Me: “Adulthood is a trap I just want to live in the Underground.”
The Goblin King watching me:
PUT YOUR BEARD IN MY MOUTH
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@thecornerpiece82
Me: “Adulthood is a trap I just want to live in the Underground.”
The Goblin King watching me:

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A Novel Cellphone With a Rotary Dial
‘The French Dispatch’, A Wes Anderson Film About a Weekly Magazine Loosely Based on 'The New Yorker’

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Watching this (and fearing broken ankles with each loop) I can’t helping thinking about that old quote Ginger Rogers did everything Fred Astaire did, except backwards and in high heels.
But no, if you watch closely you’ll see she doesn’t even step on the last chair. That means she had to trust that fucker to lift her gently to the ground while he was spinning down onto that chair. That takes major guts. I’d be pissing myself and fearing a broken neck if I were in her place. Kudos to her.
I can’t stop watching this.
#I watched this for too long to not reblog
Whoa.
Okay so this is true, but a tiny part of a wider truth.
Ginger Rogers was a FUCKING BADASS. Ignore for a sec the rampant sexism in Hollywood (they once bleached her hair blonde in wardrobe without telling her beforehand), the fact that she fought her whole career against typecasting and stereotyping from fellow actors (Katharine Hepburn famously said of the Astaire/Rogers partnership “she gave him sex. He gave her class” ) for starting out in musicals, and went on to have a career lasting over fifty years, winning a Best Actress Oscar (Kitty Foyle, 1940). But… JUST focusing on the Astaire movies…
Not only did she dance “backwards” in high heels, the dances were a task in themselves. Astaire was an absolute perfectionist and choreographed for himself, so as a younger, less experienced dancer Rogers came in at a disadvantage and worked her ass off to match him.
Then there’s the filming complications… these numbers were filmed in ONE TAKE. So one thing goes wrong and you have to start over. Maybe you make a mistake or maybe your dress flies up because…
Ginger had to contend with her wardrobe. Dancing in heels is the norm at this time, but dancing in a dress designed for cinema cameras… not so much. They were heavy, embellished, uncomfortable, restrictive and cumbersome and essentially a third member of the dance, strapped to the body of one partner.Not only did she have to dance and look good, she had to control the dress too!
Take this routine from Swing Time… (it gets going proper at 1:30ish)
This dress has weights, YES WEIGHTS, sewn in to the hem to make it fly out and create a visual effect. So it’s heavy, it hurts if it hits you, and your partner gets mad if it hits him. So you gotta control it.
Well it turns out all these factors on this set, this particular day aren’t going so well. So you’re doing take after take, here’s no labour laws, so at 4am after 18 hours you’re still going, even though part of the routine requires you to spin up those curved stairs with no rail at high speed….
Okay so now back to those high heels. In Ginger’s autobiography she vividly remembers this night as the night she bled though her shoes. They did so many takes, her feet blistered, bled, and the white satin high heels she was wearing finished he night pink because they were literally full of blood. And still they keep shooting. She keeps dancing.
The take they use in the film is the last. Early hours. Bloody feet. And she spins, acts and bosses out until that last second. Because she was that professional, talented and bloody minded. This is the last set of spins…
So I say once again. Ginger Rogers was a badass.
She did everything Fred Astaire did backwards, in high heels, wearing a 20 pound dress, exhausted, injured and standing in a pool of her own blood. And watching her perform, you would never know.
Bong Joon-ho
“I dedicate this to all the Indigenous kids in the world who want to do art and dance and write stories, we are the original storytellers and we can make it here, as well.”
Congratulations, Taika Waititi, on a historic win at the Oscars. Thanks for another beautiful film.
*googles ‘how to nominate reporter for Peabody Award’* x
I literally just got dehydrated from all the salt in that one paragraph
A Little Girl and a Giant Rabbit Are the Best of Friends

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#relatable
Stunning photos of Carole Lombard taken by Otto Dyar.
Woman Spends 56 Years With a Beloved Tortoise Who Was Given to Her on Her Tenth Birthday in 1962
This is what Native American fashion looks like without the cultural appropriation
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B.YELLOWTAIL
Typewriter Series #2863 by Tyler Knott Gregson
*Seed line first, swipe for the full poem. Also, Psst, wanna hear me read these poems aloud? Podcast is up on Spotify and iTunes and places, and the linkthing is in my bio.*
Same haircut since it grew, same shirts since they started fitting me, same shoes since we couldn’t afford name brand, found the knock-off in a mall that no longer stands.
I was this and am it still, will be it, I know nothing else.
Growth inside, though skin still holds it, I am the expansion of the universe held snug in this shell that stretches.
Light years now, from the first light I saw,
galaxies away, inside, I think
as I button the same button I have fixed a dozen times.
-Tyler Knott Gregson-

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Musician Plays ‘Moonlight Sonata’ For Injured Aging Elephant Who Was Rescued From Logging Captivity
Pixidermy, Brilliantly Pixelated Mounted Animal Head Sculptures Made Out of Wooden Blocks