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@the73rdhomunculus
i like to play and draw

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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peter and dud hugging andd being gayđź’ť
🫡🫡🫡
My favourite jazz musicians/artists + my favourite song by them:
. Dudley Moore - Amalgam
. Lee Morgan - Gary’s Notebook
. Miles Davis - So What
. Errol Garner - Misty
. Esperanza Spalding - I Know You Know
. Wes Montgomery - Impressions
. Alice Coltrane - Blue Nile
. John Coltrane - Giant Steps
. Monica Zetterlund - Mister Kelly
. Sun Ra - Space Lonliness
. Herbie Hancock - Watermelon Man
. Ella Fitzgerald - Caravan
. Chic Corea - Fingerprints
. Mose Allison - The Seventh Son
. Lars Gullin - Danny’s Dream
Quick technical question: why’s John Cleese all semi-transparent like some ghostly spirit in this sketch???

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A little drawing of Peter Sellers!!!
Oh, saucy Worcester, dost thou lie so still?

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Get the point? PETER COOK backstage in London, circa 1972
(Source, source)
John Cleese calls out to Peter Cook backstage after the criminal court sketch (questioning a witness in a coffin) in the middle of the “A Poke In The Eye With A Sharp Stick”/“Pleasure at Her Majesty’s” show (I think you can hear Peter reply "Sir?" like he's a little Radley schoolboy again, which is so stinkin' cute). He asks for advice on improving the sketch. This clip is so brilliant because Peter is so sharp and John clearly wants to take advantage of his brilliant mind!
I love that you also hear Peter reference that thinking about the logic of the sketch is something he has picked up from Dudley. You can tell that when this show was performed (1976) he was already missing having Dudley to develop material with. Dudley was the only Fringer to not perform in the show, which featured a number of BTF sketches.
The way Peter Cook looks at Dudley Moore
He's trying to pin him in place like a butterfly or something.
In the art gallery sketch it's relentless. Once or twice Peter looks away to save Dudley from corpsing, but much of the time he's daring Dud to keep going. What a double act.
It worked both ways though...
"I’m happy to say that, after fourteen years of working with him, Dudley still makes me laugh a great deal. During the two hours of the show I’m constantly on the verge of hysteria."
Peter Cook - "How I see Dudley Moore", Esquire, 1 August 1974.

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Peter Cook getting lippy with Tim Brooke-Taylor and John Cleese at “The Other Awards” premier of the Secret Policeman’s Ball film.
they may be an awful dastardly pair but they had this habit of dancing/waltzing(?) around whenever something good came in their way...