The Comic Kid Photography

It’s a new year and that means there are a bunch of changes around the corner. In this video Aaron Anglin gives some of his predictions of what we will see in the Digital Media space.

AI became the official buzzword of 2024 and it doesn’t seem to be slowing down for 2025. While the general public seems to be aware of the issues the powers that be seem okay with ignoring them. In this video Aaron Anglin discusses the state of AI, where it’s going and many of the problems with the technology that have yet to be addressed.

Aaron Anglin discusses why podcast have become so popular and gives some advice on getting started on your own.

In this video, Aaron Anglin talks about the things businesses should consider before hiring on a full time videographer to help in their marketing efforts.

Well I lost my Job. Which means It’s time to start looking at ways to get potential employers attention. I’ve put together this video as a sort of Video Resume/Cover Letter to stand out in a crowded space. Learn more about myself, my experience in video production and broadcasting and what skill I bring to the table that can take your project or business to the next level.

I’ve made a lot of mistakes in my career both large and small. But there is always an upside.

Aaron, Brie and Seth talk about how The Clone Wars saved Star Wars, the passing of Manga and Anime Legend Akira Toriyama and why legacy internet production companies like Rooster Teeth keep getting shut down.

In this episode we talk about Seth’s favorite movie, RoboCop. We Discuss why Madam Web is such a bad movie and we discuss if Pedro Pascal is at risk of being the next Chris Pratt.

In this episode we review Hazbin Hotel, Discuss Celebrity Deaths and decide if Xbox is doomed to be the next Sega.

In the first episode of Internet Friends Aaron, Brie and Seth Discuss the origins of their internet friendship, the rise and fall of geek culture and what it’s like to have grown up in the internet age.

I’ve been working in video content creation for almost 12 years and while some of my fellow millennials and scrappy Gen Z folks make it look easy I assure you it is not. I’ve spent most of my career working on content for many different companies and brands and the assumption that they have it all figured out is false. 9/10 they are all just winging it. Now I’m back to trying to make my own…

The Audio Technica AT2020 is a $100 Cardioid Patterned Condenser microphone that has been recommended for years as one of the best microphones to get for podcasting and streaming without breaking the bank. But the microphone market has a tone of competition in this space, and you can spend a little more money and get a higher end microphone, or you can save a buck by going to USB instead. So, the…

Why Make Photos Black and White?

The most common reason that I choose to make photos black and white is because they were shot in low light. Because I’m compensating with a higher ISO and to a lesser extent larger Apertures the photos I shoot in low light tend to have a shallow depth of field along with a noticeable amount of “noise” (Grain, Static, artifacts and discoloration). While noise is a common byproduct of increasing the sensitivity of your cameras sensor it is typically something many photographers would like to avoid. It’s why camera manufactures will invest a respectable amount of research and development into getting cameras to shoot at higher ISOs with less Noise. However even the best cameras shooting at 6400 ISO are going to show some noise but that doesn’t mean an image is ruined.

In my opinion a humble amount of noise can give photos a film like quality. In an era where Photoshop can polish an image down to the point where it looks more like a life like painting it can be a bit refreshing to keep some of the old rough edges to images as opposed to scrubbing the photos of their soul and leaving them as nothing more than images. The issue is though is that Digital Noise isn’t film grain. It has completely different qualities, the most significant being the way it effects color tones; They can become muddy and difficult to grade colors the way you want. It is especially difficult when it comes to skin tone which tend to be a pain in the ass to change anyways. However is you are okay with less color and a bit of grain you can get some very vintage/filmic looking images.

This is what makes black and white such a effective method of editing. You’re not worried about what the colors look like you’re more focused on what your exposure, Contrast, whites, blacks, shadows and highlights are doing without having to stress about color balance or saturation as well.

Technical justifications aside the main reason to process in black and white is purely a aesthetic choice. I have always loved the way black and white photography looks especially when it comes to my more candid and improvisational photography. I like having photos that look like you could find them in the attic of you grandparents house and its a big reason I frequently order 4×6 prints on some of my favorite photos. One day someone is going to be going through my old stuff and that photos I have taken throughout my life.

Shooting with the Fuji X100f.

The Fuji X100f is a relatively new addition to my camera bag. I have had it for the last 6 months and in my time shooting with it there are some certain qualities that I have grown to appreciate and other that I have learned to loath and this Black and White series is a good illustrations of the good the bad and the ugly when it

comes to this camera.

The Good:

The image quality off the sensor of this camera is excellent. I have grown so spoiled by shooting with a full frame Nikon DSLR that I have grown pessimistic when it comes to smaller sensors but the APS-C sized chip on the X100f Renders details and colors so well that in the right lighting conditions you would think that you were shooting with a full 35mm sensor. I personally believe the sensor benefits from having a well paired lens attached to the front of it. The 23mm f2 lens that is fixed on the Fuji is roughly a 35mm equivalent on the APS-C Sensor and the combination of the f2 wide open aperture and being fixed focal length allows for very precise rendering that takes some very breathtaking images.

The final thing that I love about the camera is how fast it is. The auto focus, the shutter response (along with being incredibly quite) allows me to shoot very quickly and the responsiveness of the camera to my adjustments happen at such a pace the I can focus on shooting more than constantly making minor adjustments.

The Bad:

This camera is not well suited for portraits, Not going to lie about that. While I am super pleased with the image quality coming out of the camera there are some things that makes it hard to get portraits to look the way portraits to work.

 Because the lens is a 23mm it has a lot of the qualities and drawbacks of a wide angle lens. Noticeable distortion, even with f2 aperture the bokeh (blurred Background) never quite gets the subject isolation you want and getting the right composition never becomes a bit more of a challenge.

Most of these things can be overcome with some editing. Adobe Lightroom (Which I almost exclusively edit with)  has profile corrections built right in for this camera and the you can add more blur the background more if you’re into that kind of thing but ideally you want to minimized editing by getting as much in camera as you can and having your processing for implementing the style you want. Not so much for fixing issues.

The Ugly:

The high ISO performance on this camera is sketchy at best. The noise after 3200 ISO is Pretty noticeable but the thing that I constantly notice is how muddy the mid-tones become as you raise the sensitivity.  It is especially rough on the color quality. after 1600 ISO the color starts to fall apart on the RAW files to the point that you almost feel like you have to go to black and white which I why I elected edit all of these photos in black and white. I’ve noticed in time that people are really committed to color photography and I will often deliver black and white photos and have people ask me to convert them back to color. So for me I’m okay with living with a camera I know I’m going to get some color issues but I think there a lot of photographers and clients out there who color quality is non-negotiable.

Video in Black and White:

I want to get back to shooting video more often. Typically I don’t mix a lot of my video work with my portrait work but it has been something that I have wanted to do. After Editing the whole set in Black and White I decided I wanted the video I captured to match.

I shot the Video on my Nikon D600 with the Nikon 24-120 f4g lens. This Camera is a bit on the old side when it comes to video performance. It shoots at 1080p at 30fps (I shoot in 24fps) on a H.264 codec which is respectable but there are a lot of 4k 60fps options hitting the market with better codecs and more video centric features. But the footage from the 35mm sensor looks great and 1080p is still respectable in the online space. (But I do still am tempted to upgrade.)

I was actually really happy with how the video came out but I do want to improve a few things going forward. First I need to get a better stabilization setup. Not necessarily something fancy like a DJI RONIN or a Glide Cam but possibly a shoulder rig to give me more steady movements going forward. Also I need to get back on my music game because it’s very hard to get quality music that you can use in videos. Luckily Brain Altano has encouraged people to use the music he is now making for his new creative project Weird Heat on their own projects so I have decided to take advantage of his generosity.

The Set:

I feel fortunate to have been able to shoot with how busy I have been lately but I’m finding it important to continue with my own creative endeavors. A lot of what my day (and night) job have me do is beneficial to my professional growth, but being able to do things like this black and white series makes me feel like still have the ability to flex my creative muscles.

Not Your Grandpa’s Softail. Out of all of the other motorcycle manufacturers in the world, Harley Davidson has one of the most unique marketing problems any brand could have. They have to find a way to attract new customers without alienating all of their existing ones. That’s a pretty standard problem for a company trying to sell a product, but Harley can’t do it in the same way that other…