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I see people talking about different novel yousuke is from anime yousuke, but not enough talk about how much they toned down inako's dad in the anime lol like he was genuinely abusive and horrible to inako
I am reading a theory of dreaming right now and i would really like to rant about how it seems to be perpetuating the fmc being this broken little bird that the mmc must save, but i will save that for after i finish this book
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More characters are introduced in this section~~ rereading this it's so funny how different novel Yousuke and anime Yousuke are. Novel Yousuke is not a white haired caked up guy who's gay for Seiroku, I can tell you that much lol
Translation Notes
Mitsui and Sumitomo are both large and influential conglomerates with long histories. Mitsui was founded in 1673, while Sumitomo was founded in 1590.
The Battle of Toba-Fushimi is a 1868 battle during the Boshin War between the pro-imperial forces and the pro-Tokugawa shogunate forces.
This is a reference to a real Imperial University law professor named Tomizu Hirondo, known as Professor Baikal for being a hardline supporter of Siberian annexation.
Teru teru bozu are handmade dolls hung outside a window to pray for sunny weather.
St. John's Church was built in 1907 and moved to the Meiji-mura open-air museum in 1964.
Komachi Kurenai is a reference to Komachi Beni, a traditional Japanese lipstick.
This is a real invention called a Teasmade. Concepts for a tea-making alarm clock have existed since the Victorian era. In 1891, Samuel Rowbottom applied for a patent for his Automatic Tea Making Apparatus, which used an alarm clock, gas ring, and pilot light.
The Edison of Japan, or Fujioka Ichisuke, was the founder of the Tokyo Electric Company (later known as Toshiba). He is credited with popularizing electricity and light bulbs in Japan.
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In the main house of the Momokawa Sake Brewery, there was a strange contraption called a cooling machine. A rectangular box contained a round fan; once wound up, it would swing back and forth, producing a breeze. However, the air it produced was usually warm. The air actually felt cooler after the fan stopped spinning.
Although it was summer, the atmosphere in the parlor felt chilly. It appeared that the cooling machine had finally come in handy for the first time.
Separated from Kuga by the rosewood table, Inakoâs older sister Noriko was sitting with her back ramrod straight.
Noriko had snow-white skin, and long and lustrous black hair that hung straight down, a section of which was tied back with a red ribbon. She wore a high-quality white kasuri summer kimono of Omi Jofu hemp and a purple obi neatly tied in place.
As Kuga sipped the tea Noriko made, her closed eyes opened slightly.
âYour sudden visit made me assume something happened.â
âInako invited me to stop by. It would have been rude of me to refuse.â
âWhat a strange uniform youâre wearing. Are you meddling in other peopleâs business again?â
âThe Salvation Armyâs Kyoto branch was established this year, and a friend asked me to come help out for a short while.â
âYou didnât waste your hard-earned merit pension from the war, did you?â
âI didnât squander the money. Most of it went to charity.â
âFollowing prostitutes around all day is truly a noble form of charity.â
Their eyes met in a fiery and silent exchange of âWhat did you say?â and âWhat do you think?â Inako put her hand on her forehead.
Kuga and Noriko were already engaged before the war began. Kuga was the second son of the Kuga Tsunekichi Store, a rice wholesaler in Otsu that sold rice for sake brewing. He and Noriko had known each other since they were little.
But what was troubling was that the two were completely incompatible. Kuga always commented on Norikoâs every move, to which she would respond with snide, barbed words. Even so, the two still met often out of courtesy. Everyone thought that the wedding would be held after Kuga retired from the army after completing his military service last year, but there was no sign of anything so far.
Kuga was preoccupied with philanthropic work, and it was rumored that Noriko, fed up, would put a hold on the marriage. Even when Inako inquired about the details, Noriko remained silent.
Kuga was twenty-four this year, and Noriko was twenty, yet both were still unmarried.
Their gazes locked in a tense standoff until the cooling machine stopped. Kuga frowned and glanced at it.
âIâve always been curious. Why donât you buy a battery-operated electric fan?â
âI guess itâs because this is cheaper than an electric fan. You get what you paid for, as the saying goes.â
âI see,â Kuga said, then finished the rest of his tea and placed the cup on the table.
âAnother cup,â he said coldly, and Noriko poured him another cup with equal indifference.
Inako was feeling exasperated by the twoâs behavior when the sliding door suddenly opened. âKuga-kun, youâre here,â her father, Jinemon, said. Inako felt her stomach clench with nervousness.
Jinemon was wearing an Oshima tsumugi kimono and haori, looking composed and unruffled. His neatly trimmed handlebar mustache stretched above his tightly closed mouth. He sat down and glanced at Inako.
âSo you finally came home. Did you tire yourself out playing?â he said disdainfully. He lit a Golden Bat cigarette, exhaled a smoke ring, and made a face that suggested that the cigarette wasnât very pleasant.
âJinemon-san, I heard an important guest is visiting later.â
âYou should stay and meet him if itâs not inconvenient for you, Kuga-kun. His name is Mizoe Yousuke-san, the heir to Mizoe Trading. He seems to have recently become the branch manager of the Fushimi branch of the company and is coming by to give his greetings.â
Mizoe Trading was a wealthy company headquartered in Matsusaka. They had been a liquor retailer since ancient times, and after the Meiji era, they followed the examples of the Mitsui and Sumitomo Groups and expanded their business into banking and mining, leveraging their substantial capital. (1)
When the Battle of Toba-Fushimi ended, the streets of Fushimi were severely damaged. (2) The Momokawa storehouse was one of the casualties, making it difficult for them to continue operating. Thanks to the help of the Fushimi branch of Mizoe Trading, which sold Fushimi sake as âKyoto sakeâ to the untapped Tokyo market, sales rebounded. From then on, the Momokawa Sake Brewery was in Mizoe Tradingâs debt.
âThe former branch manager was already elderly. I donât know if Yousuke-san has any business experience.â
âThereâs no need to worry about that. After all, heâs the famous Professor Paikaru.â
âProfessor Paikaru?â Kugaâs eyes widened in surprise.
During the Russo-Japanese War, there was an Imperial University professor who strongly advocated that Russiaâs Lake Baikal should be ceded to Japan. He was called âProfessor Baikalâ for that reason. The incident was very famous at the time. (3)
At the same time, an eccentric character also appeared in Kansai. This man travelled around the world at a young age and tasted all the wines in the world he visited. When he returned to Japan, he set up a foreign wine import department in his own store and used the contacts and sales channels he accumulated overseas to improve sales performance in a short time.
âSpeaking of Professor Paikaru, all Iâve heard are unreliable rumors: âHe downed two sho of wine on a German country road,â or âAfter drinking eighteen litres of wine in China, he composed a hundred poems,â or âHe becomes increasingly aggressive in arguments when drunk,â and so on.â
His true character remained unknown, and what circulated was nothing but absurd and unfounded rumors. HoweverâŚ
âAlthough Iâve tasted countless fine wines, the best is still the baijiu of Chinaâalso known as paikaru.â
It was said that Professor Paikaru once boasted this, and this seemed to be the only information that could be considered credible. He was classed with the aforementioned professor with the saying, âBaikal in the East, Paikaru in the West.â
This Professor Paikaru was said to be Mizoe Yousuke, the heir to Mizoe Trading who brought enormous profits to the company through importing Western liquor.
âHe is the one who will inherit the Mizoe family business. âŚSo, Inako, you must not embarrass yourself in front of him.â
Jinemon glared at her, and Inakoâs face stiffened. Just then, a maid called out from the other side of the door.
âMaster, Mizoe-sama has arrived.â
âThis is my eldest daughter Noriko, and my younger daughter Inako next to her.â
After Jinemon introduced her, Inako looked up from the floor and met the gaze of the faintly smiling Mizoe Yousuke.
Yousuke sat cross-legged on a cushion in the parlor. He was on the thin side, wearing a three-piece suit. His sideburns were a little long, and he was beaming as his bright eyes constantly darted around the room.
âYour daughters are beautiful. Iâm almost thirty and havenât yet married, and although I donât quite understand the feeling of being a parent, you must be very happy to have raised such lovely girls.â
âThey still have a long way to go. I have plenty of trouble with my clumsy second daughter in particular.â
âInako-chan, yes? How old are you?â
Caught off guard by Yousukeâs sudden question, Inakoâs voice trembled with nervousness as she answered, âF-fifteen years old, sir.â
Yousuke stroked her chin, looking at her with interest. Inako, sitting upright on her heels, felt her heart pounding. Jinemon, sensing something was about to go wrong, cleared his throat loudly.
âNow that the pleasantries are finished, let me show you the storehouse.â
The oblong, two-story sake storehouse was built next to the main house. It was where the brewing and storage took place. Because Japanese sake required low-temperature brewing, it was mostly done in the winter when the temperature was easier to maintain. Right now, the workers had all returned to their hometowns to farm, so the storehouse was deserted.
Jinemon pointed to the different sections of storehouse using his favorite bamboo root walking stick and introduced them to Yousuke. Inako watched them from a distance. Kuga stood beside her with his arms crossed, and Noriko, who couldnât stand the smell of sake, covered her grimacing face with a handkerchief.
âWhat a magnificent storehouse. In this age of mechanization, itâs amazing that these traditional tools and processes are still preserved,â Yousuke exclaimed, spreading his arms dramatically. Just when everyone thought that even Professor Paikaru, who had tasted all of the worldâs finest alcohol, was proud of his countryâs liquor, he stomped his foot, clad in a Western-style boot. âHowever,â
âThatâs precisely why Iâm so uneasy about whether Japanese sake can keep up with the new century,â Yousuke said with a pained expression. Inako thought she had misheard. âSake relies entirely on the labor of the workers. The risk of failure is high, and the brewing process largely relies on human intuition. How can unstable sake, bound by the old ideas of so-called âtradition,â compete with Western liquor?â
âYouâre being rather harsh on us, sir,â Jinemon could only manage a forced smile even as his work was being so blatantly belittled. In contrast, Inako, furious, drew closer to Yousuke.
âYouâre wrong! The brewers and workersâ techniques have been passed down through generations over hundreds of years. They are actually quite sophisticated. Even without a thermometer, workers can judge the temperature using their own fingers.â
Yousukeâs eyes widened, and then he grinned like a child who had come up with a mischievous prank.
âBut how many years does it take for someone to learn those techniques? And even if they master them perfectly, how would they prove it? I still think using a thermometer is much faster and more convenient.â
âWellâŚâ Inako couldnât come up with a rebuttal. âEven so, itâs refined and precise work. Sake is the drink of the gods.â
Yousuke looked stunned. After a moment, his laughter echoed in the spacious storehouse.
âVery well, very well, I raise my hands in defeat. I canât win when the gods are brought up in a discussion. âŚBut if sake is so precious, why does some of it spoil during the brewing process? If the quality of sake can only be determined by the godsâ whims no matter how devout you are, then such faith is worthless.â
Inako was about to retort when Jinemonâs cane struck her arm.
âDonât interrupt. Didnât I tell you not to involve yourself in brewing?â Jinemon looked at her coldly as she groaned in pain. Inako was still unwilling to give up, but Kuga gently grabbed her shoulder, and she had no choice but to remain silent.
âWhat an amusing girl,â Yousuke smiled, his gaze fixed on Inako.
That night, Inako and Noriko, dressed in their nightwear, reclined on the brightly lit veranda. The two were wearing white crepe yukatas. They both had indigo patternsâInakoâs was butterbur, and Norikoâs was iris patterned.
They both had their hair down. Noriko played a relaxed tune on her shamisen, while Inako sat on the veranda, swinging her legs and listening intently. The starry sky could be glimpsed in the gaps between the persimmon tree and the eaves. Inako gazed at the stars, her nose occasionally itching from the mosquito repelling incense.
âI was nervous when you suddenly got into an argument with Professor Paikaru during the day,â Noriko said calmly, without stopping her playing.
âThatâs because he was being disrespectful to the workers.â
âYou should just turn a blind eye in times like that. Thereâs no need to take everything seriously.â
âYou can say that because youâre so much sharper than me.â
Inako often thought that there were so many things she couldnât do compared to her sister.
The well-mannered and talented Noriko could do anything well. She knew countless shamisen tunes, her tea was praised by guests, and her sewing was good enough for kimonos worn at weddings.
On the other hand, Inako was clumsy and awkward at everything she did. She broke countless shamisen strings, her tea made guests frown, and her sewing, if hung under the eaves, looked like giant teru teru bozu. (4)
âIf I had to say what my only redeeming quality is, it would be praying to the gods.â
âThatâs not true. You have plenty of good qualities that I donât have.â
âReally?â Inako turned her head to look at Noriko, but her sister simply continued playing her shamisen like she hadn't said anything. The shamisen was resting on her right thigh. Inako rested her head on Norikoâs left thigh and lay down.
âInako, youâre in the way,â Noriko admonished her, but she didnât stop playing.
Inako enjoyed the soft sensation, playing with Norikoâs long hair that flowed down her yukata.
Inakoâs navy blue kimono was made of Oumi Jofu hemp, just like Norikoâs white kimono, but because of frequent rubbing, the fabric was badly torn. So every time she wanted to borrow Norikoâs white kimono, her sister would refuse, saying, âIf I lend it to you, itâll become a rag after youâve worn it.â
With her beautiful face, long jet-black hair, and elegant white kimono, Inako greatly admired Noriko. At least her own hair, which was slowly growing longer, was almost as long as Norikoâs, which secretly delighted her.
âHey, Onee-chan, when are you going to make up with Kuga-san?â
âWhy are you asking this all of a sudden?â
âIâm trying my best to create opportunities for the two of you to meet, but you always end up arguing as soon as you see each other.â
âStop meddling in other peopleâs business. Think about your own future. Youâre already at the age to get married, after all.â
Inakoâs heart leapt. Yes, she was of age to get married as well. Although she had fantasized about what kind of man she would marry, she still didnât even know if anyone would want her.
âIf Iâm going to marry, I want to marry someone like Kuga-san. Someone strong and reliable.â
âOh, really. I can give you someone like that anytime,â Noriko said calmly, without a hint of jealousy. There was a mischievous smirk playing on her lips. âThen, what about Professor Paikaru?â
âNo way. His sideburns look like centipede antennae. Just looking at them gives me chills.â
âI think so too,â Noriko smiled faintly as she spoke, and Inako giggled.
A week passed. The sun was intense from morning to night, and the sweltering heat made one feel as though they were boiling in hell. Yousuke visited again that day. He and Jinemon seemed to have something important to discuss, and they were talking intently in the parlor for a long time.
Because the maid seemed to be a bit overwhelmed, Inako helped her carry the cooling machine to the living room. When she was at the door, she heard the two men talking from the other side of the door and stopped.
ââSo, in my opinion, the treasured sake that you made in the past is indeed a sake befitting the twentieth century. Would you be willing to brew it again?â
Treasured sake? What is he talking about? Inakoâs ears perked up.
âIâm not sure what you heard from the previous branch manager, but the treasured sake is most likely not what you expected, sir.â
âAs you know, we are currently in a post-war recession. This may be discourteous of me to say, but your sake isnât selling well, Momokawa-san. If you donât brew something truly impressive soonâŚâ Yousuke smugly snorted as Jinemon remained silent. âIf you canât do that, why donât you take the opportunity to try transforming into a beer brewery?â
Inako, caught off guard, dropped the cooling machine.
âAh!â she cried out, but it was too late. The cooling machine fell to the ground with a loud thud.
âWhat happened?â Jinemon poked his head out of the parlor and glared at her upon seeing the mess.
âUm, well, it was so hot, I thought Iâd bring the cooling machine overâŚâ
Jinemon shoved Inako aside and picked up the cooling machine. He put the disconnected fan back in place and wound it up. Inako prayed that the machine wasnât broken, but the fan made a rattling sound as the gears failed to engage. She felt a pang of nausea as she stared at the completely unmoving fan.
âLook at what you done! You canât even carry things properly, you good-for-nothing!â
Inako shrank back in fear at her fatherâs scolding. Just then, Yousuke calmly walked over.
âHaha, it turns out you really are clumsy.â
âMy deepest apologies, sir, for forcing you to witness this shameful display,â Jinemon bowed his head.
âU-um, excuse me,â Inako timidly spoke up. âIs what you said about the beer brewery true?â
Yousuke looked surprised, then burst into laughter.
âOf course it was a joke. Did you really believe it? How naĂŻve!â
A joke. Inako froze. âDonât meddle in family matters! What are you planning to do about this mess?â Jinemon snapped. His angry voice made Inako remember the current situation, and she shrank back once again.
âOh, right. I know someone who can fix this.â
Inako fled the scene and retrieved the Hourai Buddhist Altar Shop flyer from her room.
âA Buddhist altar shop does machinery repairs?â Jinemon asked suspiciously when he took the flyer.
âI found it strange at first too, but the person who gave me the ad seemed very knowledgeable about machines.â
âItâs still suspicious. Even if they have a phone number, thereâs no way to verify it.â
âThen let me help you check,â Yousuke said, pulling a Kyoto phone book out of his thick bag. âI always carry it with me for work. Iâm glad itâs coming in handy.â
Inako anxiously awaited the result as Yousuke searched for the phone number on the flyer. After a while, he looked up. âFound it,â he smiled. Inako thought she was saved.
âBut, itâs the number of a shop called Rokkaku Kimono Shop.â
Jinemon let out a deep sigh that seemed to be wrung out from the depths of his body.
âMaking a fool of yourself in front of a guest, and then being tricked by a strangerâŚhow badly do you intend to ruin the Momokawa familyâs reputation?â
âFather, please listen, I never intended toââ
Jinemon struck Inako on the head with his cane. A sharp pain shot through her, and tears welled up in her eyes. Yousuke chuckled slightly. âNow, now, Momokawa-san,â he said. âInako-chan is a very pure and naĂŻve girl. After all, she even believes that sake is the drink of the gods.â
âNo, sheâs just slow-witted. âŚLet us go back inside, sir. I apologize for the interruption in the middle of our conversation.â
Jinemon, still angry, returned to the parlor.
âWhat a disaster,â Yousuke remarked. He was about to return the flyer to Inako when he noticed something written on the back.
âWhatâs this?â His smile vanished instantly upon scanning the contents. âElectrical CatalogâŚâ
His tone was filled with disbelief. When he noticed Inako looking at him, he returned the flyer. âWell then,â he put on a smile and returned to the parlor. The hallway fell silent. Inako stared dejectedly at the phone number on the flyer, and her attention was drawn to the address written next to it.
It was in Shinkyogoku. Inakoâs eyes filled with determination as she stared at the flyer.
That afternoon, Inako carried the wrapped cooling machine in her arms, boarded a tram and headed north along Kawaramachi Street.
The last time she had been in this area was as a child visiting the Great Buddha at Hoko-ji Temple. Looking out the window, Inako was amazed by the sudden appearance of a pointed-roof red-bricked Western house. A woman next to her said that it resembled St. Johnâs Church, which was built this year. (5) Faced with this striking and immaculate sight, Inako instinctively clasped her hands in prayer.
The tram travelled along Takase River, past Kiyamachi Street, lined with verdant willow trees, and arrived at Shijo-kobashi Station. Inako got off and walked west along Shijo Street, a narrow street that cut through the city, until she reached Shinkyogoku.
Built in the early Meiji era, Shinkyogoku Street was Kyotoâs most flourishing district. Hat shops, geta sandal shops, and playhouses lined the street. A diverse crowd ranging from students and ladies with maids to bald old men came and went. Under the scorching summer sun, almost everyone was fanning themselves with folding fans or round fans.
Tea shops everywhere Inako looked displayed signs for âice shops.â Laborers sat on benches under the eaves, enjoying sugared ice and ramune. Girls in hakama laughed and chatted outside the Komachi Kurenai lipstick store. (6) Inako glanced at them as she walked towards the address on the flyer, but couldnât find a shop that looked like it sold Buddhist altars.
âIt should be around hereâŚâ
Just as Inako was wandering around all over the street, she bumped into a passing boy. The boy fell, and walking sticks in the basket on his back all clattered onto the ground.
âIâm so sorry, I wasnât paying attention to where I was walking!â
âItâs alright, donât worry about it. Iâm blessed with good fortune to have bumped into such a beautiful lady,â the boy joked as he stood up. He wore a happi coat with the words âYagura Bamboo Crafts Shopâ written on the collar. His grimy face beamed with a cheerful smile.
Inako thought the boy resembled a miniature version of Kihachi. She handed him the canes she picked up, and the boy noticed the flyer.
âOnee-chan, are you looking for the Hourai Buddhist Altar Shop?â
âHuh? Y-yes, I am, but I think Iâm lost.â
âI can show you the way. Itâs on my way anyway.â
Without waiting for her response, the boy started walking. Inako was conflicted as to whether or not to follow him, but for now, she had no choice but to rely on him, so she followed the small back.
âDo you know Sakamoto-san?â
âMy name is Yagura Yajirou. Onee-chan, are you looking for Kihachi-niichan?â
âYes. I want to ask him to fix this cooling machine.â
âFixing a machine, huh. Nii-chan will be thrilled. Look, itâs over there.â
The Hourai Buddhist Altar Shop was located at the entrance of a small alley. Passing through the entrance with a large signboard overhead, the dimly lit shop displayed candles, incense, prayer beads, and other Buddhist-related merchandise.
âExcuse me, itâs Yagura,â Yajirou called towards the back. âNii-chan, Iâve brought a customer. HmmâŚâ
He glanced at Inako. âMomokawa Inako,â she told him.
âHer nameâs Momokawa Kinako-san.â
âInako!â she corrected him, and a burst of laughter came from within the shop.
âYajirou, youâre back from selling?â Kihachi walked out with a smug smile, just like the last time they met.
âI went out to show a customer some samples of our walking sticks, and then ran into Kinako-san on my way back.â
After chatting with Kihachi for a few minutes, Yajirou said happily, âIâll see you at night school,â and left. Kihachi watched him leave, then turned to Inako with that smile on his face.
âSorry for keeping you waiting, ah, Kinako-san.â
Inako kicked him in the shin. He groaned in pain.
âWhy did you kick me all of a sudden?â he complained, and Inako gave him a frightening look.
âBecause you gave me a random phone number. I got in trouble thanks to you.â
âRandom?â Kihachi didnât seem to understand what she meant. Just then, the phone next door suddenly rang loudly.
Eventually, the call was answered, and the ringing stopped. There was a moment of silence, and thenâŚ
âIs Bunshichi there?â an elderly white-haired man shouted into the shop.
âYes,â a sleepy-sounding voice came from inside. A middle-aged man wearing a happi coat and glasses came out, scratching his disheveled hair. This man, who had dandruff falling from his hair, must be Bunshichi. âGrandpa, you look quite energetic today.â
âEnergetic, my foot! Someone called me again looking for you.â
âSorry about that. What did they say?â
âThey hung up as soon as I answered! Take off my number from your flyers right now!â
âWhatâs going on?â Inako asked Kihachi as she listened to the kimono shop owner and Bunshichi talk.
âA phone number on advertisement flyers increase customer trust. But because we canât afford the annual phone fee, Uncle just wrote down the phone number of the kimono shop next door.â
As Kihachi stood there in exasperation, Bunshichi calmly comforted the old man.
âDonât worry, Grandpa. Iâll pay whatever you ask for to borrow your phone.â
âThen shouldnât you also pay compensation for emotional distress? I get calls asking for you all day long.â
âThat kimono shop owner has a lot of guts answering so many calls. Iâm terrified of the phone.â Inako whispered to Kihachi as she watched the two of them.
âWhy? Are you nervous talking to the operator?â
âWhat if the person on the other hand has cholera? I heard it can be transmitted over the phone.â
âHow would that even be possible? Youâre like someone living a few decades ago,â Kihachi rubbed his temples.
âAlright, alright, thereâs a customer here,â Bunshichi said as he led the still-angry kimono shop owner to the back of the shop.
âWonât something bad happen if they keep going like that?â
âDonât worry. Grandpa loves to talk. He probably took advantage of the wrong call to chat.â
Inako was still worried. Her eyes met Kihachiâs, whose arms were crossed.
ââŚUm, sorry,â he looked away and mumbled. âI forgot to mention the phone number when I gave you the flyer.â
âIt doesnât matter now. Anyway, I came here myself and confirmed the shop really does exist.â
âDid you come all this way because you believed me?â
âBelieving is my specialty. Besides, I really wanted you to fix this.â
Inako uncovered the cooling machine from the wrapping cloth. âA cooling machine?â Kihachi leaned closer, examining it.
âIt stopped working after it was dropped. Hereâs the advance payment.â
âAh, biscuits. And fancy-looking ones, too.â
They were snacks Inako had taken from the shelf reserved for guests. Kihachi accepted the biscuits from her and quickly took one out. He chewed it little by little with his front teeth.
âThis shouldnât take long to fix. Why donât you wait here for a bit?â
Inako nodded. Suddenly, a loud chime rang through the shop, startling her.
The clock face told her that it was three. Kihachi put the cooling machine on the workbench in the corner and immediately began disassembling it. The workbench was piled with clocks of all shapes and sizes, as well as a machine and parts whose purpose she couldnât discern.
As Inako studied the objects, so different from the Buddhist items, she heard Kihachi say, âAll fixed.â
âHuh, you fixed it so quickly?â
âMachines like this that donât use electricity are a piece of cake. It was just a gear that was knocked loose.â
Inako was amazed at his swift work. Kihachi wound the machine up in front of her, and the fan began to move smoothly, delivering the long-awaited warm breeze.
âWow, thank you so much!â Inakoâs heart finally settled down, but Kihachi crossed his arms, looking dissatisfied.
âEven if itâs fixed, it can only produce this warm breeze. Whatâs there to be happy about?â
Inako wrapped up the cooling machine, and then the same sharp chime rang out again.
âPerfect timing. Look, the tea is ready.â
Kihachi pointed to the machine on the workbench. Inako looked at it, wondering what he meant. She saw a kettle, supported by a device, pouring hot water into the teapot by itself. Surprise rendered her speechless.
âAmazing, right? I assembled this myself, modelling it after an English tea maker. Itâs connected to an alarm clock on top. When the time comes, it lights the alcohol lamp for boiling water, and then, using the same principles as a mechanical puppet, it pours the water into a teapot containing tea leaves.â (7)
Kihachi poured the tea into a prepared teacup and handed it to Inako. Though it wasnât as good as the tea made by Noriko, the taste was surprisingly decent. Kihachi added a biscuit as a tea snack.
âThis is a Buddhist altar shop, right?â
âThatâs our main business. Because I can do simple mechanical repairs, we sometimes get repair business. If someone pays for the raw materials, I can also make a machine according to their requirements.â
âIs this tea-making alarm clock also for sale?â
Kihachi, his mouth full of biscuits, nodded. Inako grimaced.
âDonât look at me like that. I test out all my products before delivery.â
Inako wondered if that was really okay. She glanced at the machines on the workbench.
âDo you have any other alarm clocks? If thereâs any that can help me stop oversleeping, Iâll think about buying one.â
âIâve got plenty. I happen to have a modified prototype. Itâll definitely wake you up.â
âOh, that reminds me.â Upon hearing the word prototype, Inako showed Kihachi the flyer. âSomething called an âElectrical Catalogâ is written on the back. This must be something important, right?â
Kihachi, who had been so cheerful a second again, suddenly looked slightly gloomy.
ââŚOops, I think I accidentally gave you a flyer I was doodling on.â
âIs it for making another product? I should return it to you.â
âNo need. Theyâre just machines I predicted before, things I designed for fun to pass the time.â
âPredictions?â
âTwenty things that can be achieved with electricity a hundred years from now. Itâs for a book called the Electrical Catalog.â
Inako felt a mischievous urge as she looked at the slightly embarrassed Kihachi.
âSo you mean there are other prophecies? Let me take a look at that book.â
Anyone would feel embarrassed showing someone what they scribbled as a child.
ââŚItâs all in the past. I lost it a long time ago,â Kihachi smiled wryly.
âI see,â Inako said dejectedly, then sipped the rest of her cold tea.
âYou must feel sad that the material you can use to tease with me is gone.â
âI-I wasnât thinking about stuff like that.â
Inako was startled that he had guessed what she was thinking and munched on the biscuit. They started chatting about trivial things. Suddenly, laughter rang out from the back of the shop. Just as Kihachi said, the kimono shop owner, now calmer, was having a lively conversation with Bunshichi. Glancing at the clock on the wall, she realized that a considerable amount of time had passed.
âItâs so late. I should go home.â
Kihachi said that he would walk her to the nearby tram station, so the two of them headed out of the shop together. Walking along Shinkyogoku, bathed in the setting sun, they descended a slope and turned right onto Sanjo Street, famous for its brick post offices and other similar buildings.
Inako, glancing at the clock tower of the Yabetoku Clock Store, asked Kihachi a question.
âSakamoto-san, are you going to pursue a career related to mechanics in the future?â
âIâm more interested in electricity than mechanics. I want to study at university, then work for a light bulb company or a company that makes electrical products. My dream is to work for the company with the âEdison of Japan.ââ (8)
The man known as the Edison of Japan worked at Nijo, manufacturing physical and chemical machines. He was a very perceptive individual; it was said that when he was Kihachiâs age, he could replicate an exact replica of a Western generator simply by looking at a picture.
Later, he successfully jump-started the domestic manufacturing of batteries, which were used in the navyâs new wireless communication equipment, making a significant contribution to the Combined Fleetâs victory over the Russian Baltic Fleet in the Battle of Tsushima.
âI heard that his factory is currently manufacturing medical X-ray devices.â
Inako was half-listening to Kihachiâs slightly difficult to understand rambling as she walked. Ahead lay the St. Francis Xavier Cathedral, adorned with stained glass windows. Inako reflexively clasped her hands together before the pristine white cathedral.
Kihachi jutted out his lips in displeasure, perhaps because he had been interrupted.
âAre you a Christian too?â
âOf course not. But Jesus-san is an amazing god, isnât he? I heard from a man named Kuga-san that he can heal the sick and even bring the dead back to life. Iâm sure Iâll receive blessings if I pray to him.â
âThat sounds fishy. How could Westerners living in civilized countries believe in such nonsense?â
âDidnât you grow up in a temple, Sakamoto-san? I canât believe you could say such rude things about peopleâs beliefs.â
âItâs because I grew up in a temple. I watched monks chant those incomprehensible sutras every day. Religion is just a way to make money by scaring believers with things like hell and divine retribution.â
Kihachiâs eyes as he looked up at the cathedral were filled with hatred, just like at the altar.
âBut the era of blindly worshiping gods and Buddhas is over. Just like how X-rays can show things previously invisible to the naked eye, electricity will continue to expose the true nature of these miracles and divine punishments.â
Exposing the gods. Hearing this, Inako felt a painful ache in her heart.
âElectricity will replace those useless gods, driving machines to bring prosperity to people and the world,â Kihachi confidently proclaimed, looking up at the sky. âThe twentieth century is the age of electricity.â
ââŚReplacing the gods? Thatâs impossible.â
Kihachi looked bewildered, not expecting cold water to be thrown on his words.
âThe gods exist. Thatâs what Mother said. Countless unseen gods lived in sake. If you cut corners, the gods will ruin the sake. If you respect the gods and brew carefully, the gods in the sake will help make it taste good. No matter how powerful electricity is, it canât replace the godsââ
âYou idiot.â Kihachi interrupted Inakoâs appeal. âNow, electron microscopes can see tiny things. If we use that, we can see what these so-called gods truly are. In the twentieth century, things like workersâ intuition and traditional methods are too inefficient. Electricity can brew sake too. You can still brew delicious sake even without praying to the gods.â
Recalling Yousukeâs expression when he mocked the storehouse, Inakoâs anger flared up.
ââSake brewed by the power of the godsâ is utterly suspicious. It sounds like the sales pitch of a con artist,â Kihachi scoffed, as if to provoke her. âInago, your mom sounds like a con artist.â
Inakoâs anger, rising the way up to her head like boiling water, had reached its limit.
âThis age of electricity thing is nonsense. We use gramophones and clocks by winding them up, and your shop doesnât even use electric lights. How many people actually rely on electricity in this day and age? Kerosene lamps are perfectly sufficient, and trains are faster than trams. You can boil water with gas. Isnât it all the same whether we have electricity or not?â
This time, it was Inakoâs turn to scoff at the speechless Kihachi.
âSakamoto-san, your devotion to electricity makes me laugh. In the end, what you said was no different from what those monks you hate say. Youâre just desperately clinging to electricity when itâs completely worthless.â
The furrow between Kihachiâs brows deepened, and his clenched fists began to tremble slightly.
âThe Electrical Catalog must be a book of prophecies written by a con artist.â
Clang, clang. An out-of-place bell rang. Before she knew it, they were at the tram station.
âAlright, you can go home now,â Kihachi said quietly in a low voice. Inako jumped onto the already-moving tram without turning her head.
After settling into her seat, she rested her forehead listlessly against the cooling machine.
Misfortune came in pairs. Back in Fushimi, Inako had to eat dinner with Yousuke, who was still at her home.
At the table laden with food, Yousuke reached for some mackerel sushi with his chopsticks. âDoes it suit your taste?â Jinemon asked, pouring him a drink. âItâs delicious,â Yousuke said politely.
âYousuke-san, do you have any favorite fish?â
Yousukeâs face was flushed slightly from the alcohol. He thought silently about Jinemonâs question for a moment.
âSaury, I suppose.â
âI see. Autumn saury, full of oil, is indeed delicious.â
âNo, I prefer saury caught just before autumn. Iâve had saury sashimi from that period, and it tasted exceptional. The flesh had a hint of sweetness, and more importantlyââ
Yousuke suddenly looked at Inako, who froze as if under a spell.
âUnlike fully matured saury, its flesh was firm, and its texture is simply irresistible.â
Inako felt as though thousands of centipedes were crawling over her under his gaze and quickly looked away.
She couldnât bear being with this Professor Paikaru any longer. From the very beginning of dinner, Inako had a heavy, uneasy feeling weighing on her chest. It felt as if time was dragging on endlessly.
When she was drinking tea at the Hourai Buddhist Altar Shop, time seemed to fly by.
Recalling Kihachiâs sneer, Inako felt a pang of sadness. To calm herself, she set down her chopsticks, bowed to everyone at the table, and left the room. She wandered aimlessly around the house until she ended up at the kitchen.
The maids were all out, and the pot of water used to warm sake was bubbling on the stove. Seeing that, Inako rolled up her sleeves and gently dipped her index finger into the boiling water.
The temperature was just enough to trace the character âăŽâ on the surface.
Before, she had learned from her mother the proper temperature to heat sakeâin order to sterilize it. If itâs too hot, the sake would taste bad, and if it was too cool, the bacteria wouldnât be killed and the sake would spoil.
Inako felt the water wasnât hot enough, so she added a few more pieces of firewood.
âYou donât like being in that kind of place?â
Yousuke had suddenly appeared behind her, peering over her shoulder into the pot. Inako tensed. When she turned around and backed away, Yousuke, his face and neck crimson from drinking, let out a hiccup.
âAre you practicing heating sake right now? Why are you doing this?â
âSometimes, I practice when I want to relax. It helps calm me down.â
âYouâre as puzzling as ever,â Yousuke chuckled disdainfully. âBut, from now on, thereâs no need to do this kind of thing anymore.â
Yousuke leaned in closer without warning, forcing Inako to back up against the stove.
She felt the warmth behind her. âWhat do you mean, sir?â she asked, face tense.
Yousukeâs face was so close that she could smell the alcohol on his breath. His mouth twisted into a malicious grin.
âBecause youâre going to be my wife.â
The firewood crackled and popped.
Inako didnât understand what he was saying. She must have misheard.
âUm, are you very drunk, sir? Iâll bring you some water.â
âIâm serious. Iâve taken quite a liking to you. You must marry into the Mizoe family.â
Yousuke placed his hand on her shoulder, gripping it tightly as though to extinguish the last vestige of hope.
Inako felt as if all the blood had drained from her body. The ground seemed to disappear beneath her feet.
She shook her head repeatedly, trying to speak but unable to utter a single word.
âIf you become my wife, you wonât need to use such foolish methods to clear your mind anymore. Jewels, luxurious kimonos, beef steaks, and cakesâyouâll have everything. Youâll live like youâre in paradise, with no time to have those worries.â
Inako silently mouthed the word âparadise,â but then shook her head vigorously to dismiss the thought.
âT-thank you very much for the offer, sir, but I donât think someone like me could be worthy of Professor Paikaru.â
âEven so, I want you to be my wife. Iâve already talked it over with Momokawa-san.â
Inako couldnât think anymore. Her mind was as full of holes as a lotus root. âMizoe Trading has done everything we can to help your brewery, even lending you money from our own bank at times. But when we needed your help to brew a new type of sake, Momokawa-san flatly refused. I donât follow the logic there, but⌠Iâm not heartless, so I half-jokingly suggested this plan.â
Yousuke raised his index finger.
âIf your father marries you to me, I will allow the current brewing techniques to be preserved intact.â
ââŚDid you threaten my father?â
âYou really are a spoiled, sheltered little girl. Think about it. A dull-witted daughter gets married, and the brewery is saved. For Momokawa-san, itâs a win-win situation.â
âShouldnât my feelings be considered as well?â
âYour feelings?â Yousuke scoffed contemptuously. âBesides marrying me, what else are you worth? Do you think you have the privilege to make demands?â
Yousukeâs smile turned vulgar as he looked at the heartbroken Inako.
âIf you refuse this marriageâŚthis morningâs joke might actually come true.â
Heâll discontinue the production of poorly selling sake and convert the brewery into a beer factory.
A surge of anger welled up within Inako, and she glared fiercely at him.
âIf you think Iâm so useless, why did you choose me?â
Yousuke suddenly placed his hand on her right cheek. She froze.
âThe way you tremble so fearfully can stir a manâs heart. That unpretentious innocence of yours is trulyââ
That nauseating feeling, like centipedes crawling all over her, returned. Just as Inako was about to scream, a maid, who had returned to the kitchen, cried out in alarm. âMiss! Get away from there!â
Inako was relieved, thinking that she was saved, but then the maid pushed her to the side. âFire!â she shouted.
Inako straightened up and saw that the firewood, not fully packed into the stove, was burning brightly right before it.
âWhatâs all this noise about!â Jinemon ran to them and quickly figured out what was happening. He gave the maid instructions. âQuickly, use the water from the jug!â
Then, he saw Inako on the ground and widened his eyes.
Jinemon entered the kitchen, picked up a cleaver from the sink, and walked towards her.
Iâm going to be killed. The thought made her legs go weak. She shuffled backwards on the floor, but Jinemon easily caught up to her and roughly grabbed her braid.
âForgive me, forgive me.â
A faint light reflected off the raised blade.
Inako tightly closed her eyes. But it was her hair that was severed from her body.
For some reason, her head felt lighter. Trembling, she opened her eyes. Jinemon looked down at her, the braid he had cut hanging down like the neck of a dead bird.
Inako instinctively reached behind her back, but felt nothing. Her hair was gone.
Her hair, which was almost as long as her sisterâs, now only reached her neck.
âWhyâŚwhyâŚâ
She raised her tear-filled eyes and found Jinemon staring coldly at her.
ââŚNow youâll at least reflect on your actions, right? How many times have this happened? Youâve never done a single good thing.â
âIâŚI just wanted to clear my head by practicing how to heat sake in this spare pot.â
âI donât understand a word youâre sayingâŚâ Jinemon put his hand on his forehead, a wry smile playing on his lips as though he had completely given up. âCanât you pull yourself together already?â
That was exactly what Inako wished for. Jinemonâs pained expression hurt her more than his angry shouting. Behind him, Yousuke was covering his mouth as he laughed.
âDonât worry about such a trivial thing. Your hair will grow back.â
âIâm so sorry you had to see this, sir. I apologize if it upsets you.â
âRest assured my feelings havenât changed. Iâll take my leave now.â
Yousuke left with a spring in his step. Inako stared blankly at his retreating figure.
âIs it true thatâŚYousuke-san wants to marry me?â she asked weakly.
âHe said he took a liking to you from the first time we met. He wants to marry you immediately, since heâs taking office as branch manager.â
âImmediatelyâŚâ
âYousuke-sanâs inauguration celebration is taking place next week. Although the timeline is tight, he seems to want to combine it with your wedding. There probably wonât be time to prepare a trousseau or anything like that, so weâll just hold a simple ceremony to get the marriage registered for now.â
Still dazed, Inako remained on the floor. Jinemon looked down at her with a perplexed expression.
âWhatâs with that look on your face? Donât tell me youâre unhappy about this marriage?â
âAm I just a bargaining chip in a business deal?â
ââŚWhat did you say?â
âYouâre just brushing off the most important event of my life with a âfor nowâ?â
âYouâre so hard to please!â Jinemon shouted. âYouâre useless at housework and studies. Youâve always been a disgrace to the family, and now you donât even listen to your father?â
Tears spilled down Inakoâs cheeks as her father mercilessly scolded her. âNo, thatâs not what I meant,â she cried. âThe fire just now was Yousuke-sanâsââ
âTrying to shift the blame? Someone as slow-witted as you can only come up with excuses.â
Inako glanced to the side. The maid, who should have witnessed the scene, was looking at her with disdain.
âIâll give you your punishment. Come.â
Jinemon dragged Inako down the hallway to an earthen storehouse at the far end of the courtyard and pushed her inside. It was dimly lit, and the air was thick with dust. Inako broke into a coughing fit.
âYou and that cooling machine are the same,â Jinemon spat in a stern voice. âAll you do is cause trouble. Utterly useless.â
The heavy door closed, plunging the storehouse into darkness.
Perhaps Jinemon thought Inako, like ordinary children, was afraid of being locked inside a storehouse. But for her, being there was as safe as being in bed. As long as she was in the storehouse, no one would get angry at her, she would not cause trouble for anyone, and wouldnât bring shame.
All she did was cause trouble and be utterly useless. Even Inako herself knew this was true.
Why couldnât she do anything right? Why couldnât she ever have people understand her?
Ultimately, if she could go to Paradise after death, why did she have to stay in this hellish world? All the embarrassing things she did before, Jinemonâs yelling, the maidâs disgusted gaze, Yousukeâs repulsive smileâthey all flooded Inakoâs mind. Finally, she couldnât even be bothered to think anymore.
She had no strength left to try.
âI want to die.â
Those weak words were undoubtedly Inakoâs true feelings.
This chapter's a long one so I'm splitting it up. I will probably update on Fridays
Translation Notes
Kyouden, short for Kyoto Electric Railway, was Japan's first commercial electric railway. It was established in 1895.
The great purification chant, or O-Harae no Kotoba, is a Shinto prayer used in purification rituals.
Kagura is a kind of Shinto ceremonial dance.
A chikuwa is a tube-shaped fishcake.
The 4th Division of the Imperial Japanese Army was formed in Osaka and had responsibility for the central region of the island of Honshu, which includes Kyoto.
Hill 203 is the site of one of the fiercest battles in the Russo-Japanese War.
An Odai-san appears to be some kind of shaman or psychic who acts as an intermediary between the god Inari and people.
A bunrei is a Shinto practice where a divine spirit is divided from a main shrine and re-enshrined elsewhere.
Oishi Kuranosuke was the leader of the famous 47 ronin who avenged the death of their former master. Chushingura is the title given to fictional accounts of this incident.
Kuga's nickname in Japanese, Okajouki (é¸č¸ć°) is a pun since an okajouki is the name for steam trains in the Meiji era, and the first character is Kuga's last name.
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On Mount Inari, located in Kyotoâs Fushimi Ward, stood the Inari Shrine, renowned for its deity who governed business prosperity.
Other than the main shrine at the foot of the mountain, subordinate shrines and rock altars were scattered throughout the mountain. Even now, in Meiji 40 (1907), rock altar worshipâtreating the deities residing in the shrines and altars as oneâs own family deitiesâremained thriving.
The worshippersâ path wound its way through the mountain like a thread stitching together the numerous altars and shrines, bracketed by countless torii gates. On this treacherous road, which could hardly be called a mountain path, Momokawa Inako was braving the August heat to climb the mountain.
Inako wore a navy-blue kimono with white kasuri patterns and a yellow-green obi sash. With each step, her obi clasp, shaped like a mouse and rice sack, along with her braid, bounced back and forth. Her wooden clogs clattered gently in the mountain that was filled with the sounds of cicadas, rustling leaves, and prayers being recited from the altars and shrines.
From the crossroads halfway up the mountain, a long flight of steps led through a dense area of rock altars and then through a thicket of trees until it reached a slightly more open space. From there, one could see the Kyouden trams (1) crossing the Kanjin Bridge over Kamo River, the barracks of the 38th Infantry Regiment in Fukakusa, and the Shichijo railway station.
Located in this open area was a rock altar dedicated to Akubi Daimyoujin. Part of the rock face was exposed on the nearby hillside, and a donation box and a barely acceptable pedestal standing close to it, upon which were placed numerous torii gates and offerings of various sizes.
Facing the altar, Inako put offering money into the box, bowed and clapped her hands twice, and then took a deep breath.
âGracious Deity, I wish to do better next time.â
She closed her eyes tightly, rubbing her clasped hands together rapidly, as if trying to spark a flame.
âI wish to not be so slow and clumsy anymore. I wish to not make Father angry next time. I wish the shamisen strings wonât break when I practice. I wish I can become as beautiful as Onee-chan soon. Andââ
After praying to her heartâs content, Inako began reciting the great purification chant. (2)
âTakamanohara ni kamuzumari masu sumera gamutsukamurogi kamuromi no mikotomo chiteââ
The air was filled with the scent of candles. Inako felt her voice blending into the chirping of cicadas and the rustling of the greenery. She truly felt that this was the abode of the gods, far removed from the hustle and bustle of the world. Her heart gradually calmed down.
As if accompanying her voice, kagura music drifted towards her ears from somewhere. (3)
Inako wondered if there was a kagura hall nearby. While reciting the chant, she tried to pinpoint the source of the sound. Strangely, the music seemed to be coming from the lush vegetation on the rock face.
When she looked up, the music stopped. It was followed by a cry of âAh!â
The vegetation trembled violently, and suddenly, a boy slid down from it.
He screamed as he fell, smashing the offered torii gates, and landed on his backside. He groaned, clutching a box-like machine in his arms.
Stunned by this sudden turn of events, Inako covered her mouth with her hand. Could it be? She thought.
âThe Gracious Deity has finally appeared before meâŚ!â Inako clapped her hands as joy welled up within her and started to prostrate herself before the boy. âAkubi Daimyoujin-sama, Akubi Daimyoujin-sama, please hear my wishesââ
âYou idiot.â
The boy removed the horn-shaped part of the machine and whacked Inakoâs bowed head with it.
âOw! What are you doing, Gracious Deity?â
âThatâs supposed to be my line. Who bows to someone who slid down a hill without even checking to see if theyâre alright?â
Inako calmed down and carefully examined the boy. He wore a cotton kasuri kimono over a shirt and kokura cotton hakama pantsâin other words, he was just a regular boy. Realizing this, she hurriedly lowered her head.
âSorry, I thought you were a god who appeared in response to my faith.â
âWhat kind of person would think that?â
The boy sighed and put the horn back on the machine. Seeing Inako looking at it curiously, he asked, âIs this your first time seeing a phonograph?â
He placed the phonograph on the shrineâs pedestal and started winding the handle on the side. Once he finished winding it, the horizontal cylinder in the center began to spin. The moment he placed the thin needle attached to the front of the hornâwhich Inako later learned was called a speakerâon the cylinder, kagura music emanated from the speaker.
âItâs the kagura from before! Amazing! How can it make sound by itself?â
The boy turned off the phonograph, removed the chikuwa-shaped cylinder, and carefully placed it in Inakoâs hand. (4)
âThis is called a wax cylinder. You see the little grooves engraved on its surface, right? When the needle is placed on them, its vibrations reproduce the sound recorded in the cylinder. A single wax cylinder with a recorded song costs about a yen.â
Inako was so shocked by the price that the wax cylinder almost slipped from her hand. The boy managed to catch it before it fell to the ground. He looked genuinely panicked. âIdiot, I told you to be careful.â
âS-sorry. I was just surprised. You could take a hundred Kyouden rides with that money.â
âItâs still cheaper than a disc record. And wax cylinders have an interesting feature.â
The boy took out another cylinder from his pocket and affixed it to the phonograph, but unlike before, no sound came out.
âWhy is there no sound? Is it broken?â Inako tilted her head in confusion. The boy returned the needle to its original position.
âWhy is there no sound? Is it broken?â
Inako jumped in surprise when she heard her own voice come from the phonograph. The boy smiled smugly.
âWith this, anyone can easily record sound. Thatâs the advantage of a wax cylinder phonograph.â
âWhat an impressive gadget. Why are you walking around with something like that?â
âThis phonograph belongs to a parishioner who lives nearby. They gave it to me to repair it. I tried to test it on the altar before returning it, but then I accidentally slipped down.â
âOh, so just nowââ
With the relaxed atmosphere, Inako only just now noticed that the torii gates and offerings beside the altar were in disarray. âThe gods will punish you for this!â she cried.
The boy frowned when he saw how furious Inako was. âThe gods?â he put the lid, which had a handle attached to it, over the phonograph and lifted it up, looking at her with disdain. âUnfortunately, I only believe in what I can see.â
The boy prepared to leave, but Inako grabbed his obi and pointed to the scattered torii gates on the ground.
âWhether you have faith or not, you should at least tidy up the mess you made.â
Though the boy made a face, he straightened the torii gates and the other objects, then clasped his hands together in front of the altar.
Heâs actually praying properly. Just as Inako was about to utter this thought, she froze at the look in the boyâs eyes.
The boy, with his hands clasped together, was glaring at the altar with eyes filled with hatred.
His gaze was terrifying, as though he was looking at his parentsâ killer. He didnât even bow before turning his back on the altar. âIs that enough?â he said, then walked away nonchalantly.
Startled, Inako quickly apologized to the altar for the boyâs disrespect and continued reciting the purification chant.
âOoyamato hidakami no kuni woââ
Perhaps because the boyâs angry look had made such an impression on her, Inako had completely forgotten the prayer she should have memorized perfectly. Just as she racked her brains to recall the wordsâŚ
âOoyamato hidakami no kuni wo Yasukuni ni sadmematsurite.â
The boy, standing a short distance away, recited the remaining words of the prayer. He glanced disdainfully at the speechless Inako, and then left.
Whatâs with that boy!
After finishing her prayers to Akubi Daimyoujin, Inako, her cheeks puffed out, walked back along the pilgrimage route.
The altar was messed up, and to make matters worse, she was helped by someone who held no faith. Nothing could be more humiliating.
Frustrated, Inako walked through the woods to the foot of the mountain, where a wooden fence blocked her path. There, she saw a beggar leaning against the fence. Only one foot was visible beneath his white clothes.
Inako stopped in front of the beggar. âExcuse me, sir, what happened to your left footâŚ?â she asked.
âI lost it during the Russo-Japanese War.â
Just as she had suspected, the beggar was a wounded soldier from the war, often referred to as a disabled soldier.
âIf youâre from around here, then you must have been a soldier in the 4th Division, right?â (5)
âYes, three years ago, during the attack on Hill 203, an enemy shell exploded right next to meâŚâ (6)
Perhaps recalling wartime memories, the beggarâs lips trembled, his voice almost becoming hoarse. Seeing this, Inako took out a one sen coin from her pouch.
âUm, I only have this much, butâŚâ
ââŚThank you, kind young lady.â
Just as the beggar reached for the coin, he suddenly let out a strangled cry.
Inako was startled, not knowing what happened. She saw the beggar twist his body, and suddenly his supposedly missing left foot appeared through the fence. There was a centipede coiled around his ankle. Inako let out a squeak, frozen in place. The beggar completely ignored her and dashed down the pilgrimage path.
Beneath the fence next to where the beggar had stood, there was a hole just big enough for a foot.
âDid he stick his foot in here and pretend he lost it?â
âOf course he did, you idiot.â
Inako was peering into the hole when a face suddenly appeared on the other side. This time, it was her turn to scream and fall flat on her backside. The boy from earlier laughed at her and nimbly vaulted over the fence.
âThe 4th Division had never been dispatched to Hill 203. You were completely tricked.â
âYouâre thatââ
âI was walking back after delivering the phonograph when I saw you listening that strange man. There happened to be a centipede on the ground, so I used it to get rid of him.â
Just thinking about the centipede gave Inako goosebumps. Ever since she was stung by one when she was little, she had been terrified of centipedes.
âNever mind that. I got rid of him for you, so youâd better thank me properly.â The boyâs mouth twisted. Inako looked down at the coin in her hand and gave it to him without hesitation.
âThis is all I have.â
The boy recoiled. Perhaps her reaction had been unexpected. âDonât take jokes so seriously.â
âThis is my thank-you gift for you. Thank you for helping me when I almost fell for that con artist.â
âIt doesnât need to be that much money.â
âConsider it to an offering to the gods. I want to thank the mischievous god for helping me.â
Finally, the boy gave in, reluctantly accepting the coin. âThank you, umâŚâ he tilted his head.
âMe? Iâm Momokawa Inako.â
ââŚInago?â
âItâs Inako!â she kicked the boyâs shin.
âW-why did you suddenly kick me? Thatâs rude.â
âYou were rude first. So? Whatâs your name?â
The boy was still teary-eyed from the pain of the kick, but he still managed a smug smile.
âSakamoto Kihachi.â
Since they were going the same way home, Inako and the boy named Kihachi walked back along the pilgrimage route together.
Kihachi was slightly taller than Inako and fifteen years old, the same age as her. He grew up in a temple in Otsu and was working part-time at a relativeâs shop while going to junior high school in Kyoto. Right now, he was on summer vacation.
They talked about the phonograph again, and when Inako heard that it was invented by someone named âEdison,â she asked, âWhoâs that?â Kihachi stared at her in shock.
âYou donât know who Edison is? Heâs the god of invention!â
âHuh, a god? What kind of blessings does he bestow? Where can I pray to him?â
âHeâs not dead. Heâs living a good life in America.â
Hearing this, Inako clasped her hands together in the direction of where she thought America was probably located.
âWhat are you doing?â
âI was thinking that if I prayed to him, maybe I could receive some blessings.â
âHow about going to Otokoyama Hachiman-gu Shrine? Edison used bamboo from around there as filaments for his incandescent light bulbs, and he was very successful.â
âFila⌠I donât know what those are, but that sounds like it will bring good fortune. Iâll go there to pray next time.â
âAre you going to âwish to do better next timeâ?â
Kihachiâs wry smile made Inakoâs face burn with embarrassment. It seemed he had heard all of her prayers.
ââŚIf I mess up like today, I might wish for that.â
Inako was the second daughter of the Momokawa Sake Brewery, which made Japanese sake in Fushimi.
Her father, Jinemon, was a samurai-like man who had instilled etiquette and lessons into her from a very young age. Unlike her older sister, who was good at anything she tried, Inako was clumsy and made mistakes almost daily, often incurring her fatherâs wrath.
The worst incident occurred this morning.
Because an important guest was arriving in the evening, the whole household was busy cleaning the house thoroughly. Inako was getting rid of flies with a fly trapâa tool that utilized the stench of petroleum in a small metal basin to repel fliesâwhen she suddenly remembered another task and left the trap in the hallway.
She hadnât walked far when she heard a loud thud in the corridor. Worried, she rushed back and found her father with the basin on his head, his face dripping with oil and flies. He scowled at her.
âI got a severe scolding, then he told me, âYouâll just cause more trouble,â and then I was kicked out.â
Next to her, Kihachi was laughing so hard that he couldnât breathe. Inako was annoyed, but couldnât argue with him.
The two descended the mountain and reached a backstreet. It was lined with souvenir shops with rows of Fushimi dolls, a local specialty, and several teahouses selling iced water and sweet sake.
Kihachi, seemingly hungry, took out a biscuit wrapped in paper and began to chew it slowly with his front teeth. He offered one to Inako, but she declined because of its unappealing appearance.
âInago, did you pray at that altar because your family worships Akubi Daimyoujin?â
âNo. My familyâs altar is at Gozendani. I went to Akubi-sanâs altar becauseâŚif the god acknowledges my devotion, heâll send me a letter.â
Kihachiâs face tensed as he chewed his biscuit and moved slightly away from her.
âI seeâŚhmmâŚI guess strange things can happen sometimes.â
He looked at her with pity in his eyes. His expression said, âThis girl is crazy.â
âItâs true. When I was little, I saw a letter that Akubi-san sent to my sister.â
âIâve only heard of believers from faraway places sending prayers to gods, not receiving letters from gods.â
But the gods really do send letters, Inako thought defiantly.
âAnyway, thatâs the reason I worship Akubi-san. I also vent my frustrations to him. Iâm slow, so I donât have a lot of friends, which is why I have to confide in the gods. The money I offered is payment for chatting.â
âYou really think the gods are listening to your complaints?â
âBelieving is my only strength,â Inako said confidently. Kihachi let out a hmph and brushed the biscuit crumbs off his hands.
âWhy did you visit Akubi-sanâs altar, Sakamoto-san?â
âMy family worships Akubi Daimyoujin. My grandmother was blessed by that god when she was undergoing ascetic training.â
It was said that by training under an âOdai-sanâ (7) at Inari Shrine, one could be blessed by the power of the gods. Although Kihachiâs family was Buddhist, his grandmother specially enshrined a shrine with a bunrei of Akubi Daimyoujin in their household altar. (8) âNever open it, or the god will escape,â she would tirelessly warn him. Thus, Kihachi and his brother called it the âNever-Open Shrine.â
âSo you do worship properly!â Inako exclaimed, but Kihachi denied it with a laugh.
âItâs because the view there is beautiful. I often sit there and eat my bento.â
Inako changed her mind when she heard such disrespectful words. This boy is annoying after all, she thought.
At the Kyoto Electric Railway station, a white and brown tram resembling a rice cake was stopped there. When the tram was running, its bell rang, and it was known by the affectionate nickname of âKyouden.â
Until a few years ago, there were boys acting as âsafety officersâ who would run in front of the trams and shout, âTramâs coming! Pay attention!â to warn the people around them. But because this position was too dangerous and strenuous, it was abolished a few years ago, replaced by safety nets installed at the front and rear of the tram.
âOh, right, since weâve met, Iâll give this to you.â
Just as Kihachi was about to board the tram, he stopped and gave her an advertising flyer. It featured a picture of the Seven Lucky Gods and the name of a shop called âHourai Buddhist Altar Shop.â There were also the words âWe provide machine repair services,â an address, and, unusually, a telephone number.
âIf you have any broken machines, come to us. Itâs free for your first visit. Just bring some tasty biscuits.â
How could a Buddhist altar shop do machine repairs? Inako was puzzled, but then the tram bell rang.
âIf you want to vent to someone, bring a coin. Iâll listen to you instead of some god you donât even know exists or not,â Kihachi said jokingly, then jumped onto the already moving tram and left.
âSaying such disrespectful things again!â Inako glared angrily at the flyer, then noticed something written on its back. âElectrical CatalogâŚ?â
Besides those words, there were also names like âNight-Repellerâ and âElectric cannon,â and some explanatory text hastily scribbled next to them, along with some drawings. Some parts were also crossed out as though this flyer was used as a memo. Inako wondered if it was okay to accept this, but she couldnât return it. Though she was concerned, she folded the flyer carefully and put it away.
After heading south from Inari Shrine, passing by Fujimori and approaching Sumizome, you would reach the entrance to the geisha quarter.
Although it was much smaller than the geisha quarters in Gion and Shimabara, it was rumored that Oishi Kuranosuke of Chushingura fame used to frequent it. (9) It should have been quiet during the day, but currently, a lively chorus could be heard.
âThe world is collapsing, our compatriots are suffering, to save them, weâll fight as oneââ
âThe Salvation Army is here!â
The Salvation Army marched along the brothel-lined street, wearing navy blue caps and uniforms embroidered with the words âSalvation Army.â Taiko drums and trumpets accompanied their song.
Since the emancipation law for prostitution was passed in Meiji 5 (1872), the buying and selling of women was explicitly prohibited. However, a considerable number of women still ended up in brothels due to poverty and unemployment.
The main force driving the anti-prostitution movement was the Salvation Army, a Protestant Christian organization.
Although called an âarmy,â their activities were peaceful. They were currently engaged in what was known as âfieldâ missionary work, distributing literature such as magazines and leaflets to passersby.
Suddenly, Inako saw a familiar figure in front of her. Just as she was about to run up to him, a bald man stood in front of the group. âWhat are you doing here?â he shouted in a coarse, vulgar voice. She hurriedly hid behind some barrels piled under the eaves.
âWho do you think you are, messing with other peopleâs business?â
âWeâre here to help women who have been mistreated.â The man at the front of the group was of Western physique, a size larger and more muscular than the men around him. âYouâre sinners, like us. Without sincere repentance, you canât become honest people. Please wake up.â
âIâm awake, alright. You spout this same nonsense every time.â
âThe law allows prostitutes the freedom to abandon their profession, and no one may obstruct them. If they join us, theyâll receive training that will allow them to rehabilitate into society.â
A second-floor window of a brothel opened, and an ashtray came flying out, hitting the Salvation Army man on the head. His military cap was knocked off, revealing short, neatly cut hair. He seemed completely unfazed, his sharp gaze fixed on the second floor.
âI knew it, it is Kuga-san.â
The tall man was indeed Kuga Kengo, whom Inako knew well. Just as Kuga brushed the cigarette ash off his uniform, a group of laughing men emerged from the brothel one after the other, instantly surrounding the Salvation Army.
âGet them!â the men shouted and attacked the Army. The geisha quarter erupted into chaos.
Amidst the swirling dust, although the Army was being beaten by multiple men, they offered no true resistance. âListen to our voices!â Kuga persisted in his appeals.
Just as Inako was worrying about Kuga, the bald man from earlier spotted her and glared menacingly. Inako, terrified, cowered like a frog caught in a snakeâs gaze. He strode over. âAre you with them?â he barked and roughly grabbed her wrist. Inako let out a small shriek, and Kuga, noticing her, stopped shouting.
Initially stunned, Kuga quickly grasped the situation, and a terrifying expression appeared on his face. When he walked towards them, two men lunged at him.
Like a fierce deity, he easily grabbed their wrists and effortlessly flung them away.
The group recoiled in fear when they saw their comrades fly over their heads. Kuga rushed forward, kicking away the men surrounding him, and ran to Inako. He grabbed the shocked bald man by the collar with one hand and lifted him up.
Inako collapsed limply to the ground. âI didnât expect to find you here. Stay here and donât move,â Kuga said to her gently.
The bald man, thrown by Kuga, plunged head first into the barrels and got buried by them.
Kuga ran back to the group of men attacking his companions and grabbed them by their necks, flinging them away one by one. Then, like a train, he dragged the men who pounced on him as he charged wildly.
âNo wonder his nickname is the âKuga Train.ââ (10)
During the Russo-Japanese War, Kuga distinguished himself in fierce battles at Nanshan and Fengtian. Because he was fearless even against enemy machine guns, charging forward relentlessly, people added the word âtrainâ to his surname, which was how the nickname âKuga Trainâ came to be.
No one in the geisha quarter could stop Kuga anymore. The troublemaking gang scattered and fled back to the brothel. Kuga, gradually calming down, exchanged a few words with his companions. The Salvation Army, having regrouped, left him behind and departed the area.
âInako-kun, are you alright?â
Kuga came to her after he watched the Salvation Army leave, straightened his military cap, and dusted off his uniform. His anger had completely dissipated, replaced by his usual serious expression.
âThanks to you, Kuga-san. You saved me.â
âAs long as youâre unharmed. Itâs not convenient to talk here, so letâs leave this place.â
Urged on by Kuga, the two left the geisha quarter. Walking south, they soon reached the bridge spanning the Sumizome Dam. Just below them, they could see steel cables suspending a boat on a cart.
âThat ashtray hit you in the head just now? Are you alright?â
âItâs nothing, but what I did afterward was unforgivable. Using force to subdue people isnât how missionaries should operate.â
âThatâs true, but thanks to that, I was saved.â
âEven so. Charging ahead without thinking is an old bad habit of mine.â
âBy the way, if you have time, come to my house. I want to thank you.â
Kuga hesitated at Inakoâs invitation. âAh, wellâŚâ he looked awkward.
âOnee-chan should be at home right now.â
âItâs because sheâs home that I donât want to go,â Kuga muttered. Theyâre still like that, Inako frowned.
âDonât worry about it. Letâs go drink some of that delicious tea my sister makes.â
Kugaâs eyebrows twitched, but he reluctantly followed Inako, who was already taking small steps in the direction of her house.
Please feel free to message me for corrections. Also, here's my Ko-fi if you're feeling generous!
The anime is very very different from the novel, just like the violet evergarden anime in that sense, but i'm curious to see how the story will turn out
Next chapter will probably be split bc of how long it is
Translation Notes
This is a lyric from a popular song during the Meiji era. A shaved head refers to how Japanese men removed their topknots and adopted Western haircuts.
Otsutome is daily spiritual service done in front of a Buddhist altar that consists of chanting sutras, making prayers, and making offerings.
Amida-sama or Amida Nyorai is the Japanese name for AmitÄbha.
SukhÄvatÄŤ is the pure land (a paradise) created by Amida Nyorai.
O-Ise-san is the affectionate name for Ise Grand Shrine.
Carmencella was an American actress who performed at the fifth National Industrial Exhibition. She was known as the Fire Dancer and a Terpsichorean Marvel. She had a show which combined dancing and an electric light show.
Namu Amida Butsu is a prayer phrase that means "I take refuge in Amida Buddha"
|| Index || Next
âThis is the beginning of the twentieth century.â
How many people in the Meiji era felt the arrival of a new century when they heard those words?
The first year of the twentieth century was 1901 in the Western calendar. In the Meiji era, it was the thirty-fourth year, which was no turning point for Japan. Thirty years had passed since the Meiji Restoration, and topknots and katanas had finally become a thing of the past. It can be said that Western civilization had made great strides, but for Japanese people who had long been accustomed to era names, the term âtwentieth centuryâ was still unfamiliar.
But it was precisely because it was unfamiliar that "twentieth century" had such a fashionable ring to it.
Just like when the Murai Brothers Company started selling cigarettes called âTwentieth Century,â the merchants all started using it as an advertising slogan. âTwentieth centuryâ was seen everywhere from store banners to advertisements.
They didnât know what the twentieth century was. But it was most certainly an auspicious thing because all the important people were talking about it, and it was used as a sales pitch. It was the Japanese spirit to go along with auspicious things.
Just as slapping a shaven head made the sound of modernity, when commoners tried saying âtwentieth centuryâ out loud, they felt as if they had been completely transformed into people of a new era. (1)
The term âtwentieth centuryâ was new. New words had authority. If you showered someone who clung to old ideas with the words âin the coming twentieth century,â you would be able to unilaterally brand them as âoutdated.â It was the very return of the Imperial standard that boasted tremendous power during the Boshin War.
As the young people marched forward carrying the flag of the twentieth century and preaching new ideas such as naturalism and womenâs liberation, the people of the old era cheered them on with âOi, twentieth century!â
It was the first New Year of the twentieth century. In a small Buddhist temple named Zenshokuji located in Otsu, Goshu-Omi Province, rice cakes were busily being made as offerings to the principal deity, and New Year's sake and osechi were being served to visiting followers, just like any other New Year. There was not a single trace of the twentieth century there.
The son of the head priest, Sakamoto Kihachi, was turning nine this year. After finishing his duties, he was praying in front of the home shrine in the back room when his older brother, Seiroku, came in with a grin on his face.
âOi, twentieth century. What are you doing so enthusiastically?â
âI was giving the New Yearâs greetings to the ancestors,â Kihachi answered, turning towards Seiroku and tilting his head. âIâve been wondering about it for a while, but what is this twentieth century?â
âOh, youâre interested?â
Seiroku sat down next to him while shivering from the cold in his large padded kimono. He would be eighteen next month, but his smiling face was dignified yet somewhat childish.
âUnlike the Western calendar, a century is counted as a century every hundred years. Itâs been 1900 years since the birth of Jesus Christ, so the twentieth century is starting this year.â
âWhy do we have such a complicated way of counting even though we got the Western calendar?â
âWho knows? Well, if itâs a long period of time, you can describe that era concisely. If itâs a century with a lot of wars, you can call it the âCentury of War,â or if itâs a century with a lot of industrial development, you can call it the âCentury of Industry.ââ
âSo what kind of century will the twentieth century be?â
âIâve got something good to show you.â Seiroku then took out a newspaper clipping from his pocket and handed it to Kihachi. âRead this. Itâs an article that predicts what kind of era the twentieth century will be.â
The newspaper contained an article entitled âProphecies of the Twentieth Century.â
There were twenty-three prophecies in total, centering on technological developments, such as, âCordless telephones will be developed, making it possible to call from New York to Tokyo,â and âRailways with air conditioning and heating will enable travel between Tokyo and Kobe within two and a half hours.â
âThis prophecy says that electricity will replace firewood and coal as fuel, but what does that mean?â
âElectricity will power everything. Not just telephones, but also locomotives, temperature control devices, and cameras.â
Electricity.
Just like the twentieth century, that was also something Kihachi wasnât familiar with.
When he heard the word electricity, he thought of electric lights, but those werenât something ordinary people could easily afford. Oil lamps were used in this house. So when he went with Seiroku to see the electric lights that were lit in Otsu for the first time four years ago, he was shocked to see how much brighter their lights were than lamps or candles.
This was the age when that profoundly mysterious, smokeless light drove machines.
âI see, so the twentieth century is the Century of Electricity.â
Seiroku looked dumbfounded at Kihachiâs words, but then he grinned, showing his white teeth. âYouâre right. The twentieth century is the Century of Electricity.â
Feeling a stirring in his chest, Kihachi took out a blank folding book from the chest of drawers in the back room.
âIâll try writing predictions for the twentieth century too.â
Kihachiâs clumsy handwriting was engraved in pencil into the book, which would normally contain sutras, prayers, and other sacred texts. When he finally finished, Seiroku peered inside.
ââNumber 1: Night-Repeller: Garments made of electric lights. You can walk around at night even without a lantern.ââ
After Seiroku urged him to write more, Kihachi added two more items in a row.
ââNumber 2: Spirit camera: Photographing the spirits of ancestors and family members manifested by electric lights. Number 3: Electric cannon. âŚAllows humans to move at the speed of lightning.â
Seiroku collapsed into laughter after reading what he wrote. âStop laughing at me,â Kihachi pouted and tried to hide the book, but Seiroku snatched it from him before he could.
âWait. Since you wrote all that, Iâll give this book of predictions a name.â
Though no one asked for it, Seiroku quickly grinded some ink and hmmed in thought.
âFrom what I can read from these predictions, it seems youâve become interested in electricity...alright, I got it.â
With that, he handed Kihachi the folding book with something scribbled on the cover.
Electrical Catalog.
That was the name of Kihachiâs book of predictions.
âFrom now on, write your electricity-related predictions here. Since itâs the twentieth century, write twenty.â
The year was Meiji 36 (1903). Two years have passed since the brothersâ exchange.
While enduring the humidity of early summer, Kihachi was crouching down in the storehouse.
The doors of the storehouse were closed firmly, and the inside was musty and deathly silent. In the darkness, Boysâ May Festival dolls, old furniture, and Buddhist items seemed like lurking, silent monsters about to pounce on him.
Kihachi squeezed his eyes shut as he leaned against the wall, breathing raggedly. Just then, he heard the bar on the doors lifting and jumped up. The double doors swung open, and the bright daylight dazzled him.
âOi, Twentieth Century! What are doing, locking yourself up in this gloomy place?â a self-assured voice rang out. Kihachi opened his eyes a crack and found Seiroku standing imposingly at the storehouseâs entrance.
âNii-chan, why are you here? Arenât you supposed to be at the store?â
âI was given a holiday, so I came home. Were you locked up in the storehouse again?â
â...Dad yelled at me today because I was spacing out during Otsutome.â (2)
âThat old man, itâs not like the tolerant Amida-sama would get mad at something like that.â (3)
âYouâre one to talk. You donât even believe in Paradise or Buddha.â
âMy principle is not believing what I canât see with my own eyes,â Seiroku said, laughing uproariously.
Though Seiroku grew up in a Buddhist temple, he did not believe in the gods or Buddhas at all. For that reason, he constantly clashed with their father and chief priest of Zenshoku-ji, Kumagorouâpriest name Shaku Enki. After graduating from a commercial school in Otsu, he went to live and work at their uncleâs Buddhist altar store in Kyoto.
Since Seiroku only visited home once in a while, it had in fact been a few months since the brothers last saw each other.
"Anyways, itâs unusual for you to space out during Service.â
â...I was wondering what SukhÄvatÄŤ is like.â (4)
Zenshoku-ji mainly worshipped Amida Nyorai, who was said to save people with infinite light, no matter where or when, even in the darkness of ignorance. The land he created was called the Pure Land of SukhÄvatÄŤ.
It was a paradise said to be to the west of this world, on the other side of one hundred thousand million Buddha-lands. It was said to be a world without suffering, filled with beautiful flowers and music, where birds sang like celestial maidens, and where the light of Amida Nyorai enveloped all.
The main hall, where the Buddha was enshrined, was resplendent and magnificent with its gold decorations, supposedly to represent the Pure Land. It was part of Kihachiâs daily routine to perform Service with Enki in the mornings and evenings, but as he stared at the main hall this morning, he found himself daydreaming about the Pure Land and ended up making a mistake in his recitation of the scriptures.
Suddenly, Seiroku spotted the object Kihachi was clutching to his chest and nimbly pulled it out.
âI was wondering what you were hugging so preciously. Itâs the Electrical Catalog.â
Kihachi tried to get it back, but Seiroku lightly evaded him as he opened the notebook, then started cackling.
âNumber 6. Electric mover: Delivering items automatically by hanging items from an electric line.â
But he stopped laughing when he turned the page. He knitted his brows, looking bored, and thrusted the Electrical Catalog back to Kihachi.
âThatâs it? You havenât even filled up half the notebook.â
âI donât know anything about electricity at all,â Kihachi pouted. âItâs the same with the Pure Land. I canât understand things I havenât seen, no matter how much I think about them.â
âThen this will be perfect,â Seirokuâs expression brightened for some reason. He held out his hand to the light shining in from the outside. âIâm taking you to the Pure Land.â
â...To where?â
âThe Pure Land! If you donât understand something, then you should see it with your own eyes.â
âAre we going to commit double suicide?â
âDummy, do you really think weâre going to the other side of the one hundred thousand million Buddha-lands in the west? Itâs still in the west, but itâll take around two hours by train to get there.â
âThe Pure Land canât be that close. Are you taking me to see a play or something...â Kihachi, clutching his head, remembered something he must not forget and looked up, his face pale. âHave you told Dad yet?â
âNot at all. Weâre sneaking out of the house. And I didnât even tell him Iâm back.â
âNo, no, heâs definitely going to yell at me later.â
âYou wonât die, youâll be fine. Trust me.â
Even so, Kihachi hesitated. âWeâre going now,â Seiroku dragged him off. âEverything looks dark when youâre locked up in a storehouse like this.â
Kihachi was disoriented by the strong sunlight as soon as he stepped outside. At some point, the trees in the garden had become covered in new green leaves. Before he knew it, summer had already begun outside in earnest.
âIf weâre going out without telling anyone, then we should have gone to O-Ise-san,â (5) Kihachi muttered as he sat on the hard seats of the train. Next to him, Seiroku laughed. âLike a nukemairi?â
In the past, when mass pilgrimages to Ise Grand Shrine were popular among the masses, apprentices and maids would sneak out of their houses to visit the shrine. This was called nukemairi. Those who returned from nukemairi were said to have received divine blessings for business prosperity, so they werenât punished by their masters.
âDad might forgive us if we are on a nukemairi. Anyways, the place youâre taking to me to is like a temple festival street stall, right? Thereâs nothing surprising about that kind of place.â
âThen where should I take you to surprise you?â
Kihachi thought about it for a little bit. A postcard with a picture of a French townscape he once saw came to mind.
The alabaster and magnificent Arc de Triomphe, the resplendently decorated Palace of Versailles, and the Eiffel Tower which pointed upwards to the sky. That foreign scenery was completely different from anything in Japan. It didnât even seem like a place that existed in this world.
âGot it. Iâll be surprised if you took me to France.â
Kihachi assumed that Seiroku would chuckle and say he couldnât do that, but on the contrary, Seirokuâs expression turned more and more triumphant.
âWell then, that works out perfectly.â
A few hours later, Kihachi was in France.
A giant gate, painted white and resembling the Arc de Triomphe in Paris, rose before his dazed eyes.
He was quite sure that just a few minutes ago, he had gotten off the train at Umeda Station in Osaka and walked to Tennou-ji. âWell? Are you surprised now?â Seiroku, standing next to him, puffed out his chest. âThis is the venue of the Fifth National Industrial Exhibition.â
The National Industrial Exhibitions were Japanese âexposâ that were staged five times since the Meiji era began.
Since Japan was opened to the world, the nation was absorbing the culture and technology of the Western great powers in an effort to stand shoulder-to-shoulder with them and developing the ability to eventually become a leading nation. However, compared to the Western nations, there were still things that hadnât yet been achieved in Japan.
One of those things was holding an international exposition. âInternational exposâ was the common name for them.
The Western nations all held international expos for the goal of showcasing the newest technologies and promoting industries, but it was an impossible task for Japan, which only possessed immature technologies, to hold an international expo. So, it was proposed that Japan would hold its own expo instead. This was the National Industrial Exhibition.
As the exhibitions were increased, so were the positive reviews. And so this year, in Meiji 36 (1903), the fifth National Industrial Exhibition, said to be the grandest yet, was held in Tennou-ji, Osaka.
Kihachi would only know all this afterwards. At this time, he felt as if he had been spirited away to an unfamiliar world.
After Seiroku took out the tickets he had bought in advance, they passed through the gate and emerged onto an avenue with flower beds and fountains arranged down the middle. The long avenue was packed with visitors, and it was lined on both sides with elaborately decorated white Western-style houses.
âThese buildings seem to be the exhibition halls. Letâs go to the Machinery Pavilion first.â
As soon as they entered the Machinery Pavilion, their ears were assailed by a thunderous roar that sounded like monster snores. The pungent smell of metal and oil made it hard to breathe, and Kihachi saw with his own eyes rows of gleaming black machines producing soap and tobacco.
The machines here all seemed to be powered by electricity. Electric fans relieved the heat inside, and Kihachi, enjoying the breeze, marveled at the power of electricity powering the various machines.
He quickly grew accustomed to the machines. But in the Wonder Pavilion, which they visited next, he found even more astonishing things.
The exhibits were all ghastly and extraordinary. During the wireless telegraph demonstration, Kihachi was terrified by the invisible radio waves; and during the X-ray demonstration, he was so frightened by the light that could penetrate human skin and reveal bones that he couldnât even stand up straight.
âThatâs enough, Iâm scared. Letâs go home,â Kihachi grumbled.
âThen this will be our last stop,â Seiroku said, and led him to the adjacent theater.
The audience was buzzing amongst themselves in the darkened seats. Kihachi was uneasy, wondering if something was about to happen. Just then, the stage lights came on, and a Western woman in a white dress began to dance to music.
The dancing woman, her white skirts unfurling like wings, was illuminated by colorful lights, making the skirts appear to shift and change colors. This beautiful dance, reminiscent of fluttering butterflies or flowers, was the electric fire dance performed by the actress Carmencella. (6) Before he knew it, Kihachi was entranced.
âThat dance was incredible! I want to see it again!â
Even after the performance, Kihachi was eager for more. âI donât have that much money,â Seiroku said, looking unusually troubled. He carried Kihachi out of the theater. By then, Kihachiâs fear had completely transformed into interest.
At the Canadian pavilion, canned fruit and boxes of sweets were stacked almost to the ceiling.
Kihachi looked at the confectionery tower with longing. Seiroku, smiling wryly, bought him a jar of cookies tied with a red ribbon. Kihachi quickly grabbed a cookie and shoved it in his mouth. The crisp texture and an incredible sweetness filled his mouth.
The amusement in which wooden horses spun around in a circleâcalled a carouselâwas also quite fun. Seiroku and Kihachi sat on the horses, laughing innocently with the children and adults around them.
The two went on to tour the entire expo, finally ascending the observation deck of the Obayashi Tower.
From there, they could not only see the panoramic view of the entire venue bathed in the setting sun, but also the cityscape of Osaka with its towering factory chimneys, and even the city of Minoo in the north.
âThe view is amazing. I wonder if we can even see Kyoto from here.â
âIt is beautiful, but the âboxâ we rode up in was scary.â
The Obayashi Tower was fifty meters tall. To get to the observation deck, one must use a conveyance called an âelevatorâ in the West. Kihachi was amazed by its convenience.
âLike the machines on display, that is powered by electricity.â
âElectricity really is amazing. It can even move people to a place this high.â
âBut Japanese technology is still undeveloped. Itâs still a far cry from the Paris Expo three years ago.â
Seiroku was referring to the Paris Expo held in Meiji 33 (1900). The moving walkways that carried people and the hundred-meter-tall Ferris wheel were all hot topics.
âAh, I really want to go to Paris,â Seiroku sighed as he gazed at the view before him. âI want to climb the Eiffel Tower just once.â
âYou still love going up to high places, huh, Nii-chan.â
In the twilight sky, the moon hung faintly in the corner. Kihachi recalled the first moving picture he had ever seen in his life. It was called A Trip to the Moon. It was based on a novel by the French author Jules Verne and told the story of a group of Westerners launched to the moon in a giant cannonball.
âThere wasnât a rabbit pounding mochi on the moon in that moving picture.â
âWhat, donât tell me you still believe in that?â
âYou donât believe in things like that at all. You even said that the Pure Land doesnât exist.â
âIâve told you many times that I donât believe in anything I canât see with my own eyes.â
ââŚEven the Pure Land? Then if it doesnât exist, where do people go when they die?â
Seiroku placed his hand on the slightly uneasy Kihachiâs head. âI donât know,â he said simply. âBut after I die, I plan on going to the moon. The moon is higher than anywhere on Earth. I want to see with my own eyes if there really is a rabbit pounding mochi.â
He smiled his usual confident smile as he spoke, but it felt more solemn than usual. The sun was already setting, and the sky was dyed a deep, dark red. Night was about to fall.
The two descended from the tower and headed towards the gate, preparing to go home. The closing bell rang, and visitors emerging from the various pavilions gathered on the main road. Kihachi felt nervous amidst the clamor of this unknown land and wanted to go home as soon as possible, but Seiroku walked leisurely beside him.
As if to further unsettle the already anxious Kihachi, Seiroku suddenly stopped.
âSorry, I need to go to the restroom.â
Kihachi was about to make a noise of protest, but not wanting his brother to think he was a coward, he nodded reluctantly. âIâll be back in five minutes,â Seiroku said, and left.
Kihachi sat down on a bench by the fountain and opened the jar Seiroku bought for him at the Canadian pavilion.
The red ribbon tied to the jar had gone missing at some point, which he found a shame, but his bad mood vanished instantly after eating the sweet cookies. Five minutes passed quickly as he chewed on the precious cookies little by little.
âThe restroom must be pretty crowded.â
The cookies were all gone. Ten minutes, fifteen minutes, then thirty, forty minutes. Kihachi, waiting for so long, began to realize that something wasnât right. He stood up from the bench and looked around, but there were no familiar faces in the crowd.
The sun had now completely set. The chalk-white buildings gradually turned a dim, deep blue. Kihachi felt a chill run down his spine. He couldnât calm his mind down.
âNii-chan!â he shouted those words with all his strength, but received no response. His anxiety only intensified. The thought of being stuck in this unfamiliar place at night, not knowing how to get home, made his teeth chatter. Tears streamed down his face.
Will I never be able to go home again? I donât want that. I donât care if Dad beats me as long as I can go home safely.
A wave of fear washed over him, as though something was about to attack him in the darkness. Kihachi crouched down on the ground, tears streaming down his face, desperately chanting, âNamu Amida Butsu, Namu Amida Butsu.â (7)
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Doing a museum themed stamp rally for WHA at Denver Fanexpo!
Here's my prize piece, based on Monet's "Bridge over a pond of water lilies" :D
I think it turned out rather nice <3
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Free to watch ⢠No registration required ⢠HD streaming