analyze them. you have tried to explain to the other dragons that sometimes it is best to slow down, but of course no dragon should be slow.

at first you did not understand the confusion of the people's umwelt. they relied so much on their communication (only words and actions!) and what they could see with their eyes. you and the other dragons did not use these as much; but you liked prying out the little sonic differences between hello that means "i like you" and hello that means "i don't like you."

so it took you a while to learn that you were responsible for what had happened to her. men had gone missing, and even bad men going missing makes a big fuss. (you know that if it had been girls missing, it would be okay. many proper dragons steal girls because it will not bring a knight to their door). for a while she had been trapped on the palace grounds. it was determined that it was no longer safe for her to be just a princess, she must undergo some human transformation and become a wife.

even so. you had gone looking for her (only to study, of course, so you may know how to snatch her best). but that night you saw her descending from the window of a castle, quick and agile, moving like a whisper, clad almost entirely in black. you could see her quite well of course, although you were not seeing her; but instead her heat and her smell and her sound and all the other sensory noise all humans give off.

you followed her, keeping yourself in a cloud so you appeared as if mist. she stole off into the woods. you were interested in that, and watched her scuttle - although of course you could have taken her then, you wanted to study your prey as best as you could. she did not seem to do much in the woods, only run around cry into her little hands.

she appeared to be looking for something. she did not get far that first night; scurried back to her bed. over and over this happened - she would run as far as she could, only to go back again. it seemed rather boring to you, but of course you had been free your whole life.

and then one night - finally, she arrived at the lake. she sank to her knees then, her hands pressing into the water. her head tilted to the sky. her dark hair spilling in a caught breath behind her.

this is how you heard her voice for the first time. when she came again the next night, she did so more quickly, more assured. straight to the lake, as if it had called her.

she had skipped a pebble over the surface of the water. this action was dangerous, because it almost hit the sail of your wing. you had structured yourself very finely to look like a rockslide.

"three months." her voice was like her: it was deep and smooth and dark, a low violin string. "they want me to marry that bastard in three months."

and then she cried into her hands again, and the sound of it almost broke you.

you followed her maybe more than a proper dragon should, after this. more than just back to the castle and her bed. you hid along her daily walks and watched her in the throne room and saw her out riding horses. she was good with dogs and nice to her people and very much a proper princess, although you had heard it said a proper princess ought not to slip out at night and run around barefoot through the woods.

you discovered she is terrible with directions. you have often had to make a path more clear so she could get home again. she cannot hunt better than an egg; you have had to kill fish and push them subtly up to the shore.

but she appears to love the lake as much as you do. you have seen her read by candlelight (how foolish. the entire woods saw her each time). you have seen her build little paper boats to float along the surface. you have seen her strip her many layers and dive in, have seen her lay with her belly to the sky, floating like she is suspended by the hands of darkness itself.

oh. so she loves the stars, as well, then.

__

you must go in. she will be married tonight. that is a human thing, but you have since learned what it has meant. she will go to somewhere else, and you will not see her again, maybe ever. and then how will you be a proper dragon? go!

you have made yourself in the form of a gargoyle, hiding in the white stone. you can see into her room; and the tapestries that seem unlike her. everything in her room is very bright, which is bad for a proper dragon. there are many knights in the hallways and in their rooms, and their smell is itchy and repugnant to you.

her dress is white, which does not seem like her. you have only seen her wear black. she is sitting at some kind of desk, and she is crying again. she smells of cinnamon still, but moreso of grief. you can feel the heartbreak in her as if it was inside of you.

you cannot watch her cry anymore. you have watched too often without moving. that is shameful.

you nose the door open. you can move quiet, because you are not very big. she is within a cave of you, then a wingtip, and then she is standing up, looking into your eyes.

"it's you." her hand on your jaw is warm. "i thought i was imagining you, you know. i turned around that day. i saw what you did to those men. i have been looking for you since. i told everyone that i had an angel to protect me. they locked me in here anyway."

you are not an angel, you are a dragon. you have to keep your wings locked tight or you would explode the walls of this place. it makes you feel big, suddenly. you are not used to that sensation. you do not like to be locked in a tower. you believe maybe the princess does not like to be locked in a tower either.

you take her in your jaws. she is very small, and does not resist you. although you are not a strong flyer, you must take off in a single push. any other movement would be too slow. you must also hold your breath so you do not smell her, the clove and cinnamon and little bird of hope. your mouth would water and you would drop her.

against the full moon, you do the thing that is impossible. you stretch yourself out all the way, a bold and beaming arrow, and you fly. you can hear them cry about you now, loudly. a banner that would strike pride even into your father: dragon. dragon. dragon.

on the eve of her wedding, you snatch the princess from her tower.

an arrow whisks for you, and then dozens, and then hundreds. you are not afraid of pain. you have learned long ago how to fly with holes in your wings. you hold her very gently still, and you push past the smell of your blood.

in the night you are a star. someone somewhere could look up and see you and make a wish.

there will be another lake, you decide. you can find another lake. somewhere very, very far from here. however long you must fly, however long you must hold your breath: you will take her home, because you are a proper dragon.

___

sometimes they come for her, your treasure. you have built her a little castle here, deep in the forests off the map. and of course for you: a silver round lake like the shift of her iris. you bring her books and she brings you bugs to study. you let her saddle you, and together you ride through the clouds and fog banks. she is a shadow on your back; a warm and velvet thing. she makes you music and lives the way she should; free in the night like a promise.

but they do come. you have stolen a real princess, and they do not want her to be a princess. they want to make her into a brood mother, or into bait, or into prey. they always look into the caves first; into the places proper dragons stay. they are real knights, not just men with sticks. they are loud and their smell still makes you itch.

but she has made you brave now, and cunning. if a dragon is not big, it should be cunning. and since you are a proper dragon, and since your treasure is your most precious thing, you lay in wait.

let them come. you will let the light drip off of you, and then you will pour through them.

afterwards, your princess will tell you a story around the fire. she will patch your wounds as she did that first time. she will sing to you.

Visitors today, it says, “will find no major exhibit dedicated to America’s founding era, George Washington, Thomas Jefferson, other founding fathers, the Continental Congress, the pilgrims, the Puritans or major moments of the American Revolution.” Instead, it claims, many founders are presented chiefly in terms of their connection to slavery.

In a statement, a spokeswoman for the Smithsonian, Julissa Marenco, said, “For more than 180 years, the Smithsonian has served the American public with nonpartisan and independent scholarship, and we remain committed to doing so.”

The White House did not respond to a request for comment.

The Domestic Policy Council, which wrote the report, is a White House group tasked with developing the president’s domestic agenda and advising him on issues like education and health care. Its leader, Vince Haley, has spearheaded the administration’s commemoration of the nation’s 250th anniversary, including Mr. Trump’s plan to build a 250-foot arch in Washington. Mr. Haley has also been credited with the idea for a patriotic sculpture garden known as the National Garden of American Heroes.

The Smithsonian has long been regarded as independent of the executive branch. But in an effort to have much greater influence on cultural matters in Washington, Mr. Trump has focused on the Smithsonian since March 2025, when he issued an executive order titled “Restoring Truth and Sanity to American History.”

In that order, which calls on Vice President JD Vance to overhaul the Smithsonian with the help of Congress, the president described a “revisionist movement” across the country that “seeks to undermine the remarkable achievements of the United States by casting its founding principles and historical milestones in a negative light.”

Mr. Trump has since announced that he was dismissing the director of the institution’s National Portrait Gallery, Kim Sajet, calling her “a highly partisan person, and a strong supporter of DEI.” (The Smithsonian did not follow through — publicly insisting it controlled personnel matters — but Ms. Sajet resigned, saying in a statement that her decision served the institution’s best interests.)

The White House also issued an ultimatum to turn over Smithsonian records or face potential budget cuts. In response, the Smithsonian’s secretary, Lonnie G. Bunch III, reasserted the institution’s independence but said materials had been submitted in an effort to be “transparent and open.”

Some 62 percent of the Smithsonian’s annual $1 billion budget is derived from federal sources, including funds directly appropriated by Congress. The Trump administration proposed cutting the Smithsonian’s budget by about 12 percent in the 2026 fiscal year, but Congress has maintained the institution’s federal funding.

Saturday’s report summons the specter of a funding withdrawal, citing how the president’s executive order directed Mr. Vance to work with the Office of Management and Budget to “prohibit expenditure on exhibits or programs that degrade shared American values, divide Americans based on race or promote programs or ideologies inconsistent with federal law and policy.”

Without specifying the exact remedy, the report says that “the president has a duty and obligation to seek reforms of the Smithsonian.”

The report criticizes the museum for viewing “traditional patriotic narratives” with suspicion or contempt. It says the museum endorses illegal immigration and advocates transgender issues, while it focuses on Christianity as “an instrument of conquest, exclusion or cultural erasure,” rather than its “constructive role” in “shaping the nation and its freedoms.”

It takes particular aim at the museum’s director, Anthea M. Hartig, saying she has advanced “an ideological agenda contradictory to the museum’s founding purpose of fostering patriotism.”

The story the museum tells, the report says, “is not one of ‘the victory of freedom and genius of our country’ but one of regret, tragedy and shame.”

Ms. Hartig did not respond to a request for comment.

The report immediately drew pushback from some in the historical profession, which has sharply criticized Mr. Trump’s efforts to enforce his view of history.

Sarah Weicksel, the executive director of the American Historical Association, the country’s largest group of history scholars, questioned the report’s claims that the museum neglects the nation’s founding and its founders.

“The museum has extraordinary objects that tell the history of the Revolution, including the newly restored Gunboat Philadelphia,” she said, referring to a Revolutionary-era warship. “Visitors also encounter George Washington, his leadership prowess and the American Revolution in ‘The Price of Freedom,’” another exhibition.

But some conservatives commended the report.

“The National Museum of American History is the tip of the iceberg,” said Mike Gonzalez, a senior fellow at the Heritage Foundation who has called for Mr. Bunch’s dismissal. “It’s not the only museum that erases our history and our heritage — all the other museums do. We have to go back to celebrating our country and its great achievements.”

The report, which contains more than 30 pages of footnotes, also criticizes an exhibition called “Many Voices, One Nation” that it claims tries “to convince visitors that illegal aliens are entitled to citizenship, voting rights and ‘belonging’ in America.”

And it criticizes an exhibition that closed in November 2025, “The Electric Dr. Franklin,” for what it says was too heavy of an emphasis on Benjamin Franklin’s connection to slavery, including his ownership of slaves, and not enough on his work as an abolitionist.

The report comes as the Smithsonian faces potentially significant turnover in its governing Board of Regents, a 17-member panel that includes Democratic and Republican elected officials as well as nine citizens.

Mr. Bunch has led the Smithsonian since 2019, and his relationship with the White House is, at best, strained. He has enjoyed the support of the board in asserting that the Smithsonian is independent.

But the museum is working with a diminished board since the terms of two Smithsonian trustees ended in March. Their replacements have yet to be named as Mr. Trump’s efforts to gain control of the institution have slowed that process.

Over the past few months, the Smithsonian managed to avoid further confrontations with Trump officials, perhaps because it made tweaks like altering some wall text and because the president was focused on matters like the war in Iran.

But the new report makes clear that the White House is fed up with the Smithsonian.