'Elevatin' The GetRight Spot' Podcast

Kenyon Dixon The best way to frame Kenyon Dixon is as an artist with a catalog-first story. Every connected release, platform link, genre tag, and showcase mention helps map the path from background research to actual listening. Profile foundation: The current record for Kenyon Dixon needs deeper primary-source research before it can support a full historical biography. Until then, the strongest profile is a listening-led introduction built from the artist’s own connected catalog and public music footprint. Saved profile clues: Related site showcase: “Sky’s The Limit” (feat. V. Bozeman) by Kenyon Dixon Related site showcase: “Getting Late” by Kenyon Dixon (@kennygotsoul) | release date: 2022-09-30 Related site showcase: ““Bring it on Home to Me” by BJ the Chicago Kid, PJ Morton & Kenyon Dixon (feat. Charlie Bereal) (@bjthechicagokid)” Catalog and source notes: Related site showcase: “Outta space” by ESTA (feat. Kenyon Dixon & Mack Keane) (@esta) Related site

“Pipeline” by Logic, Oddisee, Logic (Logic301), Tems, Ogi About Pipeline by Logic Pipeline by Logic and Oddisee is the kind of collaboration that invites listeners to slow down and take in the details. Rather than chasing spectacle, the track leans into sharp writing, measured confidence, and a focused sense of craft. It feels built for people who like their hip-hop with strong lyrical footing and a clear ear for texture, where the beat supports the verses instead of competing with them. A grounded meeting point between two distinct styles What makes “Pipeline” interesting is how naturally the two artists’ approaches can complement each other. Logic has often shown a facility for technical rapping, quick shifts in cadence, and a polished delivery that can move between reflective and assertive modes. Oddisee, meanwhile, is known for a more grounded, understated presence—an artist who often values pocket, clarity, and a strong sense of musical discipline.

“Invisible” by Ye, Jazzy, DOE, DRAM About Invisible by Jazzy Invisible by Jazzy and Chris Lorenzo is the kind of collaboration that makes immediate sense once the first few bars land. It pairs a sleek, emotional vocal presence with a producer known for shaping dance floors through pressure, detail, and precision, and the result feels both contemporary and approachable. The track doesn’t overstate itself; instead, it builds its appeal through atmosphere, movement, and a sense of controlled emotional release. For listeners who enjoy club music with a melodic core, Invisible offers a polished blend of house-influenced rhythm and pop-forward clarity. It sits comfortably in that sweet spot where a song can work in headphones, on a late-night drive, or in a crowded room with the lights low. The production leaves room for the vocal to breathe, while the beat keeps the momentum steady enough to carry the track forward with confidence. What makes “Invisible” stand out One of the

“Candycrush” by Mack Keane Mack Keane’s “Candycrush” is the kind of track that immediately signals a polished ear for contemporary R&B and a feel for mood-driven songwriting. Built around sleek production, smooth melodic phrasing, and a glossy, late-night atmosphere, the song fits comfortably within the modern crossover lane where soul, pop, and alternative R&B meet. For listeners searching for “Candycrush Mack Keane,” the track stands out as a stylish example of his ability to create music that feels intimate without losing mainstream appeal. At its core, “Candycrush” leans into the theme of attraction with a playful, sensory title that suggests sweetness, obsession, and the rush of infatuation. That emotional concept is part of what makes the song memorable: it is not just about romance, but about the addictive pull of desire. Mack Keane uses that idea to frame a record that feels both flirtatious and emotionally grounded. The result is a track that captures the

“Daydreaming” by NxWorries, Anderson .Paak, Knxwledge About Daydreaming by NxWorries Daydreaming by NxWorries — the duo of Anderson .Paak and Knxwledge — is one of those tracks that feels effortless on first listen and surprisingly detailed on repeat. It moves with a laid-back confidence, but there’s real craft underneath the looseness: a warm groove, soft-edged samples, and Anderson .Paak’s elastic vocal phrasing all working together to create a song that feels reflective without losing its pocket. If you’re coming to it from either artist’s wider catalog, “Daydreaming” lands like a natural extension of both of their strengths, only with the blend sharpened into something especially easy to live with. A warm, drifting groove with real character The first thing that stands out is the atmosphere. Knxwledge’s production style has always leaned toward texture, swing, and the feeling that every sound has been lovingly placed rather

“Let Me Go” by Ye, REASON, DOE, Baby Rose, InI, DRAM About Let Me Go by Baby Rose Let Me Go by Baby Rose is the kind of track that lingers after the last note fades, not because it tries to overwhelm you, but because it settles in with a quiet, stubborn emotional force. Baby Rose has built a reputation for turning vulnerability into something tactile, and this song fits neatly within that approach: intimate, smoky, and carefully weighted with feeling. It’s a performance that invites close listening, rewarding anyone who tunes in for the details as much as the atmosphere. Sound and atmosphere “Let Me Go” moves with a restrained confidence that gives the song its emotional shape. Rather than aiming for spectacle, the production leaves room for space, breath, and nuance. The track’s mood is reflective and aching, but not melodramatic; it sits in that compelling middle ground where sadness feels lived-in rather than performed. Soft instrumental layers support the vocal

“PUT YOU ON GAME” by Russ About PUT YOU ON GAME by Russ PUT YOU ON GAME by Russ arrives with the kind of confidence that has long defined his catalog: direct, clear-eyed, and rooted in a strong sense of self. The track leans into the strengths fans have come to expect from him—clean melodic instincts, a conversational rap cadence, and a focus on everyday perspective rather than unnecessary spectacle. It is the sort of song that feels immediate on first listen, but rewarding enough to revisit, especially for listeners who appreciate artists who can balance introspection with a laid-back sense of control. Sound, mood, and the track’s understated appeal What stands out first in PUT YOU ON GAME is its composure. Russ approaches the track with a measured delivery that keeps the energy steady rather than explosive, and that choice gives the song its identity. The instrumental provides a restrained backdrop that leaves room for the vocal to carry

Horse Vision Horse Vision should not be introduced with a copy-and-paste artist blurb. The more useful entry point is the trail of music, credits, genre markers, performances, and platform references attached to the profile. Research status: The available sources checked for Horse Vision did not provide enough confirmed biography detail to responsibly invent an origin story. This version therefore leans on the artist-specific music signals already attached to the post instead of repeating a generic background paragraph. Confirmed signals: Related site showcase: “Watching Over Me” – Horse Vision | release date: 2025-10-29 GetRight listening path: Related Music Showcase entries connected to Horse Vision include “Watching Over Me” – Horse Vision. These links belong near the end because the biography should first explain the artist, then guide readers into the music. Keep listening and verifying: Useful artist links currently include Spotify, Apple Music, Bandcamp. These

“That’s God LaLaLa” by Sensere "That's God LaLaLa" by Sensere arrives with the kind of confidence that comes from a group that knows exactly how to blend worshipful intent with an easy, feel-good musical touch. The track lives in a space where contemporary gospel, soul, and modern R&B sensibilities can meet without forcing the issue, and that balance gives it an immediate appeal. For listeners who appreciate songs that feel both spiritually centered and musically polished, it offers a compelling snapshot of what Sensere does well. A vibrant blend of praise, groove, and polish At its core, the song is built around a celebratory idea: praise expressed with enthusiasm, repetition, and lift. The title itself suggests a chant-like refrain, and the music supports that sense of collective uplift. Rather than leaning into heaviness or solemnity, Sensere frames the message with a buoyant groove that keeps the track moving forward. That choice matters, because it allows the song

“Git Up Off My Neck” by Ric Wilson, A-Trak Git Up Off My Neck by Ric Wilson, Chromeo feat. A-Trak and STIC.MAN of Dead Prez (aka stic) is the kind of collaboration that makes immediate sense once you hear it: sharp, playful, and firmly built around groove. It brings together Ric Wilson’s quick-footed charisma, Chromeo’s polished funk-pop instincts, A-Trak’s club-ready sensibility, and stic’s veteran voice, creating a track that feels both easy to move to and pointed in what it has to say. The result is a song that rides on confidence, but never loses its sense of wit. A funky, assertive cut with movement at its core Musically, the track leans into a bright, elastic funk framework. The rhythm section is tightly locked, with a beat that keeps the body engaged without crowding the vocal performances. Chromeo’s signature touch is evident in the glossy synth textures and crisp instrumental sheen, but the

Fern Fern should not be introduced with a copy-and-paste artist blurb. The more useful entry point is the trail of music, credits, genre markers, performances, and platform references attached to the profile with saved genre signals around Christian Edm, Christian Hip Hop. Research status: The available sources checked for Fern did not provide enough confirmed biography detail to responsibly invent an origin story. This version therefore leans on the artist-specific music signals already attached to the post instead of repeating a generic background paragraph. Confirmed signals: Genre signals: Christian Edm, Christian Hip Hop Related site showcase: “WORKING” – Marty, Social Club Misfits, Fern | release date: 2025-11-07 Those details matter because artist biographies are strongest when they connect sound to place, collaborators, labels, and release history. GetRight listening path: Related Music Showcase entries connected to Fern include “WORKING” – Marty, Social Club

October London (@octobertheking) October London (@octobertheking) deserves a profile that reads like music journalism, not directory filler. This draft is built from the artist-specific signals currently available: source text, saved metadata, listening links, and related showcase records with saved genre signals around R&B, R&B/Soul and a profile context connected to {"address":"South Bend, Indiana, United States","map_picker":false,"latitude":41.67635,"longitude":-86.25199}. Research-first note: No strong biographical source was available for October London (@octobertheking) during this enrichment pass. This profile is therefore treated as a living draft, ready to expand when interviews, official bios, release notes, or reliable press sources are added. What stands out: Location or base: {"address":"South Bend, Indiana, United States","map_picker":false,"latitude":41.67635,"longitude":-86.25199} Genre signals: R&B, R&B/Soul Professional tags: Actor, Music

ESTA. (@esta) ESTA. (@esta) deserves a profile that reads like music journalism, not directory filler. This draft is built from the artist-specific signals currently available: source text, saved metadata, listening links, and related showcase records with saved genre signals around R&B/Soul and a profile context connected to {"address":"Los Angeles, CA, United States","map_picker":false,"latitude":34.05491,"longitude":-118.24264}. Research-first note: No strong biographical source was available for ESTA. (@esta) during this enrichment pass. This profile is therefore treated as a living draft, ready to expand when interviews, official bios, release notes, or reliable press sources are added. What stands out: Location or base: {"address":"Los Angeles, CA, United States","map_picker":false,"latitude":34.05491,"longitude":-118.24264} Genre signals: R&B/Soul Professional tags: Music Artist Data-backed context: Related site showcase: “Outta space” by ESTA (feat.

“HAPPY HOUR” by HARDY (, Hardy, HARDY HAPPY HOUR by HARDY (, Knox) arrives with the kind of title that can suggest a few different directions, and the track makes good on that ambiguity by leaning into a sound that feels both accessible and personality-driven. From the first listen, it comes across as a song designed to be played loud, talked about afterward, and replayed when the mood calls for something with a little more lift than a standard radio-ready cut. HARDY has built a catalog that often balances country storytelling, rock energy, and a sharp sense of character, and “HAPPY HOUR” fits comfortably into that lane while still feeling like a distinct moment. The track’s appeal starts with its atmosphere. Rather than relying on a single gimmick, it uses an easygoing, conversational pulse to create momentum. The mood is upbeat without sounding carefree for no reason, and that balance helps the song feel more human

“Slowly” by JON VINYL, REASON, Common, Soul, MAX “Slowly” by JON VINYL settles in with the kind of confidence that doesn’t need to shout to be heard. From the first moments, the track makes its intent clear: this is a song that values atmosphere, restraint, and feeling over flash. JON VINYL uses that space well, shaping a listening experience that feels intimate without becoming slight, and polished without losing its human edge. A Patient, Soulful Listen What stands out most in “Slowly” is its patience. The track doesn’t rush to make its point, instead allowing each musical element to breathe. That approach gives the song a reflective quality, as if it’s inviting the listener to sit with a thought or memory rather than chase the next big turn. For music fans who appreciate songs that build mood through detail, that sense of control is one of the track’s biggest strengths. The sound is smooth and cohesive, with a laid-back

Chris Renzema (@chrisrenzema) Writing about Chris Renzema (@chrisrenzema) means starting with what can be verified. The current profile data points toward a music career that should be understood through connected releases, public sources, style markers, and the listening paths available to fans with saved genre signals around Gospel and a profile context connected to {"address":"Grand Rapids, Michigan, USA","map_picker":false,"latitude":42.96336,"longitude":-85.66809}. Verified context: The current sources do not support a detailed life-and-career narrative for Chris Renzema (@chrisrenzema). The responsible approach is to preserve a distinctive artist page while clearly separating verified music context from future research needs. Verified notes: Location or base: {"address":"Grand Rapids, Michigan, USA","map_picker":false,"latitude":42.96336,"longitude":-85.66809} Genre signals: Gospel Professional tags: Music Artist Artist record details: Related site

“Friends Don’t Let Friends” by Lady A, Carly Pearce, Thomas Rhett, Darius Rucker, Nas “Friends Don’t Let Friends” by Lady A, Carly Pearce, Thomas Rhett, and Darius Rucker is the kind of collaboration that immediately signals easy chemistry, and this one leans into that spirit with a warm, familiar country-pop glow. Bringing together four of modern country’s most recognizable voices, the track feels built around camaraderie as much as melody, balancing a relaxed, radio-ready polish with the loose, good-natured energy its title suggests. A familiar premise with an easygoing lift At its core, “Friends Don’t Let Friends” plays like a toast to loyalty, shared history, and the kind of everyday support that sits at the center of many country songs. Rather than reaching for heavy drama, the track keeps its focus on the lighter, affirming side of friendship. That choice gives the song broad appeal: it is conversational, approachable, and easy